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Creator Blake, William, 1757–1827

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William Blake A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq.
Print made by William Blake, 1757–1827
A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq
1804
William Blake A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq.
Print made by William Blake, 1757–1827
A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq
1804
William Blake Christ Giving Sight to Bartimaeus
William Blake, 1757–1827
Christ Giving Sight to Bartimaeus
1799 to 1800
William Blake Landscape with Spire
William Blake, 1757–1827
Landscape with Spire
ca. 1801
William Blake Albion Compelling the Four Zoas to Their Proper Tasks
William Blake, 1757–1827
Albion Compelling the Four Zoas to Their Proper Tasks
1804 to 1810
William Blake The Widow Embracing Her Husband's Grave
William Blake, 1757–1827
The Widow Embracing Her Husband's Grave
1805 to 1808
William Blake Young's Night Thoughts, Page 23, "We censure nature for a span too short"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 23, "We censure nature for a span too short"
ca. 1797
William Blake Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
ca. 1797
William Blake Publius Virgilius Maro
Print made by William Blake, 1757–1827
Publius Virgilius Maro
1821
William Blake Thomas Hayley (1780-1800)
Print made by William Blake, 1757–1827
Thomas Hayley (1780-1800)
1800
William Blake The Gambols of Ghosts According with Their Affections Previous to the Final Judgement
William Blake, 1757–1827
The Gambols of Ghosts According with Their Affections Previous to the Final Judgement
1805 to 1808
William Blake Fable XII. Pan and Fortune
Print made by William Blake, 1757–1827
Fable XII. Pan and Fortune
1793
William Blake Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"
ca. 1797
William Blake Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
ca. 1797
William Blake Illustrations of Imitation of Eclogue I, Frontispiece
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Frontispiece
1821
William Blake Beggar's Opera, Act III
William Blake, 1757–1827
Beggar's Opera, Act III
c.1790
William Blake An Essay on Sculpture on a Series of Epistles to John Flaxman
William Blake, 1757–1827
An Essay on Sculpture on a Series of Epistles to John Flaxman
1800
William Blake An Essay on Sculpture on a Series of Epistles to John Flaxman
William Blake, 1757–1827
An Essay on Sculpture on a Series of Epistles to John Flaxman
1800
William Blake An Essay on Sculpture on a Series of Epistles to John Flaxman
William Blake, 1757–1827
An Essay on Sculpture on a Series of Epistles to John Flaxman
1800
William Blake Fable VI. The Miser and Plutus
Print made by William Blake, 1757–1827
Fable VI. The Miser and Plutus
1793
William Blake Fable XIII. The Tame Stag
Print made by William Blake, 1757–1827
Fable XIII. The Tame Stag
1793
William Blake Fable XLI. The Owl and the Farmer
Print made by William Blake, 1757–1827
Fable XLI. The Owl and the Farmer
1793
William Blake Fable I. The Dog and the Fox
Print made by William Blake, 1757–1827
Fable I. The Dog and the Fox
1793
unknown artist God Creating the Universe
unknown artist
God Creating the Universe
ca. 1800
Luigi Schiavonetti Christ Descending into the Grave
Print made by Luigi Schiavonetti, 1765–1810
Christ Descending into the Grave
1808, published 1813
Luigi Schiavonetti The Reunion of the Soul & the Body
Print made by Luigi Schiavonetti, 1765–1810
The Reunion of the Soul & the Body
1808, published 1813
Luigi Schiavonetti The Counsellor, King, Warrior, Mother & Child, in the Tomb
Print made by Luigi Schiavonetti, 1765–1810
The Counsellor, King, Warrior, Mother & Child, in the Tomb
1808, published 1813
Luigi Schiavonetti The Death of the Good Old Man
Print made by Luigi Schiavonetti, 1765–1810
The Death of the Good Old Man
1808, published 1813
Luigi Schiavonetti Death's Door
Print made by Luigi Schiavonetti, 1765–1810
Death's Door
1808, published 1813
Luigi Schiavonetti The Day of Judgment
Print made by Luigi Schiavonetti, 1765–1810
The Day of Judgment
1808, published 1813
Luigi Schiavonetti The Soul Exploring the Recesses of the Grave
Print made by Luigi Schiavonetti, 1765–1810
The Soul Exploring the Recesses of the Grave
1808, published 1813
Luigi Schiavonetti The Soul Hovering over the Body reluctantly Parting with Life
Print made by Luigi Schiavonetti, 1765–1810
The Soul Hovering over the Body reluctantly Parting with Life
1808, published 1813
Luigi Schiavonetti Death of the Strong Wicked Man
Print made by Luigi Schiavonetti, 1765–1810
Death of the Strong Wicked Man
1808, published 1813
Luigi Schiavonetti The Descent of Man into the Vale of Death
Print made by Luigi Schiavonetti, 1765–1810
The Descent of Man into the Vale of Death
1808, published 1813
Luigi Schiavonetti Robert Blair, The Grave, Title Page
Print made by Luigi Schiavonetti, 1765–1810
Robert Blair, The Grave, Title Page
1808, published 1813
Luigi Schiavonetti The Meeting of a Family in Heaven
Print made by Luigi Schiavonetti, 1765–1810
The Meeting of a Family in Heaven
1808, published 1813
John Linnell Illustrations of the Book of Job
John Linnell, 1792–1882
Illustrations of the Book of Job
undated
John Linnell The Vision of God
circle of John Linnell, 1792–1882
The Vision of God
undated
unknown artist Songs of Innocence and Experience, pl. 40: 'The Little Girl found' pl. 2, 'Famish'd weeping...'
unknown artist
Songs of Innocence and Experience, pl. 40: 'The Little Girl found' pl. 2, 'Famish'd weeping...'
ca. 1808
John Linnell Behemoth and Leviathan
circle of John Linnell, 1792–1882
Behemoth and Leviathan
undated
Whittington and Griggs, Chiswick Facsimile of plate number 76 from "Jerusalem"
Whittington and Griggs, Chiswick, active 1921
Facsimile of plate number 76 from "Jerusalem"
1921
George Richmond Reproduction of "William Blake in Youth and Age"
Print made by George Richmond, 1809–1896
Reproduction of "William Blake in Youth and Age"
ca. 1830
George Richmond Reproduction of "William Blake in Youth and Age"
Print made by George Richmond, 1809–1896
Reproduction of "William Blake in Youth and Age"
ca. 1830
John Linnell Satan Smiting Job with Boils
circle of John Linnell, 1792–1882
Satan Smiting Job with Boils
undated
John Linnell Job's Sacrifice
circle of John Linnell, 1792–1882
Job's Sacrifice
undated
John Linnell Job and His Family
circle of John Linnell, 1792–1882
Job and His Family
undated
John Linnell Job Accepting Charity
circle of John Linnell, 1792–1882
Job Accepting Charity
undated
John Linnell Job and His Daughters
circle of John Linnell, 1792–1882
Job and His Daughters
undated
John Linnell Job and His Wife Restored to Prosperity
circle of John Linnell, 1792–1882
Job and His Wife Restored to Prosperity
undated
John Linnell The Destruction of Job's Sons
circle of John Linnell, 1792–1882
The Destruction of Job's Sons
undated
John Linnell The Messengers Tell Job of the Misfortunes that Have Befallen Him
circle of John Linnell, 1792–1882
The Messengers Tell Job of the Misfortunes that Have Befallen Him
undated
John Linnell Satan Going Forth from the Presence of the Lord
circle of John Linnell, 1792–1882
Satan Going Forth from the Presence of the Lord
undated
John Linnell Job's Despair
circle of John Linnell, 1792–1882
Job's Despair
undated
John Linnell Satan before the Throne of God
circle of John Linnell, 1792–1882
Satan before the Throne of God
undated
John Linnell Job's Comforters
circle of John Linnell, 1792–1882
Job's Comforters
undated
unknown artist Songs of Innocence and Experience, pl. 13: 'Spring' pl. 2, 'Little Girl...'
unknown artist
Songs of Innocence and Experience, pl. 13: 'Spring' pl. 2, 'Little Girl...'
ca. 1808
John Linnell Job Rebuked by His Friends
circle of John Linnell, 1792–1882
Job Rebuked by His Friends
undated
John Linnell Job's Evil Dreams
circle of John Linnell, 1792–1882
Job's Evil Dreams
undated
John Linnell The Wrath of Elihu
circle of John Linnell, 1792–1882
The Wrath of Elihu
undated
John Linnell The Creation
circle of John Linnell, 1792–1882
The Creation
undated
John Linnell The Fall of Satan
circle of John Linnell, 1792–1882
The Fall of Satan
undated
unknown artist Songs of Innocence and Experience, pl. 2: Innocence, Title Page: [A woman in a chair shows a book to a boy and girl.]
unknown artist
Songs of Innocence and Experience, pl. 2: Innocence, Title Page: [A woman in a chair shows a book to a boy and girl.]
ca. 1808
unknown artist Songs of Innocence and Experience, pl. 25: 'A Cradle Song' pl. 2, 'Wept for me...'
unknown artist
Songs of Innocence and Experience, pl. 25: 'A Cradle Song' pl. 2, 'Wept for me...'
ca. 1808
John Linnell Title Page: Illustrations of the Book of Job
circle of John Linnell, 1792–1882
Title Page: Illustrations of the Book of Job
after 1825
John Linnell The Vision of Eliphaz
circle of John Linnell, 1792–1882
The Vision of Eliphaz
undated
John Linnell The Lord Answering Job out of the Whirlwind
circle of John Linnell, 1792–1882
The Lord Answering Job out of the Whirlwind
undated
James Basire the younger An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Figures supposed to be those of King Sebert and King Henry III (Plate V)
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Figures supposed to be those of King Sebert and King Henry III (Plate V)
1780
James Basire the younger An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Monument of Ann of Cleves, fourth Wife of King Henry VIII (Plate VII)
Engraved by James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Monument of Ann of Cleves, fourth Wife of King Henry VIII (Plate VII)
1780
James Basire the younger An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: Heads and Ornaments on the North Side of the Monument of King Sebert (Plate VI)
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: Heads and Ornaments on the North Side of the Monument of King Sebert (Plate VI)
1780
James Basire the younger An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Figure of Aveline Countess of Lancaster, Cumbent on her Monument (Plate II)
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Figure of Aveline Countess of Lancaster, Cumbent on her Monument (Plate II)
1780
Sir Joseph Ayloffe An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Front of the Monument of Aveline, First Wife of Edmund Crouchback (Plate I)
Attributed to Sir Joseph Ayloffe, 1709–1781
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Front of the Monument of Aveline, First Wife of Edmund Crouchback (Plate I)
1780
James Basire the younger An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Under Vaulting of one side of the Canopy of the Monument of Aveline, Coutess of Lancaster (Plate III)
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Under Vaulting of one side of the Canopy of the Monument of Aveline, Coutess of Lancaster (Plate III)
1780
James Basire the younger An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The North Front of the Monument of King Schert (Plate IV)
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The North Front of the Monument of King Schert (Plate IV)
1780
William Blake Illustrations of the Book of Job, pl. 11 (page 10): [Job rebuked by his Friends]
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 11 (page 10): [Job rebuked by his Friends]
1826
William Blake Illustrations of the Book of Job, pl. 12 (page 11): [Job's Evil Dreams]
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 12 (page 11): [Job's Evil Dreams]
1826
William Blake Illustrations of the Book of Job, pl. 13 (page 12): [The Wrath of Elihu]
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 13 (page 12): [The Wrath of Elihu]
1826
William Blake Illustrations of the Book of Job, pl. 16 (page 15): [Behemoth and Leviathan]
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 16 (page 15): [Behemoth and Leviathan]
1826
William Blake Illustrations of the Book of Job, pl. 17 (page 16): [The Fall of Satan]
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 17 (page 16): [The Fall of Satan]
1826
William Blake Illustrations of the Book of Job, pl. 18 (page 17): [The Vision of God]
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 18 (page 17): [The Vision of God]
1826
William Blake Illustrations of the Book of Job, pl. 19 (page 18): [Job's Sacrifice]
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 19 (page 18): [Job's Sacrifice]
1826
William Blake Illustrations of the Book of Job, pl. 20 (page 19): [Job Accepting Charity]
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 20 (page 19): [Job Accepting Charity]
1826
William Blake Illustrations of the Book of Job, pl. 22 (page 21): [Job and his Wife restored to Prosperity]
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 22 (page 21): [Job and his Wife restored to Prosperity]
1826
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 3: Thenot: 'Yet though with years my body downward tend,/ as trees beneath their fruit in autumn bend,'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 3: Thenot: 'Yet though with years my body downward tend,/ as trees beneath their fruit in autumn bend,'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 4: Colinet: 'Thine ewes will wander; and their heedless lambs,/ in loud complaints, require their absent dams.'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 4: Colinet: 'Thine ewes will wander; and their heedless lambs,/ in loud complaints, require their absent dams.'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 5: Colinet: 'My piteous plight in yonder naked tree,/ which bears the thunder-scar too plain, I see:'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 5: Colinet: 'My piteous plight in yonder naked tree,/ which bears the thunder-scar too plain, I see:'
1821, reprinted 1977
William Blake Or blasting winds o'er blossom'd hedge-rows pass
William Blake, 1757–1827
Or blasting winds o'er blossom'd hedge-rows pass
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 7: Thenot: 'Nor fox, nor wolf, nor rot among our sheep:/ from these good shepherd's care his flock may keep/ against ill luck,'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 7: Thenot: 'Nor fox, nor wolf, nor rot among our sheep:/ from these good shepherd's care his flock may keep/ against ill luck,'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 8: Colinet: 'Ah silly I! more silly than my sheep,/ which on thy flow'ry banks I wont to keep.'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 8: Colinet: 'Ah silly I! more silly than my sheep,/ which on thy flow'ry banks I wont to keep.'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 9: Colinet: 'A fond desire strange lands and swains to know./ Ah me! that ever I should covet wo.'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 9: Colinet: 'A fond desire strange lands and swains to know./ Ah me! that ever I should covet wo.'
1821, reprinted 1977
William Blake Illustrations of the Book of Job, pl. 1 (Title Page): 'Illustrations of/ the/ Book/ of/ Job'
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 1 (Title Page): 'Illustrations of/ the/ Book/ of/ Job'
1826
William Blake Illustrations of the Book of Job, pl. 4 (page 3): [The Destruction of Job's Sons]
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 4 (page 3): [The Destruction of Job's Sons]
1826
William Blake Illustrations of the Book of Job, pl. 2 (page 1): [Job and his Family]
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 2 (page 1): [Job and his Family]
1826
William Blake Illustrations of the Book of Job, pl. 3 (page 2): [Satan before the Throne of God]
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 3 (page 2): [Satan before the Throne of God]
1826
William Blake Illustrations of the Book of Job, p. 5 (page 4): [The Messengers tell Job of the Misfortunes that have Befallen Him]
William Blake, 1757–1827
Illustrations of the Book of Job, p. 5 (page 4): [The Messengers tell Job of the Misfortunes that have Befallen Him]
1826
William Blake Illustrations of the Book of Job, pl. 7 (page 6): [Satan smiting Job with Boils]
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 7 (page 6): [Satan smiting Job with Boils]
1826
William Blake Illustrations of the Book of Job, pl. 6 (page 5): [Satan going forth from the Presence of the Lord]
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 6 (page 5): [Satan going forth from the Presence of the Lord]
1826
William Blake Illustrations of the Book of Job, pl. 8 (page 7): [Job's Comforters]
Print made by William Blake, 1757–1827
Illustrations of the Book of Job, pl. 8 (page 7): [Job's Comforters]
1826
William Blake Illustrations of the Book of Job, pl. 9 (page 8): [Job's Despair]
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 9 (page 8): [Job's Despair]
1826
William Blake Illustrations of the Book of Job, pl. 10 (page 9): [The Vision of Eliphaz]
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 10 (page 9): [The Vision of Eliphaz]
1826
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 10: Thenot: 'A rolling stone is ever bare of moss;/ and, to their cost, green years old proverbs cross.'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 10: Thenot: 'A rolling stone is ever bare of moss;/ and, to their cost, green years old proverbs cross.'
1821, reprinted 1977