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Materials & Techniques black ink

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Materials & Techniques wove paper

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Perspective View: the New Houses of Parliament
Creator:
Sir Charles Barry, 1795–1860
Date:
ca. 1840-1849
Materials & Techniques:
Watercolor over traces of graphite, with gouache, pen and black and brown ink on medium, smooth, weige wove paper
Dimensions:
Sheet: 15 7/8 x 30 1/8 inches (40.3 x 76.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plan of Westminster Showing the Coronation Route of George II
Creator:
unknown artist
Date:
ca. 1727
Materials & Techniques:
Graphite and pen and black ink on smooth, thin, brown wove paper
Dimensions:
Sheet: 11 13/16 x 18 5/16in. (30 x 46.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 7/8 × 10 13/16 inches (35.2 × 27.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 7/16 × 25 3/8 inches (26.5 × 64.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Front and Profile of the Work under the Window Sills, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 × 20 1/4 inches (37.5 × 51.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
Creator:
John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:
Sheet: 14 1/2 × 6 inches (36.8 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 5/8 × 5 5/8 inches (21.9 × 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Impost moldings, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 1/8 × 4 inches (15.6 × 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View in Basement Story under House of Lords
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1800 and 1807
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 × 10 5/8 inches (36.8 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Part of the Construction in the Old House of Lords
Creator:
Attributed to office of Sir John Soane, 1753–1837
Date:
1823
Materials & Techniques:
Graphite, pen and brown ink and watercolor on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 13 1/2 × 10 1/8 inches (34.3 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Part of the Construction in the Old House of Lords
Creator:
Attributed to office of Sir John Soane, 1753–1837
Date:
1823
Materials & Techniques:
Graphite, watercolor, pen and black and brown ink on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 10 3/16 × 12 1/2 inches (25.9 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Peers' Entrance
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Graphite and pen and black ink on moderately thick, slightly textured, white wove paper
Dimensions:
Sheet: 8 3/8 × 13 inches (21.3 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plan of the Upper Floor of Lord Committee Rooms
Creator:
Attributed to office of Sir John Soane, 1753–1837
Date:
1835
Materials & Techniques:
Pen and black ink and watercolor on moderately textured, moderately thick, white wove paper
Dimensions:
Sheet: 9 3/4 × 14 1/4 inches (24.8 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Survey view of a lobby, Palace of Westminster
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Pen and black ink on smooth, thin, brown wove paper
Dimensions:
Sheet: 10 1/8 × 8 11/16 inches (25.7 × 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plan of the Ground Floor, House of Lords
Creator:
Attributed to office of Sir John Soane, 1753–1837
Date:
1835
Materials & Techniques:
Pen and black ink, watercolor, graphite on moderately textured, moderately thick, beige wove paper
Dimensions:
Sheet: 20 1/8 × 20 1/8 inches (51.1 × 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plan of the Principal Story, Shewing the New Committee Rooms &c, House of Lords
Creator:
Attributed to office of Sir John Soane, 1753–1837
Date:
ca. 1794
Materials & Techniques:
Graphite, pen and black ink, watercolor on moderately textured, moderately thick, beige wove paper
Dimensions:
Sheet: 19 5/8 × 16 1/8 inches (49.8 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
North Side, Painted Chamber
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1793 and 1799
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, white wove paper
Dimensions:
Sheet: 9 × 14 3/8 inches (22.9 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Door on South Side of Painted Chamber
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1793 and 1799
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, white wove paper
Dimensions:
Sheet: 9 3/4 × 6 5/8 inches (24.8 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Corbel and Center Ornament, Ceiling of Boudoir, No. 3 Old Palace Yard
Creator:
Charles James Richardson, 1806–1871
Date:
1871
Materials & Techniques:
Graphite, pen and black ink, and brown wash on smooth, medium, white wove paper
Dimensions:
Sheet: 10 1/2 × 9 3/8 inches (26.7 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Center Flower, and Cornice, Ceiling of Front Parlour, No. 3 Old Palace Yard
Creator:
Charles James Richardson, 1806–1871
Date:
1871
Materials & Techniques:
Graphite, pen and black ink, brown wash, and pink wash on smooth, medium, white wove paper
Dimensions:
Sheet: 11 5/8 × 10 3/16 inches (29.5 × 25.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Design for Branch for the Speaker's Chair
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
undated
Materials & Techniques:
Pen and black ink, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 x 19 1/2 inches (30.5 x 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Design for Inkstand for Westminster No. 1, End Elevation
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
undated
Materials & Techniques:
Graphite and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 7/8 × 12 inches (35.2 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mr. Lee's House After the Fire, House of Lords
Creator:
unknown artist
Date:
ca. 1835
Materials & Techniques:
Pen and black ink and brown wash on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 7 7/8 × 9 15/16 inches (20 × 25.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Details of Imposts and Bases of Columns, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 1/16 × 4 1/8 inches (15.4 × 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View through the South East Window of the Crypt beneath St Stephen's, Westminster
Creator:
George Johann Scharf, 1788–1860
Date:
1852
Materials & Techniques:
Graphite, gray watercolor and pen and black ink on Smooth, moderately thick, cream wove paper
Dimensions:
Sheet: 13 × 10 7/8 inches (33 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Entrance to the House of Lords
Creator:
Attributed to William Capon, 1757–1827
Date:
1796
Materials & Techniques:
Graphite, pen and black and brown ink on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 8 × 6 7/8 inches (20.3 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Part of the Construction in the Old House of Lords
Creator:
Attributed to office of Sir John Soane, 1753–1837
Date:
1823
Materials & Techniques:
Graphite, black and brown pen, and watercolor on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 9 13/16 × 12 5/8 inches (24.9 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Elevation of the Basement Story, House of Lords
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1800 and 1807
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/4 × 10 1/2 inches (36.2 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plan of Painted Chamber
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1793 and 1799
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/4 × 5 9/16 inches (15.9 × 14.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Door near Painted Chamber
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1800 and 1807
Materials & Techniques:
Graphite and pen and black ink on slighthly textured, moderately thick, white wove paper
Dimensions:
Sheet: 5 1/2 × 4 3/4 inches (14 × 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Decoration between Windows of Parlor, No. 3 Old Palace Yard
Creator:
Charles James Richardson, 1806–1871
Date:
1871
Materials & Techniques:
Graphite, pen and black ink, brown wash, and pink wash on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 12 13/16 × 9 9/16 inches (32.5 × 24.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
South East View of the Towers of the Abbey, &c. from College St. Westminster
Creator:
John Carter, 1748–1817
Date:
1782
Materials & Techniques:
Graphite, pen and black ink, watercolor on slightly textured, medium, white wove paper
Dimensions:
Sheet: 13 1/8 × 9 5/8 inches (33.3 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection