The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'
1821, reprinted 1977
4
Print made by William Blake, 1757–1827
The Life, and Posthumous Writings, of William Cowper, (volume 1)
1803-1804
5
William Blake, 1757–1827
Illustrations to Dante's Divine Comedy
1827
6
Print made by William Blake, 1757–1827
The Life, and Posthumous Writings, of William Cowper (volume 2)
1803-1804
7
Print made by William Blake, 1757–1827
William Cowper
1803-1804
8
Print made by William Blake, 1757–1827
Mrs Cowper Mother of the Poet
1803-1804
9
Print made by William Blake, 1757–1827
William Cowper, Author of "The Task"
1802
10
Print made by William Blake, 1757–1827
The Peasants' Nest: Cowper's tame Hares
1802
11
Print made by Mathieu Liart, 1736–1782
Cephalus lamenting the Death of Procris
1783
12
Print made by Mathieu Liart, 1736–1782
Venus Lamenting the Death of Adonis
1783
13
Print made by William Strang, 1859–1921
The Wine Drinkers
1904
14
Print made by William Strang, 1859–1921
The Finances of the Gods
1900
15
Print made by William Strang, 1859–1921
On Greenhow Hill
1900
16
Print made by William Strang, 1859–1921
The Mutiny of the Mavericks
1900
17
Print made by William Strang, 1859–1921
Beyond the Pale
1900
18
Print made by William Strang, 1859–1921
In the Rukh
1900
19
Print made by William Strang, 1859–1921
A Matter of Fact
1900
20
Print made by William Strang, 1859–1921
In the House of Suddhoo
1900
21
Print made by William Strang, 1859–1921
The Man Who Would Be King
1900
22
Print made by Edward Goodall, 1795–1870
The Nile
1839
23
Print made by William Strang, 1859–1921
The Mark of the Beast
1900
24
Print made by William Strang, 1859–1921
The Taking of Lungtungpen
1900
25
Print made by William Strang, 1859–1921
William the Conqueror
1900
26
Print made by William Strang, 1859–1921
Without Benefit of Clergy
1900
27
Print made by William Strang, 1859–1921
The Judgement of Dungara
1900
28
Thomas Watson, 1743–1781
The Right Reverend Thomas Newton, D.D. Lord Bishop of Bristol, and Dean of St. Paul's
1775
29
Print made by J. Gellatly
Loch Achray, The Trosacks Benvenue
ca. 1851
30
Print made by William Miller, 1796–1882
An Old Manor House
1833
31
Print made by John Spilsbury, 1730–1795
Catherine Macaulay (née Sawbridge)
1764
32
John Keyse Sherwin, c.1751–1790
James Macpherson
1775
33
Print made by Sir Frank Short, 1857–1945
Pan and Syrinx, No. 2
1896
34
Print made by Sir Frank Short, 1857–1945
Pan and Syrinx, No. 2
1896
35
Print made by Sir Frank Short, 1857–1945
Pan and Syrinx, No. 2
1896
36
Print made by Sir Frank Short, 1857–1945
Pan and Syrinx, No. 1
1896
37
James Ward, 1769–1859
Mrs. Elizabeth Billington as St. Cecilia
1803
38
Peter Simon, 1750–1810
Tempest, Act I, Scene II. The Enchanted Island
1803
39
Print made by unknown artist
The Bay of Baiae - Apollo and the Sibyl
between 1852 and 1856
40
Print made by Robert Thew, 1758–1802
First Part of King Henry the sixth: Keep, My Lord ... (Act II, Scene 5)
1793
41
unknown artist
Malvoleo
undated
42
Print made by Henry Fuseli, 1741–1825
A Woman Sitting by the Window (Evening thou Bringest All)
1802
43
Print made by Sir Frank Short, 1857–1945
Aesacus and Hesperie
1896
44
John Faber the Younger, ca. 1695–1756
John Locke, Esq
undated
45
Print made by Sir Frank Short, 1857–1945
Pan and Syrinx, No. 2
1896
46
Print made by Sir Frank Short, 1857–1945
Pan and Syrinx, No.2
1896
47
Print made by unknown artist
Italy - Childe Harold's Pilgrimage
between 1852 and 1856
48
Robert Cooper, ca. 1800–1836
Reverend William Mason
undated
49
Print made by James T. Willmore, 1800–1863
The Golden Bough
1856
50
Print made by James T. Willmore, 1800–1863
The Golden Bough
1856
51
Print made by Thomas Abiel Prior, 1809–1886
Dido Building Carthage
1863
52
Print made by Arnold Fawcus, 1917–1979
First Uncorrected Proof of Arnold Fawcus's Facsimile of Blake's Water-Colour Designs for the Poems of Thomas Gray
1967
53
Print made by Luigi Schiavonetti, 1765–1810
The Counsellor, King, Warrior, Mother & Child, in the Tomb
1808
54
Print made by Luigi Schiavonetti, 1765–1810
The Descent of Man into the Vale of Death
1808
55
Print made by Luigi Schiavonetti, 1765–1810
The Soul Hovering over the Body reluctantly Parting with Life
1808
56
Print made by Luigi Schiavonetti, 1765–1810
The Day of Judgment
1808
57
Print made by Luigi Schiavonetti, 1765–1810
The Soul Exploring the Recesses of the Grave
1808
58
Print made by Luigi Schiavonetti, 1765–1810
Death's Door
1808
59
Print made by Luigi Schiavonetti, 1765–1810
The Reunion of the Soul & the Body
1808
60
Print made by Luigi Schiavonetti, 1765–1810
Robert Blair, The Grave, Title Page
1808
61
Print made by Luigi Schiavonetti, 1765–1810
The Descent of Man into the Vale of Death
1808
62
Print made by Luigi Schiavonetti, 1765–1810
The Death of the Good Old Man
1808
63
Print made by Luigi Schiavonetti, 1765–1810
The Counsellor, King, Warrior, Mother & Child, in the Tomb
1808
64
William Ward, 1766–1826
The late Mrs Pope as Juliet
65
Print made by Luigi Schiavonetti, 1765–1810
The Day of Judgment
1808
66
A. Birrell, ca.1770–ca. 1820
Windsor Castle, Richard II, Act V, Scene III; page 102 (Volume Three)
67
Francesco Bartolozzi, 1728–1815
Pospero Disarming Ferdinand from The Tempest, Act I, Scene II
1793
68
Print made by Luigi Schiavonetti, 1765–1810
The Meeting of a Family in Heaven
1808
69
Print made by Luigi Schiavonetti, 1765–1810
The Day of Judgment
1808
70
Print made by Luigi Schiavonetti, 1765–1810
Robert Blair, The Grave, Title Page
1808
71
Print made by Luigi Schiavonetti, 1765–1810
The Meeting of a Family in Heaven
1808
72
Print made by Luigi Schiavonetti, 1765–1810
The Counsellor, King, Warrior, Mother & Child, in the Tomb
1808
73
Print made by Luigi Schiavonetti, 1765–1810
The Death of the Good Old Man
1808
74
Print made by Luigi Schiavonetti, 1765–1810
Death of the Strong Wicked Man
1808
75
Print made by Luigi Schiavonetti, 1765–1810
The Soul Hovering over the Body reluctantly Parting with Life
1808
76
Print made by Luigi Schiavonetti, 1765–1810
The Reunion of the Soul & the Body
1808
77
Print made by Luigi Schiavonetti, 1765–1810
The Meeting of a Family in Heaven
1808
78
John Raphael Smith, 1752–1812
Rosalind
79
Print made by Luigi Schiavonetti, 1765–1810
Robert Blair, The Grave, Title Page
1808
80
Print made by Luigi Schiavonetti, 1765–1810
Christ Descending into the Grave
1808
81
Print made by Luigi Schiavonetti, 1765–1810
The Descent of Man into the Vale of Death
1808
82
Print made by Luigi Schiavonetti, 1765–1810
Death of the Strong Wicked Man
1808
83
Print made by Luigi Schiavonetti, 1765–1810
The Death of the Good Old Man
1808
84
Print made by Luigi Schiavonetti, 1765–1810
Death's Door
1808
85
Print made by Luigi Schiavonetti, 1765–1810
The Soul Exploring the Recesses of the Grave
1808
86
Samuel William Reynolds, 1773–1835
Garrick in the Character of Richard, third
1825
87
Print made by Luigi Schiavonetti, 1765–1810
Death's Door
1808
88
Print made by Luigi Schiavonetti, 1765–1810
The Soul Hovering over the Body reluctantly Parting with Life
1808
89
Print made by Luigi Schiavonetti, 1765–1810
The Soul Exploring the Recesses of the Grave
1808
90
Print made by Luigi Schiavonetti, 1765–1810
The Reunion of the Soul & the Body
1808
91
Print made by Luigi Schiavonetti, 1765–1810
Death of the Strong Wicked Man
1808
92
Print made by Luigi Schiavonetti, 1765–1810
Christ Descending into the Grave
1808
93
David Scott, 1806–1849
Hearing the Music of the Spheres
ca. 1831
94
Thomas Sibson, 1817–1844
The Baron's Hall of Chaucer's Time
1844
95
David Scott, 1806–1849
Six Designs for Colreidge's Rime of the Ancient Mariner: The Spectre Ship Approaches
ca. 1831
96
David Scott, 1806–1849
Six Designs for Coleridge's Rime of the Ancient Mariner: The Spirit of the South Sends Forth the Albatross as a Sign of Peace to the Ship
ca. 1831
97
David Scott, 1806–1849
Six Designs for Coleridge's Rime of the Ancient Mariner: Death and Line-in-Death, Dice for the Crew
ca. 1831
98
David Scott, 1806–1849
Six Designs for Coleridge's Rime of the Ancient Mariner: While Spirits of Peace Descend
ca. 1831
99
David Scott, 1806–1849
Six Designs for Coleridge's Rime of the Ancient Mariner: The Crew Blames the Mariner for Killing the Albatross
ca. 1831
100
David Scott, 1806–1849
Six Designs for Coleridge's Rime of the Ancient Mariner: He Rows Ashore in the Pilot's Boat