Credit Line: Yale Center for British Art, Paul Mellon Fund / Work Type: watercolor / Subject Terms: architectural subject - YCBA Collections Search Search Results

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Credit Line Yale Center for British Art, Paul Mellon Fund

Work Type watercolor

Subject Terms architectural subject

Hugh William "Grecian" Williams View of the Forum in Rome

Hugh William "Grecian" Williams, 1773–1829

View of the Forum in Rome

1828

George Fennell Robson St. Paul's from Southwark by Sunset

George Fennell Robson, 1788–1833

St. Paul's from Southwark by Sunset

ca. 1832

John Piper Rievaulx Abbey, Yorkshire

John Piper, 1903–1992

Rievaulx Abbey, Yorkshire

1942

John Piper Windsor Castle

John Piper, 1903–1992

Windsor Castle

1942

John Piper Selborne Church

John Piper, 1903–1992

Selborne Church

1961

Augustus William Reeve A Fort Near Montmartre

Augustus William Reeve, active 1831–1888

A Fort Near Montmartre

undated

William James Muller Near the Caravan Bridge, Smyrna

William James Muller, 1812–1845

Near the Caravan Bridge, Smyrna

1843

Michel Van Overbeek Water-mill, Kingston, Surrey

Michel Van Overbeek, active 1650–1680

Water-mill, Kingston, Surrey

undated

Sir William Nicholson Canterbury Gate, Christ Church, Oxford

Sir William Nicholson, 1872–1949

Canterbury Gate, Christ Church, Oxford

1903

Isaac Taylor Unidentified Periodical / Play Illustration

Isaac Taylor, 1730–1807

Unidentified Periodical / Play Illustration

undated

Thomas Shotter Boys The North-West Porch of Salisbury Cathedral

Thomas Shotter Boys, 1803–1874

The North-West Porch of Salisbury Cathedral

1832

David Charles Read Landscape with two figures beside an old building

David Charles Read, 1790–1851

Landscape with two figures beside an old building

undated

Clarkson Stanfield Isle of Wight and Kent Sketchbook

Clarkson Stanfield, 1793–1867

Isle of Wight and Kent Sketchbook

1863

Thomas Sandby Receipt for a Set of Six London Views

Thomas Sandby, 1721–1798

Receipt for a Set of Six London Views

ca. 1758

James Holland The Tower of the Clergy, Oporto

James Holland, 1799–1870

The Tower of the Clergy, Oporto

undated

George Jones Chantrey's Studio

George Jones, 1786–1869

Chantrey's Studio

undated

John Piper Cottage at Deane, Hants.

John Piper, 1903–1992

Cottage at Deane, Hants

1938

Thomas Collier Pentre Ddu Bridge, North Wales

Thomas Collier, 1840–1891

Pentre Ddu Bridge, North Wales

1863

Richard Parkes Bonington Abbey St-Amand, Rouen

Richard Parkes Bonington, 1802–1828

Abbey St-Amand, Rouen

undated

Thomas Jones The Grotto at Posillipo

Thomas Jones, 1742–1803

The Grotto at Posillipo

ca. 1782

Paul Sandby View of Richmond Castle, Yorkshire

Paul Sandby, 1731–1809

View of Richmond Castle, Yorkshire

undated

John Skinner Prout The Church of St. Laurent, Rouen

John Skinner Prout, 1806–1876

The Church of St. Laurent, Rouen

undated

Thomas Rowlandson Place des Victoires, Paris

Thomas Rowlandson, 1756–1827

Place des Victoires, Paris

ca. 1783

Edward Kennion A View of Hall-head Sugar Plantation, Jamaica

Edward Kennion, 1743–1809

A View of Hall-head Sugar Plantation, Jamaica

ca. 1780

Emily Calmady Sir Thomas Lawrence's Painting Room in 1824

Emily Calmady, 19th century

Sir Thomas Lawrence's Painting Room in 1824

1824

François Louis Thomas Francia The Pont de la Concorde and Tuileries Palace from the Cours la Reine

François Louis Thomas Francia, 1772–1839

The Pont de la Concorde and Tuileries Palace from the Cours la Reine

1823

George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1

George Cressal Ellis, ca. 1810–1875

Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1

undated

George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2

George Cressal Ellis, ca. 1810–1875

Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2

undated

George Cressal Ellis Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3

George Cressal Ellis, ca. 1810–1875

Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3

undated

George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3

George Cressal Ellis, ca. 1810–1875

Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3

undated

George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1

George Cressal Ellis, ca. 1810–1875

Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1

undated

George Cressal Ellis Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2

George Cressal Ellis, ca. 1810–1875

Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2

undated

George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2

George Cressal Ellis, ca. 1810–1875

Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2

undated

George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4

George Cressal Ellis, ca. 1810–1875

Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4

undated

Samuel Scott Ludlow Castle

Samuel Scott, 1701/2–1772

Ludlow Castle

between 1765 and 1769

Frederic Leighton The Reconciliation of the Montagues and the Capulets

Frederic Leighton, 1830–1896

The Reconciliation of the Montagues and the Capulets

1854

William Leighton Leitch Porta S. Giovanni, Rome

William Leighton Leitch, 1804–1883

Porta S. Giovanni, Rome

1837

Carlo Labruzzi The Colosseum from the Caelian Mount, with the Arch of Constantine and a View of the Forum, Rome.

Carlo Labruzzi, 1748–1817

The Colosseum from the Caelian Mount, with the Arch of Constantine and a View of the Forum, Rome

undated

Carlo Labruzzi The Baths of Caracalla, Rome

Carlo Labruzzi, 1748–1817

The Baths of Caracalla, Rome

undated

Carlo Labruzzi Part of the Colosseum with the Arch of Constantine and Arch of Titus in the Distance, Rome

Carlo Labruzzi, 1748–1817

Part of the Colosseum with the Arch of Constantine and Arch of Titus in the Distance, Rome

undated

Carlo Labruzzi Sepulchre on the Via Nomentana in the Roman Campagna

Carlo Labruzzi, 1748–1817

Sepulchre on the Via Nomentana in the Roman Campagna

undated

Carlo Labruzzi A Panoramic View toward St. Peter's from the Palace of the Caesars

Carlo Labruzzi, 1748–1817

A Panoramic View toward St. Peter's from the Palace of the Caesars

undated

Unknown artist (Company style) A Double Storeyed House with Single Storeyed Wings beside a Reservoir with a Family Approaching by Elephant and Palanquin

Unknown artist (Company style)

A Double Storeyed House with Single Storeyed Wings beside a Reservoir with a Family Approaching by Elephant and Palanquin

between 1795 and 1810

Stephen Riou Design for a villa: `The Ground Plan and Elevations of a Villa'

Stephen Riou, 1720–1780

Design for a villa: `The Ground Plan and Elevations of a Villa'

1770

Stephen Riou Design for 'the Houses of both sides of the intended Street to extend in a right line from the Mansion-House to More-Gate humbly proposed to consideration'

Stephen Riou, 1720–1780

Design for 'the Houses of both sides of the intended Street to extend in a right line from the Mansion-House to More-Gate humbly proposed to consideration'

1762

David Cox The Opening of New London Bridge

David Cox, 1783–1859

The Opening of New London Bridge

1831