Whitehall Showing Holbein's Gate and Banqueting Hall
ca. 1760
4
Paul Sandby, 1731–1809
A Family in Hyde Park
undated
5
Alexander Nasmyth, 1758–1840
Westminster Abbey from Dean's Yard
undated
6
Michael "Angelo" Rooker, 1746–1801
Design for the Haymarket Theatre: "The Battle of Hexham", by Colman the Younger
1789
7
John Linnell, 1792–1882
Mowers in the Field in Porchester Terrace, Bayswater, June 9, 1830
1830
8
attributed to Michael "Angelo" Rooker, 1746–1801
Scenery, Haymarket Theatre
undated
9
Thomas Rowlandson, 1756–1827
Skating on the Serpentine
before 1790
10
Thomas Rowlandson, 1756–1827
Hyde Park Corner
undated
11
Attributed to John Carter, 1748–1817
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
12
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
13
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
14
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
15
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
16
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
17
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
18
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
19
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
20
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
21
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
22
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
23
Attributed to John Carter, 1748–1817
Palace at Westminster
between 1800 and 1807
24
Attributed to John Carter, 1748–1817
East Front of Painted Chamber
between 1793 and 1799
25
Attributed to John Carter, 1748–1817
Side Window, North, Painted Chamber
between 1793 and 1799
26
Attributed to John Carter, 1748–1817
East End, Painted Chamber
between 1793 and 1799
27
unknown artist
Details of Capitals and Arches, Painted Chamber
between 1793 and 1799
28
Attributed to John Carter, 1748–1817
Wall Paintings
between 1793 and 1799
29
Attributed to John Carter, 1748–1817
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
between 1793 and 1799
30
Attributed to John Carter, 1748–1817
Paintings on the Wall by H in Plan
between 1793 and 1799
31
Attributed to John Carter, 1748–1817
Details of one of the Figures
ca. 1795
32
Charles James Richardson, 1806–1871
Sections of Room under Painted Chamber
1827
33
Charles James Richardson, 1806–1871
Ceiling to Boudoir House in Old Palace Yard
1871
34
Attributed to John Carter, 1748–1817
Continuation of the Preceeding Ornaments
1793
35
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
36
Michael "Angelo" Rooker, 1746–1801
The Admiralty Building from Whitehall
1782
37
Louis Philippe Boitard, active 1734–1760
The Earthquake Scare in Piccadilly
1750
38
Samuel Scott, 1701/2–1772
Westminster Bridge under Construction
undated
39
unknown artist
A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
printed 1740, drawn ca. 1760
40
John Carter, 1748–1817
East View of Modern Buildings in Continuation from St Stephen's Chapel
between 1790 and 1802
41
John Carter, 1748–1817
South View in the Entrance of Porch at West End of St. Stephen's Chapel West
between 1790 and 1802
42
unknown artist
Entrance Doorway in the Tower, St Stephen's Chapel
undated
43
Attributed to John Carter, 1748–1817
Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West
between 1790 and 1802
44
unknown artist
Details of the Screen of Entrance Porch, St Stephen's Chapel
undated
45
Attributed to John Carter, 1748–1817
Springing of an Arch, St Stephen's Chapel
between 1790 and 1802
46
Attributed to John Carter, 1748–1817
New East Front, St Stephen's Chapel
ca. 1801
47
Attributed to John Carter, 1748–1817
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
48
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
49
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
50
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
51
Print made by Charles Grignion, 1717–1810
House of Commons and the Entrance to the House of Lords with the Office of Ordnance
undated
52
Attributed to John Carter, 1748–1817
Plan of the Basement Story under the House of Lords
between 1800 and 1807
53
Charles James Richardson, 1806–1871
Ceiling of Front Parlor House in Old Palace Yard
1871
54
Attributed to John Carter, 1748–1817
Parts in Stone Underhouse of Lords
between 1800 and 1807
55
Attributed to John Carter, 1748–1817
Enlarged Detail of Figures from Painting Shown in Previous Sketch
between 1793 and 1799
56
Attributed to John Carter, 1748–1817
Princes Chamber, East Side with the Old House of Lords
between 1800 and 1807
57
Attributed to John Carter, 1748–1817
South Side of Princes Chamber West
between 1800 and 1807
58
Attributed to John Carter, 1748–1817
East Front of Princes Chamber
between 1800 and 1807
59
Attributed to John Carter, 1748–1817
Plan of Princes Chamber, One Pair
between 1800 and 1807
60
Attributed to John Carter, 1748–1817
Window Detail, Princes Chamber
between 1800 and 1807
61
Attributed to John Carter, 1748–1817
Princes Chamber
between 1800 and 1807
62
Charles James Richardson, 1806–1871
Drawing Room Ceiling, No. 3 Old Palace Yard
1871
63
Attributed to John Carter, 1748–1817
Seats in Henry VII Chapel, Westminster Abbey
ca. 1793
64
John Carter, 1748–1817
View of Modern Gateway in South East Angle of Dean's Yard
between 1780 and 1807
65
Attributed to John Carter, 1748–1817
Door-way in Wall of South Precints of Westminster Abbey
undated
66
Attributed to John Carter, 1748–1817
North View of the Jerusalem Chamber, Taken from the West Porch of Westminster Abbey
1792
67
Attributed to John Carter, 1748–1817
Part of the Old Dormitory
1815
68
Attributed to John Carter, 1748–1817
South View of the Abbey Church, Westminster, Taken from Dean's Yard
1785
69
Attributed to John Carter, 1748–1817
Line of Buildings on East Side, Dean's Yard
between 1806 and 1815
70
Attributed to John Carter, 1748–1817
Buildings on East Side of Dean's Yard
between 1806 and 1815
71
Attributed to John Carter, 1748–1817
Continuation of Details
between 1806 and 1815
72
Attributed to John Carter, 1748–1817
Buildings on North Side, Dean's Yard
between 1806 and 1815
73
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
74
Attributed to John Carter, 1748–1817
Window, Dean's Yard
between 1806 and 1815
75
Attributed to John Carter, 1748–1817
Detail for Preceding Elevations
between 1806 and 1815
76
Attributed to John Carter, 1748–1817
Detail, Dean's Yard
between 1806 and 1815
77
Attributed to John Carter, 1748–1817
Figure study, Henry VII Chapel
ca. 1793
78
Samuel Scott, 1701/2–1772
The Thames with Montagu House and Westminster Bridge