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Materials & Techniques black ink
Remove constraint Materials & Techniques: black inkCredit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionImage Available Available
Remove constraint Image Available: AvailableWork Type watercolor
Remove constraint Work Type: watercolorSearch Results
1
- Moving Up to Challenge
- 1963
2
- Arab Horsemen, Two Grey Horses
- 1965
3
- Arab Horsemen, One Brown and One Gray Horse
- 1965
4
- A Harrow in the Orchard
- ca. 1896
5
- Over the Bank, Exmoor
- ca. 1895
6
- A Cottage among Trees, Shoreham
- undated
7
- The Valley of Vision
- undated
8
- A Cow Lodge with a Mossy Roof
- ca. 1829
9
- Underriver Hills, near Sevenoaks, Kent, from the Grounds of J. Herries, Esq
- ca. 1840
10
- An Ancient Barn at Shoreham
- undated
11
- Opening the Fold: Early Morning
- ca. 1880
12
- The Timber Wain
- between 1833 and 1834
13
- Brighton Beach Looking West
- undated
14
- A View on the Orwell
- undated
15
- Horses Fighting
- undated
16
- Ship Aground Brighton
- 1830
17
- Rome from Monte Mario
- ca. 1818
18
- Lake Geneva and Mount Blanc
- 1802 to 1805
19
- Leeds
- 1816
20
- View of Hampton Court, Herefordshire, from the Northwest
- ca. 1806
21
- Barnard Castle
- ca. 1825
22
- Andernach
- 1817
23
- Villa d'Este
- ca. 1796
24
- Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
- undated
25
- Abu Simbel, 11-11:30 am, 8 February 1867 (374)
- 1867
26
- The Dead Sea, 16 and 17 April 1858
- April 16 and 17, 1858
27
- Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)
- 1789
28
- Songs of Innocence and of Experience, Plate 6, "The Little Black Boy" (Bentley 10)
- 1789
29
- Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)
- 1789
30
- Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)
- 1794
31
- Visions of the Daughters of Albion, Plate 1, Frontispiece
- 1793
32
- Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "
- 1793
33
- Visions of the Daughters of Albion, Plate 10, "In happy copulation . . . . "
- 1793
34
- Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)
- 1789
35
- Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
- 1789
36
- Songs of Innocence and of Experience, Plate 24, "The Divine Image" (Bentley 18)
- 1789
37
- Visions of the Daughters of Albion, Plate 2, Title Page
- 1793
38
- The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)
- 1794
39
- Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)
- 1789
40
- Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)
- 1789
41
- Jerusalem, Plate 100
- 1804 to 1820
42
- Europe. A Prophecy, Frontispiece Proof Impression
- ca. 1820
43
- Jerusalem, Plate 2, Title Page
- 1804 to 1820
44
- Jerusalem, Plate 20, "But when they saw Albion...."
- 1804 to 1820
45
- Jerusalem, Plate 22, "Albion thy Fear has made me tremble...."
- 1804 to 1820
46
- Jerusalem, Plate 32, "Leaning against the pillars...."
- 1804 to 1820
47
- Jerusalem, Plate 33, "Turning his back to the Divine Vision...."
- 1804 to 1820
48
- Jerusalem, Plate 34, "Elevate into the Region of Brotherhood...."
- 1804 to 1820
49
- Jerusalem, Plate 35, "Then the Divine hand...."
- 1804 to 1820
50
- Jerusalem, Plate 36, "Reuben returnd to his place...."
- 1804 to 1820
51
- Jerusalem, Plate 38, "His face and bosom...."
- 1804 to 1820
52
- The Poems of Thomas Gray, Design 49, "The Progress of Poesy."
- between 1797 and 1798
53
- The Poems of Thomas Gray, Design 55, "The Bard."
- between 1797 and 1798
54
- The Poems of Thomas Gray, Design 5, "Ode on the Spring."
- between 1797 and 1798
55
- The Poems of Thomas Gray, Design 59, "The Bard."
- between 1797 and 1798
56
- The Poems of Thomas Gray, Design 57, "The Bard."
- between 1797 and 1798
57
- The Poems of Thomas Gray, Design 51, "The Progress of Poesy."
- between 1797 and 1798
58
- The Poems of Thomas Gray, Design 53, "The Bard."
- between 1797 and 1798
59
- The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
- between 1797 and 1798
60
- Jerusalem, Plate 71, "And above Albions Land...."
- 1804 to 1820
61
- Jerusalem, Plate 74, "The Four Zoa's clouded rage...."
- 1804 to 1820
62
- Jerusalem, Plate 75, "And Rahab Babylon the Great...."
- 1804 to 1820
63
- Jerusalem, Plate 76
- 1804 to 1820
64
- Jerusalem, Plate 77, "To the Christians...."
- 1804 to 1820
65
- Jerusalem, Plate 82, "I have heard Jerusalems groans...."
- 1804 to 1820
66
- Jerusalem, Plate 83, "Corruptability appears upon thy limbs...."
- 1804 to 1820
67
- Jerusalem, Plate 84, "Highgates heights & Hampstead...."
- 1804 to 1820
68
- Jerusalem, Plate 86, "I see thy Form...."
- 1804 to 1820
69
- Jerusalem, Plate 91, "It is easier to forgive an enemy...."
- 1804 to 1820
70
- Jerusalem, Plate 92, "What do I see!...."
- 1804 to 1820
71
- Jerusalem, Plate 96, "As the Sun & Moon lead forward...."
- 1804 to 1820
72
- Jerusalem, Plate 97, "Awake! Awake Jerusalem...."
- 1804 to 1820
73
- The Poems of Thomas Gray, Design 23, "A Long Story."
- between 1797 and 1798
74
- The Poems of Thomas Gray, Design 25, "A Long Story."
- between 1797 and 1798
75
- The Poems of Thomas Gray, Design 27, "A Long Story."
- between 1797 and 1798
76
- The Poems of Thomas Gray, Design 33, "A Long Story."
- between 1797 and 1798
77
- The Poems of Thomas Gray, Design 35, "Ode to Adversity."
- between 1797 and 1798
78
- The Poems of Thomas Gray, Design 37, "Ode to Adversity."
- between 1797 and 1798
79
- The Poems of Thomas Gray, Design 39, "Ode to Adversity."
- between 1797 and 1798
80
- The Poems of Thomas Gray, Design 7, "Ode on the Death of a Favourite Cat."
- between 1797 and 1798
81
- The Poems of Thomas Gray, Design 73, "The Fatal Sisters."
- between 1797 and 1798
82
- The Poems of Thomas Gray, Design 77, "The Descent of Odin."
- between 1797 and 1798
83
- The Poems of Thomas Gray, Design 85, "The Descent of Odin."
- between 1797 and 1798
84
- The Poems of Thomas Gray, Design 87, "The Triumphs of Owen."
- between 1797 and 1798
85
- The Poems of Thomas Gray, Design 95, "Ode for Music."
- between 1797 and 1798
86
- Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
- 1789
87
- Songs of Innocence, Plate 26, "Spring" (Bentley 23)
- 1789
88
- Jerusalem, Plate 15, "And Hand & Hyle...."
- 1804 to 1820
89
- Jerusalem, Plate 16, "Hampstead Highgate Finchley...."
- 1804 to 1820
90
- Jerusalem, Plate 17, "His Spectre divides...."
- 1804 to 1820
91
- Jerusalem, Plate 18, "From every-one of the Four Regions...."
- 1804 to 1820
92
- Jerusalem, Plate 19, "His children exil'd from his breast...."
- 1804 to 1820
93
- Jerusalem, Plate 4, "Jerusalem / Chap. 1...."
- 1804 to 1820
94
- America. A Prophecy, Plate 1, Frontispiece
- 1793
95
- America. A Prophecy, Plate 12, "Thus Wept the Angel Voice...."
- 1793
96
- America. A Prophecy, Plate 15, "What Time the Thirteen Governors...."
- 1793
97
- America. A Prophecy, Plate 5, "A | Prophecy | The Guardian Prince of Albion...."
- 1793
98
- America. A Prophecy, Plate 6, "Appear to the Americans...."
- 1793
99
- America. A Prophecy, Plate 8, "The Morning Comes...."
- 1793
100
- Europe. A Prophecy, Plate 1, Frontispiece
- 1794