Preparatory drawing for Designs 5 and 6, Plate 3 from A Collection of Designs for Rural Retreats
1802
2
Edward Francis Burney, 1760–1848
View near Bristol
undated
3
Edward Francis Burney, 1760–1848
Pastoral
undated
4
Edward Francis Burney, 1760–1848
Erato and Pan
undated
5
Edward Francis Burney, 1760–1848
Fools Planting a Tree
undated
6
Edward Francis Burney, 1760–1848
The Arts
undated
7
Thomas Stothard, 1755–1834
Illustration to the Virtuous Orphan
undated
8
James Malton, 1761–1803
Preparatory drawing for Design 14, Plate 11 for A Collection of Designs for Rural Retreats
1802
9
James Malton, 1761–1803
Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats
1802
10
Paul Sandby, 1731–1809
London Cries: Fun upon Fun
1759
11
Thomas Stothard, 1755–1834
Tree Study
undated
12
James Lewis, 1751–1820
Design for a Country House
undated
13
James Wyatt, 1746–1813
Cobham Hall, Kent: Ceiling of Vestibule
ca. 1790
14
Peter Casteels, 1684–1749
Feeding Ducks
undated
15
Michel Vincent Brandoin, 1733–1807
Shepherd, Shepherdess and Dog
undated
16
James Wyatt, 1746–1813
Cobham Hall, Kent: Plan of Tower Staircase
ca. 1790
17
Edward Francis Burney, 1760–1848
Hilly Landscape with House
undated
18
Edward Francis Burney, 1760–1848
Chepstow Castle
undated
19
Edward Francis Burney, 1760–1848
Richmond
undated
20
Edward Francis Burney, 1760–1848
Bathampton Mill
undated
21
Edward Francis Burney, 1760–1848
Road in the Forest
undated
22
Edward Francis Burney, 1760–1848
Thatched-roof Barn
undated
23
Edward Francis Burney, 1760–1848
View near Bristol
undated
24
Edward Francis Burney, 1760–1848
Watley
undated
25
Edward Francis Burney, 1760–1848
Theatrical Scene
undated
26
Thomas Crofton Croker, 1798–1854
Houses at Kilmallock
undated
27
Edward Francis Burney, 1760–1848
View in Surrey
undated
28
Edward Francis Burney, 1760–1848
Bathing Houses at Margate
undated
29
Edward Francis Burney, 1760–1848
Mowbray Park
undated
30
Edward Francis Burney, 1760–1848
River Landscape with Bridge
undated
31
Edward Francis Burney, 1760–1848
Bathampton Mill
undated
32
Edward Francis Burney, 1760–1848
Country House
undated
33
unknown artist
A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
printed 1740, drawn ca. 1760
34
Attributed to John Carter, 1748–1817
Continuation of the Preceeding Ornaments
1793
35
Attributed to John Carter, 1748–1817
South View of the Abbey Church, Westminster, Taken from Dean's Yard
1785
36
Attributed to John Carter, 1748–1817
Buildings on North Side, Dean's Yard
between 1806 and 1815
37
Attributed to John Carter, 1748–1817
Continuation of Details
between 1806 and 1815
38
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
39
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
40
Attributed to John Carter, 1748–1817
Detail for Preceding Elevations
between 1806 and 1815
41
Robert Dighton, 1752–1814
Cricket played by the Gentlemens Club, Whiteconduit House
1784
42
Robert Dighton, 1752–1814
Trap Ball Played at the Black Prince, Newington, Butts
ca. 1784
43
unknown artist
The Earl of Lonsdale's Hound Van arriving at a Meet of the Cottesmore Hunt, March 22, 1809
1809
44
unknown artist
A Carriage
1825
45
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
46
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
47
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
ca. 1781
48
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
49
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
50
Attributed to John Carter, 1748–1817
Plan of Princes Chamber, One Pair
between 1800 and 1807
51
Attributed to John Carter, 1748–1817
Princes Chamber
between 1800 and 1807
52
Attributed to John Carter, 1748–1817
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
53
Attributed to John Carter, 1748–1817
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
54
Attributed to John Carter, 1748–1817
Princes Chamber, East Side with the Old House of Lords
between 1800 and 1807
55
Charles James Richardson, 1806–1871
Ceiling of Front Parlor House in Old Palace Yard
1871
56
Attributed to John Carter, 1748–1817
Detail, Dean's Yard
between 1806 and 1815
57
Robert Dighton, 1752–1814
Coits Played opposite the Horns, Kennington Common
ca. 1784
58
Robert Dighton, 1752–1814
Foot Ball played at Market Place, Barnet
ca. 1784
59
Robert Dighton, 1752–1814
Fives played at the Tennis court Leicester Fields
ca. 1784
60
Robert Dighton, 1752–1814
Four Corners Played at the Swan, Chelsea
ca. 1784
61
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
62
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
63
Attributed to John Carter, 1748–1817
Plan of the Basement Story under the House of Lords
between 1800 and 1807
64
Attributed to John Carter, 1748–1817
Parts in Stone Underhouse of Lords
between 1800 and 1807
65
Attributed to John Carter, 1748–1817
Palace at Westminster
between 1800 and 1807
66
Attributed to John Carter, 1748–1817
East Front of Painted Chamber
between 1793 and 1799
67
Attributed to John Carter, 1748–1817
Side Window, North, Painted Chamber
between 1793 and 1799
68
Attributed to John Carter, 1748–1817
Paintings on the Wall by H in Plan
between 1793 and 1799
69
Attributed to John Carter, 1748–1817
Seats in Henry VII Chapel, Westminster Abbey
ca. 1793
70
Attributed to John Carter, 1748–1817
Line of Buildings on East Side, Dean's Yard
between 1806 and 1815
71
Attributed to John Collet, ca. 1725–1780
A Lady of Fashion with Black Shawl and Black Shoes