<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

You searched for:

Date 1763

Remove constraint Date: 1763

Image Available Available

Remove constraint Image Available: Available

Search Results

Angelo, Domenico, 1717?-1802.  Proposal for printing by subscription L'ecole des armes, ou, L'explication generale des principales attitudes et positions concernent l'escrime /
Angelo, Domenico, 1717?-1802
Proposal for printing by subscription L'ecole des armes, ou, L'explication generale des principales attitudes et positions concernent l'escrime
circa 1763
Angelo, Domenico, 1717?-1802. L'ecole des armes :
Angelo, Domenico, 1717?-1802
L'ecole des armes
MDCCLXIII [1763]
Luigi Balugani Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot, with details of flowers, leaf, and fruits
Luigi Balugani, 1737–1770
Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot, with details of flowers, leaf, and fruits
ca. 1768
Luigi Balugani Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot and berries
Luigi Balugani, 1737–1770
Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot and berries
ca. 1768
Luigi Balugani 2 birds "Aroust el Bahar"
Luigi Balugani, 1737–1770
2 birds "Aroust el Bahar"
ca. 1768
Luigi Balugani Albizia gummifera (J.F. Gmel.) C.A. Sm. (Gummy Albizia Tree): finished drawing of flowering head of shoot, with details of inflorescence, florets, and leaf
Luigi Balugani, 1737–1770
Albizia gummifera (J.F. Gmel.) C.A. Sm. (Gummy Albizia Tree): finished drawing of flowering head of shoot, with details of inflorescence, florets, and leaf
ca. 1768
Coplestone Warre Bampfylde Collection of Prints by Notable Dilettanti
Print made by Coplestone Warre Bampfylde, 1719–1791
Collection of Prints by Notable Dilettanti
1763
Coplestone Warre Bampfylde Collection of Prints by Notable Dilettanti
Print made by Coplestone Warre Bampfylde, 1719–1791
Collection of Prints by Notable Dilettanti
1763
Hugh Barron Portrait of a Man, Probably a Self-Portrait
Hugh Barron, 1745–1791
Portrait of a Man, Probably a Self-Portrait
ca. 1768
Not on view
Francesco Bartolozzi Gerolamo Tartarotti
Print made by Francesco Bartolozzi, 1728–1815
Gerolamo Tartarotti
1763
Francesco Bartolozzi Ticket for the Benefit of Mr. Giardini
Print made by Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
1763
Francesco Bartolozzi Camillus Rescuing Rome From Brennus
Francesco Bartolozzi, 1728–1815
Camillus Rescuing Rome From Brennus
1763
Francesco Bartolozzi Atalanta and Hippomanes
Francesco Bartolozzi, 1728–1815
Atalanta and Hippomanes
1763
Francesco Bartolozzi Narcissus
Francesco Bartolozzi, 1728–1815
Narcissus
1763
Francesco Bartolozzi Diana, The Huntress
Francesco Bartolozzi, 1728–1815
Diana, The Huntress
1763
Francesco Bartolozzi Saint Francis of Assisi
Francesco Bartolozzi, 1728–1815
Saint Francis of Assisi
1763
Francesco Bartolozzi Atalanta and Hippomanes
Print made by Francesco Bartolozzi, 1728–1815
Atalanta and Hippomanes
1763
Francesco Bartolozzi Marcus Furius Camillus Liberating Rome From Brennus
Francesco Bartolozzi, 1728–1815
Marcus Furius Camillus Liberating Rome From Brennus
1763
James Bruce Elevation and Plan of Arch at Makther
James Bruce, 1730–1794
Elevation and Plan of Arch at Makther
ca. 1768
James Bruce Arch of Trajan Mactar Modern Makther set in Landscape
James Bruce, 1730–1794
Arch of Trajan Mactar Modern Makther set in Landscape
ca. 1768
James Bruce Entrance Gate, Zaghouan
James Bruce, 1730–1794
Entrance Gate, Zaghouan
ca. 1768
James Bruce Aquaduct at Cherchel
James Bruce, 1730–1794
Aquaduct at Cherchel
ca. 1768
James Bruce Sketch of Temple Ruins
James Bruce, 1730–1794
Sketch of Temple Ruins
ca. 1768
James Bruce Sketch of Arches in Perspective
James Bruce, 1730–1794
Sketch of Arches in Perspective
ca. 1768
James Bruce Drawing of Temple Ruins and Figures
James Bruce, 1730–1794
Drawing of Temple Ruins and Figures
ca. 1768
James Bruce Entrance Gate Zaghouan
James Bruce, 1730–1794
Entrance Gate Zaghouan
ca. 1768
James Bruce Temple Above Spring at Zaghouan
James Bruce, 1730–1794
Temple Above Spring at Zaghouan
ca. 1768
James Bruce Details of Temple Above Spring at Zaghouan
James Bruce, 1730–1794
Details of Temple Above Spring at Zaghouan
ca. 1768
James Bruce Ruins of Temples at Saltronza
James Bruce, 1730–1794
Ruins of Temples at Saltronza
ca. 1768
James Bruce Aquaduct at Cherchel
James Bruce, 1730–1794
Aquaduct at Cherchel
ca. 1768
James Bruce Sketches of Temple Columns
James Bruce, 1730–1794
Sketches of Temple Columns
ca. 1768
James Bruce Madoqua (Dik-dik)
James Bruce, 1730–1794
Madoqua (Dik-dik)
ca. 1768
James Bruce Dik-dik
James Bruce, 1730–1794
Dik-dik
ca. 1768
James Bruce Felis caligata (Booted Lynx)
James Bruce, 1730–1794
Felis caligata (Booted Lynx)
ca. 1768
James Bruce Heterohyrax brucei (Yellow-Spotted Rock Hyrax)
James Bruce, 1730–1794
Heterohyrax brucei (Yellow-Spotted Rock Hyrax)
ca. 1768
James Bruce Jerboa
James Bruce, 1730–1794
Jerboa
ca. 1768
James Bruce Heterohyrax brucei (Yellow-Spotted Rock Hyrax)
James Bruce, 1730–1794
Heterohyrax brucei (Yellow-Spotted Rock Hyrax)
ca. 1768
James Bruce Gypaetus barbatus (Bearded Vulture)
James Bruce, 1730–1794
Gypaetus barbatus (Bearded Vulture)
ca. 1768
James Bruce Vulture
James Bruce, 1730–1794
Vulture
ca. 1768
James Bruce Bee Cuckoo
James Bruce, 1730–1794
Bee Cuckoo
ca. 1768
James Bruce Sagittarius serpentarius (Secretary Bird)
James Bruce, 1730–1794
Sagittarius serpentarius (Secretary Bird)
ca. 1768
James Bruce Commiphora gileadensis (L.) C. Chr. (Balm of Gilead, Opobalsam): finished drawing of fruit, dissected fruits, and leaves
James Bruce, 1730–1794
Commiphora gileadensis (L.) C. Chr. (Balm of Gilead, Opobalsam): finished drawing of fruit, dissected fruits, and leaves
ca. 1768
Pierre Charles Canot View of the City of New York: A South East View of the City of New York in North America
Pierre Charles Canot, ca. 1710–1777
View of the City of New York: A South East View of the City of New York in North America
1763
John Carter Stalls in St. George's Chapel, Windsor Castle
John Carter, 1748–1817
Stalls in St. George's Chapel, Windsor Castle
undated
John Cleveley the younger View of Jamestown, St. Helena, From the Sea with Shipping
John Cleveley the younger, 1747–1786
View of Jamestown, St. Helena, From the Sea with Shipping
undated
Butler Clowes The Hen Peckt Husband
Butler Clowes, active 1768, died 1782
The Hen Peckt Husband
ca. 1768
Joseph Collyer David Hume
Print made by Joseph Collyer, 1748–1827
David Hume
undated
Joseph Collyer John Bacon, Esq., R. A.
Print made by Joseph Collyer, 1748–1827
John Bacon, Esq., R. A
undated
John Singleton Copley General Thomas Gage
John Singleton Copley, 1738–1815
General Thomas Gage
ca. 1768
Not on view
Anne Seymour Damer Caroline Conway, Lady Aylesbury
Anne Seymour Damer, 1748–1828
Caroline Conway, Lady Aylesbury
18th century-19th century
Not on view
Samuel De Wilde An Actor
Samuel De Wilde, 1748–1832
An Actor
undated
Samuel De Wilde Head of a Man with a Beard Looking to the Left
Samuel De Wilde, 1748–1832
Head of a Man with a Beard Looking to the Left
undated
Arthur Devis Probably John Trevor, third Baron Trevor, of St. Anne's Hill, Surrey, and Trevalyn Hall, Denbighshire (formerly T. Travers, Esq.)
Arthur Devis, 1712–1787
Probably John Trevor, third Baron Trevor, of St. Anne's Hill, Surrey, and Trevalyn Hall, Denbighshire (formerly T. Travers, Esq.)
1763
Not on view
Edward Fisher The Honorable Augustus Hervey, Captain in his Majesty's Navy
Edward Fisher, 1722–1785
The Honorable Augustus Hervey, Captain in his Majesty's Navy
1763
John Fisher, Bishop of Salisbury The Thames with Sion House
John Fisher, Bishop of Salisbury, 1748–1825
The Thames with Sion House
undated
Henry Fletcher A View of Stocks Market
Henry Fletcher, 1729–active 1750
A View of Stocks Market
1763
Rev. William Gilpin Landscape with Two Trees and Castle
Rev. William Gilpin, 1724–1804
Landscape with Two Trees and Castle
1763
Richard Gough Roman Tower in Hound's Ditch, 28 April 1763
Richard Gough, 1735–1809
Roman Tower in Hound's Ditch, 28 April 1763
1763
John Greenwood Venus and Cupid
Print made by John Greenwood, 1727–1792
Venus and Cupid
ca. 1768
James Gwin Cinquieme Position du Salut
James Gwin, 1700–1769
Cinquieme Position du Salut
1763
James Gwin De la Parade de Tierce, sur le Coup de Tierce
James Gwin, 1700–1769
De la Parade de Tierce, sur le Coup de Tierce
1763
James Gwin Position pour la Garde en Tierce
James Gwin, 1700–1769
Position pour la Garde en Tierce
1763
James Gwin Premiere Position pour tirer L'Epée
James Gwin, 1700–1769
Premiere Position pour tirer L'Epée
1763
James Gwin Position pour le Garde en Tierce et le Coup de Tierce
James Gwin, 1700–1769
Position pour le Garde en Tierce et le Coup de Tierce
1763
James Gwin Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes
James Gwin, 1700–1769
Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes
1763
James Gwin Position de la Garde en Quarte, et le Coup de Quarte Basse
James Gwin, 1700–1769
Position de la Garde en Quarte, et le Coup de Quarte Basse
1763
James Gwin Position de la Garde de Tierce et le Coup de Seconde
James Gwin, 1700–1769
Position de la Garde de Tierce et le Coup de Seconde
1763
James Gwin De la Parade du Demi-Cercle sur le Coup, de Quarte Basse
James Gwin, 1700–1769
De la Parade du Demi-Cercle sur le Coup, de Quarte Basse
1763
James Gwin De la Parade du Cavé sur le Coup de Flanconnade
James Gwin, 1700–1769
De la Parade du Cavé sur le Coup de Flanconnade
1763
James Gwin De la Parade Dequinte sur le Coup de Quinte
James Gwin, 1700–1769
De la Parade Dequinte sur le Coup de Quinte
1763
James Gwin De la Risposte en Quinte de Pied forme sur le Coup de Seconde
James Gwin, 1700–1769
De la Risposte en Quinte de Pied forme sur le Coup de Seconde
1763
James Gwin De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde
James Gwin, 1700–1769
De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde
1763
James Gwin Du Coupé sur Pointe de Quarte en Quarte sur les Armes
James Gwin, 1700–1769
Du Coupé sur Pointe de Quarte en Quarte sur les Armes
1763
James Gwin De la Passe en Quarte du Dehors des Armes
James Gwin, 1700–1769
De la Passe en Quarte du Dehors des Armes
1763
James Gwin Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes
James Gwin, 1700–1769
Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes
1763
James Gwin Du Desarmement Aprés Avoir Paré le Coup de Quarte
James Gwin, 1700–1769
Du Desarmement Aprés Avoir Paré le Coup de Quarte
1763
James Gwin Du Desarmement sur le Coup de Tierce
James Gwin, 1700–1769
Du Desarmement sur le Coup de Tierce
1763
James Gwin Position Aprés Avoir Desarmé sur le Coup de Quarte
James Gwin, 1700–1769
Position Aprés Avoir Desarmé sur le Coup de Quarte
1763
James Gwin Demi Volte sur les Coups Forcés au Dehors des Armes
James Gwin, 1700–1769
Demi Volte sur les Coups Forcés au Dehors des Armes
1763
James Gwin Position Aprés Avoir Désarmé sur le Coup de Tierce
James Gwin, 1700–1769
Position Aprés Avoir Désarmé sur le Coup de Tierce
1763
James Gwin Du Desarmement sur le Coup de Quarte ou de Seconde Paré de Prime
James Gwin, 1700–1769
Du Desarmement sur le Coup de Quarte ou de Seconde Paré de Prime
1763
James Gwin Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime
James Gwin, 1700–1769
Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime
1763
James Gwin Position de la Garde Italienne de L'Epée & Poignard
James Gwin, 1700–1769
Position de la Garde Italienne de L'Epée & Poignard
1763
James Gwin Du Desarmement Aprés la Parade au Dehors des Armes
James Gwin, 1700–1769
Du Desarmement Aprés la Parade au Dehors des Armes
1763
James Gwin Risposte Aprés Avoir Trompé la Parade du Poignard
James Gwin, 1700–1769
Risposte Aprés Avoir Trompé la Parade du Poignard
1763
James Gwin L'Epée & Lanterne Combattüe par L'Epée et Manteau
James Gwin, 1700–1769
L'Epée & Lanterne Combattüe par L'Epée et Manteau
1763
James Gwin Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B.
James Gwin, 1700–1769
Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B
1763
James Gwin Position pour la Garde en Quarte
James Gwin, 1700–1769
Position pour la Garde en Quarte
1763
James Gwin Position pour la Garde en Quarte et le Coup de Quarte
James Gwin, 1700–1769
Position pour la Garde en Quarte et le Coup de Quarte
1763
James Gwin Position de la Garde en Quarte, et le Coup de Flanconnade
James Gwin, 1700–1769
Position de la Garde en Quarte, et le Coup de Flanconnade
1763
James Gwin Quatrieme Position du Salut
James Gwin, 1700–1769
Quatrieme Position du Salut
1763
James Gwin Troisieme Position du Salut
James Gwin, 1700–1769
Troisieme Position du Salut
1763
James Gwin Seconde Position du Salut
James Gwin, 1700–1769
Seconde Position du Salut
1763
James Gwin Premiere Position du Salut
James Gwin, 1700–1769
Premiere Position du Salut
1763
James Gwin De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte
James Gwin, 1700–1769
De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte
1763
James Gwin De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes
James Gwin, 1700–1769
De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes
1763
James Gwin De la Parade de Seconde sur le Coup de Seconde
James Gwin, 1700–1769
De la Parade de Seconde sur le Coup de Seconde
1763
James Gwin De la Risposte de Quarte apres la Parade de Quarte
James Gwin, 1700–1769
De la Risposte de Quarte apres la Parade de Quarte
1763
James Gwin De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes
James Gwin, 1700–1769
De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes
1763
James Gwin De la Parade de Prime sur le Coup de Seconde
James Gwin, 1700–1769
De la Parade de Prime sur le Coup de Seconde
1763