Collection: Prints and Drawings / Creator: Turner, J. M. W. (Joseph Mallord William), 1775–1851 / Work Type: intaglio print

401. Rome, Tomb of Cecilia Metella

Creator:: Print made by John Byrne, 1786–1847
Date:: 1818-1820
Materials & Techniques:: Etching and engraving, Engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 7/8 × 15 inches (27.6 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

402. Isola Bella, on the Lago Maggiore

Creator:: Print made by James Fittler, 1758–1835
Date:: 1818-1820
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 9/16 × 15 inches (26.8 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

403. Antiquities at Pola, Frontispiece

Creator:: Print made by George Cooke, 1781–1834
Date:: 1818
Materials & Techniques:: Line engraving and etching, engraver's proof on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 15 × 21 5/8 inches (38.1 × 54.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

404. Nantes

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1828-1837
Materials & Techniques:: Line engraving, engraver's proof on moderateny thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 9 1/4 × 13 inches (23.5 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

405. St. Germain-en-Laye

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828-1837
Materials & Techniques:: Line engraving, engraver's proof on thick, moderately textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 11 7/8 × 17 1/8 inches (30.2 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

406. Palace of La Belle Gabrielle

Creator:: Print made by William Miller, 1796–1882
Date:: 1828-1837
Materials & Techniques:: Line engraving on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 8 5/8 × 13 1/2 inches (21.9 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

407. Palace of La Belle Gabrielle

Creator:: Print made by William Miller, 1796–1882
Date:: 1828-1837
Materials & Techniques:: Line engraving, engraver's proof on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/8 × 17 inches (28.9 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

408. The Sea The Sea (vignette)

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1836
Materials & Techniques:: Line engraving, engraver's proof on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 17 5/16 × 11 13/16 inches (44 × 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

409. Fire at Sea (vignette)

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Line engraving, first published state on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 16 7/8 × 11 5/16 inches (42.9 × 28.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

410. Nantes

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1828-1837
Materials & Techniques:: Line engraving, engraver's proof
Dimensions:: Sheet: 12 × 17 3/8 inches (30.5 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

411. Saltash, Cornwall

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 16 1/8 inches (28.3 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

412. Saltash, Cornwall

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving; first published state on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

413. Launceston, Cornwall

Creator:: Print made by J. C. Varrall, active 1815–1827
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 16 3/4 × 22 5/8 inches (42.5 × 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

414. Launceston, Cornwall

Creator:: Print made by J. C. Varrall, active 1815–1827
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving; early engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 11 3/4 × 17 3/8 inches (29.8 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

415. Launceston, Cornwall

Creator:: Print made by J. C. Varrall, active 1815–1827
Date:: 1827-1838
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 16 7/8 × 22 3/8 inches (42.9 × 56.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

416. Barnard Castle, Durham

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 16 5/8 × 22 1/2 inches (42.2 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

417. Barnard Castle, Durham

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving, with graphite and scraping out; touched engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 12 5/8 × 18 1/8 inches (32.1 × 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

418. Barnard Castle, Durham

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827-1838
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 16 1/2 × 22 1/4 inches (41.9 × 56.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

419. Richmond, Yorkshire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 16 3/8 × 22 3/4 inches (41.6 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

420. Richmond, Yorkshire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving with graphite; touched engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 × 9 3/4 inches (17.8 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

421. Fall of the Tees

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, beige wove paper with cream chine-collé
Dimensions:: Sheet: 12 1/4 × 15 1/4 inches (31.1 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

422. Richmond, Yorkshire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving, with graphite and scratching out; touched engraver's proof on medium, slightly textured, beige laid paper with cream chine-collé
Dimensions:: Sheet: 13 × 17 1/8 inches (33 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

423. Colchester, Essex

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving; second published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 10 × 11 7/8 inches (25.4 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

424. Rievaulx Abbey, Yorkshire

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 16 3/4 × 22 1/2 inches (42.5 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

425. The Temple of Jupiter in the Island of Aegina

Creator:: Etched by Samuel Middiman, ca. 1750–1831
Date:: 1828
Materials & Techniques:: Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 22 1/8 × 31 3/8 inches (56.2 × 79.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

426. Winander-Mere, Westmoreland

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1837
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

427. Rochester, Stroud, and Chatham, Medway, Kent

Creator:: Print made by J. C. Varrall, active 1815–1827
Date:: 1938
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

428. Crickieth Castle, North Wales

Creator:: Print made by S. Fisher, active 1831–1844
Date:: 1837
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

429. Richmond Terrace, Surrey

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1838
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

430. Mount St. Michael, Cornwall

Creator:: Print made by S. Fisher, active 1831–1844
Date:: 1838
Materials & Techniques:: Line engraving, engraver's proof (touched)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

431. Mount St. Michael, Cornwall

Creator:: Print made by S. Fisher, active 1831–1844
Date:: 1838
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

432. Aldborough

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Etching and engraving, Engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 7/8 × 17 1/4 inches (30.2 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

433. Mount St. Michael, Cornwall

Creator:: Print made by S. Fisher, active 1831–1844
Date:: 1838
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

434. Aldborough

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 3/16 × 17 9/16 inches (31 × 44.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

435. Aldborough

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Line engraving, finished state on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 14 5/8 × 21 7/8 inches (37.1 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

436. Dunwich, Suffolk

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Line engraving, engraver's proof (late) on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 15 1/4 × 20 5/8 inches (38.7 × 52.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

437. Aldborough

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Etching and engraving, early engraver's proof on moderately thick, slightly textured, beige wove paper, with beige chine collé
Dimensions:: Sheet: 12 × 17 1/4 inches (30.5 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

438. Orfordness

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 1/16 × 14 5/16 inches (28.1 × 36.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

439. Ehrenbreitstein

Creator:: Print made by John Pye, 1782–1874
Date:: 1828
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 × 16 13/16 inches (30.5 × 42.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

440. Lake Albano

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

441. Virginia Water No. 1

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828-1832
Materials & Techniques:: Line engraving, first published state on medium, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

442. Virginia Water No. 11

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828-1837
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 1/16 × 17 1/2 inches (30.6 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

443. Virginia Water No. 1

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828-1832
Materials & Techniques:: Line engraving, engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 7/8 × 17 1/4 inches (30.2 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

444. Keswick Lake, Cumberland

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1837
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

445. Crickieth Castle, North Wales

Creator:: Print made by S. Fisher, active 1831–1844
Date:: 1837
Materials & Techniques:: Line engraving, engraver's proof (touched)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

446. Whitehaven, Cumberland

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1837
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

447. Florence

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827
Materials & Techniques:: Line engraving, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 1/8 × 17 3/8 inches (30.8 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

448. Lake Albano

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 5 1/2 × 7 15/16 inches (14 × 20.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

449. Lake Albano

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828
Materials & Techniques:: Line engraving, Early proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 9 × 11 1/2 inches (22.9 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

450. Winander-Mere, Westmoreland

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1837
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

451. Winander-Mere, Westmoreland

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1837
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

452. Virginia Water No. 11

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828
Materials & Techniques:: Line engraving, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/8 × 16 15/16 inches (28.9 × 43 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

453. Saumur

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1830
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 × 17 1/16 inches (30.5 × 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

454. Bolton Abbey, Yorkshire

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827-1838
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 14 1/2 × 19 3/4 inches (36.8 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

455. Cologne

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1824
Materials & Techniques:: Etching; engraver's proof, open etched state on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 19 3/4 × 27 1/4 inches (50.2 × 69.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

456. The Custom House

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1827
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 7/8 × 17 5/16 inches (30.2 × 44 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

457. Cologne

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1824
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 23 × 29 7/8 inches (58.4 × 75.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

458. The Temple of Jupiter in the Island of Aegina

Creator:: Etched by Samuel Middiman, ca. 1750–1831
Date:: 1828
Materials & Techniques:: Etching and line engraving; engraver's proof (b) on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 24 1/8 × 31 inches (61.3 × 78.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

459. The Custom House

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1827
Materials & Techniques:: Line engraving, engraver's proof on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 7/8 × 17 5/8 inches (30.2 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

460. Tivoli, a Composition

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827
Materials & Techniques:: Etching; open etched state (earlier than R.207 engraver's proof) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 23 3/8 × 34 7/8 inches (59.4 × 88.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

461. Rievaulx Abbey, Yorkshire

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827-1838
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 16 5/8 × 22 3/8 inches (42.2 × 56.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

462. Tivoli, a Composition

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827
Materials & Techniques:: Etching and line engraving; first published state on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 24 1/2 × 33 7/8 inches (62.2 × 86 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

463. Saumur

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1830
Materials & Techniques:: Line engraving, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/8 × 16 15/16 inches (28.9 × 43 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

464. Rievaulx Abbey, Yorkshire

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

465. Lancaster from the Aqueduct Bridge

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827-1838
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 16 3/8 × 22 3/8 inches (41.6 × 56.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

466. Part of the Ghaut at Hurdwar

Creator:: Print made by Thomas Higham, 1796–1844
Date:: 1836
Materials & Techniques:: Etching and line engraving; engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

467. View near Jubbera

Creator:: Print made by John Cousen, 1804–1880
Date:: 1836
Materials & Techniques:: Etching and line engraving; engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

468. Lancaster from the Aqueduct Bridge

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

469. Nantes

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1828-1832
Materials & Techniques:: Line engraving, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

470. Ehrenbreitstein

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1833
Materials & Techniques:: Line engraving, first published state on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 11 13/16 × 17 3/16 inches (30 × 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

471. Ehrenbreitstein

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1833
Materials & Techniques:: Line engraving, engraver's proof on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 11 13/16 × 17 3/16 inches (30 × 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

472. Havre

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1833
Materials & Techniques:: Line engraving, engraver's proof on thick, rough, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 1/8 × 17 1/2 inches (30.8 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

473. Ehrenbreitstein

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1833
Materials & Techniques:: Line engraving, engraver's proof on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/8 × 16 15/16 inches (28.9 × 43 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

474. Havre

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1832
Materials & Techniques:: Line engraving, first published state on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

475. Destruction of Both Houses of Parliament

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 16 1/8 × 11 1/2 inches (41 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

476. St. Germain-en-Laye

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828-1837
Materials & Techniques:: Line engraving, engraver's proof (touched) on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 8 3/4 × 11 1/16 inches (22.2 × 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

477. Destruction of Both Houses of Parliament

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Line engraving, first published state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 16 7/8 × 11 5/16 inches (42.9 × 28.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

478. Nantes

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1828-1837
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 3/8 × 16 7/8 inches (31.4 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

479. The Sea The Sea (vignette)

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1836
Materials & Techniques:: Line engraving, first published state on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 17 × 11 5/16 inches (43.2 × 28.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

480. Florence from the Chiesa al Monte

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1831
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 1/16 × 15 inches (30.6 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

481. Fire at Sea (vignette)

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 17 5/16 × 11 7/8 inches (44 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

482. Fonthill

Creator:: Print made by Thomas Crostick, active ca. 1828
Date:: 1828
Materials & Techniques:: Line engraving, first published state on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 11 5/8 × 17 3/8 inches (29.5 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

483. Fonthill

Creator:: Print made by Thomas Crostick, active ca. 1828
Date:: 1829
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/8 × 16 15/16 inches (28.9 × 43 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

484. Saltash, Cornwall

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving; early engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 16 1/2 × 22 3/4 inches (41.9 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

485. Saltash, Cornwall

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Etching; early engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 16 3/8 × 22 1/4 inches (41.6 × 56.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

486. Saltash, Cornwall

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving, with graphite and scratching out; touched engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 12 1/4 inches (25.1 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

487. Florence from the Chiesa al Monte

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1831
Materials & Techniques:: Line engraving, first published state on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 11 5/8 × 17 3/16 inches (29.5 × 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

488. Richmond, Yorkshire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

489. Richmond, Yorkshire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 16 7/8 × 22 3/4 inches (42.9 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

490. Fall of the Tees

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827-1838
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 16 5/8 × 22 7/8 inches (42.2 × 58.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

491. Colchester, Essex

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827-1838
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 17 1/2 inches (30.5 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

492. Colchester, Essex

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving; engraver's proof (unfinished) on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 11 3/4 × 15 3/8 inches (29.8 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

493. Colchester, Essex

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 15 1/8 × 21 inches (38.4 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

494. Colchester, Essex

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving, with graphite; touched engraver's proof (3) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 17 3/8 inches (30.5 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

495. Colchester, Essex

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving; engraver's proof (I) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 17 1/4 inches (29.2 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

496. Bolton Abbey, Yorkshire

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

497. Dartmouth Cove

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 16 3/4 × 22 3/4 inches (42.5 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

498. Dartmouth Cove

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 16 1/2 × 22 7/8 inches (41.9 × 58.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

499. Ehrenbreitstein

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1824
Materials & Techniques:: Line engraving, engraver's proof on moderatelythick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 1/2 × 17 3/8 inches (29.2 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

500. Colchester, Essex

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/8 × 14 3/4 inches (34 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Search Constraints

Collection Prints and Drawings

Creator Turner, J. M. W. (Joseph Mallord William), 1775–1851

Work Type intaglio print

Search Results

401. Rome, Tomb of Cecilia Metella

402. Isola Bella, on the Lago Maggiore

403. Antiquities at Pola, Frontispiece

404. Nantes

405. St. Germain-en-Laye

406. Palace of La Belle Gabrielle

407. Palace of La Belle Gabrielle

408. The Sea The Sea (vignette)

409. Fire at Sea (vignette)

410. Nantes

411. Saltash, Cornwall

412. Saltash, Cornwall

413. Launceston, Cornwall

414. Launceston, Cornwall

415. Launceston, Cornwall

416. Barnard Castle, Durham

417. Barnard Castle, Durham

418. Barnard Castle, Durham

419. Richmond, Yorkshire

420. Richmond, Yorkshire

421. Fall of the Tees

422. Richmond, Yorkshire

423. Colchester, Essex

424. Rievaulx Abbey, Yorkshire

425. The Temple of Jupiter in the Island of Aegina

426. Winander-Mere, Westmoreland

427. Rochester, Stroud, and Chatham, Medway, Kent

428. Crickieth Castle, North Wales

429. Richmond Terrace, Surrey

430. Mount St. Michael, Cornwall

431. Mount St. Michael, Cornwall

432. Aldborough

433. Mount St. Michael, Cornwall

434. Aldborough

435. Aldborough

436. Dunwich, Suffolk

437. Aldborough

438. Orfordness

439. Ehrenbreitstein

440. Lake Albano

441. Virginia Water No. 1

442. Virginia Water No. 11

443. Virginia Water No. 1

444. Keswick Lake, Cumberland

445. Crickieth Castle, North Wales

446. Whitehaven, Cumberland

447. Florence

448. Lake Albano

449. Lake Albano

450. Winander-Mere, Westmoreland

451. Winander-Mere, Westmoreland

452. Virginia Water No. 11

453. Saumur

454. Bolton Abbey, Yorkshire

455. Cologne

456. The Custom House

457. Cologne

458. The Temple of Jupiter in the Island of Aegina

459. The Custom House

460. Tivoli, a Composition

461. Rievaulx Abbey, Yorkshire

462. Tivoli, a Composition

463. Saumur

464. Rievaulx Abbey, Yorkshire

465. Lancaster from the Aqueduct Bridge

466. Part of the Ghaut at Hurdwar

467. View near Jubbera

468. Lancaster from the Aqueduct Bridge

469. Nantes

470. Ehrenbreitstein

471. Ehrenbreitstein

472. Havre

473. Ehrenbreitstein