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George Romney Study of Two Seated Figures
George Romney, 1734–1802
Study of Two Seated Figures
undated
George Romney Figure Composition Study 49
George Romney, 1734–1802
Figure Composition Study 49
undated
George Romney Figure Composition Study 50
George Romney, 1734–1802
Figure Composition Study 50
undated
George Romney Figure Study of a Woman
George Romney, 1734–1802
Figure Study of a Woman
undated
George Romney Figure Study Twelve
George Romney, 1734–1802
Figure Study Twelve
undated
George Romney Figure Study Thirteen
George Romney, 1734–1802
Figure Study Thirteen
undated
George Romney Figure Composition Study 50
George Romney, 1734–1802
Figure Composition Study 50
undated
George Romney Figure Study 5
George Romney, 1734–1802
Figure Study 5
undated
George Romney Figure Composition Study 27
George Romney, 1734–1802
Figure Composition Study 27
undated
George Romney Figure Study 3
George Romney, 1734–1802
Figure Study 3
undated
George Romney Figure Composition Study 29
George Romney, 1734–1802
Figure Composition Study 29
undated
George Romney Figure Composition Study 31
George Romney, 1734–1802
Figure Composition Study 31
undated
George Romney Figure Composition Study 32
George Romney, 1734–1802
Figure Composition Study 32
undated
George Romney Study of Three Women
George Romney, 1734–1802
Study of Three Women
undated
George Romney Male Head 2
George Romney, 1734–1802
Male Head 2
undated
George Romney Study of a Standing Figure
George Romney, 1734–1802
Study of a Standing Figure
undated
George Romney Figure Composition Study 41
George Romney, 1734–1802
Figure Composition Study 41
undated
George Romney Figure Composition Study 42
George Romney, 1734–1802
Figure Composition Study 42
undated
George Romney Figure Study 4
George Romney, 1734–1802
Figure Study 4
undated
George Romney Figure Composition Study 43
George Romney, 1734–1802
Figure Composition Study 43
undated
George Romney Figure Composition Study 44
George Romney, 1734–1802
Figure Composition Study 44
undated
George Romney Figure Composition Study 48
George Romney, 1734–1802
Figure Composition Study 48
1793
George Romney Study of Two Figures and a Face
George Romney, 1734–1802
Study of Two Figures and a Face
undated
George Romney Study of a Seated Woman
George Romney, 1734–1802
Study of a Seated Woman
undated
George Romney Figure Composition Study 1
George Romney, 1734–1802
Figure Composition Study 1
1794
George Romney Figure Study 10
George Romney, 1734–1802
Figure Study 10
undated
George Romney Figure Composition Study 3
George Romney, 1734–1802
Figure Composition Study 3
undated
George Romney Figure Study 1
George Romney, 1734–1802
Figure Study 1
undated
George Romney Figure Study 7
George Romney, 1734–1802
Figure Study 7
undated
George Romney Figure Composition Study 26
George Romney, 1734–1802
Figure Composition Study 26
undated
George Romney Leaves 1
George Romney, 1734–1802
Leaves 1
undated
George Romney Figure Composition Study 28
George Romney, 1734–1802
Figure Composition Study 28
undated
George Romney Figure Composition Study 34
George Romney, 1734–1802
Figure Composition Study 34
undated
George Romney Figure Composition Study 45
George Romney, 1734–1802
Figure Composition Study 45
undated
George Romney Figure Composition Study 46
George Romney, 1734–1802
Figure Composition Study 46
undated
George Romney Figure Composition Study 47
George Romney, 1734–1802
Figure Composition Study 47
undated
George Romney Composition of Two Figures
George Romney, 1734–1802
Composition of Two Figures
undated
George Romney Figure Study Eleven
George Romney, 1734–1802
Figure Study Eleven
undated
George Romney Female Figure
George Romney, 1734–1802
Female Figure
undated
George Romney Figure Study 6
George Romney, 1734–1802
Figure Study 6
undated
George Romney Figure Composition Study 2
George Romney, 1734–1802
Figure Composition Study 2
undated
George Romney Figure Composition Study 4
George Romney, 1734–1802
Figure Composition Study 4
1793
George Romney Figure Composition Study 5
George Romney, 1734–1802
Figure Composition Study 5
undated
George Romney "Lear in the Storm," King Lear, Act III, Scene II
George Romney, 1734–1802
"Lear in the Storm," King Lear, Act III, Scene II
undated
George Romney Manuscript Notes
George Romney, 1734–1802
Manuscript Notes
1773
George Romney Manuscript Notes
George Romney, 1734–1802
Manuscript Notes
1773
George Romney Manuscript Notes
George Romney, 1734–1802
Manuscript Notes
1773
George Romney Manuscript Notes
George Romney, 1734–1802
Manuscript Notes
1773
George Romney Manuscript Notes
George Romney, 1734–1802
Manuscript Notes
1773
George Romney Manuscript Notes
George Romney, 1734–1802
Manuscript Notes
1773
George Romney Manuscript Notes
George Romney, 1734–1802
Manuscript Notes
1773
George Romney Manuscript Notes
George Romney, 1734–1802
Manuscript Notes
1773
George Romney Manuscript Notes
George Romney, 1734–1802
Manuscript Notes
1773
George Romney Manuscript Notes
George Romney, 1734–1802
Manuscript Notes
1773
George Romney Manuscript Notes
George Romney, 1734–1802
Manuscript Notes
1773
unknown artist Macbeth
unknown artist
Macbeth
unknown artist A Memorial to Shakespeare
unknown artist
A Memorial to Shakespeare
1791
unknown artist Mr. Kemble as Henry V
unknown artist
Mr. Kemble as Henry V
unknown artist Edmund Kean as Richard III
unknown artist
Edmund Kean as Richard III
unknown artist Mr. Kean as Othello
unknown artist
Mr. Kean as Othello
unknown artist Titania and Bottom
Print made by unknown artist
Titania and Bottom
undated
unknown artist Allegorical Homage to Shakespeare
unknown artist
Allegorical Homage to Shakespeare
unknown artist Launce Teaching his Dog Crab to behave as a Dog in all things - "The Two Gentlemen of Verona," Act IV, Scene IV
unknown artist
Launce Teaching his Dog Crab to behave as a Dog in all things - "The Two Gentlemen of Verona," Act IV, Scene IV
1794
unknown artist Launce Teaching his Dog Crab to behave as a Dog in all things - "The Two Gentlemen of Verona," Act IV, Scene IV
unknown artist
Launce Teaching his Dog Crab to behave as a Dog in all things - "The Two Gentlemen of Verona," Act IV, Scene IV
1794
unknown artist Characters from a German Production of Macbeth (one of six etchings)
unknown artist
Characters from a German Production of Macbeth (one of six etchings)
unknown artist Talma, role d'Hamlet et Mlle. Duchenois, role de Gertrude, no. 277
unknown artist
Talma, role d'Hamlet et Mlle. Duchenois, role de Gertrude, no. 277
unknown artist Kean, in the Character of Richard III
unknown artist
Kean, in the Character of Richard III
unknown artist Thenard role de Sganarelle - "Le Medecin Malgre Lui," Act I, Scene VII
unknown artist
Thenard role de Sganarelle - "Le Medecin Malgre Lui," Act I, Scene VII
unknown artist Characters from a German Production of Macbeth (one of six etchings)
unknown artist
Characters from a German Production of Macbeth (one of six etchings)
unknown artist Characters from a German Production of Macbeth (one of six etchings)
unknown artist
Characters from a German Production of Macbeth (one of six etchings)
unknown artist William Shakespeare, Poete Anglais (Dessine d'apres le buste en marbre qui est a L'Universite D'Oxford)
unknown artist
William Shakespeare, Poete Anglais (Dessine d'apres le buste en marbre qui est a L'Universite D'Oxford)
unknown artist Characters from a German Production of Macbeth (one of six etchings)
unknown artist
Characters from a German Production of Macbeth (one of six etchings)
unknown artist Characters from a German Production of Macbeth (one of six etchings)
unknown artist
Characters from a German Production of Macbeth (one of six etchings)
Henry Thomas Alken The Infant
Print made by Henry Thomas Alken, 1785–1851
The Infant
1824
Henry Thomas Alken The Lover
Print made by Henry Thomas Alken, 1785–1851
The Lover
1824
Henry Thomas Alken The School-Boy
Print made by Henry Thomas Alken, 1785–1851
The School-Boy
1824
Henry Thomas Alken The Justice
Print made by Henry Thomas Alken, 1785–1851
The Justice
1824
Cornelis Apostool Here Nature List'ning Stood
Print made by Cornelis Apostool, 1762–1844
Here Nature List'ning Stood
1795
John Doyle ('H.B.') A Great Actor between Tragedy and Comedy
Print made by John Doyle ('H.B.'), 1797–1868
A Great Actor between Tragedy and Comedy
1834
unknown artist The Young Roscius
Print made by unknown artist
The Young Roscius
1804
James H. Baker Come Gentle Night: "Romeo and Juliet," Act III, Scene II
Print made by James H. Baker, born 1829
Come Gentle Night: "Romeo and Juliet," Act III, Scene II
between 1839 and 1849
Francesco Bartolozzi Queen Katherine's Dream - "Henry VIII"
Francesco Bartolozzi, 1728–1815
Queen Katherine's Dream - "Henry VIII"
1788
Daniel Nikolaus Chodowieki ...in ein Nonnen Kloster geh: 'Hamlet,' Act III, Scene IX
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
...in ein Nonnen Kloster geh: 'Hamlet,' Act III, Scene IX
1778
unknown artist Macbeth and the Murderers - "Macbeth," Act III, Scene I
unknown artist
Macbeth and the Murderers - "Macbeth," Act III, Scene I
1792
Daniel Nikolaus Chodowieki Seht Ihr denn nichts hier: 'Hamlet,' Act IV, Scene II
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
Seht Ihr denn nichts hier: 'Hamlet,' Act IV, Scene II
1778
George Cruikshank Gloucestershire. Before Shallow's house: 'Henry IV Part II,' Act III, Scene II
Print made by George Cruikshank, 1792–1878
Gloucestershire. Before Shallow's house: 'Henry IV Part II,' Act III, Scene II
after 1857
George Cruikshank Another Part of the Field: 'Henry IV Part I,' Act V, Scene IV
Print made by George Cruikshank, 1792–1878
Another Part of the Field: 'Henry IV Part I,' Act V, Scene IV
after 1857
George Cruikshank A Fancy Sketch, to the Memory of Shakespeare
Print made by George Cruikshank, 1792–1878
A Fancy Sketch, to the Memory of Shakespeare
1797
George Cruikshank London. A Street: 'Henry IV Part II,' Act II, Scene I
Print made by George Cruikshank, 1792–1878
London. A Street: 'Henry IV Part II,' Act II, Scene I
after 1857
Robert Dighton Hamlet in Scotland
Print made by Robert Dighton, 1752–1814
Hamlet in Scotland
1794
James Faed Sr. Shakespeare in His Study
James Faed Sr., 1821–1911
Shakespeare in His Study
1859
John W. Gear Mr. W. J. Hammond and Miss Daly as Othello and Desdemona at the New Strand Theatre
Print made by John W. Gear, 1806–1866
Mr. W. J. Hammond and Miss Daly as Othello and Desdemona at the New Strand Theatre
undated
George Cruikshank London. The Boar's-head Tavern in Eastcheap: 'Henry IV Part II,' Act II, Scene IV
Print made by George Cruikshank, 1792–1878
London. The Boar's-head Tavern in Eastcheap: 'Henry IV Part II,' Act II, Scene IV
after 1857
Andreas Geiger Viola nach Shakespeare von Deinhardstein - Costume Bild zur Theatrezeitung
Andreas Geiger, 1765–1856
Viola nach Shakespeare von Deinhardstein - Costume Bild zur Theatrezeitung
undated
Georg Goldberg "Antony and Cleopatra," Act III, Scene XI
Georg Goldberg, 1830–1894
"Antony and Cleopatra," Act III, Scene XI
undated
William Nelson Gardiner Mr. Kemble, of the Theatre Royal, Drury Lane
Print made by William Nelson Gardiner, 1766–1814
Mr. Kemble, of the Theatre Royal, Drury Lane
1797
Augustus Fox The Dreams of the Youthful Shakespeare
Print made by Augustus Fox, 1800–1876
The Dreams of the Youthful Shakespeare
1827
James Gillray The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing
Print made by James Gillray, 1756–1815
The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing
1805
James Heath "Then go, bid the huntsmen wake them with their horns"
James Heath, 1757–1834
"Then go, bid the huntsmen wake them with their horns"
1802
Charles Heath Stratford-on-Avon
Charles Heath, 1785–1848
Stratford-on-Avon
1824