Proposal for printing by subscription L'ecole des armes, ou, L'explication generale des principales attitudes et positions concernent l'escrime
circa 1763
2
Angelo, Domenico, 1717?-1802
L'ecole des armes
MDCCLXIII [1763]
3
Luigi Balugani, 1737–1770
Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot, with details of flowers, leaf, and fruits
ca. 1768
4
Luigi Balugani, 1737–1770
Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot and berries
ca. 1768
5
Luigi Balugani, 1737–1770
2 birds "Aroust el Bahar"
ca. 1768
6
Luigi Balugani, 1737–1770
Albizia gummifera (J.F. Gmel.) C.A. Sm. (Gummy Albizia Tree): finished drawing of flowering head of shoot, with details of inflorescence, florets, and leaf
ca. 1768
7
Print made by Coplestone Warre Bampfylde, 1719–1791
Collection of Prints by Notable Dilettanti
1763
8
Print made by Coplestone Warre Bampfylde, 1719–1791
Collection of Prints by Notable Dilettanti
1763
9
Hugh Barron, 1745–1791
Portrait of a Man, Probably a Self-Portrait
ca. 1768
Not on view
10
Print made by Francesco Bartolozzi, 1728–1815
Gerolamo Tartarotti
1763
11
Print made by Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
1763
12
Francesco Bartolozzi, 1728–1815
Camillus Rescuing Rome From Brennus
1763
13
Francesco Bartolozzi, 1728–1815
Atalanta and Hippomanes
1763
14
Francesco Bartolozzi, 1728–1815
Narcissus
1763
15
Francesco Bartolozzi, 1728–1815
Diana, The Huntress
1763
16
Francesco Bartolozzi, 1728–1815
Saint Francis of Assisi
1763
17
Print made by Francesco Bartolozzi, 1728–1815
Atalanta and Hippomanes
1763
18
Francesco Bartolozzi, 1728–1815
Marcus Furius Camillus Liberating Rome From Brennus
1763
19
James Bruce, 1730–1794
Elevation and Plan of Arch at Makther
ca. 1768
20
James Bruce, 1730–1794
Arch of Trajan Mactar Modern Makther set in Landscape
ca. 1768
21
James Bruce, 1730–1794
Entrance Gate, Zaghouan
ca. 1768
22
James Bruce, 1730–1794
Aquaduct at Cherchel
ca. 1768
23
James Bruce, 1730–1794
Sketch of Temple Ruins
ca. 1768
24
James Bruce, 1730–1794
Sketch of Arches in Perspective
ca. 1768
25
James Bruce, 1730–1794
Drawing of Temple Ruins and Figures
ca. 1768
26
James Bruce, 1730–1794
Entrance Gate Zaghouan
ca. 1768
27
James Bruce, 1730–1794
Temple Above Spring at Zaghouan
ca. 1768
28
James Bruce, 1730–1794
Details of Temple Above Spring at Zaghouan
ca. 1768
29
James Bruce, 1730–1794
Ruins of Temples at Saltronza
ca. 1768
30
James Bruce, 1730–1794
Aquaduct at Cherchel
ca. 1768
31
James Bruce, 1730–1794
Sketches of Temple Columns
ca. 1768
32
James Bruce, 1730–1794
Madoqua (Dik-dik)
ca. 1768
33
James Bruce, 1730–1794
Dik-dik
ca. 1768
34
James Bruce, 1730–1794
Felis caligata (Booted Lynx)
ca. 1768
35
James Bruce, 1730–1794
Heterohyrax brucei (Yellow-Spotted Rock Hyrax)
ca. 1768
36
James Bruce, 1730–1794
Jerboa
ca. 1768
37
James Bruce, 1730–1794
Heterohyrax brucei (Yellow-Spotted Rock Hyrax)
ca. 1768
38
James Bruce, 1730–1794
Gypaetus barbatus (Bearded Vulture)
ca. 1768
39
James Bruce, 1730–1794
Vulture
ca. 1768
40
James Bruce, 1730–1794
Bee Cuckoo
ca. 1768
41
James Bruce, 1730–1794
Sagittarius serpentarius (Secretary Bird)
ca. 1768
42
James Bruce, 1730–1794
Commiphora gileadensis (L.) C. Chr. (Balm of Gilead, Opobalsam): finished drawing of fruit, dissected fruits, and leaves
ca. 1768
43
Pierre Charles Canot, ca. 1710–1777
View of the City of New York: A South East View of the City of New York in North America
1763
44
John Carter, 1748–1817
Stalls in St. George's Chapel, Windsor Castle
undated
45
John Cleveley the younger, 1747–1786
View of Jamestown, St. Helena, From the Sea with Shipping
undated
46
Butler Clowes, active 1768, died 1782
The Hen Peckt Husband
ca. 1768
47
Print made by Joseph Collyer, 1748–1827
David Hume
undated
48
Print made by Joseph Collyer, 1748–1827
John Bacon, Esq., R. A
undated
49
John Singleton Copley, 1738–1815
General Thomas Gage
ca. 1768
Not on view
50
Anne Seymour Damer, 1748–1828
Caroline Conway, Lady Aylesbury
18th century-19th century
Not on view
51
Samuel De Wilde, 1748–1832
An Actor
undated
52
Samuel De Wilde, 1748–1832
Head of a Man with a Beard Looking to the Left
undated
53
Arthur Devis, 1712–1787
Probably John Trevor, third Baron Trevor, of St. Anne's Hill, Surrey, and Trevalyn Hall, Denbighshire (formerly T. Travers, Esq.)
1763
Not on view
54
Edward Fisher, 1722–1785
The Honorable Augustus Hervey, Captain in his Majesty's Navy
1763
55
John Fisher, Bishop of Salisbury, 1748–1825
The Thames with Sion House
undated
56
Henry Fletcher, 1729–active 1750
A View of Stocks Market
1763
57
Rev. William Gilpin, 1724–1804
Landscape with Two Trees and Castle
1763
58
Richard Gough, 1735–1809
Roman Tower in Hound's Ditch, 28 April 1763
1763
59
Print made by John Greenwood, 1727–1792
Venus and Cupid
ca. 1768
60
James Gwin, 1700–1769
Cinquieme Position du Salut
1763
61
James Gwin, 1700–1769
De la Parade de Tierce, sur le Coup de Tierce
1763
62
James Gwin, 1700–1769
Position pour la Garde en Tierce
1763
63
James Gwin, 1700–1769
Premiere Position pour tirer L'Epée
1763
64
James Gwin, 1700–1769
Position pour le Garde en Tierce et le Coup de Tierce
1763
65
James Gwin, 1700–1769
Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes
1763
66
James Gwin, 1700–1769
Position de la Garde en Quarte, et le Coup de Quarte Basse
1763
67
James Gwin, 1700–1769
Position de la Garde de Tierce et le Coup de Seconde
1763
68
James Gwin, 1700–1769
De la Parade du Demi-Cercle sur le Coup, de Quarte Basse
1763
69
James Gwin, 1700–1769
De la Parade du Cavé sur le Coup de Flanconnade
1763
70
James Gwin, 1700–1769
De la Parade Dequinte sur le Coup de Quinte
1763
71
James Gwin, 1700–1769
De la Risposte en Quinte de Pied forme sur le Coup de Seconde
1763
72
James Gwin, 1700–1769
De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde
1763
73
James Gwin, 1700–1769
Du Coupé sur Pointe de Quarte en Quarte sur les Armes
1763
74
James Gwin, 1700–1769
De la Passe en Quarte du Dehors des Armes
1763
75
James Gwin, 1700–1769
Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes
1763
76
James Gwin, 1700–1769
Du Desarmement Aprés Avoir Paré le Coup de Quarte
1763
77
James Gwin, 1700–1769
Du Desarmement sur le Coup de Tierce
1763
78
James Gwin, 1700–1769
Position Aprés Avoir Desarmé sur le Coup de Quarte
1763
79
James Gwin, 1700–1769
Demi Volte sur les Coups Forcés au Dehors des Armes
1763
80
James Gwin, 1700–1769
Position Aprés Avoir Désarmé sur le Coup de Tierce
1763
81
James Gwin, 1700–1769
Du Desarmement sur le Coup de Quarte ou de Seconde Paré de Prime
1763
82
James Gwin, 1700–1769
Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime
1763
83
James Gwin, 1700–1769
Position de la Garde Italienne de L'Epée & Poignard
1763
84
James Gwin, 1700–1769
Du Desarmement Aprés la Parade au Dehors des Armes
1763
85
James Gwin, 1700–1769
Risposte Aprés Avoir Trompé la Parade du Poignard
1763
86
James Gwin, 1700–1769
L'Epée & Lanterne Combattüe par L'Epée et Manteau
1763
87
James Gwin, 1700–1769
Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B
1763
88
James Gwin, 1700–1769
Position pour la Garde en Quarte
1763
89
James Gwin, 1700–1769
Position pour la Garde en Quarte et le Coup de Quarte
1763
90
James Gwin, 1700–1769
Position de la Garde en Quarte, et le Coup de Flanconnade
1763
91
James Gwin, 1700–1769
Quatrieme Position du Salut
1763
92
James Gwin, 1700–1769
Troisieme Position du Salut
1763
93
James Gwin, 1700–1769
Seconde Position du Salut
1763
94
James Gwin, 1700–1769
Premiere Position du Salut
1763
95
James Gwin, 1700–1769
De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte
1763
96
James Gwin, 1700–1769
De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes
1763
97
James Gwin, 1700–1769
De la Parade de Seconde sur le Coup de Seconde
1763
98
James Gwin, 1700–1769
De la Risposte de Quarte apres la Parade de Quarte
1763
99
James Gwin, 1700–1769
De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes