Etched by Joseph Mallord William Turner, 1775–1851
Aesacus and Hesperie
1819
4
George Romney, 1734–1802
Lear Awakened by Cordelia
between 1774 and 1775
5
George Romney, 1734–1802
A Procession of the Damned: Study for the Damned in Dante's "Inferno"
undated
6
George Romney, 1734–1802
Miranda, Prospero, and Caliban: The Tempest
undated
7
George Romney, 1734–1802
Prospero and Miranda
ca. 1787
8
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
9
George Romney, 1734–1802
Witches' Cavern: MacBeth's Second Visit
undated
10
George Romney, 1734–1802
The Witches' Cavern
between 1792 and 1793
11
George Romney, 1734–1802
Witches' Cavern: MacBeth's Second Visit
undated
12
George Romney, 1734–1802
MacBeth at the Witches' Cave: Second Visit, or Canidia and the Youth, or The Opening of the Ark
undated
13
George Romney, 1734–1802
The Banquet Scene
ca. 1792
14
George Romney, 1734–1802
MacBeth: Banquet Scene
undated
15
George Romney, 1734–1802
MacBeth: Banquet Scene
undated
16
George Romney, 1734–1802
MacBeth: Banquet Scene
undated
17
George Romney, 1734–1802
MacBeth at the Witches' Cave: Second Visit
undated
18
George Romney, 1734–1802
MacBeth: Banquet Scene
undated
19
George Romney, 1734–1802
MacBeth: Banquet Scene
undated
20
George Romney, 1734–1802
The Abandonment and Rescue of Perdita from "The Winter's Tale"
undated
21
George Romney, 1734–1802
The Abandonment and Rescue of Perdita from "The Winter's Tale"
undated
22
George Romney, 1734–1802
The Abandonment and Rescue of Perdita from "The Winter's Tale"
undated
23
George Romney, 1734–1802
The Abandonment and Rescue of Perdita from "The Winter's Tale"
undated
24
George Romney, 1734–1802
Titania's Attendants Chasing Bats
undated
25
George Romney, 1734–1802
Unidentified Subjects
undated
26
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
27
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
28
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
29
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
30
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
31
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
32
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
33
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
34
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
35
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
36
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
37
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
38
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
39
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
40
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
41
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
42
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
43
George Romney, 1734–1802
Exit Pursued by a Bear, or "The Abandonment of Perdita" from "The Winter's Tale"
undated
44
George Romney, 1734–1802
Tempest, Version A
undated
45
George Romney, 1734–1802
Sketch for Canidia and the Youth
undated
46
George Romney, 1734–1802
Abandonment and Rescue of Perdita from "The Winter's Tale" (Tampered with but Not Fake)
undated
47
George Romney, 1734–1802
Lear Awakened by Cordelia
ca. 1774
48
George Romney, 1734–1802
Birth of Man
undated
49
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
50
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
51
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
52
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
53
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
54
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
55
George Romney, 1734–1802
Three Studies of a Standing Woman, Possibly Lady MacBeth
undated
56
George Romney, 1734–1802
Standing Figure, Probably for Lady Macbeth
undated
57
George Romney, 1734–1802
Daphnis and Chloe
undated
58
John Hamilton Mortimer, 1740–1779
Literary Characters Assembled Around the Medallion of Shakespeare
1776
59
Benjamin Robert Haydon, 1786–1846
Sketches for a Scene from 'Macbeth'
ca. 1811
60
James Northcote, 1746–1831
Macbeth and the Witches
between 1777 and 1778
61
unknown artist
The Death of Cordelia
undated
62
John Flaxman, 1755–1826
Seventeen Sketches chiefly of Mrs. Siddons in the Roles of Titania or Constance (King John) and including a Sketch of Kemble as Hamlet and a Study of Puck
ca. 1795
63
John Massey Wright, 1777–1866
Falstaff Disguised as Herne
undated
64
Theodor von Holst, 1810–1844
Sheet of Sketches
undated
65
Theodor von Holst, 1810–1844
Faust and Margaret
undated
66
Theodor von Holst, 1810–1844
Prospero Watching Ferdinand and Miranda
ca. 1840
67
Robert Smirke, 1752–1845
Prospero and Ariel
1821
68
Robert Smirke, 1752–1845
Falstaff Dragging the Body of Hotspur
1825
69
Robert Smirke, 1752–1845
Anne Page and Slender
1821
70
Robert Smirke, 1752–1845
Falstaff Instructing Bardolph
1825
71
Robert Smirke, 1752–1845
Lysander Awakening to See Helena
1825
72
Richard Parkes Bonington, 1802–1828
Studies for Shylock
1825
73
Henry Fuseli, 1741–1825
Study for 'Finding of the Body of Bassanio'
1804
74
John Massey Wright, 1777–1866
The Rustics Perform from "A Midsummer Night's Dream"
undated
75
Print made by William Strang, 1859–1921
The Penance
1896
76
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Study of Sleeping Grooms
between 1809 and 1811
77
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Macbeth Stabbing Duncan
between 1809 and 1811
78
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)
between 1809 and 1811
79
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)
between 1809 and 1811
80
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Macbeth with the Daggers
between 1809 and 1811
81
Robert Smirke, 1752–1845
Ferdinand Reunited with his Father
1821
82
Robert Smirke, 1752–1845
Prospero Conjuring a Masque for Ferdinand and Miranda
ca. 1810
83
Robert Smirke, 1752–1845
Christopher Sly and the Page, as His Wife
1821
84
Robert Smirke, 1752–1845
Capulet Railing at his Daughter, Juliet
1825
85
Robert Smirke, 1752–1845
Juliet About to Take her Sleeping Draught
1825
86
Robert Smirke, 1752–1845
Katherina and Grumio
1821
87
Robert Smirke, 1752–1845
Lady Mortimer's Welsh Song
1825
88
Robert Smirke, 1752–1845
Ford in a Rage After Seeing Falstaff
1821
89
Robert Smirke, 1752–1845
Isabella and Mariana Kneeling Before the Duke
1822
90
Robert Smirke, 1752–1845
Oberon and Puck
1825
91
Robert Smirke, 1752–1845
Claudio and Isabella
1823
92
Robert Smirke, 1752–1845
Viola and Olivia
1822
93
Robert Smirke, 1752–1845
Feste, as Sir Topas, addressing Malvolio
1822
94
Robert Smirke, 1752–1845
Malvolio abusing Maria, Fabian and Sir Toby
1822
95
Robert Smirke, 1752–1845
Falstaff with Mistress Quickly and Bardolph
1825
96
Robert Smirke, 1752–1845
The Death of Ophelia
ca. 1810
97
Print made by George Richmond, 1809–1896
The Fatal Bellman
1827
98
Francesco Bartolozzi, 1728–1815
Illustration from Orlando Furioso: "Che deb'bo sar? che poss'io sar qui sola? / che mi da ajuto, oime, che mi consola?"
1773
99
Robert Smirke, 1752–1845
Study of a Woman, Imploring for the Return of Her Captive Child