<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Start Over
You searched for:

Genre literary theme

Remove constraint Genre: literary theme

Image Use Free to Use

Remove constraint Image Use: Free to Use

Search Results

William Blake The First Book of Urizen, Plate 7 (Bentley 12)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 7 (Bentley 12)
1794
William Blake For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"
1826
William Blake Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
William Blake, 1757–1827
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
William Blake The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)
1794
William Blake Jerusalem, Plate 10, "Into the Furnaces...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 10, "Into the Furnaces...."
1804 to 1820
William Blake Jerusalem, Plate 100
Print made by William Blake, 1757–1827
Jerusalem, Plate 100
1804 to 1820
William Blake Jerusalem, Plate 11, "To labours mighty...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 11, "To labours mighty...."
1804 to 1820
William Blake Jerusalem, Plate 12, "Why wilt thou give to her...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 12, "Why wilt thou give to her...."
1804 to 1820
William Blake Jerusalem, Plate 21, "O Vala! O Jerusalem...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 21, "O Vala! O Jerusalem...."
1804 to 1820
William Blake Jerusalem, Plate 22, "Albion thy Fear has made me tremble...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 22, "Albion thy Fear has made me tremble...."
1804 to 1820
William Blake Jerusalem, Plate 23, "Jerusalem! Jerusalem!...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 23, "Jerusalem! Jerusalem!...."
1804 to 1820
William Blake Jerusalem, Plate 24, "What have I said?...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 24, "What have I said?...."
1804 to 1820
William Blake Jerusalem, Plate 25, "And there was heard...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 25, "And there was heard...."
1804 to 1820
William Blake Jerusalem, Plate 26, "Such Visions Have...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 26, "Such Visions Have...."
1804 to 1820
William Blake Jerusalem, Plate 28, "Jerusalem / Chap. 2...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 28, "Jerusalem / Chap. 2...."
1804 to 1820
William Blake Jerusalem, Plate 29, "Then the Divine Vision...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 29, "Then the Divine Vision...."
1804 to 1820
William Blake Jerusalem, Plate 53, "Jerusalem / Chap. 3"
Print made by William Blake, 1757–1827
Jerusalem, Plate 53, "Jerusalem / Chap. 3"
1804 to 1820
William Blake Jerusalem, Plate 54, "In Great Eternity...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 54, "In Great Eternity...."
1804 to 1820
William Blake Jerusalem, Plate 55, "When those who disregard...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 55, "When those who disregard...."
1804 to 1820
William Blake Jerusalem, Plate 58, "In beauty the Daughters of Albion...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 58, "In beauty the Daughters of Albion...."
1804 to 1820
William Blake Jerusalem, Plate 60, "The clouds of Albions Druid Temples...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 60, "The clouds of Albions Druid Temples...."
1804 to 1820
William Blake pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
William Blake, 1757–1827
pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
1827
William Blake Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
William Blake, 1757–1827
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
William Blake Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
William Blake, 1757–1827
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
1827
William Blake Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
William Blake, 1757–1827
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
William Blake There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)
ca. 1788
William Blake There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
ca. 1788
William Blake There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)
ca. 1788
William Blake There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
ca. 1788
William Blake There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)
ca. 1788
William Blake There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)
ca. 1788
William Blake There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
ca. 1788
William Blake Jerusalem, Plate 7, "Was living: panting...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 7, "Was living: panting...."
1804 to 1820
William Blake Jerusalem, Plate 71, "And above Albions Land...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 71, "And above Albions Land...."
1804 to 1820
William Blake Jerusalem, Plate 72, "And the Thirty-two Counties...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 72, "And the Thirty-two Counties...."
1804 to 1820
William Blake Jerusalem, Plate 73, "Such are Cathedron's golden Halls...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 73, "Such are Cathedron's golden Halls...."
1804 to 1820
William Blake Jerusalem, Plate 74, "The Four Zoa's clouded rage...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 74, "The Four Zoa's clouded rage...."
1804 to 1820
William Blake Jerusalem, Plate 77, "To the Christians...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 77, "To the Christians...."
1804 to 1820
William Blake Jerusalem, Plate 67, "By those who drink their blood...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 67, "By those who drink their blood...."
1804 to 1820
William Blake Jerusalem, Plate 8, "Rose up against me...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 8, "Rose up against me...."
1804 to 1820
William Blake Jerusalem, Plate 81, "I have mockd those...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 81, "I have mockd those...."
1804 to 1820
William Blake Jerusalem, Plate 82, "I have heard Jerusalems groans...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 82, "I have heard Jerusalems groans...."
1804 to 1820
William Blake Jerusalem, Plate 84, "Highgates heights & Hampstead...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 84, "Highgates heights & Hampstead...."
1804 to 1820
William Blake Jerusalem, Plate 68, "O Skofield why art thou cruel?...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 68, "O Skofield why art thou cruel?...."
1804 to 1820
William Blake Jerusalem, Plate 69, "Then all the Males...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 69, "Then all the Males...."
1804 to 1820
William Blake Jerusalem, Plate 70, "And this the form of mighty Hand...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 70, "And this the form of mighty Hand...."
1804 to 1820
William Blake Jerusalem, Plate 75, "And Rahab Babylon the Great...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 75, "And Rahab Babylon the Great...."
1804 to 1820
William Blake Jerusalem, Plate 79, "My tents are fall'n...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 79, "My tents are fall'n...."
1804 to 1820
William Blake Jerusalem, Plate 80, "Encompassd by the frozen net...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 80, "Encompassd by the frozen net...."
1804 to 1820
William Blake Jerusalem, Plate 83, "Corruptability appears upon thy limbs...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 83, "Corruptability appears upon thy limbs...."
1804 to 1820
William Blake Jerusalem, Plate 76
Print made by William Blake, 1757–1827
Jerusalem, Plate 76
1804 to 1820
William Blake Jerusalem, Plate 78, "The Spectres of..."
William Blake, 1757–1827
Jerusalem, Plate 78, "The Spectres of..."
1804 to 1820
William Blake There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)
ca. 1788
William Blake There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)
ca. 1788
William Blake There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)
ca. 1788
William Blake There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)
ca. 1788
William Blake Jerusalem, Plate 87, "Repelling weeping Enion...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 87, "Repelling weeping Enion...."
1804 to 1820
William Blake Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
1797
William Blake Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
1797
William Blake Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
1797
William Blake Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
1797
William Blake Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
1797
William Blake Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"
1797
William Blake Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"
1797
William Blake Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"
1797
William Blake Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"
1797
William Blake Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"
1797
William Blake Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"
1797
William Blake Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
1797
William Blake Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"
1797
William Blake Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"
1797
William Blake Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"
1797
William Blake The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"
William Blake, 1757–1827
The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 101, "Ode for Music."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 101, "Ode for Music."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 11, "Ode on the Death of a Favourite Cat."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 11, "Ode on the Death of a Favourite Cat."
between 1797 and 1798
William Blake Songs of Innocence, Plate 18, "A Cradle Song" (Bentley 16)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 18, "A Cradle Song" (Bentley 16)
1789
William Blake Songs of Innocence, Plate 2, Title Page (Bentley 3)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 2, Title Page (Bentley 3)
1789
William Blake Songs of Innocence, Plate 22, "Nurse's Song" (Bentley 38)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 22, "Nurse's Song" (Bentley 38)
1789
William Blake The Poems of Thomas Gray, Design 53, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 53, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 59, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 59, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 67, "The Fatal Sisters."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 67, "The Fatal Sisters."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 89, "The Triumphs of Owen."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 89, "The Triumphs of Owen."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 9, "Ode on the Death of a Favourite Cat."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 9, "Ode on the Death of a Favourite Cat."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 91, "The Triumphs of Owen."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 91, "The Triumphs of Owen."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 93, "Ode for Music."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 93, "Ode for Music."
between 1797 and 1798
William Blake Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
1789
William Blake The Poems of Thomas Gray, Design 55, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 55, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 57, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 57, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 63, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 63, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 65, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 65, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 69, "The Fatal Sisters."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 69, "The Fatal Sisters."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 7, "Ode on the Death of a Favourite Cat."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 7, "Ode on the Death of a Favourite Cat."
between 1797 and 1798
William Blake Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
1789
William Blake The Poems of Thomas Gray, Design 5, "Ode on the Spring."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 5, "Ode on the Spring."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 51, "The Progress of Poesy."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 51, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
between 1797 and 1798