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Materials & Techniques black ink
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101
- America. A Prophecy, Plate 17, "On Albions Angels...."
- 1793
102
- America. A Prophecy, Plate 4, "Silent as despairing love...."
- 1793
103
- America. A Prophecy, Plate 5, "A | Prophecy | The Guardian Prince of Albion...."
- 1793
104
- America. A Prophecy, Plate 6, "Appear to the Americans...."
- 1793
105
- America. A Prophecy, Plate 8, "The Morning Comes...."
- 1793
106
- America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."
- 1793
107
- Europe. A Prophecy, Plate 1, Frontispiece
- 1794
108
- Europe. A Prophecy, Plate 5, "A | Prophecy | The deep of winter came . . . . " (Bentley 6)
- 1794
109
- Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
- 1794
110
- Europe. A Prophecy, Plate 8 (Bentley 9)
- 1794
111
- Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)
- 1794
112
- The Poems of Thomas Gray, Design 67, "The Fatal Sisters."
- between 1797 and 1798
113
- The Poems of Thomas Gray, Design 69, "The Fatal Sisters."
- between 1797 and 1798
114
- The Poems of Thomas Gray, Design 73, "The Fatal Sisters."
- between 1797 and 1798
115
- The Poems of Thomas Gray, Design 75, "The Fatal Sisters."
- between 1797 and 1798
116
- The Poems of Thomas Gray, Design 77, "The Descent of Odin."
- between 1797 and 1798
117
- The Poems of Thomas Gray, Design 81, "The Descent of Odin."
- between 1797 and 1798
118
- The Poems of Thomas Gray, Design 85, "The Descent of Odin."
- between 1797 and 1798
119
- The Poems of Thomas Gray, Design 93, "Ode for Music."
- between 1797 and 1798
120
- The Poems of Thomas Gray, Design 95, "Ode for Music."
- between 1797 and 1798
121
- The Poems of Thomas Gray, Design 97, "Ode for Music."
- between 1797 and 1798
122
- The Poems of Thomas Gray, Design 99, "Ode for Music."
- between 1797 and 1798
123
- Songs of Innocence, Plate 16, "Night" (Bentley 20)
- 1789
124
- Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
- 1789
125
- Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)
- 1789
126
- Songs of Innocence, Plate 22, "Nurse's Song" (Bentley 38)
- 1789
127
- America. A Prophecy, Plate 13, "Fiery the Angels Rose...."
- 1793
128
- Europe. A Prophecy, Plate 2, Title Page
- 1794
129
- Europe. A Prophecy, Plate 17, "Shot from the heights . . . . " (Bentley 18)
- 1794
130
- Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)
- 1794
131
- Spring, from Songs of Innocence
- ca. 1795
132
- The Shepherd, from Songs of Innocence
- ca. 1795
133
- Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
- 1789
134
- Pity
- ca. 1795
135
- Moses Receiving the Law
- ca. 1780
136
- Tiriel Supporting the Dying Myratana and Cursing His Sons
- 1786 to 1789
137
- Borghese Gladiator
- undated
138
- Laocoon
- undated
139
- The Wave
- undated
140
- Howard Visiting a Prison
- undated
141
- Howard Visiting a Prison
- undated
142
- John Henderson as Falstaff
- 1780
143
- Manuscript Notes
- 1773
144
- Manuscript Notes
- 1773
145
- Manuscript Notes
- 1773
146
- Manuscript Notes
- 1773
147
- Manuscript Notes
- 1773
148
- Manuscript Notes
- 1773
149
- Manuscript Notes
- 1773
150
- Manuscript Notes
- 1773
151
- Manuscript Notes
- 1773
152
- Manuscript Notes
- 1773
153
- Manuscript Notes
- 1773
154
- Howard Visiting a Prison
- between 1790 and 1794
155
- Westminster Bridge from Lambeth Walk
- undated
156
- Donnybrook Fair, 1782
- 1782
157
- View from a Riverbank
- undated
158
- Cartoon for "Gulliver Taking Leave of the Land of Houyhnhms"
- between 1768 and 1769
159
- Two Tigers
- 1760
160
- Landscape with Castle in the Distance
- between 1762 and 1783
161
- Landscape
- between 1762 and 1783
162
- Two Men in a Landscape and a Castle on a Hill
- 1769
163
- Landscape with River, Castle and Mountains
- between 1762 and 1783
164
- Two Men Looking Into Landscape with Castle, River and Mountain Scene
- between 1762 and 1783
165
- Landscape with Two Trees and Castle
- 1763
166
- River Landscape with Castles
- between 1762 and 1783
167
- Three Figures in a Landscape
- 1766
168
- Mountain Landscape
- between 1762 and 1783
169
- Allegorical Female Figure: holding a flaming torch
- undated
170
- Transept of Melrose Abbey, 1778 Near Old Melrose on the River Tweed, Roxburgh
- 1778
171
- The Bridge, Walton on Thames
- ca. 1750
172
- De la Parade de Seconde sur le Coup de Seconde
- 1763
173
- De la Parade Dequinte sur le Coup de Quinte
- 1763
174
- De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche
- 1763
175
- Position Aprés Avoir Desarmé sur le Coup de Quarte
- 1763
176
- Baia, Italy
- undated
177
- Ascent to the Cascade of Terni
- undated
178
- Between Ambrogiana and La Lastra
- undated
179
- Mola di Gaeta
- undated
180
- Isle of Nisida
- undated
181
- The Body of Lucretia Exposed to the Romans
- between 1777 and 1778
182
- Gaeta
- undated
183
- Lake of Perugia
- undated
184
- Costume Study
- undated
185
- An Allegory on the Plight of the Artist
- between 1772 and 1790
186
- Brighton Town and Church
- ca. 1780
187
- Study of a Kid
- 1796
188
- Plan of the Temple of Neptune the King
- undated
189
- Plan of temple of Minerva Polias and Neptune the King
- undated
190
- Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot, with details of flowers, leaf, and fruits
- ca. 1768
191
- Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot and berries
- ca. 1768
192
- Plan of one quarter of the amphitheatre at El Djem showing seating tiers
- undated
193
- Section of Amphitheatre at El Djem showing arches, stairs and tiers of seats
- undated
194
- Elevation of Amphitheatre of El Djem entitled "Isrus"
- undated
195
- Plan of the Amphitheatre at El Djem with description
- undated
196
- Sketch of Amphitheatre at El Djem showing elevation and section of arches and tiers of seats with descriptive notes
- undated
197
- Plan of three quarters of the amphitheatre at El Djem with descriptive notes
- undated
198
- A Group of Men on Westminster Pier
- ca. 1752
199
- Plan of one quarter of the Amphitheatre at El Djem showing outer corridors
- undated
200
- Couple in a Farmyard
- 1782