Date: 1792 / Image Use: Free to Use / Classification: Prints - YCBA Collections Search Search Results

1. Young's Night Thoughts, Page 13, "The present moment terminates our sight"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Young's Night Thoughts, Page 40, "Angels should paint it, angels ever there"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Young's Night Thoughts, Page 43, "Night the Third, Narcissa."

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Young's Night Thoughts, Page 46, "Where sense runs savage broke from reason's chain"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Young's Night Thoughts, Page 57, "Trembling each gulp, lest death should snatch the bowl"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Young's Night Thoughts, Page 63, "This King of Terrors is the Prince of Peace"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Young's Night Thoughts, Page 73, "Draw the dire steel? -- ah no!"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Young's Night Thoughts, Page 19, "Emblem of that which shall awake the dead"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Young's Night Thoughts, Page 80, "The thunder if in that the Almighty dwells"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Young's Night Thoughts, Page 90, "That touch, with charm celestial heals the soul"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Young's Night Thoughts, Page 92, "When faith is virtue, reason makes it so"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Young's Night Thoughts, Page 95, "The goddess bursts in thunder and in flame"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Young's Night Thoughts, Page 17, "Night the Second, On Time, Death and Friendship."

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Young's Night Thoughts, Page 27, "O treacherous conscience!"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. The Complaint and The Consolation: or Night Thoughts

Creator:: William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Hand-colored line engraving
Dimensions:: Spine: 16 3/4in. (42.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Young's Night Thoughts, Page 23, "We censure nature for a span too short"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. "The Indian Emperor" or "The Conquest of Mexico"

Creator:: Robert Dodd, 1748–1816
Date:: 1792
Materials & Techniques:: Etching and engraving
Dimensions:: Sheet: 17 11/16 x 21 1/2in. (44.9 x 54.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of David Bindman

41. Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

Creator:: Christian von Mechel, 1737–1817
Date:: 1792
Materials & Techniques:: Colored engraving on textured, moderately thick, cream laid paper
Dimensions:: Sheet: 19 3/8 × 25 3/4 inches (49.2 × 65.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

Creator:: Christian von Mechel, 1737–1817
Date:: 1792
Materials & Techniques:: Engraving on smooth, thick, cream wove paper
Dimensions:: Sheet: 19 × 25 3/8 inches (48.3 × 64.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Welgelegen: Vue Perspective de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

Creator:: Christian von Mechel, 1737–1817
Date:: 1792
Materials & Techniques:: Engraving on slightly textured, thick, cream wove paper
Dimensions:: Sheet: 18 3/4 × 25 1/2 inches (47.6 × 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Helena in the Dress of a Pilgrim - "All's Well That Eends Well," Act III, Scene V

Creator:: John Chapman, active ca. 1792–1823
Date:: 1792
Materials & Techniques:: Engraving and stipple engraving
Dimensions:: Sheet: 16 3/8 x 19in. (41.6 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

45. Falstaff's Escape - "The Merry Wives of Windsor," Act IV, Scene II

Creator:: John Chapman, active ca. 1792–1823
Date:: 1792
Materials & Techniques:: Engraving and stipple engraving
Dimensions:: Sheet: 17 x 20in. (43.2 x 50.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

46. Macbeth and the Murderers - "Macbeth," Act III, Scene I

Creator:: unknown artist
Date:: 1792
Materials & Techniques:: Engraving and stipple engraving
Dimensions:: Sheet: 16 1/4 x 18 3/4in. (41.3 x 47.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

47. "King Lear", Act V, Scene III

Creator:: Francis Legat, 1755–1809
Date:: 1792
Materials & Techniques:: Engraving on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 21 13/16 × 28 inches (55.4 × 71.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

48. Falstaff reproved by King Henry

Creator:: unknown artist
Date:: 1792
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale University Art Gallery Collection

49. The Farmer's Stable

Creator:: George Morland, 1763–1804
Date:: 1792
Materials & Techniques:: Hand colored mezzotint
Dimensions:: Sheet: 18 3/4 x 23 3/4in. (47.6 x 60.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. To His Grace The Duke Of Newcastle, This Print Of The Return From Shooting

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1792
Materials & Techniques:: Color-printed stipple engraving with aquatint and drypoint
Dimensions:: Sheet: 21 x 26 1/4in. (53.3 x 66.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Colonel Mordaunt's Cock Match at Lucknow

Creator:: Richard Earlom, 1743–1822
Date:: 1792
Materials & Techniques:: Mezzotint with hand coloring on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 21 x 28 7/8 inches (53.3 x 73.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Colonel Mordaunt's Cock Match at Lucknow

Creator:: Richard Earlom, 1743–1822
Date:: 1792
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 1/4 x 27 1/2 inches (54 x 69.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. The Farm House

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1792
Materials & Techniques:: Engraving
Dimensions:: Sheet: 11 3/16 x 16 3/4in. (28.4 x 42.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. 'The Gamester,' Act V, Scene IV

Creator:: James Fittler, 1758–1835
Date:: 1792
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 1/2 × 3 1/16 inches (14 × 7.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

55. Thomas Graves

Creator:: unknown artist
Date:: c.1792
Materials & Techniques:: Stipple engraving
Dimensions:: Sheet: 13 1/2 x 17in. (34.3 x 43.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

56. Mrs. Montagu

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1792
Materials & Techniques:: Mezzotint and etching on medium, moderately textured, cream laid paper set in mount
Dimensions:: Mount: 12 5/8 x 9 7/16 inches (32 x 24 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

57. Philip Affleck, Esq.

Creator:: John Young, 1755–1825
Date:: 1792
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 13 3/4 x 19 7/8in. (34.9 x 50.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

58. Miss Farren

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1792
Materials & Techniques:: Etching and stipple engraving (fifth state) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 22 1/4 × 14 1/4 inches (56.5 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

59. Mrs. Fitzherbert

Creator:: Print made by John Condé, 1765–1794
Date:: 1792
Materials & Techniques:: Stipple engraving and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 23 × 17 1/8 inches (58.4 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

60. Marchioness of Townshend and Child

Creator:: Print made by Thomas Cheesman, 1760–1834/35
Date:: 1792
Materials & Techniques:: Stipple engraving and etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 × 16 3/4 inches (53.3 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

61. French Privateers, Cruising in the English Channel

Creator:: Print made by unknown artist
Date:: 1792
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 1/4 × 11 5/8 inches (41.3 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

62. Reverend John Moore, Lord Archbishop of Canterbury

Creator:: John Jones, ca. 1745–1797
Date:: 1792
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 19 3/8 × 14 11/16 inches (49.2 × 37.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Vue des Petites Cascatelles a Tivoli

Creator:: William Gmelin, 1745–1821
Date:: 1792
Materials & Techniques:: Engraving
Dimensions:: Image: 14 15/16 x 21 9/16in. (37.9 x 54.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Thais

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1792
Materials & Techniques:: Etching and stipple engraving (second state) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 20 5/8 × 13 inches (52.4 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

65. [Fox-hunting] Two Hunters / Belonging to Henry U. Reay of Burn Hall in the County of Durham ....

Creator:: George Townly Stubbs, 1748–1815
Date:: 1792
Materials & Techniques:: Stipple engraving
Dimensions:: Sheet: 13 1/2 x 18 11/16in. (34.3 x 47.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Un Petit Souper, a La Parisienne; - or - A Family of Sans-Culotts Refreshing, After the Fatigues of the Day

Creator:: James Gillray, 1756–1815
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 x 14in. (25.4 x 35.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Sin, Death, and the Devil

Creator:: James Gillray, 1756–1815
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 11 5/8 x 15 1/4in. (29.5 x 38.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. The Sportsman's Return

Creator:: William Ward, 1766–1826
Date:: 1792 (re-issue of 1791)
Materials & Techniques:: Mezzotint, printed in color and hand colored
Dimensions:: Sheet: 19 1/2 x 24 1/2in. (49.5 x 62.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Shooting [a pair]: 1. Morning

Creator:: Print made by George Morland, 1763–1804
Date:: 1792
Materials & Techniques:: Aquatint, hand-colored, title in wash border
Dimensions:: Sheet: 17 7/8 x 22 3/8in. (45.4 x 56.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Anticipation - Ways & Means - or - Buonaparte Really Taken!!

Creator:: Print made by Charles Williams, active 1796–1830
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 5/8 x 15in. (27 x 38.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Partial View of the West Front of St. Pauls

Creator:: Thomas Morris, born 1771
Date:: 1792
Materials & Techniques:: Engraving
Dimensions:: Sheet: 22 1/4 x 17in. (56.5 x 43.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Grosvenor House at Walthamstow, Essex, Outer Suburb - East

Creator:: unknown artist
Date:: 1792
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. The Lake House belonging to Sir James Tilney Long on the Ilford Road, Essex, Outer Suburb - East

Creator:: unknown artist
Date:: 1792
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. The Elegant Villa of the late Gregory Bateman, Esquire at Kentish Town, Middlesex

Creator:: unknown artist
Date:: 1792
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Islington Church

Creator:: William Ellis, 1747–1810
Date:: 1792
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Monument in St. Botolph's Bishopsgate

Creator:: unknown artist
Date:: 1792
Materials & Techniques:: Engraving
Dimensions:: Sheet: 9 x 6 13/16in. (22.9 x 17.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. The Parish Church of St. Botolph without Aldgate

Creator:: unknown artist
Date:: 1792
Materials & Techniques:: Engraving
Dimensions:: Sheet: 15 5/8 x 9 1/16in. (39.7 x 23cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Highbury Assembly House near Islington

Creator:: unknown artist
Date:: 1792
Materials & Techniques:: Reproduction
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Evening

Creator:: Print made by John Browne, 1741–1801
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 12 11/16 x 16 5/8 inches (32.3 x 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. After Sun-Set

Creator:: Print made by John Browne, 1741–1801
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 5/8 x 16 5/8 inches (32.1 x 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Evening

Creator:: Print made by John Browne, 1741–1801
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 5/16 x 17 3/16 inches (33.8 x 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Windsor Bridge

Creator:: Print made by Joseph Farington, 1747–1821
Date:: 1792
Materials & Techniques:: Etching, hand-colored on thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 15/16 × 15 3/8 inches (30.4 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. View of the Forth, Including the Queen's Ferry

Creator:: Francis Jukes, 1747–1812
Date:: 1792
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 21 1/2 x 29 3/4in. (54.6 x 75.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. London Wall, in the Church Yard of St. Giles', Cripplegate

Creator:: unknown artist
Date:: 1792
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. The Cottage at Strawberry Hill

Creator:: George Isham Parkyns, 1749/50–c.1820
Date:: 1792
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. A Duet. - Turn Fair Clora, Turn Ah Cruel, Turn Again

Creator:: James Gillray, 1756–1815
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 11 1/2 x 8 1/4in. (29.2 x 21cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Wha Wants Me?

Creator:: James Gillray, 1756–1815
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 x 7 1/2in. (22.9 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. A Sphere, Projecting against a Plane ---

Creator:: James Gillray, 1756–1815
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 3/8 x 8 3/8in. (23.8 x 21.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. The National Assembly Petrified _________/The National Assembly Revivified

Creator:: James Gillray, 1756–1815
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 16 1/8 x 11 1/2in. (41 x 29.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Worcester

Creator:: John Walker, active 1792–1803
Date:: 1792
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Taking Physick; - or - The News of Shooting the King of Sweden!

Creator:: James Gillray, 1756–1815
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 3/4 x 13in. (24.8 x 33cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. The Dagger Scene: - or - The Plot Discover'd

Creator:: James Gillray, 1756–1815
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 13 5/8 x 11 5/16in. (34.6 x 28.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. The Bishop of a Tun's Breeches; - or - The Flaming Eveque, Purifying the House of Office

Creator:: James Gillray, 1756–1815
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 3/4 x 13 1/2in. (24.8 x 34.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Vices overlook'd in the New Proclamation

Creator:: James Gillray, 1756–1815
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 3/4 x 13 3/8in. (22.2 x 34cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. John Bull Bother'd; - or - The Geese Alarming the Capitol

Creator:: James Gillray, 1756–1815
Date:: 1792
Materials & Techniques:: Etching and aquatint, hand-colored
Dimensions:: Sheet: 11 5/8 x 14 3/4in. (29.5 x 37.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. The Genius of France Extirpating Despo-tism Tyranny and Oppression from the Face of the Earth, Or - The Royal Warriors Defeated

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 7/8 x 14 7/16in. (25.1 x 36.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

97. A Delitanti Performance of Midas at Turnbridge Wells, October 1792

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 9/16 x 15 3/16in. (21.7 x 38.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

98. The Gagger Gagged!!

Creator:: unknown artist
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 3/4 x 13 1/4in. (22.2 x 33.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Sedition, Levelling and Plundering

Creator:: Print made by Isaac Cruikshank, 1764–1811
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 3/4 x 13 1/16in. (22.2 x 33.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

100. The New Prussian Exercise, Or - The Allied Armies Distressed in their Rears with a Hint at the Convenience of Sans Culottes

Creator:: Print made by Isaac Cruikshank, 1764–1811
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 7/16 x 15 1/4in. (21.4 x 38.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

YCBA Collections Search

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Date 1792

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1. Young's Night Thoughts, Page 13, "The present moment terminates our sight"

2. Young's Night Thoughts, Page 40, "Angels should paint it, angels ever there"

3. Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"

4. Young's Night Thoughts, Page 43, "Night the Third, Narcissa."

5. Young's Night Thoughts, Page 46, "Where sense runs savage broke from reason's chain"

6. Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"

7. Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"

8. Young's Night Thoughts, Page 57, "Trembling each gulp, lest death should snatch the bowl"

9. Young's Night Thoughts, Page 63, "This King of Terrors is the Prince of Peace"

10. Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

11. Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"

12. Young's Night Thoughts, Page 73, "Draw the dire steel? -- ah no!"

13. Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"

14. Young's Night Thoughts, Page 19, "Emblem of that which shall awake the dead"

15. Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"

16. Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"

17. Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"

18. Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"

19. Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"

20. Young's Night Thoughts, Page 80, "The thunder if in that the Almighty dwells"

21. Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"

22. Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"

23. Young's Night Thoughts, Page 90, "That touch, with charm celestial heals the soul"

24. Young's Night Thoughts, Page 92, "When faith is virtue, reason makes it so"

25. Young's Night Thoughts, Page 95, "The goddess bursts in thunder and in flame"

26. Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."

27. Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

28. Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"

29. Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"

30. Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"

31. Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"

32. Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"

33. Young's Night Thoughts, Page 17, "Night the Second, On Time, Death and Friendship."

34. Young's Night Thoughts, Page 27, "O treacherous conscience!"

35. The Complaint and The Consolation: or Night Thoughts

36. Young's Night Thoughts, Page 23, "We censure nature for a span too short"

37. Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"

38. Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"

39. Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"

40. "The Indian Emperor" or "The Conquest of Mexico"

41. Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

42. Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

43. Welgelegen: Vue Perspective de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

44. Helena in the Dress of a Pilgrim - "All's Well That Eends Well," Act III, Scene V

45. Falstaff's Escape - "The Merry Wives of Windsor," Act IV, Scene II

46. Macbeth and the Murderers - "Macbeth," Act III, Scene I

47. "King Lear", Act V, Scene III

48. Falstaff reproved by King Henry

49. The Farmer's Stable

50. To His Grace The Duke Of Newcastle, This Print Of The Return From Shooting

51. Colonel Mordaunt's Cock Match at Lucknow

52. Colonel Mordaunt's Cock Match at Lucknow

53. The Farm House

54. 'The Gamester,' Act V, Scene IV

55. Thomas Graves

56. Mrs. Montagu

57. Philip Affleck, Esq.

58. Miss Farren

59. Mrs. Fitzherbert

60. Marchioness of Townshend and Child

61. French Privateers, Cruising in the English Channel

62. Reverend John Moore, Lord Archbishop of Canterbury

63. Vue des Petites Cascatelles a Tivoli

64. Thais

65. [Fox-hunting] Two Hunters / Belonging to Henry U. Reay of Burn Hall in the County of Durham ....

66. Un Petit Souper, a La Parisienne; - or - A Family of Sans-Culotts Refreshing, After the Fatigues of the Day

67. Sin, Death, and the Devil

68. The Sportsman's Return

69. Shooting [a pair]: 1. Morning

70. Anticipation - Ways & Means - or - Buonaparte Really Taken!!

71. Partial View of the West Front of St. Pauls

72. Grosvenor House at Walthamstow, Essex, Outer Suburb - East

73. The Lake House belonging to Sir James Tilney Long on the Ilford Road, Essex, Outer Suburb - East