Materials & Techniques: wove paper / Collection: Prints and Drawings / On-site Access: Accessible by appointment in the Study Room / Genre: architectural subject / Width [cm]: 49

Robert Polhill Bevan, 1865–1925

A Sussex Barn

undated

Joseph Mallord William Turner, 1775–1851

Saint Augustine's Gate, Canterbury

ca. 1793

Cornelius Varley, 1781–1873

Carnarvon

1802

Isaac Weld, 1774–1856

Dunloh Castle, Killarney, Ireland

ca. 1807

Isaac Weld, 1774–1856

Rome From the Baths of Caracalla

1818

Isaac Weld, 1774–1856

Interior Colosseum, Rome

1818

David Bomberg, 1890–1957

Leeds Farm

undated

Sir David Wilkie, 1785–1841

Garden of Gethsemane

1841

James Bruce, 1730–1794

Quadrifrontal Arch Tripoli

undated

Print made by John Scott, 1774–1828

Aske Hall

1818-1823

James Bruce, 1730–1794

Architectural Details of Pedestal Column and Entablature and Pediment Makther

undated

Print made by John Scott, 1774–1828

Harewood House

1816

Francis Wheatley, 1747–1801

Traveling Potter Outside a Cottage

1798

Paul Sandby, 1731–1809

The Gunpowder Magazine, Hyde Park

ca. 1793

Engraved by Henry Le Keux, 1787–1868

High Street, Edinburgh

1819

Print made by Thomas Higham, 1796–1844

Wilton House

1825

Sir Robert Smirke the younger, 1781–1867

Architectural Drawing

1802-1804

Thomas Girtin, 1775–1802

The Village of Kirkstall, Yorkshire

1801

Augustus Welby Northmore Pugin, 1812–1852

Bishop's Palace, Wells, Somerset: Elevations of the Great Hall

1832

Thomas Daniell, 1749–1840

An Excavated Temple on the Island of Salsette: The Great Chaitya Temple (Cave 3), Kanheri

July 1795

Print made by John Bruce, fl. 1826

Chain Pier at Brighton

ca. 1830

Thomas Hartley Cromek, 1809–1873

The Interior of the Lower Basilica of St. Francis of Assisi

1839

Augustus Welby Northmore Pugin, 1812–1852

Rambling Sketces, from ; 'The British Architecture'

1883

James H. Kernot, active early 19th century

Bank of England Royal Exchange

1800

John Buckler FSA, 1770–1851

Bowood Wiltshire; the Seat of the Marquis of Lansdown

1823

Thomas Girtin, 1775–1802

View of the Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c. taken from Pont Notre Dame

1802

Thomas Girtin, 1775–1802

View of the Gate of St. Denis taken from the Suburbs

1802

Thomas Girtin, 1775–1802

View of the Gate of St. Denis taken from the Suburbs

1802

Print made by Thomas Girtin, 1775–1802

Paris, A View of Pont au Changes

1800 to 1802

Print made by Matthew Dubourg, active 1786–1838

The Coronation of His Majesty, George the Fourth: Taken at the Time of the Recognition. July 19, 1821

1822

Print made by unknown artist

Part of the Front of the Vestibule

1843

David Roberts, 1796–1864

View of Kom Ombo

1838

James Basire the younger Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus.

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus

1842

Emily Calmady, 19th century

Sir Thomas Lawrence's Painting Room in 1824

1824

Studio of Sir Jeffry Wyatville, 1766–1840

A Seat of the Earl of Bridgewater in Hertfordshire and Buckinghamshire

1814