Subject Terms: men and clouds - YCBA Collections Search Search Results

1. Hadleigh Castle, The Mouth of the Thames--Morning after a Stormy Night

Creator:: John Constable, 1776–1837
Date:: 1829
Materials & Techniques:: Oil on canvas
Dimensions:: 48 × 64 3/4 inches (121.9 × 164.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view at YUAG

2. Shipwreck

Creator:: Francis Danby, 1793–1861
Date:: ca. 1850
Materials & Techniques:: Oil on canvas
Dimensions:: 12 1/2 x 16 inches (31.8 x 40.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. Tummel Bridge, Perthshire

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: between 1802 and 1803
Materials & Techniques:: Oil on panel
Dimensions:: 11 3/8 x 18 3/8 inches (28.9 x 46.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. The Bathing Place at Ramsgate

Creator:: Benjamin West, 1738–1820
Date:: ca. 1788
Materials & Techniques:: Oil on canvas
Dimensions:: 14 x 17 1/2 inches (35.6 x 44.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. Orleans House, Twickenham

Creator:: Joseph Nickolls, active 1713–ca. 1755
Date:: ca. 1750
Materials & Techniques:: Oil on canvas
Dimensions:: 17 1/4 x 32 inches (43.8 x 81.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. Drainage Mills in the Fens, Croyland, Lincolnshire

Creator:: John Sell Cotman, 1782–1842
Date:: ca. 1835
Materials & Techniques:: Oil on canvas
Dimensions:: 21 3/4 x 36 1/8 inches (55.2 x 91.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. Figures with a Donkey and Dog Crossing a Weir

Creator:: James Lambert of Lewes, 1725–1788
Date:: 1767
Materials & Techniques:: Oil on canvas
Dimensions:: 18 1/4 x 24 inches (46.4 x 61 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

8. Leak Okeover, Rev. John Allen and Captain Chester at Okeover Hall, Staffordshire

Creator:: Arthur Devis, 1712–1787
Date:: between 1745 and 1747
Materials & Techniques:: Oil on canvas
Dimensions:: 38 1/2 x 48 1/2 inches (97.8 x 123.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

9. Departure of the Bucintoro

Creator:: Sir Frank William Brangwyn, 1867–1956
Date:: ca. 1910
Materials & Techniques:: Oil on canvas
Dimensions:: 52 x 69 inches (132.1 x 175.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of Joseph F. McCrindle, Yale LLB 1948
On View:: Not on view

10. The Liverpool and National Steeplechase at Aintree, 1843

Creator:: William Tasker, 1808–1852
Date:: ca. 1843
Materials & Techniques:: Oil on canvas
Dimensions:: 34 3/8 x 71 1/2 inches (87.3 x 181.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

11. An English Sloop Becalmed near the Shore

Creator:: Francis Swaine, 1730–1782
Date:: mid-18th century
Materials & Techniques:: Oil on canvas
Dimensions:: 10 x 13 3/8 inches (25.4 x 34 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

12. Lord Glamis and his Staghounds

Creator:: Dean Wolstenholme, 1757–1837
Date:: 1823
Materials & Techniques:: Oil on canvas
Dimensions:: 51 x 81 inches (129.5 x 205.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

13. Heron Hawking below Stirling Castle

Creator:: Jan Wyck, ca. 1645–1700
Date:: ca. 1690
Materials & Techniques:: Oil on canvas
Dimensions:: 24 1/2 × 24 1/8 inches (62.2 × 61.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

14. A Scene from 'The Maid of the Mill'

Creator:: John Inigo Richards, 1730/31?–1810
Date:: 1765
Materials & Techniques:: Oil on canvas
Dimensions:: 18 5/8 x 25 inches (47.3 x 63.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

15. An English Two-Decker Lying Hove to, with Other Ships and Vessels in a Fresh Breeze

Creator:: Dominic Serres, 1722–1793
Date:: 1770
Materials & Techniques:: Oil on panel
Dimensions:: 16 x 25 inches (40.6 x 63.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

16. A View Supposedly Near Arundel, Sussex, with Figures in a Lane

Creator:: George Smith, 1714–1776
Date:: mid-18th century
Materials & Techniques:: Oil on canvas
Dimensions:: 15 7/8 x 19 3/4 inches (40.3 x 50.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

17. Fishing Smack and Other Vessels in a Strong Breeze

Creator:: Joseph Stannard, 1797–1830
Date:: 1830
Materials & Techniques:: Oil on panel
Dimensions:: 12 3/4 x 17 inches (32.4 x 43.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

18. The Death of the Hare

Creator:: John Wootton, 1682–1764
Date:: ca. 1735
Materials & Techniques:: Oil on canvas
Dimensions:: 40 1/2 x 50 1/4 inches (102.9 x 127.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

19. Classical Landscape: Morning

Creator:: John Wootton, 1682–1764
Date:: between 1740 and 1745
Materials & Techniques:: Oil on canvas
Dimensions:: 43 x 43 inches (109.2 x 109.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

20. Winter Landscape with Figures

Creator:: George Morland, 1763–1804
Date:: ca. 1785
Materials & Techniques:: Oil on canvas
Dimensions:: 28 1/2 x 36 1/2 inches (72.4 x 92.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

21. A Gentleman Driving Tandem to a Jaunting Car

Creator:: Edwin W. Cooper of Beccles, 1785–1833
Date:: ca. 1820
Materials & Techniques:: Oil on canvas
Dimensions:: 20 1/8 × 25 7/8 inches (51.1 × 65.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

22. The Rape of Proserpine, design for the staircase of Devonshire House, London

Creator:: Louis Laguerre, 1663–1721
Date:: ca. 1704
Materials & Techniques:: Oil on canvas
Dimensions:: 42 1/8 x 30 inches (107 x 76.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

23. Sketch for an oval ceiling

Creator:: Attributed to Louis Laguerre, 1663–1721
Date:: ca. 1705
Materials & Techniques:: Oil on canvas
Dimensions:: 14 x 17 inches (35.6 x 43.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

24. Muly Moloch

Creator:: Benjamin Marshall, 1768–1835
Date:: 1803
Materials & Techniques:: Oil on canvas
Dimensions:: 40 x 50 inches (101.6 x 127 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

25. An Evening Calm

Creator:: Peter Monamy, 1681–1749
Date:: undated, between 1696 and 1749
Materials & Techniques:: Oil on canvas
Dimensions:: 12 x 14 inches (30.5 x 35.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, The U Collection. In appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends
On View:: Not on view

26. Two Fishing Boats on the Banks of Inland Waters

Creator:: George Chambers, 1803–1840
Date:: 1831
Materials & Techniques:: Oil on panel
Dimensions:: 13 1/2 x 17 5/8 inches (34.3 x 44.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

27. Men of War in a Stiff Breeze

Creator:: Jan Theunisz Blankerhoff, 1628–1669
Date:: mid-17th century
Materials & Techniques:: Oil on canvas
Dimensions:: 18 x 24 inches (45.7 x 61 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, The U Collection. In appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends
On View:: Not on view

28. An English Royal Yacht Standing Offshore in a Calm

Creator:: Peter Monamy, 1681–1749
Date:: ca. 1730
Materials & Techniques:: Oil on canvas
Dimensions:: 27 3/4 × 37 7/8 inches (70.5 × 96.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, The U Collection. In appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends
On View:: Not on view

29. Warships Lying Offshore, the Commanding Admiral Being Rowed out to Join the Flagship, Her Sails Illuminated by a Break in the Clouds

Creator:: Charles Martin Powell, 1775 –1824
Date:: early 19th century
Materials & Techniques:: Oil on canvas
Dimensions:: 23 3/4 × 35 7/8 inches (60.3 × 91.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, The U Collection. In appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends
On View:: Not on view

30. A Dutch Barge and Merchantmen Running out of Rotterdam

Creator:: Clarkson Stanfield, 1793–1867
Date:: 1856
Materials & Techniques:: Oil on canvas
Dimensions:: 31 x 48 inches (78.7 x 121.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, The U Collection. In appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends
On View:: Not on view

31. Coastal Landscape with a Ferry Boat

Creator:: Sir Peter Francis Bourgeois, 1756–1811
Date:: 1796
Materials & Techniques:: Oil on canvas
Dimensions:: 17 × 21 1/8 inches (43.2 × 53.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

32. Mrs. Cibber as Cordelia

Creator:: Pieter van Bleeck, 1700–1764
Date:: 1755
Materials & Techniques:: Oil on canvas
Dimensions:: 84 x 82 inches (213.4 x 208.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

33. Gillingham on the Medway

Creator:: William James Muller, 1812–1845
Date:: 1842
Materials & Techniques:: Oil on canvas
Dimensions:: 13 1/2 × 26 1/4 inches (34.3 × 66.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

34. Wooded Hilly Landscape

Creator:: Abraham Pether, 1756–1812
Date:: 1785
Materials & Techniques:: Oil on canvas
Dimensions:: 24 3/4 x 28 1/2 inches (62.9 x 72.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

35. River Scene

Creator:: Sebastian Pether, 1790–1844
Date:: 1840
Materials & Techniques:: Oil on canvas
Dimensions:: 12 1/4 × 16 1/4 inches (31.1 × 41.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

36. Loch Awe, Argyllshire

Creator:: Alexander Nasmyth, 1758–1840
Date:: ca. 1785
Materials & Techniques:: Oil on canvas
Dimensions:: 20 x 24 inches (50.8 x 61 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

37. Four Servants of Ston Easton Estate

Creator:: Thomas Beach, 1738–1806
Date:: 1776
Materials & Techniques:: Oil on canvas
Dimensions:: 62 × 92 inches (157.5 × 233.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

38. A Finished Study for 'Reaping'

Creator:: John Linnell, 1792–1882
Date:: 1858
Materials & Techniques:: Oil on panel
Dimensions:: 8 1/4 x 13 inches (21 x 33 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

39. A River Landscape, Sunset

Creator:: John Linnell, 1792–1882
Date:: ca. 1860
Materials & Techniques:: Oil on panel
Dimensions:: 6 1/2 x 8 7/8 inches (16.5 x 22.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

40. Rocky Landscape with Two Men on a Horse

Creator:: George Morland, 1763–1804
Date:: 1791
Materials & Techniques:: Oil on panel
Dimensions:: 9 7/8 x 11 7/8 inches (25.1 x 30.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

41. Royal Yacht Becalmed at Anchor

Creator:: Peter Monamy, 1681–1749
Date:: between 1710 and 1730
Materials & Techniques:: Oil on canvas
Dimensions:: 30 1/8 x 45 1/2 inches (76.5 x 115.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

42. Winter Landscape

Creator:: George Morland, 1763–1804
Date:: 1790
Materials & Techniques:: Oil on canvas
Dimensions:: 27 1/2 x 35 1/2 inches (69.9 x 90.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

43. The Rainbow

Creator:: Philippe-Jacques de Loutherbourg, 1740–1812
Date:: 1784
Materials & Techniques:: Oil on canvas
Dimensions:: 40 x 50 inches (101.6 x 127 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

44. London from Greenwich Hill

Creator:: Henry Dawson, 1811–1878
Date:: 1869 to 1870
Materials & Techniques:: Oil on canvas
Dimensions:: 72 x 107 1/2 inches (182.9 x 273.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

45. The Meet

Creator:: Print made by Robert Polhill Bevan, 1865–1925
Date:: 1898-1899
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 15 x 19 5/16 inches (38.1 x 49 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. America. A Prophecy, Plate 1, Frontispiece

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Visions of the Daughters of Albion, Plate 1, Frontispiece

Creator:: William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. America. A Prophecy, Plate 10, "The Terror Answered...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. The Poems of Thomas Gray, Design 63, "The Bard."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. The Poems of Thomas Gray, Design 65, "The Bard."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. The Poems of Thomas Gray, Design 95, "Ode for Music."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Jerusalem, Plate 20, "But when they saw Albion...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Jerusalem, Plate 45, "Bath, healing City!...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Jerusalem, Plate 50, "The Atlantic Mountains...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Jerusalem, Plate 78, "The Spectres of..."

Creator:: William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Jerusalem, Plate 14, "One hair nor particle of dust...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Jerusalem, Plate 12, "Why wilt thou give to her...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. The Poems of Thomas Gray, Design 59, "The Bard."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "

Creator:: William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Visions of the Daughters of Albion, Plate 2, Title Page

Creator:: William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "

Creator:: William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper inlaid to size
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. For the Sexes: The Gates of Paradise, Plate 6, "Air"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. America. A Prophecy, Plate 2, Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. America. A Prophecy, Plate 6, "Appear to the Americans...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. America. A Prophecy, Plate 16, "In the Flames Stood...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. America. A Prophecy, Plate 8, "The Morning Comes...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. America. A Prophecy, Plate 13, "Fiery the Angels Rose...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Air; Plate 6

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 5 1/2 inches (14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Abraham and Isaac

Creator:: William Blake, 1757–1827
Date:: 1799 to 1800
Materials & Techniques:: Tempera and pen and black ink on canvas
Dimensions:: Sheet: 10 1/2 x 15 1/2 inches (26.7 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Satan Approaching the Court of Chaos

Creator:: William Blake, 1757–1827
Date:: 1784 to 1785
Materials & Techniques:: Graphite with pen and gray ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/4 x 13 1/4 inches (23.5 x 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. The Man Sweeping the Interpreter's Parlour

Creator:: William Blake, 1757–1827
Date:: ca. 1822
Materials & Techniques:: White-line metal cut engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 7 x 9 1/8 inches (17.8 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Christ Giving Sight to Bartimaeus

Creator:: William Blake, 1757–1827
Date:: 1799 to 1800
Materials & Techniques:: Tempera with pen and black ink on canvas
Dimensions:: Sheet: 10 1/4 x 15 inches (26 x 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Miranda, Prospero, and Caliban: The Tempest

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/2 x 22 1/8 inches (39.4 x 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

88. Coastal Scene

Creator:: Print made by Lydia Bates, active 1784
Date:: 1784
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 5/16 x 16 9/16 inches (28.8 x 42.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

89. Lancaster Sands

Creator:: Print made by Edward Radclyffe, 1809–1863
Date:: undated
Materials & Techniques:: Etching on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 5/8 x 19 1/2 inches (34.6 x 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

90. The Day of Judgment

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808, published 1813
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. The Death of the Good Old Man

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808, published 1813
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 15 inches (28.9 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. The Breaking Up of the Agamemnon, no. 2

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: after 1880
Materials & Techniques:: Etching and mezzotint on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/16 x 22 1/16 inches (38.3 x 56.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. Howard Mansfield

93. A Jersey Vraic Cart

Creator:: Print made by Edmund Blampied, 1886–1966
Date:: 1939
Materials & Techniques:: Etching on laid paper
Dimensions:: Plate: 8 1/2 x 11 inches (21.6 x 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Paul Moore

94. L'Eglise de St. Gervais et St. Protais

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1824
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:: Sheet: 11 7/8 x 15 3/16 inches (30.2 x 38.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery

95. Bridgenorth, Shropshire

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1801
Materials & Techniques:: Gouache, watercolor, white chalk, black chalk and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 25 7/8 x 35 1/2 inches (65.7 x 90.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

96. Ruins on the Coast

Creator:: Thomas Girtin, 1775–1802
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 5 7/8 x 8 5/8 inches (14.9 x 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of William Lamson Warren, class of 1935

97. A Calm

Creator:: Print made by John Boydell, 1720–1804
Date:: 1754
Materials & Techniques:: Etching and line engraving, hand colored with watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 5/16 x 21 1/8 inches (38.9 x 53.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Rue du Gros-Horloge, Rouen

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1824
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper with cream chine collé
Dimensions:: Sheet: 13 3/8 x 19 3/4 inches (34 x 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Everett V. Meeks, B.A. 1901, Fund

99. A Spanish Good Friday

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1925
Materials & Techniques:: Drypoint and etching on moderately thick, slightly textured, beige Asian paper
Dimensions:: Sheet: 20 1/16 x 13 inches (51 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

100. Lillebonne - Château d'Harcourt

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1824
Materials & Techniques:: Lithograph with yellow tint on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 12 1/2 x 9 11/16 inches (31.8 x 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

YCBA Collections Search

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1. Hadleigh Castle, The Mouth of the Thames--Morning after a Stormy Night

2. Shipwreck

3. Tummel Bridge, Perthshire

4. The Bathing Place at Ramsgate

5. Orleans House, Twickenham

6. Drainage Mills in the Fens, Croyland, Lincolnshire

7. Figures with a Donkey and Dog Crossing a Weir

8. Leak Okeover, Rev. John Allen and Captain Chester at Okeover Hall, Staffordshire

9. Departure of the Bucintoro

10. The Liverpool and National Steeplechase at Aintree, 1843

11. An English Sloop Becalmed near the Shore

12. Lord Glamis and his Staghounds

13. Heron Hawking below Stirling Castle

14. A Scene from 'The Maid of the Mill'

15. An English Two-Decker Lying Hove to, with Other Ships and Vessels in a Fresh Breeze

16. A View Supposedly Near Arundel, Sussex, with Figures in a Lane

17. Fishing Smack and Other Vessels in a Strong Breeze

18. The Death of the Hare

19. Classical Landscape: Morning

20. Winter Landscape with Figures

21. A Gentleman Driving Tandem to a Jaunting Car

22. The Rape of Proserpine, design for the staircase of Devonshire House, London

23. Sketch for an oval ceiling

24. Muly Moloch

25. An Evening Calm

26. Two Fishing Boats on the Banks of Inland Waters

27. Men of War in a Stiff Breeze

28. An English Royal Yacht Standing Offshore in a Calm

29. Warships Lying Offshore, the Commanding Admiral Being Rowed out to Join the Flagship, Her Sails Illuminated by a Break in the Clouds

30. A Dutch Barge and Merchantmen Running out of Rotterdam

31. Coastal Landscape with a Ferry Boat

32. Mrs. Cibber as Cordelia

33. Gillingham on the Medway

34. Wooded Hilly Landscape

35. River Scene

36. Loch Awe, Argyllshire

37. Four Servants of Ston Easton Estate

38. A Finished Study for 'Reaping'

39. A River Landscape, Sunset

40. Rocky Landscape with Two Men on a Horse

41. Royal Yacht Becalmed at Anchor

42. Winter Landscape

43. The Rainbow

44. London from Greenwich Hill

45. The Meet

46. America. A Prophecy, Plate 1, Frontispiece

47. Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"

48. Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"

49. Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"

50. Visions of the Daughters of Albion, Plate 1, Frontispiece

51. America. A Prophecy, Plate 10, "The Terror Answered...."

52. The Poems of Thomas Gray, Design 63, "The Bard."

53. The Poems of Thomas Gray, Design 65, "The Bard."

54. The Poems of Thomas Gray, Design 95, "Ode for Music."

55. Jerusalem, Plate 20, "But when they saw Albion...."

56. Jerusalem, Plate 45, "Bath, healing City!...."

57. Jerusalem, Plate 50, "The Atlantic Mountains...."

58. Jerusalem, Plate 78, "The Spectres of..."

59. Jerusalem, Plate 14, "One hair nor particle of dust...."

60. Jerusalem, Plate 12, "Why wilt thou give to her...."

61. Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"

62. Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

63. Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"

64. The Poems of Thomas Gray, Design 59, "The Bard."

65. Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"

66. The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."

67. Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"

68. Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)

69. Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "

70. Visions of the Daughters of Albion, Plate 2, Title Page

71. Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "

72. Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"

73. Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)

74. Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)