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Materials & Techniques stipple engraving
Remove constraint Materials & Techniques: stipple engravingCollection Prints and Drawings
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1
- Thomas Percy, Bishop of Dromore
- undated
2
- Elizabeth Ann Sheridan (née Linley) as St. Cecilia
- 1779
3
- Sir Philip Sidney
- 1741
4
- Edmund Spenser
- 1727
5
- Dr. Joseph Warton
- undated
6
- The Fall of Agandecca
- 1783
7
- The Alto Relievo
- 1796
8
- Mrs. Jordan in the Character of the Romp
- 1788
9
- Prospero Disarming Ferdinand, Act I, Scene II
- 1793
10
- Mrs. Abington as Thalia
- ca. 1783
11
- Miss Anna Brunton
- 1785
12
- Tancred and Clorinda
- 1785
13
- Adelaide
- 1798
14
- Alcander and Nerina
- 1784
15
- Ticket: For The Benefit Of Mad' Banti
- 1795
16
- Concert Ticket: Benefit Night of Luigi Borghi
- 1780
17
- King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)
- 1792
18
- Henry VI, Part III: Act I, Scene III, A Field of Battle betwixt Sandal Castle . .
- 1793
19
- King Richard III: Act III, Scene I (The Meeting of Edward V and His Brother, Richard, Duke of York)
- 1789
20
- Queen Katherine's Dream
- 1788
21
- Tom Jones: 'The Philosopher Square, Discovered in Molly Seagrim's Garret'
- 1789
22
- Jane Shore
- 1790
23
- George Colman, The Elder
- 1813
24
- Joseph Baretti
- 1794
25
- Reverend Hugh Blair, D.D
- 1801
26
- King Richard the Second, Act V, Scene II (The Entrance of King Richard & Bolingbroke into London)
- 1801
27
- Twelfth Night, Act V, Scene I: The Street
- 1803
28
- Twelfth Night, Act III, Scene IV: Olivia's House
- 1803
29
- Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
- 1745
30
- "This is fairy gold, boy, and will prove so"
- 1804
31
- The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door
- 1745
32
- Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
- 1745
33
- Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
- 1745
34
- Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..
- 1745
35
- Fonrose
- 1798
36
- Adelaide
- 1798
37
- Concert Ticket For The Benefit of Madame Banti
- 1795
38
- John Henderson as Iago
- 1786
39
- Mrs. Abington as Thalia
- 1783
40
- Hercules and Omphale
41
- The Shepherdess of the Alps
- 1776
42
- Lauretta
- 1776
43
- Tancred and Erminia
- 1784
44
- ...Scuote, il Lembo Pieno; e Nella Torbida Onda..
- 1773
45
- Vede di Mezzo il Fiume un Cavaliero..
- 1773
46
- Illustration For The Book: Evelina, Or, The History Of A Young Lady's Entrance into The World
- 1778
47
- Sed Placidam Pueri Metuens Turbare Quietem, Fixit Vicinis Basia Mille Rosis
- 1778
48
- Illustration from Bell's Edition of the Poets of Great Britain, Volume: CVII Churchill
- ca.1785
49
- Illustration from Bell's Edition of the Poets of Great Britain, Volume LXXXVII Hammond
- 1780
50
- Alexander and Nerina
- 1784
51
- The Dead Ass, Nampont
- 1799
52
- Chryseis Restored To Her Father
- 1786
53
- Come Gentle Night: "Romeo and Juliet," Act III, Scene II
- between 1839 and 1849
54
- Mr. Kemble in the Character of King Richard the Third - "Richard III," Act V, Scene V
- 1789
55
- Falstaff and his Friends
- ca. 1868
56
- Elizabeth Carter
- 1808
57
- Ralph Cudworth
- undated
58
- Cymon and Iphigenia
- 1797
59
- Miss Elizabeth Beauclerc as 'Una'
- 1782
60
- Jupiter and Io
- 1784
61
- Orlando Rescues Olympia From The Orca In The Island Ebuda
- 1768
62
- Vortigern And Rowena
- 1788
63
- A Plate from Orlando Furioso: Depicting Orlando and Rodomont Fighting
- 1773
64
- Angelica, e Medoro in Varj Modi..
- 1773
65
- E d'Uccider se Stesso in Pensier Venne..
- 1773
66
- Stava Ella Nel Sepolcro; e Quivi Attrita..
- 1773
67
- Lo Corse ad Abbracciare, e a Sargli Sesta..
- 1773
68
- Title page: L'Amico' de Fanciulli, Vol. III
- 1788
69
- Title page: Depicting Cupid, Venus, and Juno
- 1782
70
- Illustration From Bell's Edition of The Poets of Great Britain
- ca. 1785
71
- Illustration from Bell's Edition of the Poets of Great Britain, Volume LXXIII, Mallet
- 1785
72
- Polyhemus, Playing The Panpipes For Galatea
- 1783
73
- Frontispiece to Volume II of a Book, Woman pointing to a Tablet on which is written "Sanchos letters"
- 1782
74
- Shakespeare's Tomb
- 1782
75
- Anthony and Cleopatra, Act 3, Scene II
- 1794
76
- The Birth of Shakespeare
- 1782
77
- Troilus and Cressida, Act 4, Scene II
- 1794
78
- Ophelia vide Hamlet, Act 4, Scene VII
- 1794
79
- Coriolanus, Act 5, Scene III
- 1783
80
- Soldier Kneeling On A Stone Embracing a Woman, Soldiers in Background
- undated
81
- Macbeth, Act I, Scene II
- 1784
82
- The Tempest, Act V, Scene I
- 1795
83
- Taming of the Shrew, Act II Scene II
- 1795
84
- John Henderson as Iago
- before 1786
85
- Jane Shore
- 1790
86
- Griselda Returning to her Father
- after 1785
87
- Celadon and Amelia
- 1782
88
- Sophia and Olivia
- 1784
89
- Maria of Moulines
- 1784
90
- Ophelia: There's Rue for You, and Here's Some for Me
- 1784
91
- Ticket for the Benefit of Madame Banti
- 1797
92
- Ticket for the Benefit of Madame Banti
- 1797
93
- The Interview of Tom Jones and Sophia, After the Reconciliation
- 1789
94
- Gualtherus and Griselda
- 1784
95
- Fonrose
- 1798
96
- The Death of Alcestis
- 1796
97
- The Death of Cora
- 1788
98
- Alphonso and Aciloe
- 1788
99
- Ticket: Anacreontic Society Meeting
- 1779
100
- Lovelace in Prison
- 1788