Materials & Techniques: line engraving / Creator Gender: male / Collection: Prints and Drawings / Credit Line: Yale Center for British Art, Paul Mellon Collection / Associated Places: England / Width [cm]: 23

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Materials & Techniques line engraving

Creator Gender male

Collection Prints and Drawings

Credit Line Yale Center for British Art, Paul Mellon Collection

Associated Places England

Width [cm] 23

Print made by Edward Goodall, 1795–1870

Rye, Sussex

1814 to 1826

Print made by James C. Allen, active 1821–1831

Addingham Mill on the Warfe

1821

Print made by Edward Goodall, 1795–1870

Richmond Hill

1826

Print made by Edward Goodall, 1795–1870

Richmond Hill

1826-1832

Print made by Joseph Skelton, active 1820–1850

View of the Chapel and Hall of Oriel College

1801

Print made by Joseph Skelton, active 1820–1850

Part of Balliol College Quadrangle

1820

Print made by George Cooke, 1781–1834

Teignmouth, Devon

1815

Print made by William Miller, 1796–1882

Clovelly Bay and Lundy Island

1824

Print made by George Cooke, 1781–1834

Hythe, Kent

1824

Print made by W. R. Smith, active 1819–1851

Saltash, Cornwall

ca. 1827

Print made by John Smith, 1652–1743

Château Gaillard, from the East

1835

Print made by William Richardson, active 1842–1877

Crossing the Brook

between 1859 and 1861

Print made by James C. Allen, active 1821–1831

Penzance, Cornwall

1833

Print made by M. Coote, ca. 1758/62–1801

Edgar's Tower at Worcester

before 1786

Print made by James T. Willmore, 1800–1863

Bedford, Bedfordshire

1831

Print made by George Cooke, 1781–1834

Brighthelmstone, Sussex

1825

Print made by Robert Wallis, 1794–1878

Colchester, Essex

1827

Print made by W. R. Smith, active 1819–1851

Dartmouth Cove

1827

Print made by James T. Willmore, 1800–1863

Bedford, Bedfordshire

1831

Print made by unknown artist

Mereworth Castle, the Seat of the Right Honble. Lord le Despencer

ca. 1840

Charles Grignion, 1717–1810

A View from Richmond Hill Up the River

1794

Print made by Benjamin Cole, 1697–1783

Merchant Taylors' School and St. Paul's School

1756

Print made by James Redway, active 1827–1838

Christ Church College, Oxford

1834

Print made by James Walker, 1748–1808

Westminster Bridge

1797

Print made by Robert Wallis, 1794–1878

Bolton Abbey, Yorkshire

1827

Print made by Robert Wallis, 1794–1878

Barnard Castle, Durham

1827

Print made by Robert Wallis, 1794–1878

Barnard Castle, Durham

1827

Print made by W. R. Smith, active 1819–1851

Saltash, Cornwall

1827

Print made by W. R. Smith, active 1819–1851

Entrance to Fowey Harbour, Cornwall

1829

Print made by Robert Wallis, 1794–1878

Buckfastleigh Abbey

1828

Print made by Thomas Jeavons, ca. 1800–1867

Exeter

1829

Print made by Thomas Jeavons, ca. 1800–1867

Exeter

1819-1826

Print made by Edward Goodall, 1795–1870

Aldborough, Suffolk

1827

Print made by John Smith, 1799–1843

Château Gaillard, from the East

1835

Print made by Francesco Bartolozzi, 1728–1815

Ticket to Concert of Ancient Vocal and Instrumental Music

1786

Print made by unknown artist

Plate XXXII: Longitudinal Section through the Chantry Chapel and Cloister, St Stephen's Chapel

1835

Print made by Henry Melville, active 1826–1841

The House of Commons

1834

Print made by Henry Melville, active 1826–1841

The Kind Proroguing Parliament

1834

Print made by Henry Melville, active 1826–1841

House of Lords, Her Majesty Opening the Session of Parliament

ca. 1837

Print made by John Woods, active 1836–1860

Interior of the Star Chamber, Westminster

1848

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