Lamprey, with His Owner Sir William Morgan, at Newmarket
1723
Not on view
9
Benjamin Marshall, 1768–1835
Foxhunting Scene
1808
Not on view
10
Sir Alfred J. Munnings, 1878–1959
Portrait of a Sporting Lady
1929
Not on view
11
John Wootton, 1682–1764
Preparing for the Hunt
ca. 1745
Not on view
12
John Wootton, 1682–1764
Lord Portmore Watching Racehorses at Exercise on Newmarket Heath
ca. 1735
Not on view
13
Thomas Roberts, 1748–1778
Lough Erne from Knock Ninney, with Bellisle in the distance, County Fermanagh, Ireland
1771
Not on view
14
Spencer Frederick Gore, 1878–1914
Design for Deer Hunting Mural in the Cabaret Theatre Club
1912
Not on view
15
Neil Cawthorne, 1936–1978
Full Cry: The Quorn
ca. 1975
Not on view
16
Lionel Edwards, 1878–1966
High Leicestershire
1961
Not on view
17
Richard Ansdell, 1815–1885
The Caledonian Coursing Meeting
1844
Not on view
18
Thomas Gainsborough, 1727–1788
Major John Dade of Tannington, Suffolk
ca. 1755
Not on view
19
Benjamin Marshall, 1768–1835
George, Marquess of Huntly (later fifth Duke of Gordon), on Tiny
between 1806 and 1807
Not on view
20
Henry Thomas Alken, 1785–1851
Hunting Scene: In Full Cry
ca. 1840
Not on view
21
Henry Thomas Alken, 1785–1851
Hunting Scene: Drawing the Cover
ca. 1840
Not on view
22
Benjamin Herring, 1830–1871
Silks and Satins of the Turf
1865
Not on view
23
John Frederick Herring, 1795–1865
Steeplechase cracks: Allen McDonough on Brunette, Tom Oliver on Discount, and Jem Mason on Lottery
before 1847
Not on view
24
John Frederick Herring, 1795–1865
Grey carriage horses in the coachyard at Putteridge Bury, Hertfordshire
1838
Not on view
25
Sir Alfred J. Munnings, 1878–1959
Newmarket Again
ca. 1952
Not on view
26
William Shaw, active 1758–1772
The Duke of Ancaster's Bay Stallion, Blank, Walking Towards a Mare
ca. 1770
Not on view
27
William J. Shayer, 1811–c.1885
Foxhunting: Clearing a Brook
1863
Not on view
28
William J. Shayer, 1811–c.1885
Foxhunting: Coming to a Fence (Full Cry)
1863
Not on view
29
Francis Calcraft Turner, active 1782–1846
Bachelor's Hall: Full Cry
1835 to 1836
Not on view
30
Francis Calcraft Turner, active 1782–1846
Bachelor's Hall: The Death
1835 to 1836
Not on view
31
James Ward, 1769–1859
Theophilus Levett and a Favorite Hunter
1817
Not on view
32
Sir Alfred J. Munnings, 1878–1959
Southern Hero and Black Speck, the property of J. V. Rank
1940
Not on view
33
Sir Alfred J. Munnings, 1878–1959
Saddling Up for the Grand National, 1919: Before the Snowstorm (sketch)
1919
Not on view
34
Perhaps Jan van der Vaardt, 1647–1721
Bifrons Park, Kent
between 1695 and 1705
Not on view
35
William J. Shayer, 1811–c.1885
Foxhunting: Breaking Cover
1863
Not on view
36
Charles Towne, 1763–1840
Three Horses in a Stormy Landscape
1836
Not on view
37
Francis Calcraft Turner, active 1782–1846
Bachelor's Hall: The Meet
1835 to 1836
Not on view
38
Francis Calcraft Turner, active 1782–1846
Bachelor's Hall: Breaking Cover
1835 to 1836
Not on view
39
John Wootton, 1682–1764
The Duke of Hamilton's Grey Racehorse 'Victorious' at Newmarket
ca. 1725
Not on view
40
John Dalby, active 1826–1853
The Quorn Hunt in Full Cry: Second Horses
ca. 1835
Not on view
41
James Dunthorne, 1730–1815
John Sidey and his Hounds at a Farmhouse near Hadleigh, Suffolk
1765
Not on view
42
John Ferneley, 1782–1860
The Quorn Hunt: a Sketch of the Artist and his Friends Moving Off
ca. 1825
Not on view
43
John Cordrey, active 1765–1825
J. & W. Chaplin's Dover-London Stage on the Road
1814
Not on view
44
Richard Barrett Davis, 1782–1854
Foxhunting: Road Riders or Funkers
1840
Not on view
45
John Ferneley, 1782–1860
Archery Meeting in Bradgate Park, Leicestershire
1850
Not on view
46
Jacques-Laurent Agasse, 1767–1849
A Groom Mounted on a Chestnut Hunter, He Holds a Bay Hunter by the Reins
early 19th century
Not on view
47
Henry Thomas Alken, 1785–1851
Scenes from a steeplechase: Near the Finish
ca. 1845
Not on view
48
Henry Thomas Alken, 1785–1851
Hunting Scene: The Meet
ca. 1840
Not on view
49
Henry Thomas Alken, 1785–1851
Scenes from a steeplechase: Taking a Hedge
ca. 1845
Not on view
50
Henry Thomas Alken, 1785–1851
Scenes From a Steeplechase: Another Hedge
ca. 1845
Not on view
51
Raoul Millais, 1901–1999
Leading Ponies
ca. 1935
Not on view
52
Sir Alfred J. Munnings, 1878–1959
The Saddling Paddock, Cheltenham March Meeting (sketch)
ca. 1947
Not on view
53
William Barraud, 1810–1850
Lord and Lady Twemlow
late 1840s
Not on view
54
James Seymour, 1702–1752
The Chaise Match Run on Newmarket Heath on Wednesday the 29th of August, 1750
1750
Not on view
55
John Dalby, active 1826–1853
Foxhunting: Clearing a Bank
ca. 1840
Not on view
56
Thomas Stringer, 1722–1790
John Corbet, Sir Robert Leighton and John Kynaston with their Horses and Hounds
1779
Not on view
57
John Ferneley, 1782–1860
Thomas Wilkinson, M.F.H., with the Hurworth Foxhounds
1846
Not on view
58
unknown artist
The Death of the Hare
between 1760 and 1770
Not on view
59
unknown artist
Antique Letter Box Converted into a Humidor
ca. 1840
Not on view
60
unknown artist
The Taglioni Coach and Other Scenes
ca. 1840
Not on view
61
unknown artist
Hunting Scenes: five oval plaques in one frame, perhaps Staffordshire or Liverpool and possibly enamel transfer-printed in black
18th century
Not on view
62
John R. Skeaping, 1901–1980
Arab Horsemen, Two Grey Horses
1965
63
Robert Polhill Bevan, 1865–1925
Over the Bank, Exmoor
ca. 1895
64
Robert Polhill Bevan, 1865–1925
A Morning at Tattersalls (with further sketches in left margin folded over)
undated
65
Print made by Robert Polhill Bevan, 1865–1925
The Meet
1898-1899
66
Print made by Robert Polhill Bevan, 1865–1925
Found!
1898-1899
67
Print made by Robert Polhill Bevan, 1865–1925
The Flying Pack
1898-1899
68
Robert Polhill Bevan, 1865–1925
The Kill
undated
69
Print made by Robert Polhill Bevan, 1865–1925
Who-o-p!
1898-1899
70
George Romney, 1734–1802
Studies of Horses
undated
71
John Frederick Lewis, 1804–1876
Tyrolese Hunters
between 1827 and 1828
72
John Nixon, ca. 1760–1818
Brighton Races
1805
73
John Henry Müntz, 1727–1798
Landscape with Sportsman and Guns
1779
74
Print made by Francesco Bartolozzi, 1728–1815
To His Grace The Duke Of Newcastle, This Print Of The Return From Shooting
1792
75
Cecil Charles Windsor Aldin, 1870–1935
Up and Over
undated
76
Cecil Charles Windsor Aldin, 1870–1935
`Ar Never Gets Off' - Hunting Scene
undated
77
Possibly Henry Thomas Alken, 1785–1851
The Leicestershire Hunt - Symptoms of a Skurry in a Pewy Country
undated
78
George Denholm Armour, 1864–1949
Taking a Fence Side-Saddle
undated
79
George Denholm Armour, 1864–1949
Insult to Injury
undated
80
Robert Healy, 1743–1771
Tom Conolly of Castletown Hunting with His Friends
1769
81
James Seymour, 1702–1752
A Lady and a Gentleman Riding Out
undated
82
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 7: Scenes of Cricket and a Waggoner With His Team
1821
83
Henry Thomas Alken, 1785–1851
"Scraps", No. 26: Hunting - The Kill, Fox About to be Thrown to the Hounds
undated
84
Henry Thomas Alken, 1785–1851
Symptoms: of How Do You Do, of I Should Not Have Known You, of My Lud, Of Easing a Patient, of a Loose Rein, of Wokey, of Tight in Hand
between 1818 and 1822
85
Henry Thomas Alken, 1785–1851
Symptoms: of a Few Neat Ones going to a Mill, of Returning from the Epping Hunt
between 1818 and 1822
86
Henry Thomas Alken, 1785–1851
Knight Falling From His Horse at a Squire's Tilt
undated
87
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'
between 1831 and 1832
88
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '
between 1831 and 1832
89
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
between 1831 and 1832
90
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
between 1831 and 1832
91
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'
between 1831 and 1832
92
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
between 1831 and 1832
93
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
between 1831 and 1832
94
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
between 1831 and 1832
95
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
between 1831 and 1832
96
Henry Thomas Alken, 1785–1851
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832
97
Henry Thomas Alken, 1785–1851
An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'
1842
98
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
undated
99
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'
undated
100
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'