Portrait of a young woman, possibly Miss Nettlethorpe
ca. 1770
Not on view
4
John Webber, 1752–1793
Burial Ground in the South Seas
ca. 1777
Not on view
5
Henry Walton, 1746–1813
Girl with a Bouquet of Flowers
ca. 1772
Not on view
6
Charles Brooking, 1723–1759
A Two-Decker on Fire at Night off a Fort
ca. 1740
Not on view
7
unknown artist
A Horse Frightened by a Lioness
ca. 1800
Not on view
8
Thomas Jones, 1742–1803
The Vale of Pencerrig
1776
Not on view
9
Anne Seymour Damer, 1748–1828
A Seated Woman
ca. 1780
Not on view
10
George Stubbs, 1724–1806
A Foxhound on the Scent
1788
11
William Hogarth, 1697–1764
Subscription Ticket: Three Characters and Four Caricaturas
1743
12
Joseph Mallord William Turner, 1775–1851
Landscape with Barn
ca. 1795
13
Joseph Mallord William Turner, 1775–1851
Near Grindelwald
ca. 1796
14
George Romney, 1734–1802
Iphigenia Kneeling over an Altar
undated
15
George Romney, 1734–1802
Seated Figure
undated
16
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 18, "Over the Hills...."
1793
17
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 16, "In the Flames Stood...."
1793
18
Print made by William Blake, 1757–1827
The Death of Juliet
1799
19
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 8, "The Morning Comes...."
1793
20
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 2, Title Page
1794
21
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 3, "Preludium"
1794
22
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
1794
23
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)
1794
24
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 5, "A | Prophecy | The deep of winter came . . . . " (Bentley 6)
1794
25
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 10, "Enitharmon slept . . . . " (Bentley 12)
1794
26
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 11, "In thoughts perturb'd . . . ." (Bentley 13)
1794
27
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)
1794
28
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)
1794
29
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 13 (Bentley 10)
1794
30
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 14, "And the clouds & fires . . . . " (Bentley 15)
1794
31
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 8 (Bentley 9)
1794
32
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 1, Frontispiece
1793
33
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 12, "Thus Wept the Angel Voice...."
1793
34
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 13, "Fiery the Angels Rose...."
1793
35
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 15, "What Time the Thirteen Governors...."
1793
36
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 17, "On Albions Angels...."
1793
37
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 2, Title Page
1793
38
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 7, "Albions Angel stood...."
1793
39
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."
1793
40
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 10, "The Terror Answered...."
1793
41
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 11, "Sound! Sound! My Loud War-Trumpets...."
1793
42
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 14, "So Cried He...."
1793
43
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 5, "A | Prophecy | The Guardian Prince of Albion...."
1793
44
William Blake, 1757–1827
Satan Approaching the Court of Chaos
1784 to 1785
45
James Bruce, 1730–1794
A Vase
undated
46
Sir Joshua Reynolds, 1723–1792
Seated Figure Reading
undated
47
Sir Joshua Reynolds, 1723–1792
Woman and Infant
undated
48
Sir Joshua Reynolds, 1723–1792
Standing Man
undated
49
Print made by Lydia Bates, active 1784
Landscape with Classical Ruins
1784
50
Print made by Lydia Bates, active 1784
Coastal Scene
1784
51
Print made by Lydia Bates, active 1784
Literary Characters Assembled around the Medallion of Shakespeare
ca. 1777
52
Print made by Lydia Bates, active 1784
Deucalion and Pyrrha after the Flood
1784
53
James Gwin, 1700–1769
De la Passe en Quarte du Dehors des Armes
1763
54
James Gwin, 1700–1769
De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson
1763
55
James Gwin, 1700–1769
Position de la Garde Italienne de L'Epée & Poignard
1763
56
unknown artist
Le Port de Brest: Dessiné du Point I Marqué sur Le Plan
undated
57
unknown artist
Le Port De Brest: Dessiné Du Point K Marqué sur Le Plan
undated
58
James Gwin, 1700–1769
Position de la Garde en Quarte, et le Coup de Quarte Basse
1763
59
James Gwin, 1700–1769
De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes
1763
60
James Gwin, 1700–1769
De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce
1763
61
James Gwin, 1700–1769
Du Desarmement Aprés Avoir Paré le Coup de Quarte
1763
62
James Gwin, 1700–1769
Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne
1763
63
Print made by Francesco Bartolozzi, 1728–1815
Master Philip Yorke
1788
64
unknown artist
Le Port de Brest: Dessiné du Point, A, Marqué sur La Carte De La Rade
undated
65
unknown artist
Le Pont de Brest/ Definne du Point H. Marque fur la Plan: Dock Scene with Laborers employed on Various Aspects of Ship Construction
undated
66
James Gwin, 1700–1769
De la Parade de Seconde sur le Coup de Seconde
1763
67
James Gwin, 1700–1769
De la Parade de Prime sur le Coup de Seconde
1763
68
James Gwin, 1700–1769
De la Parade Dequinte sur le Coup de Quinte
1763
69
James Gwin, 1700–1769
Demi Volte sur les Coups Forcés au Dehors des Armes
1763
70
James Gwin, 1700–1769
Du Desarmement Aprés la Parade au Dehors des Armes
1763
71
James Gwin, 1700–1769
De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise
1763
72
James Gwin, 1700–1769
L'Epée & Lanterne Combattüe par L'Epée et Manteau
1763
73
unknown artist
Le Port Vieux de Toulon: Dessiné du Point C Marqué sur le Plan
undated
74
unknown artist
Le Port De Brest: Dessiné Du Point F Marqué sur Le Plan
undated
75
unknown artist
Faux-Bourg de St. Serran: Dessine du Point C. Marque sur Le Plan
undated
76
unknown artist
Le Port de Rochefort: Vu Du Point A Marque sur le Plan
undated
77
unknown artist
Le Port de L'Orient: Dessine du Point B. Marque fur la Carte
undated
78
James Gwin, 1700–1769
De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche
1763
79
James Gwin, 1700–1769
Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B
1763
80
unknown artist
Tea Room at Wentworth Woodhouse, Yorkshire
undated
81
Augustin Heckel, 1690–1770
The Bridge, Walton on Thames
ca. 1750
82
Sir James Thornhill, 1675–1734
The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors
undated
83
attributed to James Ward, 1769–1859
Study of a Seated Woman
1787
84
Paul Sandby, 1731–1809
Trees, with a Man Crossing a Footbridge
undated
85
Sir James Thornhill, 1675–1734
Sketch for "The Conversion of St. Paul" for the Dome of St. Paul's Cathedral