Materials & Techniques: brown wash / On-site Access: Accessible by appointment in the Study Room

William Mulready, 1786–1863

Figures in a Doorway

undated

Henry William Bunbury, 1750–1811

An Illustration of H. Bunbury ('Geoffrey Gambado'), "An Academy for Grown Horsemen: 'A Bit of Blood'

undated

George Jones, 1786–1869

A Camel Resting, Side View to the Right

ca. 1856

George Jones, 1786–1869

A Male Lion, Lying Down and Half Facing Right

ca. 1856

George Jones, 1786–1869

A Polar Bear, Asleep, Front View

ca. 1856

Sir Edwin Henry Landseer, 1802–1873

The Deer-Stalker, Oct. 15, 1852

1852

John Michael Rysbrack, 1694–1770

Two Horses' Heads

undated

Paul Sandby, 1731–1809

A Carriage and Pair, with Coachman

1774

John Frederick Tayler, 1802–1889

Dismounted Rider Breaking Open a Fence for Foxhounds to Pass Through

undated

John Frederick Tayler, 1802–1889

Six Foxhounds Resting

undated

James Barenger, 1780–after 1831

The Saddling Enclosure, Epsom

undated

Thomas Daniell, 1749–1840

Preparing for a Hunt at Selhurst Park, Nov. 14, 1796

1796

Sawrey Gilpin, 1733–1807

A Group of Eight Horses Fighting

undated

Sawrey Gilpin, 1733–1807

Frightened Horse Tied to a Post

undated

Sawrey Gilpin, 1733–1807

A Group of Five Horses Fighting

undated

Sawrey Gilpin, 1733–1807

Hounds Followed by Three Riders

undated

Thomas Rowlandson, 1756–1827

The Stable of an Inn

ca. 1790

George Moutard Woodward, ca. 1760–1809

'A Whistler!'

undated

Jan Wyck, ca. 1645–1700

Stag Hunting

undated

Francis Sartorius, 1734–1804

Hunting in a Wood

undated

Samuel Francis Marryat, 1826–1855

Dyak Women

1848

Samuel Francis Marryat, 1826–1855

Scene at the City of Bruni, Bornia

1848

Samuel Francis Marryat, 1826–1855

Procession of the Sultan of Gonong Tabor, Borneo

1848

Samuel Francis Marryat, 1826–1855

Illanoan Pirates of Tampassook (Borneo)

1848

Thomas Daniell, 1749–1840

Near Sita Coonde, October 22, 1788

1788

unknown artist

An Orchestra Rehearsing

undated

Isaac Shaw, active 1830

The Viaduct over the Sankey Canal

ca. 1830

Isaac Shaw, active 1830

Bridge over the Irwell and Entrance into Manchester

ca. 1830

Isaac Weld, 1774–1856

Dunloh Castle, Killarney, Ireland

ca. 1807

Isaac Weld, 1774–1856

Castello Malespina Appennines

1819

Isaac Weld, 1774–1856

The Colosseum, Rome

1818

Isaac Weld, 1774–1856

Caernarvon (Castle) Eagle Tower

ca. 1809

Isaac Weld, 1774–1856

Caernarvon Castle

1809

Isaac Weld, 1774–1856

Harlech Castle

1810

Isaac Weld, 1774–1856

Harlech Castle

1810

Isaac Weld, 1774–1856

Harlech Castle

1810

Isaac Weld, 1774–1856

Ruins (Roman?)

1818

Isaac Weld, 1774–1856

Classical Landscape with Temple

ca. 1818

Isaac Weld, 1774–1856

Two Temple Ruins with Studies

undated

Isaac Weld, 1774–1856

An Execution, Rome

1819

Henri Gaudier-Brzeska, 1891–1915

Study for a Sculptural Column

between 1910 and 1915

James Bruce, 1730–1794

Plan and Section of the Mikeas or Kiosc with the Pillar Where on Is Measured the Daily Increase of the Nile During Inundation

undated

James Bruce, 1730–1794

Horseman Approaching Traveller Beside River

undated

James Bruce, 1730–1794

Old Man, Warrior and Boy in a Classical Landscape

undated

James Bruce, 1730–1794

A Servant Bringing Water to Three Hunters

undated

Isaac Shaw, active 1830

Opening of the Liverpool and Manchester Railway

ca. 1830

Isaac Shaw, active 1830

View on the Liverpool and Manchester Railway with the Locomotive "Twin Sisters" in a Siding

ca. 1830

Isaac Weld, 1774–1856

Sorrento Gate

1818

Isaac Weld, 1774–1856

"After Pinnelli" (Group of Peasants Outside a House)

1817

Heneage Finch fourth Earl of Aylesford, 1751–1812

Tenby

undated

Henri Gaudier-Brzeska, 1891–1915

Standing Female Figure

between 1910 and 1915

Henri Gaudier-Brzeska, 1891–1915

Relief Design of a Seated Female Figure

between 1910 and 1915

Sir Joshua Reynolds, 1723–1792

Standing Woman with Folded Hands

undated

Sir Joshua Reynolds, 1723–1792

Sketch of a Sleeping Woman

undated

Sir Joshua Reynolds, 1723–1792

Adult and Child

undated

Joseph Cartwright, c.1789–1829

Side View of Battleship Surrounded by Several Others in Heavy Seas

undated

Joseph Cartwright, c.1789–1829

Side View of Single Corvette and Top of Single Mast, Hotspur

undated

Joseph Cartwright, c.1789–1829

Schooner, Corvette and Fishing Smack

undated

Attributed to Francis Hayman, 1707/8–1776

Figures in Boats

undated

Gangaram Chintaman Tambat, active 1790s

Utensils

ca. 1790

Augustus Welby Northmore Pugin, 1812–1852

Design for an Ornamented Spandrel

undated

David Cox, 1783–1859

Old London Bridge and St. Paul's Cathedral From the Thames

ca. 1808

Henry Dawe, 1790–1848

The Life of a Nobleman: Scene the Fifth - The Gambling House

undated

Henry Dawe, 1790–1848

The Life of a Nobleman: Scene the Seventh - The Mess Room

undated

Paul Sandby, 1731–1809

London Cries: Throws for a Ha'penny Have You a Ha'penny

undated

Paul Sandby, 1731–1809

London Cries: A Man Swaggering

undated

Michel Jean Cazabon, 1813–1888

Trinity Church, Port of Spain

1851

Michel Jean Cazabon, 1813–1888

St. James Barracks

1851

Michel Jean Cazabon, 1813–1888

Bamboo Arches, St. Anns

1851

Michel Jean Cazabon, 1813–1888

The Cottage, Mount Tamana

1851

Richard Morris, active 1830

Regent's Park, London, The Colosseum, Clergy's Orphans' School and St. Andrew's Place, with Figures and Coaches

ca. 1831

George Barret Jr., 1767–1842

Boulner, East Yarmouth

undated

John Thomas Smith Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

John Thomas Smith, 1766–1833

Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

1817

John Thomas Smith, 1766–1833

Hogarth Declaring His Love to Miss Thornhill

1817

John Thomas Smith Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

John Thomas Smith, 1766–1833

Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

1817

John Thomas Smith, 1766–1833

Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances

1817

John Thomas Smith Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill

John Thomas Smith, 1766–1833

Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill

1817

John Thomas Smith, 1766–1833

Hogarth Drawing Sarah Malcolm

1817

John Thomas Smith, 1766–1833

The Smock Exposed

1817

John Thomas Smith, 1766–1833

The Reconcilation

1817

John Thomas Smith, 1766–1833

Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

1817

John Thomas Smith, 1766–1833

Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers

1817

John Thomas Smith Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

John Thomas Smith, 1766–1833

Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

1817