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1. Temple of Venus and Rome, Rome

Temple of Venus and Rome, Rome
Creator:
Edward Lear, 1812–1888
Date:
1840
Materials & Techniques:
Oil on paper laid on card
Dimensions:
9 5/8 x 13 3/8 inches (24.4 x 34 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view

2. The Lone Vigil

The Lone Vigil
Creator:
Alan Lowndes, 1921–1978
Date:
1977
Materials & Techniques:
Oil on card
Dimensions:
Frame: 26 3/4 x 22 3/4 inches (67.9 x 57.8 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Gift of the Libra Foundation, from the family of Nicholas and Susan Pritzker
On View:
Not on view

3. A Sussex Barn

A Sussex Barn
Creator:
Robert Polhill Bevan, 1865–1925
Date:
undated
Materials & Techniques:
Watercolor and black chalk on medium, smooth, cream wove paper mounted on card
Dimensions:
Sheet: 13 7/8 x 18 5/8 inches (35.2 x 47.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

4. A Sussex Barn

A Sussex Barn
Creator:
Robert Polhill Bevan, 1865–1925
Date:
1908
Materials & Techniques:
Watercolor and black chalk on thick, smooth, cream card
Dimensions:
Sheet: 14 1/8 x 18 3/8 inches (35.9 x 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

5. Conway Castle

Conway Castle
Creator:
Samuel Palmer, 1805–1881
Date:
1836
Materials & Techniques:
Graphite, watercolor, gouache and pen and brown ink on medium, smooth, brown wove paper on heavy card
Dimensions:
Sheet: 12 3/4 x 17 7/8 inches (32.4 x 45.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Salisbury Cathedral From the Meadows

Salisbury Cathedral From the Meadows
Creator:
John Constable, 1776–1837
Date:
1829
Materials & Techniques:
Graphite on medium, moderately textured, cream wove paper mounted on card
Dimensions:
Mount: 11 5/8 × 16 5/8 inches (29.5 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Landscape with Windmill

Landscape with Windmill
Creator:
attributed to John Constable, 1776–1837
Date:
between 1825 and 1830
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper laid to card
Dimensions:
Sheet: 4 1/4 x 7 7/8 inches (10.8 x 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Study for Cottage in Cornfield, East Bergholt

Study for Cottage in Cornfield, East Bergholt
Creator:
attributed to John Constable, 1776–1837
Date:
ca. 1833
Materials & Techniques:
Graphite and brown wash on medium, smooth, beige wove paper mounted to card
Dimensions:
Sheet: 3 1/2 x 2 1/2 inches (8.9 x 6.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Entrance to the Port of Marseille

Entrance to the Port of Marseille
Creator:
Edward Lear, 1812–1888
Date:
undated
Materials & Techniques:
Pen and brown ink with gouache over graphite on medium, slightly textured, blue wove paper mounted on moderately thick, slightly textured, cream card
Dimensions:
Mount: 6 1/2 × 9 7/8 inches (16.5 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

10. St. Donat's Castle, Glamorganshire

St. Donat's Castle, Glamorganshire
Creator:
John Glover, 1767–1849
Date:
undated
Materials & Techniques:
Watercolor over graphite on moderately thick, slightly textured, cream wove paper pasted on thick, slightly textured, beige card
Dimensions:
Mount: 19 x 25 1/4 inches (48.3 x 64.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Dancing Platform, Cremorne Gardens, with a Portrait of Whistler

Dancing Platform, Cremorne Gardens, with a Portrait of Whistler
Creator:
Walter Greaves, 1846–1930
Date:
undated
Materials & Techniques:
Gray wash, pen and gray ink, and graphite on thick, smooth, cream card
Dimensions:
Sheet: 20 × 24 7/8 inches (50.8 × 63.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Cheyne Walk, Old Chelsea

Cheyne Walk, Old Chelsea
Creator:
Henry Greaves, 1850–1900
Date:
1861
Materials & Techniques:
Brown wash, gray wash, pen and gray ink, pen and brown ink, and graphite on thick, smooth, cream card
Dimensions:
Sheet: 20 × 25 1/4 inches (50.8 × 64.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. The Colosseum, Rome

The Colosseum, Rome
Creator:
George Robertson, 1749–1788
Date:
undated
Materials & Techniques:
Pen and gray ink and watercolor on medium, slightly textured, beige wove paper laid down on card
Dimensions:
Sheet: 12 11/16 x 16 7/16 inches (32.2 x 41.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. The Daughters of Jerusalem Weeping by the Waters of Babylon

The Daughters of Jerusalem Weeping by the Waters of Babylon
Creator:
John Martin, 1789–1854
Date:
1834
Materials & Techniques:
Gray wash and pen and black ink on medium, slightly textured, cream wove paper mounted on thick, smooth, cream card
Dimensions:
Mount: 6 5/16 x 8 inches (16 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. "She Stoops to Conquer" Act 3, Act 5

"She Stoops to Conquer" Act 3, Act 5
Creator:
Alfred Parsons, 1847–1920
Date:
undated
Materials & Techniques:
Pen and black ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 13 1/16 x 11 1/16in. (33.2 x 28.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, The Edwin Austin Abbey Memorial Collection

16. View of New Street, near London Bridge

View of New Street, near London Bridge
Creator:
John Varley, 1778–1842
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream laid paper mounted on thick, slightly textured, cream card
Dimensions:
Mount: 7 1/4 x 10 1/2 inches (18.4 x 26.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Temple of Jupiter Panhellenios at Aegina

Temple of Jupiter Panhellenios at Aegina
Creator:
William Pars, 1742–1782
Date:
between 1764 and 1766
Materials & Techniques:
Pen and black ink, pen and gray ink, pen and brown ink, gray wash, and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 11 1/2 × 18 inches (29.2 × 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Interior of a Room at Woodcock Manor

Interior of a Room at Woodcock Manor
Creator:
Sydney Prior Hall, 1851–1929
Date:
undated
Materials & Techniques:
Watercolor and graphite on thick, slightly textured, brown card
Dimensions:
Sheet: 7 1/2 × 10 5/8 inches (19.1 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, The Edwin Austin Abbey Memorial Collection

19. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, pen, graphite, gouache and watercolor on cream card
Dimensions:
Sheet: 6 7/8 × 14 1/4 inches (17.5 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. The Great Exhibition: Exterior View from the Southwest

The Great Exhibition: Exterior View from the Southwest
Creator:
Print made by George Baxter, 1804–1867
Date:
1851
Materials & Techniques:
Aquatint, stipple engraving, and etching with color woodcut on medium, smooth, cream wove paper, surrounded with gold dome-shaped border, laid on contemporary mount made of thick, smooth, beige card
Dimensions:
Sheet: 5 11/16 × 12 5/8 inches (14.4 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Cathedrals in England

Cathedrals in England
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, stipple engraving, etching and color woodcut on cream card mounted on beige card
Dimensions:
Image: 6 15/16 x 5 3/16 inches (17.7 x 13.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Gems of the Great Exhibition No. 4: The Foreign Department

Gems of the Great Exhibition No. 4: The Foreign Department
Creator:
Print made by George Baxter, 1804–1867
Date:
1852 or 1854
Materials & Techniques:
Aquatint and stipple engraving with color woodcut on medium, smooth, cream wove paper, laid on dome-shaped gold paper, laid on contemporary mount made of thick, smooth, beige card
Dimensions:
Mount: 8 3/8 x 13 1/16 inches (21.2 x 33.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Castles in England

Castles in England
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, stipple engraving, etching and color woodcut on cream card mounted on beige card
Dimensions:
Image: 6 7/8 x 4 3/4 inches (17.4 x 12 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. The Bride, Paul and Virginia, the Chalees Satoon, East India

The Bride, Paul and Virginia, the Chalees Satoon, East India
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1850
Materials & Techniques:
Aquatint and stipple engraving; hand coloring done by an unknown later printer on thick cream card
Dimensions:
Sheet: 5 1/4 × 10 9/16 inches (13.4 × 26.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1852
Materials & Techniques:
Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:
Mount: 7 1/2 x 5 9/16 inches (19 x 14.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Chepstow Castle

Chepstow Castle
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching and color woodcut on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 11/16 × 6 11/16 inches (14.5 × 17 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Views in the Levant: Man in a Boat Being Rowed Past a Pavilion

Views in the Levant: Man in a Boat Being Rowed Past a Pavilion
Creator:
Willey Reveley, 1760–1799
Date:
undated
Materials & Techniques:
Graphite and gray wash on medium, slightly textured, cream laid paper mounted to thick cream card
Dimensions:
Sheet: 14 3/8 × 23 1/2 inches (36.5 × 59.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Set of Needle-Box Prints

Set of Needle-Box Prints
Creator:
Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching, stipple engraving and aquatint, with color woodcut on cream card mounted on beige card
Dimensions:
Sheet: 2 5/16 × 5 3/16 inches (5.8 × 13.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Tintern Abbey

Tintern Abbey
Creator:
Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint and etching, with color woodcut on cream card mounted on beige card
Dimensions:
Sheet: 5 1/8 × 7 1/16 inches (13 × 17.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. The Temple of Baalbec

The Temple of Baalbec
Creator:
David Roberts, 1796–1864
Date:
1839
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper mounted to thick, smooth cream card
Dimensions:
Sheet: 13 1/2 × 21 1/4 inches (34.3 × 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. The Royal Naval School at New Cross

The Royal Naval School at New Cross
Creator:
Print made by Thomas Talbot Bury, 1811–1877
Date:
undated
Materials & Techniques:
Hand-colored lithograph on moderately thick cream card
Dimensions:
Sheet: 14 1/16 x 18 3/4 inches (35.7 x 47.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Interior, Abery

Interior, Abery
Creator:
Print made by N. Hanhart, active 1841–1852
Date:
1856
Materials & Techniques:
Chromolithograph on moderately thick, smooth, beige wove paper, laid on contemporary mount made of thick, smooth, beige card
Dimensions:
Mount: 15 1/4 x 12 3/8 inches (38.8 x 31.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of the Reverend DeWolf Perry

33. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1893
Materials & Techniques:
Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:
Mount: 8 7/8 x 6 5/16 inches (22.6 x 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1852
Materials & Techniques:
Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:
Mount: 7 1/2 x 5 1/2 inches (19 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1852
Materials & Techniques:
Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:
Mount: 7 1/2 x 5 1/2 inches (19.1 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. View of Tonbridge During the Late Election

View of Tonbridge During the Late Election
Creator:
Joseph Josiah Dodd, 1809–1894
Date:
after 1832
Materials & Techniques:
Lithograph with hand coloring on thick, slightly textured, cream card with cream chine collé
Dimensions:
Sheet: 11 5/8 × 16 1/4 inches (29.5 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1893
Materials & Techniques:
Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:
Mount: 8 7/8 x 6 inches (22.5 x 15.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1893
Materials & Techniques:
Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:
Mount: 9 x 6 5/16 inches (22.9 x 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Westminster Abbey, Hospital &c.

Westminster Abbey, Hospital &c.
Creator:
Print made by Thomas Shotter Boys, 1803–1874
Date:
1842
Materials & Techniques:
Lithograph with tint on thick, slightly textured, cream card
Dimensions:
Sheet: 14 7/8 x 21 11/16 inches (37.8 x 55.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

40. St. Paul's from Ludgate Hill

St. Paul's from Ludgate Hill
Creator:
Print made by Thomas Shotter Boys, 1803–1874
Date:
1842
Materials & Techniques:
Lithograph with tint on moderately thick, slightly textured, cream card
Dimensions:
Sheet: 21 5/8 x 14 7/8 inches (55 x 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

41. Buckingham Palace from St. James's Park

Buckingham Palace from St. James's Park
Creator:
Print made by Thomas Shotter Boys, 1803–1874
Date:
1842
Materials & Techniques:
Lithograph on thick, smooth, cream card
Dimensions:
Sheet: 14 15/16 x 21 13/16 inches (37.9 x 55.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

42. Villefranche

Villefranche
Creator:
Hercules Brabazon Brabazon, 1821–1906
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, smooth, beige wove paper mounted on thick, slightly textured, cream card
Dimensions:
Mount: 6 5/8 x 4 3/4 inches (16.9 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

43. Crowded Improvised Air Raid Shelter in Liverpool Street Tube Tunnel

Crowded Improvised Air Raid Shelter in Liverpool Street Tube Tunnel
Creator:
Bill Brandt, 1904–1983
Date:
1940
Materials & Techniques:
Gelatin silver print on moderately thick, gloss photographic paper mounted on thick, slightly textured, white card
Dimensions:
Mount: 20 x 15 15/16 inches (50.8 x 40.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the Parnassus Foundation, courtesy of Jane and Raphael Bernstein

44. A Bridge

A Bridge
Creator:
Hercules Brabazon Brabazon, 1821–1906
Date:
undated
Materials & Techniques:
Watercolor, gouache, and black chalk on medium, slightly textured, cream wove paper mounted on thick, slightly textured, beige card
Dimensions:
Mount: 7 5/8 x 10 3/16 inches (19.3 x 25.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

45. Ruins of a Monastery with Farmyard Animals

Ruins of a Monastery with Farmyard Animals
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor over graphite with gouache and scraping on thick, slightly textured, beige card
Dimensions:
Sheet: 15 15/16 × 21 1/4 inches (40.5 × 53.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Waltham Abbey, Essex

Waltham Abbey, Essex
Creator:
Edward Dayes, 1763–1804
Date:
1783
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, card
Dimensions:
Sheet: 5 3/8 × 8 3/8 inches (13.7 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Near Matlock

Near Matlock
Creator:
pupil of Peter DeWint, 1784–1849
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, rough, cream wove paper
Dimensions:
Sheet: 9 1/8 x 12 7/8 inches (23.2 x 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. The Watermill Above the Bridge at Charenton

The Watermill Above the Bridge at Charenton
Creator:
François Louis Thomas Francia, 1772–1839
Date:
undated
Materials & Techniques:
Watercolor over graphite on moderately thick, moderately textured, beige wove paper, pasted on thick, smooth, cream card
Dimensions:
Sheet: 5 1/2 x 12 7/16 inches (14 x 31.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Mahore, a Fortress Belonging to Nizam Alley (1 of 6)

No cover image available
Creator:
Thomas Anburey, 1759–1840
Date:
ca. 1792
Materials & Techniques:
Watercolor on thin, moderately textured, cream laid paper laid down on card
Dimensions:
Sheet: 17 1/4 x 26 inches (43.8 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Ruins of Baugnee-Ghur near Hydrabad (1 of 6)

No cover image available
Creator:
Thomas Anburey, 1759–1840
Date:
ca. 1792
Materials & Techniques:
Watercolor on thin, moderately textured, cream laid paper laid down on card
Dimensions:
Sheet: 15 7/8 x 25 1/8in. (40.3 x 63.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection