Materials & Techniques: line engraving / On-site Access: Accessible by appointment in the Study Room / Period: 19th century

Print made after George Stubbs, 1724–1806

Plate VIII, Human Body, Posterior View

1804

Print made after George Stubbs, 1724–1806

Plate X, Fowl Body, Lateral View

1804

after Joseph Mallord William Turner, 1775–1851

Tours - Looking Backward

1833

after Joseph Mallord William Turner, 1775–1851

Little Devil's Bridge over the Russ above Altdorft, Switzerland

1812

after Joseph Mallord William Turner, 1775–1851

Hedging and Ditching

1812

after Joseph Mallord William Turner, 1775–1851

Scene in the Campagna

1812

after Joseph Mallord William Turner, 1775–1851

Crowhurst

1812

after Joseph Mallord William Turner, 1775–1851

Windsor Castle from Salt Hill

1812

William Blake, 1757–1827

Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]

1827

William Blake, 1757–1827

Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]

1827

Print made by William Blake, 1757–1827

Thomas Hayley (1780-1800)

1800

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 20, "He meets his Saviour in the Grave . . . . "

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 4, "Water"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 1, Title Page

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 5, "Earth"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 6, "Air"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

1826

William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

William Blake, 1757–1827

Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

1827

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 7, "Fire"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

1826

William Blake, 1757–1827

pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]

1827

William Blake, 1757–1827

Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]

1827

William Blake, 1757–1827

Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]

1827

William Blake, 1757–1827

Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]

1827

William Blake, 1757–1827

Theocritus

1821

William Blake, 1757–1827

From Antique Coins

1821

William Blake, 1757–1827

Epicurus

1821

William Blake, 1757–1827

Caius Julius Cæsar

1821

William Blake, 1757–1827

Octavius Augustus Cæsar

1821

Print made by William Blake, 1757–1827

Rev. John Caspar Lavater

1800

Print made by William Blake, 1757–1827

Publius Virgilius Maro

1821

Print made by William Blake, 1757–1827

A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq

1804

Print made by William Blake, 1757–1827

A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq

1804

Print made by William Blake, 1757–1827

Thomas Hayley (1780-1800)

1800

Print made by Robert Wallis, 1794–1878

Rome, Castle of St. Angelo (vignette)

1830

Print made by Robert Wallis, 1794–1878

Banditti (vignette)

1830

Print made by Robert Wallis, 1794–1878

Banditti (vignette)

1830

Edward Goodall, 1795–1870

Naples

1830

Print made by Edward Goodall, 1795–1870

The Forum (vignette)

1830

Print made by Edward Goodall, 1795–1870

Florence (vignettes)

1830

Print made by Edward Goodall, 1795–1870

Galileo's Villa (vignette)

1830

Print made by Edward Goodall, 1795–1870

Galileo's Villa (vignette)

1830

Print made by Edward Goodall, 1795–1870

Florence (vignette)

1830

Print made by Edward Goodall, 1795–1870

Venice (vignettes)

1830

Print made by W. R. Smith, active 1819–1851

Hannibal passing the Alps (vignette)

1830

Print made by Henry Le Keux, 1787–1868

Aosta (vignette)

1830

Print made by Henry Le Keux, 1787–1868

Aosta (vignette)

1830

Print made by Edward Goodall, 1795–1870

Marengo (vignette)

1830

Print made by W. R. Smith, active 1819–1851

Hospice of the Great St. Bernard, Number 11 (vignette)

1830

Print made by Edward Goodall, 1795–1870

A Villa on the Night of a Festa di Ballo (vignette)

1830

Print made by Robert Wallis, 1794–1878

Stone Henge, Wiltshire

1829

Print made by William Radclyffe, 1780–1855

Eaton College, Berkshire

1831

Print made by James T. Willmore, 1800–1863

Bedford, Bedfordshire

1831

Print made by James T. Willmore, 1800–1863

Bedford, Bedfordshire

1831

Print made by Thomas Jeavons, ca. 1800–1867

Pembroke Castle, Wales

1831

Print made by W. R. Smith, active 1819–1851

Richmond Hill and Bridge, Surrey

1832

Print made by William Radclyffe, 1780–1855

Eaton College, Berkshire

1831

Print made by Thomas Jeavons, ca. 1800–1867

Pembroke Castle, Wales

1831

Print made by William Radclyffe, 1780–1855

Ashby de la Zouch, Leicestershire

1832

Print made by William Miller, 1796–1882

Chatham, Kent

1832

Print made by Robert Wallis, 1794–1878

Warwick Castle, Warwickshire

1832

Print made by Robert Wallis, 1794–1878

Warwick Castle, Warwickshire

1832

Print made by Robert Wallis, 1794–1878

Warwick Castle, Warwickshire

1832

Print made by Robert Wallis, 1794–1878

Warwick Castle, Warwickshire

1832

Print made by Thomas Jeavons, ca. 1800–1867

Kenilworth Castle, Warwickshire

1832

Print made by J. C. Varrall, active 1815–1827

Brinkburn Priory, Northumberland

1832

Print made by Thomas Jeavons, ca. 1800–1867

Kenilworth Castle, Warwickshire

1832

Print made by J. C. Varrall, active 1815–1827

Brinkburn Priory, Northumberland

1832

Print made by Thomas Higham, 1796–1844

Ely Cathedral, Cambridgeshire

1833

Print made by William Radclyffe, 1780–1855

Blenheim, Oxfordshire

1833

Print made by William Radclyffe, 1780–1855

Blenheim, Oxfordshire

1833

Print made by James Baylis Allen, 1803–1876

Castle Upnor, on the River Medway

1833

Print made by James Baylis Allen, 1803–1876

Castle Upnor, on the River Medway

1833

Print made by John Horsburgh, 1791–1869

Laugharne Castle, Caermarthenshire

1833

Print made by John Horsburgh, 1791–1869

Laugharne Castle, Caermarthenshire

1833

Print made by John Horsburgh, 1791–1869

Laugharne Castle, Caermarthenshire

1833

Print made by S. Fisher, active 1831–1844

Coventry, Warwickshire

1833

Print made by William John Cooke, 1797–1865

Nottingham, Nottinghamshire

1833

Print made by S. Fisher, active 1831–1844

Coventry, Warwickshire

1833

Print made by William John Cooke, 1797–1865

Nottingham, Nottinghamshire

1833

Print made by William Miller, 1796–1882

Carew Castle, Pembroke

1834

Print made by William John Cooke, 1797–1865

Nottingham, Nottinghamshire

1833

Print made by William Miller, 1796–1882

Carew Castle, Pembroke

1834

Print made by S. Fisher, active 1831–1844

Coventry, Warwickshire

1833

Print made by William Miller, 1796–1882

Carew Castle, Pembroke

1834

Print made by James T. Willmore, 1800–1863

Penmaen Maur, Caernarvonshire

1834

Print made by James T. Willmore, 1800–1863

Penmaen Mawr, Caernarvonshire

1832

Print made by Thomas Jeavons, ca. 1800–1867

Arundel Castle and Town, Sussex

1834

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Materials & Techniques line engraving

On-site Access Accessible by appointment in the Study Room

Period 19th century

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Materials & Techniques line engraving

On-site Access Accessible by appointment in the Study Room

Period 19th century

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