Two Gentlemen Going a Shooting, with a View of Creswell Crags, Taken on the Spot
ca. 1767
Not on view
5
George Stubbs, 1724–1806
A Repose after Shooting
1770
Not on view
6
George Stubbs, 1724–1806
Two Gentlemen Going a Shooting
1768
Not on view
7
George Stubbs, 1724–1806
Two Gentlemen Shooting
ca. 1769
Not on view
8
Joseph Mallord William Turner, 1775–1851
Chateaux de St. Michael, Bonneville, Savoy
1802 to 1803
Not on view
9
Joseph Mallord William Turner, 1775–1851
Harlech Castle, from Tygwyn Ferry, Summer's Evening Twilight
1799
Not on view
10
Edward Lear, 1812–1888
Kangchenjunga from Darjeeling
1879
Not on view
11
Edward Lear, 1812–1888
Zagori, Greece
1860
Not on view
12
unknown artist
Schloss Rosenau, Coburg
1841 to 1844
Not on view
13
Attributed to William Daniell, 1769–1837
Indian Landscape with Figures near a Stream
ca. 1830
Not on view
14
Robert Smith, 1787–1873
Inside the Main Entrance of the Purana Qila, Delhi
1823
Not on view
15
Robert Smith, 1787–1873
The Kila Kona Masjid, Purana Qila, Delhi
ca. 1823
Not on view
16
George Smith, 1714–1776
A Winter Landscape
ca. 1770
Not on view
17
Thomas Gainsborough, 1727–1788
Landscape with Stream and Weir
between 1750 and 1753
Not on view
18
Francis Wheatley, 1747–1801
The Salmon Leap, Leixlip
1783
Not on view
19
Francis Wheatley, 1747–1801
View on the Medway
1776
Not on view
20
Lionel Edwards, 1878–1966
High Leicestershire
1961
Not on view
21
Paul Sandby, 1731–1809
Hackwood Park, Hampshire
undated, exhibited 1764
Not on view
22
Thomas Creswick, 1811–1869
On the Terrace at Haddon Hall, Derbyshire
1840
Not on view
23
John William Inchbold, 1830–1888
Cornfield at sunset
1860
Not on view
24
unknown artist
Durham
ca. 1795
Not on view
25
George Lambert, 1700–1765
Kirkstall Abbey, Yorkshire
1747
Not on view
26
unknown artist
Pierrepont House, Nottingham, Nottinghamshire
ca. 1705
Not on view
27
Thomas Jones, 1742–1803
An Imaginary Italianate Landscape with Classical Figures and a Waterfall
ca. 1773
Not on view
28
George Morland, 1763–1804
The Old Water Mill
1790
Not on view
29
William Ashford, 1746–1824
Mount Kennedy, County Wicklow, Ireland
1785
Not on view
30
Nicholas Condy, 1793–1857
The Victualling Office, Plymouth
ca. 1835
Not on view
31
John Wootton, 1682–1764
Classical Landscape with Figures and Animals: Sunset
1754
Not on view
32
James Ward, 1769–1859
Theophilus Levett and a Favorite Hunter
1817
Not on view
33
Alexander Runciman, 1736–1785
Classical Landscape
1767 to 1771
Not on view
34
Canaletto, 1697–1768
Old Walton Bridge
1755
Not on view
35
Richard Wilson, 1713/4–1782
Caernarfon Castle
ca. 1745
Not on view
36
Richard Wilson, 1713/4–1782
Dinas Bran from Llangollen
1770 to 1771
Not on view
37
Francis Wheatley, 1747–1801
The Medway at Rochester
1776
Not on view
38
William Marlow, 1740–1813
View on the River Thames at Richmond
ca. 1776
Not on view
39
Alexander Nasmyth, 1758–1840
A View of Edinburgh from the West
1822 to 1826
Not on view
40
Joseph Nickolls, active 1713–ca. 1755
Pope's Villa, Twickenham
ca. 1755
Not on view
41
Philippe-Jacques de Loutherbourg, 1740–1812
Snowdon from Capel Curig
1787
Not on view
42
Thomas Gainsborough, 1727–1788
Coastal Landscape with a Shepherd and His Flock
between 1783 and 1784
Not on view
43
John Martin, 1789–1854
Joshua Commanding the Sun to Stand Still
ca. 1840
Not on view
44
Nicholas Pocock, 1740–1821
A Landscape with Figures
1798
Not on view
45
William Henry Millais, 1828–1899
Hayes Common
1852 to 1853
Not on view
46
unknown artist
Ely Cathedral
ca. 1800
Not on view
47
Hendrik Danckerts, ca. 1625–1680
Plymouth
1673
Not on view
48
Edward Dayes, 1763–1804
Rochester
1799
Not on view
49
unknown artist
Crickhowell, Breconshire
ca. 1800
Not on view
50
John Wilson Carmichael, 1799–1868
A View of Murton Colliery near Seaham, County Durham
1843
Not on view
51
John White Abbott, 1763–1851
An Italianate Landscape
ca. 1800
Not on view
52
Thomas Smith of Derby, ca. 1720–1767
An Imaginary Landscape with a Wagon and a Distant View of a Town
ca. 1749
Not on view
53
William Hodges, 1744–1797
The Marmalong Bridge
ca. 1783
Not on view
54
George Barret, ca. 1728/32–1784
Morning: Landscape with Mares and Sheep
ca. 1775
Not on view
55
George Barret, ca. 1728/32–1784
Wooded Landscape with a Boy and his Dog
ca. 1770
Not on view
56
George Barret, ca. 1728/32–1784
Landscape with Cottagers
ca. 1775
Not on view
57
John Sell Cotman, 1782–1842
Drainage Mills in the Fens, Croyland, Lincolnshire
ca. 1835
Not on view
58
William Henry Stothard Scott, 1783–1850
Brighton
1817
Not on view
59
unknown artist
Windsor Castle from the South
after 1681
Not on view
60
Joseph Baker of Lincoln, active 1742–1770
A View of the Cathedral and City of Lincoln from the River
ca. 1760
Not on view
61
John Seguier, 1785–1856
Excavating the Regent's Canal, with a View of Marylebone Chapel
between 1812 and 1813
Not on view
62
Richard Wilson, 1713/4–1782
The Destruction of the Children of Niobe
1760
Not on view
63
Perhaps Jan van der Vaardt, 1647–1721
Bifrons Park, Kent
between 1695 and 1705
Not on view
64
John Wootton, 1682–1764
Classical Landscape
1754
Not on view
65
George Lambert, 1700–1765
Box Hill, Surrey, with Dorking in the distance
1733
Not on view
66
Sir George Howland Beaumont seventh Baronet, 1753–1827
Landscape with Figures in the Foreground
between 1800 and 1810
Not on view
67
Richard Parkes Bonington, 1802–1828
A Wooded Lane
ca. 1825
Not on view
68
Charles Brooking, 1723–1759
The Coast near Scheveningen with Fishing Pinks on the Shore
ca. 1755
Not on view
69
George Barret, ca. 1728/32–1784
Powerscourt, County Wicklow, Ireland
between 1760 and 1762
Not on view
70
Sir Peter Francis Bourgeois, 1756–1811
Coastal Landscape with a Ferry Boat
1796
Not on view
71
Henry Bright, 1810–1873
On the Norfolk Broads
ca. 1855
Not on view
72
John Atkinson Grimshaw, 1836–1893
Evening Glow
ca. 1884
Not on view
73
Henry Dawson, 1811–1878
London from Greenwich Hill
1869 to 1870
Not on view
74
Francis Danby, 1793–1861
The Avon Gorge, Looking toward Clifton
ca. 1820
75
unknown artist
Design for the Parterre at Hampton Court
early 18th century
76
Print made by S. Einslie, active 1785–1808
Ann Elizabeth, Countess of Aldborough
1788
77
Print made by James Bretherton, ca. 1730–1806
Inimitable Mr. James Moss
1773
78
Print made by Agostino Brunias, 1728–1796
Free Natives of Dominica
1780
79
Print made by James Bretherton, ca. 1730–1806
Man with a Walking Stick in a Landscape
1773
80
Print made by Samuel David Colkett, 1806–1863
The Gipsy Encampment
1830
81
Print made by William Angus, 1752–1821
Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley
1793
82
Print made by Francesco Bartolozzi, 1728–1815
The Watercress Girl
1796
83
Print made by Day & Co., 1824–1913
South East View, Lincoln's Inn
between 1845 and 1850
84
Print made by John Browne, 1741–1801
A View in the Garden of Craigie-Hall, the Seat of the Honble. Charles Hope-Weir
after 1762
85
Print made by Matthew Dubourg, active 1786–1838
Partridge Shooting
1822
86
Print made by Matthew Dubourg, active 1786–1838
Pheasant Shooting
1822
87
David Cox, 1783–1859
The Junction of the Severn and the Wye with Chepstow in the Distance
1830
88
Print made by John Condé, 1765–1794
Mrs. Fitzherbert
1792
89
Print made by Matthew Dubourg, active 1786–1838
Grouse Shooting
1822
90
Print made by Henry Cousins, died 1864
Henry Liverseege
1835
91
Print made by David Allan, 1744–1796
Patie Rebukes Roger
1808
92
Print made by David Allan, 1744–1796
Patie and Peggy
1808
93
Print made by David Allan, 1744–1796
Peggy and Patie
1808
94
Print made by Day & Co., 1824–1913
Royal Crescent, County Hospital, St. George's Chapel, Kemp Town
1839
95
Print made by Francesco Bartolozzi, 1728–1815
Evening
undated
96
Print made by Matthew Dubourg, active 1786–1838
The Marquis of Anglesea Wounded Whilst Leading a Charge of Heavy Cavalry at the Close of the Battle of Waterloo, June 18, 1815
1815
97
Charles Grignion, 1717–1810
A View from Richmond Hill Up the River
1794
98
Print made by Matthew Dubourg, active 1786–1838
Snipe Shooting
1822
99
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower