Jerusalem, Plate 9, "Condens'd his Emanations...."
1804 to 1820
102
Print made by William Blake, 1757–1827
Jerusalem, Plate 7, "Was living: panting...."
1804 to 1820
103
Print made by William Blake, 1757–1827
Jerusalem, Plate 70, "And this the form of mighty Hand...."
1804 to 1820
104
Print made by William Blake, 1757–1827
Jerusalem, Plate 74, "The Four Zoa's clouded rage...."
1804 to 1820
105
Print made by William Blake, 1757–1827
Jerusalem, Plate 75, "And Rahab Babylon the Great...."
1804 to 1820
106
Print made by William Blake, 1757–1827
Jerusalem, Plate 8, "Rose up against me...."
1804 to 1820
107
Print made by William Blake, 1757–1827
Jerusalem, Plate 85, "Became a Space & an Allegory...."
1804 to 1820
108
William Blake, 1757–1827
The Poems of Thomas Gray, Design 59, "The Bard."
between 1797 and 1798
109
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"
1797
110
Print made by William Blake, 1757–1827
Jerusalem, Plate 24, "What have I said?...."
1804 to 1820
111
Print made by William Blake, 1757–1827
Jerusalem, Plate 32, "Leaning against the pillars...."
1804 to 1820
112
Print made by William Blake, 1757–1827
Jerusalem, Plate 35, "Then the Divine hand...."
1804 to 1820
113
Print made by William Blake, 1757–1827
Jerusalem, Plate 41, "Bath who is Legions...."
1804 to 1820
114
Print made by William Blake, 1757–1827
Jerusalem, Plate 53, "Jerusalem / Chap. 3"
1804 to 1820
115
Print made by William Blake, 1757–1827
Jerusalem, Plate 54, "In Great Eternity...."
1804 to 1820
116
Print made by William Blake, 1757–1827
Jerusalem, Plate 57, "And the voices of Bath...."
1804 to 1820
117
Print made by William Blake, 1757–1827
Jerusalem, Plate 59, "And formed into Four precious stones...."
1804 to 1820
118
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 10, "The Ecchoing Green" (Bentley 6)
1789
119
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
1789
120
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 16, "Night" (Bentley 20)
1789
121
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 22, "Nurse's Song" (Bentley 38)
1789
122
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 28, "Laughing Song" (Bentley 15)
1789
123
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)
1789
124
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 6, "The Little Girl Found" (Bentley 35)
1789
125
William Blake, 1757–1827
The Poems of Thomas Gray, Design 63, "The Bard."
between 1797 and 1798
126
William Blake, 1757–1827
The Poems of Thomas Gray, Design 71, "The Fatal Sisters."
between 1797 and 1798
127
William Blake, 1757–1827
The Poems of Thomas Gray, Design 67, "The Fatal Sisters."
between 1797 and 1798
128
William Blake, 1757–1827
The Poems of Thomas Gray, Design 75, "The Fatal Sisters."
between 1797 and 1798
129
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
1789
130
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "
1793
131
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 10, "In happy copulation . . . . "
1793
132
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 26, "The Ox in the Slaughter House Moans...." (Bentley 25)
1794
133
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)
1789
134
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 4, "A Dream" (Bentley 26)
1789
135
Print made by William Blake, 1757–1827
Jerusalem, Plate 28 Proof Impression
ca. 1820
136
Print made by William Blake, 1757–1827
Jerusalem, Plate 11, "To labours mighty...."
1804 to 1820
137
Print made by William Blake, 1757–1827
Jerusalem, Plate 19, "His children exil'd from his breast...."
1804 to 1820
138
Print made by William Blake, 1757–1827
Jerusalem, Plate 23, "Jerusalem! Jerusalem!...."
1804 to 1820
139
Print made by William Blake, 1757–1827
Jerusalem, Plate 25, "And there was heard...."
1804 to 1820
140
Print made by William Blake, 1757–1827
Jerusalem, Plate 26, "Such Visions Have...."
1804 to 1820
141
Print made by William Blake, 1757–1827
Jerusalem, Plate 28, "Jerusalem / Chap. 2...."
1804 to 1820
142
Print made by William Blake, 1757–1827
Jerusalem, Plate 3, "To the Public...."
1804 to 1820
143
Print made by William Blake, 1757–1827
Jerusalem, Plate 29, "Then the Divine Vision...."
1804 to 1820
144
Print made by William Blake, 1757–1827
Jerusalem, Plate 31, "His western heaven...."
1804 to 1820
145
Print made by William Blake, 1757–1827
Jerusalem, Plate 37, "And One stood forth...."
1804 to 1820
146
Print made by William Blake, 1757–1827
Jerusalem, Plate 38, "His face and bosom...."
1804 to 1820
147
Print made by William Blake, 1757–1827
Jerusalem, Plate 4, "Jerusalem / Chap. 1...."
1804 to 1820
148
Print made by William Blake, 1757–1827
Jerusalem, Plate 40, "Los shudderd at beholding Albion...."
1804 to 1820
149
Print made by William Blake, 1757–1827
Jerusalem, Plate 42, "Thus Albion sat...."
1804 to 1820
150
Print made by William Blake, 1757–1827
Jerusalem, Plate 45, "Bath, healing City!...."
1804 to 1820
151
Print made by William Blake, 1757–1827
Jerusalem, Plate 47, "From Camberwell to Highgate...."
1804 to 1820
152
Print made by William Blake, 1757–1827
Jerusalem, Plate 5, "The banks of the Thames...."
1804 to 1820
153
William Blake, 1757–1827
The Poems of Thomas Gray, Design 9, "Ode on the Death of a Favourite Cat."
between 1797 and 1798
154
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 2, Title Page (Bentley 3)
1789
155
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)
1794
156
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 23: "The Ox in the slaughter house moans . . . ." (Bentley 25)
1794
157
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)
1794
158
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 17, "They call'd her Pity and fled . . . ." (Bentley 19)
1794
159
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 18 (Bentley 21)
1794
160
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"
ca. 1797
161
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 92, "When faith is virtue, reason makes it so"
ca. 1797
162
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"
ca. 1797
163
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)
1794
164
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 23, "We censure nature for a span too short"
ca. 1797
165
William Blake, 1757–1827
Satan Approaching the Court of Chaos
1784 to 1785
166
Print made by William Blake, 1757–1827
Pity
ca. 1795
167
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
ca. 1797
168
Print made by William Blake, 1757–1827
The Book of Thel, Plate 4, "Why should the mistress . . . ."
1789
169
William Blake, 1757–1827
Tiriel Supporting the Dying Myratana and Cursing His Sons
1786 to 1789
170
Henry Pierce Bone, 1779–1855
The Sleepwalking Scene in Macbeth
undated
171
Alfred Edward Chalon, 1780–1860
Cleopatra on the Cydnus to Meet Antony
ca. 1821
172
John Massey Wright, 1777–1866
Falstaff Disguised as Herne
undated
173
Julius Caesar Ibbetson, 1759–1817
Title page for "The Guardian"
undated
174
Richard Westall, 1765–1836
Greatheart's Battle with Grim
undated
175
Sir John Gilbert, 1817–1897
Apotheosis of Shakespeare's Characters
1871
176
James Northcote, 1746–1831
Macbeth and the Witches
between 1777 and 1778
177
William Henry Pyne, 1769–1843
An Illustration to Rob Roy: Interior with a Party Drinking
undated
178
Sir David Wilkie, 1785–1841
A Scene from "The Abbot"
1833
179
Michael "Angelo" Rooker, 1746–1801
Illustration to Beaumont and Fletcher
undated
180
George Fennell Robson, 1788–1833
Macbeth and Banquo on the Heath
ca. 1830
181
Robert Smirke, 1752–1845
Virgilia and Volumnia Plead with Coriolanus
ca. 1795
182
unknown artist
Shakespeare Illustration: "Measure for Measure"
undated
183
Frederic Leighton, 1830–1896
The Reconciliation of the Montagues and the Capulets
1854
184
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": "Water, I do Declare with Worms in it"
undated
185
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks's Surprize on Seeing the Paris Diligence, "My Vig, Here's Wombwell's Wildbeast show" '
undated
186
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities:" 'Mr. Jorrocks Renounces the Acquaintance of the Yorkshireman'
undated
187
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks Beats the Baron for Speed'
undated
188
John Massey Wright, 1777–1866
The Rustics Perform from "A Midsummer Night's Dream"
undated
189
Isaac Taylor, 1730–1807
Unidentified Periodical / Play Illustration
undated
190
Isaac Taylor, 1730–1807
Scene from the play, "The Careless Husband"
undated
191
unknown artist
Troilus and Cessida: Six Women on the Walls of Illion
undated
192
unknown artist
Birth of Shakespeare
undated
193
John Flaxman, 1755–1826
Illustration to Milton's Paradise Lost: Adam and Eve Guarded by the Angels
undated
194
William Marshall Craig, 1763 or 1764–1829
Macbeth and the Apparition of the Armed Head
ca. 1820
195
Mary Hoare, 1744–1820
The Apparition of the Armed Head: Macbeth
ca. 1781
196
Mary Hoare, 1744–1820
The Three Witches from Macbeth: Though the Bark Cannot be Lost..
ca. 1781
197
Joshua Cristall, 1768–1847
Gil Blas, While Practising Medicine under Dr. Sangrado, Encounters Dr. Cuchillo at the Bedside of the Grocer