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401. Jerusalem, Plate 81, "I have mockd those...."

Jerusalem, Plate 81, "I have mockd those...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

402. Jerusalem, Plate 80, "Encompassd by the frozen net...."

Jerusalem, Plate 80, "Encompassd by the frozen net...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

403. Jerusalem, Plate 90, "The Feminine separates...."

Jerusalem, Plate 90, "The Feminine separates...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

404. Jerusalem, Plate 91, "It is easier to forgive an enemy...."

Jerusalem, Plate 91, "It is easier to forgive an enemy...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

405. Jerusalem, Plate 92, "What do I see!...."

Jerusalem, Plate 92, "What do I see!...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

406. Jerusalem, Plate 85, "Became a Space & an Allegory...."

Jerusalem, Plate 85, "Became a Space & an Allegory...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

407. Jerusalem, Plate 87, "Repelling weeping Enion...."

Jerusalem, Plate 87, "Repelling weeping Enion...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

408. Jerusalem, Plate 88, "Los answerd sighing...."

Jerusalem, Plate 88, "Los answerd sighing...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

409. Jerusalem, Plate 89, "Tho divided by the Cross...."

Jerusalem, Plate 89, "Tho divided by the Cross...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

410. Jerusalem, Plate 94, "Albion cold lays on his Rock...."

Jerusalem, Plate 94, "Albion cold lays on his Rock...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

411. Jerusalem, Plate 97, "Awake! Awake Jerusalem...."

Jerusalem, Plate 97, "Awake! Awake Jerusalem...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

412. Jerusalem, Plate 99, "All Human Forms identified...."

Jerusalem, Plate 99, "All Human Forms identified...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

413. Jerusalem, Plate 82, "I have heard Jerusalems groans...."

Jerusalem, Plate 82, "I have heard Jerusalems groans...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

414. Jerusalem, Plate 83, "Corruptability appears upon thy limbs...."

Jerusalem, Plate 83, "Corruptability appears upon thy limbs...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

415. The Poems of Thomas Gray, Design 93, "Ode for Music."

The Poems of Thomas Gray, Design 93, "Ode for Music."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

416. The Poems of Thomas Gray, Design 95, "Ode for Music."

The Poems of Thomas Gray, Design 95, "Ode for Music."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

417. The Poems of Thomas Gray, Design 97, "Ode for Music."

The Poems of Thomas Gray, Design 97, "Ode for Music."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

418. Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)

Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

419. Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)

Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

420. The Poems of Thomas Gray, Design 73, "The Fatal Sisters."

The Poems of Thomas Gray, Design 73, "The Fatal Sisters."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

421. The Poems of Thomas Gray, Design 77, "The Descent of Odin."

The Poems of Thomas Gray, Design 77, "The Descent of Odin."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

422. The Poems of Thomas Gray, Design 79, "The Descent of Odin."

The Poems of Thomas Gray, Design 79, "The Descent of Odin."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

423. The Poems of Thomas Gray, Design 71, "The Fatal Sisters."

The Poems of Thomas Gray, Design 71, "The Fatal Sisters."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

424. The Poems of Thomas Gray, Design 85, "The Descent of Odin."

The Poems of Thomas Gray, Design 85, "The Descent of Odin."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

425. The Poems of Thomas Gray, Design 75, "The Fatal Sisters."

The Poems of Thomas Gray, Design 75, "The Fatal Sisters."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

426. Songs of Innocence and of Experience, Plate 1, Innocence Frontispiece (Bentley 2)

Songs of Innocence and of Experience, Plate 1, Innocence Frontispiece (Bentley 2)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

427. Abraham and Isaac

Abraham and Isaac
Creator:
William Blake, 1757–1827
Date:
1799 to 1800
Materials & Techniques:
Tempera and pen and black ink on canvas
Dimensions:
Sheet: 10 1/2 x 15 1/2 inches (26.7 x 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

428. Satan Approaching the Court of Chaos

Satan Approaching the Court of Chaos
Creator:
William Blake, 1757–1827
Date:
1784 to 1785
Materials & Techniques:
Graphite with pen and gray ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/4 x 13 1/4 inches (23.5 x 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

429. Moses Receiving the Law

Moses Receiving the Law
Creator:
William Blake, 1757–1827
Date:
ca. 1780
Materials & Techniques:
Pen and black ink with gray wash, black wash and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 26 x 12 1/4 inches (66 x 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

430. Joseph and Potiphar's Wife

Joseph and Potiphar's Wife
Creator:
William Blake, 1757–1827
Date:
1803 to 1805
Materials & Techniques:
Watercolor, with pen, and black ink gray ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 14 1/16 × 12 1/2 inches (35.7 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

431. Mary Magdalen at the Sepulchre

Mary Magdalen at the Sepulchre
Creator:
William Blake, 1757–1827
Date:
ca. 1805
Materials & Techniques:
Watercolor with pen and black ink and gray ink on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 17 1/4 x 12 1/4 inches (43.8 x 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

432. An Angel with a Trumpet

An Angel with a Trumpet
Creator:
William Blake, 1757–1827
Date:
between 1805 and 1808
Materials & Techniques:
Graphite, watercolor, and pen and black ink on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 7 3/4 x 4 1/8 inches (19.7 x 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

433. The Man Sweeping the Interpreter's Parlour

The Man Sweeping the Interpreter's Parlour
Creator:
William Blake, 1757–1827
Date:
ca. 1822
Materials & Techniques:
White-line metal cut engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 7 x 9 1/8 inches (17.8 x 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

434. Copy of the Laocoön, for Rees's Cyclopædia

Copy of the Laocoön, for Rees's Cyclopædia
Creator:
William Blake, 1757–1827
Date:
1815
Materials & Techniques:
Graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 12 5/8 × 9 inches (32.1 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

435. Christ Giving Sight to Bartimaeus

Christ Giving Sight to Bartimaeus
Creator:
William Blake, 1757–1827
Date:
1799 to 1800
Materials & Techniques:
Tempera with pen and black ink on canvas
Dimensions:
Sheet: 10 1/4 x 15 inches (26 x 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

436. Sealing the Stone and Setting a Watch

Sealing the Stone and Setting a Watch
Creator:
William Blake, 1757–1827
Date:
1800 to 1803
Materials & Techniques:
Watercolor, pen and gray ink, black ink, and graphite on moderately thick, slightly textured, wove paper
Dimensions:
Sheet: 20 × 16 15/16 inches (50.8 × 43 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Everett V. Meeks, B.A. 1901 Fund

437. Study for a Destroying Deity

Study for a Destroying Deity
Creator:
William Blake, 1757–1827
Date:
1820 to 1825
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 17 3/4 × 24 inches (45.1 × 61 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

438. The Parable of the Wise and Foolish Virgins

The Parable of the Wise and Foolish Virgins
Creator:
William Blake, 1757–1827
Date:
ca. 1825
Materials & Techniques:
Watercolor with pen and black ink on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 16 5/8 x 13 7/8 inches (42.2 x 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

439. Christ Appearing to the Apostles after the Resurrection

Christ Appearing to the Apostles after the Resurrection
Creator:
Print made by William Blake, 1757–1827
Date:
1795 to 1805
Materials & Techniques:
Color monotype, watercolor, pen and black ink and varnish on moderately textured wove paper
Dimensions:
Sheet: 17 x 22 1/2 inches (43.2 x 57.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Purchased 1929

440. One of eighteen designs for a series of plates illustrating Venus and Adonis

One of eighteen designs for a series of plates illustrating Venus and Adonis
Creator:
Hablot Knight Browne, 1815–1882
Date:
undated
Materials & Techniques:
Graphite, red chalk, watercolor and white gouache on medium, slightly textured, gray wove paper
Dimensions:
Sheet: 6 5/8 × 6 5/8 inches (16.8 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

441. One of eighteen designs for a series of plates illustrating Venus and Adonis

One of eighteen designs for a series of plates illustrating Venus and Adonis
Creator:
Hablot Knight Browne, 1815–1882
Date:
undated
Materials & Techniques:
Graphite, red chalk, watercolor and white gouache on medium, slightly textured, gray wove paper
Dimensions:
Sheet: 6 5/8 × 6 5/8 inches (16.8 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

442. One of eighteen designs for a series of plates illustrating Venus and Adonis

One of eighteen designs for a series of plates illustrating Venus and Adonis
Creator:
Hablot Knight Browne, 1815–1882
Date:
undated
Materials & Techniques:
Graphite, brown chalk, watercolor and white gouache on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 6 5/8 × 6 5/8 inches (16.8 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

443. One of eighteen designs for a series of plates illustrating Venus and Adonis

One of eighteen designs for a series of plates illustrating Venus and Adonis
Creator:
Hablot Knight Browne, 1815–1882
Date:
undated
Materials & Techniques:
Graphite, red chalk, watercolor and white gouache on medium, slightly textured, gray wove paper
Dimensions:
Sheet: 6 5/8 × 6 5/8 inches (16.8 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

444. One of eighteen designs for a series of plates illustrating Venus and Adonis

One of eighteen designs for a series of plates illustrating Venus and Adonis
Creator:
Hablot Knight Browne, 1815–1882
Date:
undated
Materials & Techniques:
Graphite, red chalk, watercolor and white gouache on medium, slightly textured, gray wove paper
Dimensions:
Sheet: 6 5/8 × 6 5/8 inches (16.8 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

445. One of eighteen designs for a series of plates illustrating Venus and Adonis

One of eighteen designs for a series of plates illustrating Venus and Adonis
Creator:
Hablot Knight Browne, 1815–1882
Date:
undated
Materials & Techniques:
Graphite, brown chalk and white chalk on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 6 5/8 × 6 5/8 inches (16.8 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

446. One of eighteen designs for a series of plates illustrating Venus and Adonis

One of eighteen designs for a series of plates illustrating Venus and Adonis
Creator:
Hablot Knight Browne, 1815–1882
Date:
undated
Materials & Techniques:
Graphite, brown chalk, watercolor and gouache on medium, slightly textured, gray wove paper
Dimensions:
Sheet: 6 5/8 × 6 5/8 inches (16.8 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

447. One of eighteen designs for a series of plates illustrating Venus and Adonis

One of eighteen designs for a series of plates illustrating Venus and Adonis
Creator:
Hablot Knight Browne, 1815–1882
Date:
undated
Materials & Techniques:
Graphite, brown chalk, watercolor and gouache on medium, slightly textured, gray wove paper
Dimensions:
Sheet: 6 5/8 × 6 5/8 inches (16.8 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

448. One of eighteen designs for a series of plates illustrating Venus and Adonis

One of eighteen designs for a series of plates illustrating Venus and Adonis
Creator:
Hablot Knight Browne, 1815–1882
Date:
undated
Materials & Techniques:
Graphite, brown chalk, watercolor and white gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 5/8 × 6 5/8 inches (16.8 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

449. One of eighteen designs for a series of plates illustrating Venus and Adonis

One of eighteen designs for a series of plates illustrating Venus and Adonis
Creator:
Hablot Knight Browne, 1815–1882
Date:
undated
Materials & Techniques:
Graphite, brown chalk, watercolor and gouache on medium, slightly textured, gray wove paper
Dimensions:
Sheet: 6 5/8 × 6 5/8 inches (16.8 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

450. One of eighteen designs for a series of plates illustrating Venus and Adonis

One of eighteen designs for a series of plates illustrating Venus and Adonis
Creator:
Hablot Knight Browne, 1815–1882
Date:
undated
Materials & Techniques:
Graphite, brown chalk, watercolor and gouache on medium, slightly textured, gray wove paper
Dimensions:
Sheet: 6 5/8 × 6 5/8 inches (16.8 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

451. The Blinding of Elymas

The Blinding of Elymas
Creator:
Sir James Thornhill, 1675–1734
Date:
between 1709 and 1717
Materials & Techniques:
Black chalk and gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/8 x 5 3/4 inches (20.6 x 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

452. Apollo and the Muses

Apollo and the Muses
Creator:
Sir James Thornhill, 1675–1734
Date:
undated
Materials & Techniques:
Pen and brown ink over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 5/8 x 12 15/16 inches (21.9 x 32.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

453. Design for a Ceiling at Addiscombe: Bacchus and Ariadne

Design for a Ceiling at Addiscombe: Bacchus and Ariadne
Creator:
Sir James Thornhill, 1675–1734
Date:
undated
Materials & Techniques:
Pen and black ink, brown ink, gray wash, brown wash, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 9 3/4 x 13 3/16 inches (24.8 x 33.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

454. A Peasant of Mount Erix

A Peasant of Mount Erix
Creator:
Henry Tresham, 1751–1814
Date:
between 1783 and 1789
Materials & Techniques:
Watercolor, pen and brown ink and graphite; verso: pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/2 x 11 3/4 inches (24.1 x 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

455. Anna lamenting the absence of Tobias (Tobit 10:7)

Anna lamenting the absence of Tobias (Tobit 10:7)
Creator:
Thomas Carwitham, active 1723
Date:
1723
Materials & Techniques:
Pen and brown ink with brown wash on medium, slightly textured, beige laid paper mounted to medium, slightly textured white wove paper
Dimensions:
Sheet: 4 7/8 x 4 5/8in. (12.4 x 11.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

456. Christ in the Temple

Christ in the Temple
Creator:
Henry Singleton, 1766–1839
Date:
undated
Materials & Techniques:
Black chalk on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 8 3/4 × 11 inches (22.2 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

457. Diana

Diana
Creator:
William Taverner, 1703–1772
Date:
undated
Materials & Techniques:
Watercolor, graphite and red chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/2 × 7 5/8 inches (29.2 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

458. The Three Marys

The Three Marys
Creator:
Benjamin West, 1738–1820
Date:
1783
Materials & Techniques:
Watercolor with pen in brown ink.; verso: graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 16 3/16 x 8 1/4 inches (41.1 x 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

459. The Destruction of Sodom and Gomorrah

The Destruction of Sodom and Gomorrah
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, gouache, and graphite on medium, moderately textured, cream wove paper
Dimensions:
Mount: 19 × 24 13/16 inches (48.3 × 63 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

460. Joshua Commanding the Sun to Stand Still

Joshua Commanding the Sun to Stand Still
Creator:
John Martin, 1789–1854
Date:
1818
Materials & Techniques:
Graphite, brown wash, scratching out and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 × 24 1/8 inches (40.6 × 61.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

461. Britannia in Distress

Britannia in Distress
Creator:
Anthony Walker, 1726–1765
Date:
1756
Materials & Techniques:
Pen and gray ink, gray wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 5/8 × 8 1/2 inches (32.1 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

462. Copy of a Study for a Ceiling Decoration

Copy of a Study for a Ceiling Decoration
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Pen and brown ink and gray wash on medium, slightly textured, gray laid paper
Dimensions:
Sheet: 12 7/8 × 9 1/4 inches (32.7 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

463. Study of classical sculpture of Faun with Pipes

Study of classical sculpture of Faun with Pipes
Creator:
Giles Hussey, 1710–1788
Date:
between 1730 and 1768
Materials & Techniques:
Pen and brown ink, black ink, and graphite on medium, slightly textured, cream tracing paper
Dimensions:
Sheet: 10 1/4 x 7 5/8in. (26 x 19.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

464. Neptune

Neptune
Creator:
Sir James Thornhill, 1675–1734
Date:
undated
Materials & Techniques:
Pen and brown ink with gray wash over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/8 x 6 11/16 inches (18.7 x 17 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

465. The Fall of Phaeton: A Study for a Ceiling

The Fall of Phaeton: A Study for a Ceiling
Creator:
follower of Sir James Thornhill, 1675–1734
Date:
undated
Materials & Techniques:
Watercolor with pen and brown ink and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 x 6 3/8 inches (15.2 x 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

466. Diana and Actaeon: A Study for a Panel on a Staircase

Diana and Actaeon: A Study for a Panel on a Staircase
Creator:
follower of Sir James Thornhill, 1675–1734
Date:
undated
Materials & Techniques:
Watercolor with pen and brown ink and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 x 6 1/4in. (15.2 x 15.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

467. The Rape of Persephone

The Rape of Persephone
Creator:
William P. Sherlock, c.1780–1850
Date:
undated
Materials & Techniques:
Pen and brown ink and watercolor on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 17 1/8 × 23 1/8 inches (43.5 × 58.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

468. St. Michael and Lucifer

St. Michael and Lucifer
Creator:
Benjamin West, 1738–1820
Date:
undated
Materials & Techniques:
Brown wash and graphite with pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 9 11/16 x 6 1/4 inches (24.6 x 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

469. Design of Apollo and the Python for a Painted over-door Decoration

Design of Apollo and the Python for a Painted over-door Decoration
Creator:
Sir James Thornhill, 1675–1734
Date:
undated
Materials & Techniques:
Pen and brown ink with brown wash on thin, slightly textured, beige laid paper laid down on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/8 x 8 1/2 inches (21.3 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

470. The Garden

The Garden
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1839
Materials & Techniques:
Line engraving; engraver's proof on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

471. The Ring

The Ring
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1839
Materials & Techniques:
Line engraving; engraver's proof on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

472. The Nile

The Nile
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1839
Materials & Techniques:
Line engraving; engraver's proof on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

473. The Chaplet

The Chaplet
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1839
Materials & Techniques:
Line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

474. Christ Church College, Oxford

Christ Church College, Oxford
Creator:
Print made by James Redway, active 1827–1838
Date:
1834
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

475. Christ Church College, Oxford

Christ Church College, Oxford
Creator:
Print made by James Redway, active 1827–1838
Date:
1834
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

476. Ravana Shaking Mount Kailasa below Shiva and Parvati

Ravana Shaking Mount Kailasa below Shiva and Parvati
Creator:
Gangaram Chintaman Tambat, active 1790s
Date:
undated
Materials & Techniques:
Black wash and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 3/4 × 8 1/8 inches (27.3 × 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

477. Figure from Indus Sabha

Figure from Indus Sabha
Creator:
Gangaram Chintaman Tambat, active 1790s
Date:
undated
Materials & Techniques:
Gray wash and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/8 × 8 3/4 inches (28.3 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

478. Eaton College, Berkshire

Eaton College, Berkshire
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1831
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

479. Eaton College, Berkshire

Eaton College, Berkshire
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1831
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

480. Eaton College, Berkshire

Eaton College, Berkshire
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1831
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

481. Malvern Abbey and Gate, Worcestershire

Malvern Abbey and Gate, Worcestershire
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1832
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

482. Brinkburn Priory, Northumberland

Brinkburn Priory, Northumberland
Creator:
Print made by J. C. Varrall, active 1815–1827
Date:
1832
Materials & Techniques:
Line engraving, with scraping out, touched with graphite (Engraver's Proof a)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

483. Brinkburn Priory, Northumberland

Brinkburn Priory, Northumberland
Creator:
Print made by J. C. Varrall, active 1815–1827
Date:
1832
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

484. Christ Church College, Oxford

Christ Church College, Oxford
Creator:
Print made by James Redway, active 1827–1838
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

485. Brass Chrism of Constance Bownell and her Baby from Heston Church

Brass Chrism of Constance Bownell and her Baby from Heston Church
Creator:
Attributed to Daniel Lysons, 1762–1834
Date:
1796-1811
Materials & Techniques:
Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 7/8 × 10 5/8 inches (37.8 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

486. Stone Henge, Wiltshire

Stone Henge, Wiltshire
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1829
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 16 3/4 × 22 3/4 inches (42.5 × 57.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

487. Brinkburn Priory, Northumberland

Brinkburn Priory, Northumberland
Creator:
Print made by J. C. Varrall, active 1815–1827
Date:
1832
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

488. Ely Cathedral, Cambridgeshire

Ely Cathedral, Cambridgeshire
Creator:
Print made by Thomas Higham, 1796–1844
Date:
1833
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

489. A Hindu Austere

A Hindu Austere
Creator:
Robert Mabon, died 1798
Date:
ca. 1792
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 5 1/4 inches (18.1 × 13.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

490. A Parsi Priest or Adam

A Parsi Priest or Adam
Creator:
Sadanand Vyas, active late 18th century
Date:
undated
Materials & Techniques:
Watercolor, graphite, and gouache, with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/16 × 5 7/8 inches (15.4 × 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

491. A Gujarat Brahmin

A Gujarat Brahmin
Creator:
Sadanand Vyas, active late 18th century
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 3/4 × 3 1/2 inches (17.1 × 8.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

492. A Mohametan with his Parrot

A Mohametan with his Parrot
Creator:
Attributed to Gangaram Chintaman Tambat, active 1790s
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 5/8 × 5 inches (16.8 × 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

493. A Mohamatan Fakir

A Mohamatan Fakir
Creator:
Sadanand Vyas, active late 18th century
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/4 × 3 3/4 inches (15.9 × 9.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

494. Krishna and Radha

Krishna and Radha
Creator:
James Wales, ca.1747–1795
Date:
1792 to 1795
Materials & Techniques:
Pen and black ink, gray wash, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 × 13 1/2 inches (37.5 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

495. Mahadeo

Mahadeo
Creator:
Robert Mabon, died 1798
Date:
undated
Materials & Techniques:
Gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 7/8 × 19 5/8 inches (30.2 × 49.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

496. Figure from Elephanta

Figure from Elephanta
Creator:
Robert Mabon, died 1798
Date:
undated
Materials & Techniques:
Pen and black ink, graphite and gray wash on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 12 × 19 3/4 inches (30.5 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

497. Parishnant

Parishnant
Creator:
Robert Mabon, died 1798
Date:
undated
Materials & Techniques:
Pen and black ink, gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 × 19 3/4 inches (30.5 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

498. Rolandseck

Rolandseck
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1837
Materials & Techniques:
Line engraving, engraver's proof, touched
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

499. Calica

Calica
Creator:
Robert Mabon, died 1798
Date:
undated
Materials & Techniques:
Gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 7/8 × 19 5/8 inches (30.2 × 49.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

500. A Lewsa of Jettee - A Kind of Hindu Monk

A Lewsa of Jettee - A Kind of Hindu Monk
Creator:
Sadanand Vyas, active late 18th century
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 5/8 × 5 3/4 inches (14.3 × 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection