Human Figure, Lateral View (Preliminary draft for the final study for Table VIII)
1795 to 1806
14
George Stubbs, 1724–1806
Human Figure, Lateral View (Related to Table XIII, detailed study of the blood vessels supplying the muscles)
1795 to 1806
15
George Stubbs, 1724–1806
Human Skeleton, Lateral View
1795 to 1806
16
George Stubbs, 1724–1806
Human Figure, Lateral View (Outline Study in Reverse of Table VIII)
1795 to 1806
17
George Stubbs, 1724–1806
Human Figure, Lateral View
1795 to 1806
18
George Stubbs, 1724–1806
Human Figure, Lateral View
1795 to 1806
19
George Stubbs, 1724–1806
Human Figure, Lateral View
1795 to 1806
20
George Stubbs, 1724–1806
Dorking Hen Skeleton, Lateral View (Finished study for an unpublished table)
1795 to 1806
21
George Stubbs, 1724–1806
Human Figure, Posterior View (Outline drawing for the key figure of an unpublished plate)
1795 to 1806
22
George Stubbs, 1724–1806
Human Figure, Anterior View (Finished Study of Final Stage of Dissection)
1795 to 1806
23
George Stubbs, 1724–1806
Human Figure, Posterior View, Partially Dissected (Finished Study for Table XII)
1795 to 1806
24
George Stubbs, 1724–1806
Human Figure, Anterior View, Skin and Underlying Fascial Layers Removed (Finished Study for Table XI)
1795 to 1806
25
George Stubbs, 1724–1806
Human Figure, Anterior View (Largely in outline)
1795 to 1806
26
George Stubbs, 1724–1806
Study of the Human Figure, Anterior View (Probably related to Table XI)
1795 to 1806
27
George Stubbs, 1724–1806
Human Figure, Anterior View (Outline drawing)
1795 to 1806
28
William Hogarth, 1697–1764
Operation Scene in a Hospital with Subsidiary Sketches in the Margin at the Lower Right
undated
29
Joseph Mallord William Turner, 1775–1851
Vesuvius in Eruption
between 1817 and 1820
30
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
31
Etched by Joseph Mallord William Turner, 1775–1851
Solway Moss
1816
32
Etched by Joseph Mallord William Turner, 1775–1851
Marine Dabblers
1811
33
Engraved by Joseph Mallord William Turner, 1775–1851
Stonehenge at Daybreak
1815 to 1819
34
Etched by Joseph Mallord William Turner, 1775–1851
Ben Arthur, Scotland
1819
35
Etched by Joseph Mallord William Turner, 1775–1851
Lauffenbourgh on the Rhine
1811
36
Etched by Joseph Mallord William Turner, 1775–1851
Windmill and Lock
1811
37
Etched by Joseph Mallord William Turner, 1775–1851
Mt. St. Gothard
1808
38
Etched by Joseph Mallord William Turner, 1775–1851
Bridge and Cows
1807
39
Etched by Joseph Mallord William Turner, 1775–1851
From Spenser's Fairy Queen
1811
40
Etched by Joseph Mallord William Turner, 1775–1851
The Straw Yard
1808
41
Edward Lear, 1812–1888
People on the Road Near Kalicut, Malabar
undated
42
William Wilkins, 1778–1839
Elevation of a Proposed Design for Cambridge Colleges
ca. 1823
43
William Wilkins, 1778–1839
Elevation of a Proposed Design for Cambridge Colleges
ca. 1823
44
William Havell, 1782–1857
Landscape with figures
ca. 1804
45
William Havell, 1782–1857
Pale Melancholy
ca. 1804
46
James Howe, 1780–1836
Cart Horse Being Led
undated
47
James Howe, 1780–1836
Scene with Horse and Rider
undated
48
James Howe, 1780–1836
Three Horses and Stable Lad
undated
49
James Miller, active 1773–1814
Dandelion Farm, near Margate
undated
50
Jacob More, 1740–1793
View Near the Mill Looking Toward Licenza: Horace's Villa on the Left
1783
51
Hugh William "Grecian" Williams, 1773–1829
Castle in a Landscape
undated
52
Thomas Smith of Derby, ca. 1720–1767
Chiaja of Naples from Posillipo
ca. 1780
53
Master of the Wire Line, 18th century
Country Scene: Cottage and Figures on a Winding Road
undated
54
Cornelius Varley, 1781–1873
Evening
1828
55
Cornelius Varley, 1781–1873
A Moated House
undated
56
William Payne, active 1850s
Mill on the Tavy
undated
57
Henry William Bunbury, 1750–1811
A Cavalry Officer (Henry IV) Leading a Charge Outside a Castle
undated
58
John Frederick Tayler, 1802–1889
Stable Boy with Cart Horses
undated
59
Richard Wilson, 1713/4–1782
The Falls at Tivoli
between 1752 and 1757
60
Print made by William Bernard Cooke, 1778–1855
Dartmoor; Source of the Tamar and the Torridge
1816
61
Print made by William Bernard Cooke, 1778–1855
Crowhurst, Sussex
1816
62
Print made by William Bernard Cooke, 1778–1855
Ilfracombe, North Devon
1818
63
Print made by John Le Keux, 1783–1846
Rome, from the Farnese Gardens
1818-1820
64
Print made by Samuel Rawle, 1771–1860
North East View of Dunster Castle, Somersetshire
1800
65
Print made by William Byrne, 1743–1805
Abingdon from the Thames Navigation
1805
66
Print made by William Byrne, 1743–1805
Wickham from the Marlow Road
1803
67
Print made by William Byrne, 1743–1805
Eton, from the Slough Road
1803
68
James Bruce, 1730–1794
Tomb of Juba II near Algiers
undated
69
James Bruce, 1730–1794
Measured sketches of arch at Assuras
undated
70
William Havell, 1782–1857
River Scene with Boy and Sheep
undated
71
James Howe, 1780–1836
Horse and Pony
undated
72
Julius Caesar Ibbetson, 1759–1817
The Sailor's Farewell
1801
73
Harry John Johnson, 1826–1884
On the Shores of an Italian Lake
undated
74
Cecil Arthur Hunt, 1873–1965
Tall-y-Llin Lake near Cader Idris
undated
75
William Henry Hunt, 1790–1864
The Building of Waterloo Bridge
ca. 1816
76
William Henry Hunt, 1790–1864
A Farmhouse
ca. 1817
77
Sir Robert Taylor, 1714–1788
Thames Ditton, Surrey: Design for Gothic Church
ca. 1776
78
Pierre Charles Canot, ca. 1710–1777
1. Going Out / Depart de Chasse
1770
79
Pierre Charles Canot, ca. 1710–1777
6. The Death of the Fox / Mort du Renard
1770
80
L. Truchy, 1721–1764
A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Two horses standing restlessly outside a stable...]
1735
81
L. Truchy, 1721–1764
A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Centre, a grey held by a hunt servant, with other horses and hounds....]
1735
82
L. Truchy, 1721–1764
A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Two riders by a farmhouse asking direction from a peasant; a well at left, with a couple of foxhounds...]
1735
83
L. Truchy, 1721–1764
A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Three men digging out a fox's earth, watched eagerly by hounds...]
1735
84
unknown artist
Chinese Boats on a River Showing Secretary Johnson's House at Twickenham
undated
85
Henry William Bunbury, 1750–1811
A Soiree
undated
86
Isaac Weld, 1774–1856
Village on a Lake
ca. 1817
87
James Gwin, 1700–1769
Position de la Garde en Quarte, et le Coup de Flanconnade
1763
88
James Gwin, 1700–1769
De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche
1763
89
Pierre Charles Canot, ca. 1710–1777
2. Two Hunters / Deux Chevaux de Chasse
1770
90
Pierre Charles Canot, ca. 1710–1777
4. The Earthing of the Fox / Renard dans son Terrier
1770
91
L. Truchy, 1721–1764
Set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [A gentleman standing at left with a hound; at right...]
1735
92
Pierre Charles Canot, ca. 1710–1777
3. The Whipper-In Trown Out / Piqueur qui a Perdu la Piste
1770
93
Pierre Charles Canot, ca. 1710–1777
7. Returning from the Chase / Retour de Chasse
1770
94
Pierre Charles Canot, ca. 1710–1777
5. Coming at the Death / Halte de Chasse
1770
95
William Wilkins, 1778–1839
Elevation of a Proposed Building for Downing College, Cambridge
ca. 1806
96
Sir Robert Ker Porter, 1777–1842
Near Mallwyd on the Dovey
undated
97
Benjamin West, 1738–1820
Characters in the Streets of London
1799
98
James Bruce, 1730–1794
Section of Amphitheatre at El Djem showing arches stairs and tiers of seats
undated
99
Sir George Howland Beaumont seventh Baronet, 1753–1827