Materials & Techniques: wove paper / Creator Gender: female / Image Use: Free to Use / Classification: Prints

Print made by Samuel Cousins, 1801–1887

The Pet Rabbit

1835

Print made by Jane Thompson, active ca. 1800

Miss Thompson

ca. 1800

Print made by Mary Dawson Turner, 1774–1850

Portrait of Benjamin Robert Haydon

1816

Elizabeth Walker, 1800–1876

Kensington Park Estate, Notting Hill

Print made by Robert Smirke, 1752–1845

Interior of York Minster from the Nave Shewing the Screen of the Choir in its Present Situation

undated

Print made by James Charles Armytage, 1802–1897

Eastnor Castle

ca. 1835

Robert Smirke, 1752–1845

Tempest

1821

Print made by Caroline Kirkley, active 1796–1797

Sir Joshua Reynolds

1795

Niccoló Schiavonetti, 1771–1813

Charlotte (née Percy) Ashburnham, Viscountess St.Asaph

1812

Anthony Cardon, 1772–1813

Charlotte Sophia (née Leveson-Gower), Somerset, Duchess of Beaufort

1812

Print made by John Samuel Agar, ca. 1773–1858

Anne (née Bermingham) Caulfield, Countess of Charlemont

1812

John Samuel Agar, ca. 1773–1858

Lady Dalrymple Hamilton

1812

John Samuel Agar, ca. 1773–1858

Lady Katherine Sophia (née Manners) Heathcote

1812

Anthony Cardon, 1772–1813

Mary Isabella, Duchess of Rutland

1812

Auguste François Laby, 1784–1860

Sierra Leone

ca. 1850

James Gillray The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing

Print made by James Gillray, 1756–1815

The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing

1805

Print made by Caroline Watson, 1760–1814

Elizabeth Carter

1808

Print made by George Cruikshank, 1792–1878

Specimens of Waltzing

1817

Auguste François Laby, 1784–1860

Sierra Leone

ca. 1850

Print made by Richard Parkes Bonington, 1802–1828

Le Silence Favorable

1826

Print made by Rose Joseph Lemercier, 1803–1887

La Conversation

1826

Print made by Richard Parkes Bonington, 1802–1828

Les Plaisirs Paternels

1826

Print made by Francesco Bartolozzi, 1728–1815

The Fair Alsatian

undated

James Gillray, 1756–1815

The Valley of the Shadow of Death

1808

James Gillray, 1756–1815

Le Coup de Maitre

1797

Print made by Pierre Audouin, 1768–1822

Angelica Kauffman

undated

Maria Anne Bourlier, active 1807

Admiral Charles Middleton, 1st Baron Barham

1809

Print made by Thomas Burke, 1749–1815

Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."

1789

Print made by Thomas Burke, 1749–1815

Content and Innocence

1797

Print made by Gwendolyn Cross, 1900–1966

Cornelis van der Geest

ca. 1927

Print made by Miss Mary Byrne, 1776–1846

The Houses of Lords and Commons

1815

James Gillray, 1756–1815

A Morning Ride

1804

James Gillray, 1756–1815

Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets

1802

James Gillray, 1756–1815

Weird Sisters; Ministers of Darkness; Minions of the Moon (Thurlow, Pitt, and Dundas)

1791

James Gillray, 1756–1815

The Death of the Great Wolf

1795

Print made by Caroline Watson, 1760–1814

The Tempest, Act V, Scene I

1795

Print made by Francesco Bartolozzi, 1728–1815

Sincerity

1781

Print made by Francesco Bartolozzi, 1728–1815

Cleone

1784

J. P. Quilley, active 1828

R. P. Bonington

1831

James Gillray, 1756–1815

Presages of the Millenium

1795

Print made by James Gillray, 1756–1815

Flannel-Armour; Female-Patriotism, -or- Modern Heroes Accoutred for the Wars

1793

James Gillray The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"

James Gillray, 1756–1815

The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"

1806

James Gillray, 1756–1815

The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"

1806

James Gillray, 1756–1815

The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."

1806

James Gillray, 1756–1815

The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."

1806

James Gillray, 1756–1815

The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."

1806

Caroline Watson, 1760–1814

Garrick Reading the Ode at the Shakespeare Jubilee

1784

Print made by James Gillray, 1756–1815

A Cognocenti Contemplating ye Beauties of ye Antique

1801

Print made by Thomas Burke, 1749–1815

Cupid and Cephisa: "One Day as I was Walking in the Woods..."

1789

Print made by Thomas Chambars, ca. 1724–1789

Mrs. Beale and her Son Charles

1762

Print made by Thomas Chambars, ca. 1724–1789

Mrs. Beale and her Son Charles

1762

Print made by Letitia Byrne, 1779–1849

Bolton Abbey, Yorkshire

1809

Print made by Letitia Byrne, 1779–1849

Kenilworth Castle

1794-1837

Print made by James Gillray, 1756–1815

The King of Brobdingnag and Gulliver

1803

Print made by Caroline Watson, 1760–1814

Judith, or Cowper's Oak

1803-1804

Print made by James Gillray, 1756–1815

Venus Attired by the Graces

1800

Print made by Roger Fry, 1866–1934

Dessert

1921

Print made by Roger Fry, 1866–1934

The Grotto

1921

Print made by Roger Fry, 1866–1934

The London Garden

1921

Print made by Roger Fry, 1866–1934

Saint Agnes

1921

Print made by Roger Fry, 1866–1934

Still Life

1921

Print made by Roger Fry, 1866–1934

Two Nudes

1921

Print made by Roger Fry, 1866–1934

Iris & Vase

1921

Print made by Roger Fry, 1866–1934

The Striped Dress

1921

Print made by Roger Fry, 1866–1934

Langle sur L'Anglin

1921

Print made by Roger Fry, 1866–1934

Interior

1921

Print made by Roger Fry, 1866–1934

The Novel

1921