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Materials & Techniques wove paper

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Collection Prints and Drawings

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Period 18th century

Remove constraint Period: 18th century

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George Stubbs A Sleeping Leopard
Print made by George Stubbs, 1724–1806
A Sleeping Leopard
1791
George Stubbs A Tiger and a Sleeping Leopard
Print made by George Stubbs, 1724–1806
A Tiger and a Sleeping Leopard
1788
George Stubbs A Prancing Horse, Facing Right
George Stubbs, 1724–1806
A Prancing Horse, Facing Right
ca. 1790
George Stubbs Study for the Self-portrait in Enamel
George Stubbs, 1724–1806
Study for the Self-portrait in Enamel
ca. 1781
William Hogarth Grotesque Female Head
attributed to William Hogarth, 1697–1764
Grotesque Female Head
undated
William Hogarth The Fourth Stage of Cruelty: The Reward of Cruelty
Print made by William Hogarth, 1697–1764
The Fourth Stage of Cruelty: The Reward of Cruelty
1751, printed 1790
William Hogarth Auction of Pictures, &c.
after William Hogarth, 1697–1764
Auction of Pictures, &c
1799
William Hogarth Auction of Pictures, &c.
after William Hogarth, 1697–1764
Auction of Pictures, &c
1799
William Hogarth The Invasion, Plate I, France
William Hogarth, 1697–1764
The Invasion, Plate I, France
1768
William Hogarth Sketches from Pen and Ink Drawings, Character and Caricatura
after William Hogarth, 1697–1764
Sketches from Pen and Ink Drawings, Character and Caricatura
1794
William Hogarth Sketches from Pen and Ink Drawings, Character and Caricatura
after William Hogarth, 1697–1764
Sketches from Pen and Ink Drawings, Character and Caricatura
1794
William Hogarth Sketches from Pen and Ink Drawings, Character and Caricatura
after William Hogarth, 1697–1764
Sketches from Pen and Ink Drawings, Character and Caricatura
1794
William Hogarth Sketches from Pen and Ink Drawings, Character and Caricatura
after William Hogarth, 1697–1764
Sketches from Pen and Ink Drawings, Character and Caricatura
1794
William Hogarth Sketches from Pen and Ink Drawings, Character and Caricatura
after William Hogarth, 1697–1764
Sketches from Pen and Ink Drawings, Character and Caricatura
1794
William Hogarth Sketches from Pen and Ink Drawings, Character and Caricatura
after William Hogarth, 1697–1764
Sketches from Pen and Ink Drawings, Character and Caricatura
1794
William Hogarth Sketches from Pen and Ink Drawings, Character and Caricatura
after William Hogarth, 1697–1764
Sketches from Pen and Ink Drawings, Character and Caricatura
1794
William Hogarth Concert Ticket, Mary's Chappel
after William Hogarth, 1697–1764
Concert Ticket, Mary's Chappel
1799
William Hogarth Concert Ticket, Mary's Chappel
after William Hogarth, 1697–1764
Concert Ticket, Mary's Chappel
1799
William Hogarth Concert Ticket, Mary's Chappel
after William Hogarth, 1697–1764
Concert Ticket, Mary's Chappel
1799
William Hogarth Sketches from Pen and Ink Drawings, Character and Caricatura
after William Hogarth, 1697–1764
Sketches from Pen and Ink Drawings, Character and Caricatura
1794
William Hogarth Concert Ticket, Mary's Chappel
after William Hogarth, 1697–1764
Concert Ticket, Mary's Chappel
1799
William Hogarth Concert Ticket, Mary's Chappel
after William Hogarth, 1697–1764
Concert Ticket, Mary's Chappel
1799
William Hogarth Concert Ticket, Mary's Chappel
after William Hogarth, 1697–1764
Concert Ticket, Mary's Chappel
1799
William Hogarth Concert Ticket, Mary's Chappel
after William Hogarth, 1697–1764
Concert Ticket, Mary's Chappel
1799
William Hogarth Satire on False Perspective
after William Hogarth, 1697–1764
Satire on False Perspective
1799
William Hogarth Industry and Idleness, Plate XI, The Idle 'Prentice Executed at Tyburn
after William Hogarth, 1697–1764
Industry and Idleness, Plate XI, The Idle 'Prentice Executed at Tyburn
1768
William Hogarth Satire on False Perspective
after William Hogarth, 1697–1764
Satire on False Perspective
1799
William Hogarth The Bruiser
William Hogarth, 1697–1764
The Bruiser
1763
William Hogarth The First Stage of Cruelty: Children Torturing Animals
Print made by William Hogarth, 1697–1764
The First Stage of Cruelty: Children Torturing Animals
1751, printed 1790
William Hogarth The Second Stage of Cruelty: Coachman Beating a Fallen Horse
Print made by William Hogarth, 1697–1764
The Second Stage of Cruelty: Coachman Beating a Fallen Horse
1751, printed 1790
William Hogarth The Third Stage of Cruelty: Cruelty in Perfection - The Murder
Print made by William Hogarth, 1697–1764
The Third Stage of Cruelty: Cruelty in Perfection - The Murder
1751, printed 1790
Joseph Mallord William Turner Christ Church Gate, Canterbury
Joseph Mallord William Turner, 1775–1851
Christ Church Gate, Canterbury
1793 to 1794
Joseph Mallord William Turner View of Ely Cathedral
Joseph Mallord William Turner, 1775–1851
View of Ely Cathedral
ca. 1796
Joseph Mallord William Turner Landscape with Barn
Joseph Mallord William Turner, 1775–1851
Landscape with Barn
ca. 1795
Joseph Mallord William Turner Dent de Lion, Margate
Joseph Mallord William Turner, 1775–1851
Dent de Lion, Margate
ca. 1791
Joseph Mallord William Turner Landscape with Trees and Figures
Joseph Mallord William Turner, 1775–1851
Landscape with Trees and Figures
ca. 1796
Joseph Mallord William Turner Clare Hall and King’s College Chapel, Cambridge, from the Banks of the River Cam
Joseph Mallord William Turner, 1775–1851
Clare Hall and King’s College Chapel, Cambridge, from the Banks of the River Cam
1793
Joseph Mallord William Turner South Porch and Tower of an Unidentified Church
Joseph Mallord William Turner, 1775–1851
South Porch and Tower of an Unidentified Church
between 1790 and 1795
Joseph Mallord William Turner Newark - upon - Trent
Joseph Mallord William Turner, 1775–1851
Newark - upon - Trent
ca. 1796
Joseph Mallord William Turner The Hurries, Coal Boats Loading, North Shields
attributed to Joseph Mallord William Turner, 1775–1851
The Hurries, Coal Boats Loading, North Shields
ca. 1795
Joseph Mallord William Turner St. Augustine's Gate, Canterbury
Joseph Mallord William Turner, 1775–1851
St. Augustine's Gate, Canterbury
between 1792 and 1793
Joseph Mallord William Turner Interior of St. John's Palace, Eltham
Joseph Mallord William Turner, 1775–1851
Interior of St. John's Palace, Eltham
ca. 1793
Joseph Mallord William Turner Near Grindelwald
Joseph Mallord William Turner, 1775–1851
Near Grindelwald
ca. 1796
Joseph Mallord William Turner Fisherman's Cottage, Dover
Joseph Mallord William Turner, 1775–1851
Fisherman's Cottage, Dover
ca. 1790s
Joseph Mallord William Turner Man with Horse and Cart Entering a Quarry
Joseph Mallord William Turner, 1775–1851
Man with Horse and Cart Entering a Quarry
ca. 1797
Joseph Mallord William Turner Autumn Sowing of the Grain
Joseph Mallord William Turner, 1775–1851
Autumn Sowing of the Grain
ca. 1794
Joseph Mallord William Turner Saint Augustine's Gate, Canterbury
Joseph Mallord William Turner, 1775–1851
Saint Augustine's Gate, Canterbury
ca. 1793
Joseph Mallord William Turner The Angler
Joseph Mallord William Turner, 1775–1851
The Angler
1794
Joseph Mallord William Turner North East View of Grantham Church, Lincolnshire
Joseph Mallord William Turner, 1775–1851
North East View of Grantham Church, Lincolnshire
ca. 1797
Joseph Mallord William Turner Windsor
Joseph Mallord William Turner, 1775–1851
Windsor
ca. 1798
Joseph Mallord William Turner A Great Tree
Joseph Mallord William Turner, 1775–1851
A Great Tree
ca. 1796
Joseph Mallord William Turner Evening Landscape with Castle and Bridge in Yorkshire
Joseph Mallord William Turner, 1775–1851
Evening Landscape with Castle and Bridge in Yorkshire
between 1798 and 1799
Joseph Mallord William Turner A Three Storied Georgian House in a Park
Joseph Mallord William Turner, 1775–1851
A Three Storied Georgian House in a Park
ca. 1795
Joseph Mallord William Turner Sir William Hamilton's Villa
Joseph Mallord William Turner, 1775–1851
Sir William Hamilton's Villa
ca. 1795
Joseph Mallord William Turner Santa Lucia, A Convent near Caserta
Joseph Mallord William Turner, 1775–1851
Santa Lucia, A Convent near Caserta
ca. 1795
Joseph Mallord William Turner From the Isola Borromena, Lago Maggiore
Joseph Mallord William Turner, 1775–1851
From the Isola Borromena, Lago Maggiore
ca. 1795
Joseph Mallord William Turner In the Valley Near Vietri
Joseph Mallord William Turner, 1775–1851
In the Valley Near Vietri
ca. 1794
Joseph Mallord William Turner Villa Salviati on the Arno
Joseph Mallord William Turner, 1775–1851
Villa Salviati on the Arno
between 1796 and 1797
Joseph Mallord William Turner Landscape with Waterfall
Joseph Mallord William Turner, 1775–1851
Landscape with Waterfall
ca. 1796
Joseph Mallord William Turner Villa d'Este
Joseph Mallord William Turner, 1775–1851
Villa d'Este
ca. 1796
William Blake Fire; Plate 7
Print made by William Blake, 1757–1827
Fire; Plate 7
1793
William Blake Help! Help!; Plate 12
Print made by William Blake, 1757–1827
Help! Help!; Plate 12
1793
William Blake I Have Said to the Worm, Thou Art My Mother & My Sister; Plate 18
Print made by William Blake, 1757–1827
I Have Said to the Worm, Thou Art My Mother & My Sister; Plate 18
1793
William Blake Songs of Innocence and of Experience, Plate 1, Innocence Frontispiece (Bentley 2)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 1, Innocence Frontispiece (Bentley 2)
1789
William Blake Songs of Innocence and of Experience, Plate 3, "Introduction" (Bentley 4)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 3, "Introduction" (Bentley 4)
1789
William Blake Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)
1789
William Blake Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)
1789
William Blake Songs of Innocence and of Experience, Plate 22, "The Little Girl Found" (Bentley 36)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 22, "The Little Girl Found" (Bentley 36)
1789
William Blake Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)
1789
William Blake Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)
1794
William Blake Songs of Innocence and of Experience, Plate 36, "The Clod & the Pebble" (Bentley 32)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 36, "The Clod & the Pebble" (Bentley 32)
1794
William Blake Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "
1793
William Blake Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "
1793
William Blake Visions of the Daughters of Albion, Plate 10, "In happy copulation . . . . "
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 10, "In happy copulation . . . . "
1793
William Blake The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)
1794
William Blake Songs of Innocence and of Experience, Plate 40, "The Angel" (Bentley 41)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 40, "The Angel" (Bentley 41)
1794
William Blake Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
ca. 1797
William Blake Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"
ca. 1797
William Blake Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"
ca. 1797
William Blake Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"
ca. 1797
William Blake Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"
ca. 1797
William Blake Young's Night Thoughts, Page 92, "When faith is virtue, reason makes it so"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 92, "When faith is virtue, reason makes it so"
ca. 1797
William Blake Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"
ca. 1797
William Blake The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)
1794
William Blake The First Book of Urizen, Plate 9, "Chap: IV | 1 Ages on ages roll'd over him . . . ." (Bentley 10)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 9, "Chap: IV | 1 Ages on ages roll'd over him . . . ." (Bentley 10)
1794
William Blake The First Book of Urizen, Plate 12 (Bentley 22)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 12 (Bentley 22)
1794
William Blake The First Book of Urizen, Plate 13, "Thus the Eternal Prophet was divided . . . " (Bentley 15)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 13, "Thus the Eternal Prophet was divided . . . " (Bentley 15)
1794
William Blake The First Book of Urizen, Plate 14 (Bentley 14)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 14 (Bentley 14)
1794
William Blake The First Book of Urizen, Plate 17, "They call'd her Pity and fled . . . ." (Bentley 19)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 17, "They call'd her Pity and fled . . . ." (Bentley 19)
1794
William Blake The First Book of Urizen, Plate 23: "The Ox in the slaughter house moans . . . ." (Bentley 25)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 23: "The Ox in the slaughter house moans . . . ." (Bentley 25)
1794
William Blake I Found Him Beneath a Tree; Plate 3
Print made by William Blake, 1757–1827
I Found Him Beneath a Tree; Plate 3
1793
William Blake Water; Plate 4
Print made by William Blake, 1757–1827
Water; Plate 4
1793
William Blake At Length for Hatching Ripe He Breaks the Shell; Plate 8
Print made by William Blake, 1757–1827
At Length for Hatching Ripe He Breaks the Shell; Plate 8
1793
William Blake My Son! My Son!; Plate 10
Print made by William Blake, 1757–1827
My Son! My Son!; Plate 10
1793
William Blake I Want! I Want!; Plate 11
Print made by William Blake, 1757–1827
I Want! I Want!; Plate 11
1793
William Blake Aged Ignorance; Plate 13
Print made by William Blake, 1757–1827
Aged Ignorance; Plate 13
1793
William Blake Alas!; Plate 9
Print made by William Blake, 1757–1827
Alas!; Plate 9
1793
William Blake Does Thy God O Priest Take such Vengeance as This?; Plate 14
Print made by William Blake, 1757–1827
Does Thy God O Priest Take such Vengeance as This?; Plate 14
1793
William Blake Fear & Hope Are -- Vision; Plate 15
Print made by William Blake, 1757–1827
Fear & Hope Are -- Vision; Plate 15
1793
William Blake The Traveller Hasteth in the Evening; Plate 16
Print made by William Blake, 1757–1827
The Traveller Hasteth in the Evening; Plate 16
1793