Materials & Techniques: laid paper and pen / Associated Places: Italy / Work Type: drawing

1. Tivoli

Creator:: William Marlow, 1740–1813
Date:: ca. 1768
Materials & Techniques:: Watercolor, pen and gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 x 15 1/8in. (27.3 x 38.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Lago Fucino

Creator:: Charles Gore, 1729–1807
Date:: 1776
Materials & Techniques:: Watercolor, pen and black ink, and graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/8 × 36 inches (20.6 × 91.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Landing Place at Pallanza

Creator:: Charles Gore, 1729–1807
Date:: undated
Materials & Techniques:: Watercolor, pen and gray ink, gouache, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 9 1/16 × 36 5/8 inches (23 × 93 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. View of Dürrenstein

Creator:: Charles Gore, 1729–1807
Date:: undated
Materials & Techniques:: Watercolor with pen and gray ink over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/8 x 15 inches (18.7 x 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Port d'Arona

Creator:: Charles Gore, 1729–1807
Date:: 1795
Materials & Techniques:: Watercolor, pen and black ink, gray ink, gray wash and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 1/4 × 27 inches (33.7 × 68.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. The Arch of Titus from the Forum, Rome

Creator:: Arthur Pond, ca. 1705–1758
Date:: ca. 1725
Materials & Techniques:: Gray wash and graphite with pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 3/4 x 6 1/4 inches (24.8 x 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Views in the Levant: Ruined Bridge with Four Pointed Arches Near Rome

Creator:: Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 7/16 × 20 3/4 inches (29.1 × 52.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Views in the Levant: Ruins in Rome with Goats, Cows and Herdsmen

Creator:: Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor, pen and brown ink, graphite, white gouache, and gum arabic on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 1/8 × 19 1/4 inches (30.8 × 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Views in the Levant: The Columns of Augustus at Brundisium

Creator:: Willey Reveley, 1760–1799
Date:: 1785
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 16 5/16 × 10 3/8 inches (41.4 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Views in the Levant: Rome with Ruins seen Through an Archway

Creator:: Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor, graphite, pen and brown ink, and gum arabic on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 19 1/4 × 14 13/16 inches (48.9 × 37.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Ponte Lucano, Near Tivoli

Creator:: Thomas Manby, 1633(?)–1695
Date:: between 1660 and 1690
Materials & Techniques:: Pen and brown ink, gray wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 9 1/4 x 14 1/2in. (23.5 x 36.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. A Street in Florence with the Duomo and Campanile in the Background

Creator:: William Marlow, 1740–1813
Date:: ca. 1765
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 18 1/4 x 22 1/2 inches (46.3 x 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. View of Leghorn

Creator:: William Marlow, 1740–1813
Date:: undated
Materials & Techniques:: Watercolor, pen and gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/16 x 13 15/16in. (25.9 x 35.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. The Carthusian Convent at Trisulto

Creator:: Sir Richard Colt Hoare, 1758–1838
Date:: 1790
Materials & Techniques:: Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 9/16 x 21 3/16 inches (39.5 x 53.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. The Monastery of the order of La Trappe, at Casamare between Frusinone and Sora

Creator:: Sir Richard Colt Hoare, 1758–1838
Date:: 1790
Materials & Techniques:: Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 9/16 x 21 3/16 inches (39.5 x 53.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. The Carthusian Convent at Trisulto

Creator:: Sir Richard Colt Hoare, 1758–1838
Date:: 1790
Materials & Techniques:: Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 9/16 x 21 3/16 inches (39.5 x 53.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. The Convent of St. Cosimato, and part of the Claudian Aqueduct

Creator:: Sir Richard Colt Hoare, 1758–1838
Date:: 1786 to 1819
Materials & Techniques:: Graphite, pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 1/4 x 20 1/8 inches (33.7 x 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Monastery of La Trappe, at Casamare

Creator:: Sir Richard Colt Hoare, 1758–1838
Date:: 1790
Materials & Techniques:: Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 5/8 x 21 3/4 inches (39.7 x 55.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Ducal Palace at Isola di Sora

Creator:: Sir Richard Colt Hoare, 1758–1838
Date:: 1790
Materials & Techniques:: Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 9/16 x 21 1/4 inches (39.5 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Ducal Palace etc at Isola di Sora

Creator:: Sir Richard Colt Hoare, 1758–1838
Date:: 1791
Materials & Techniques:: Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 9/16 x 21 3/16 inches (39.5 x 53.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. View on the River Liris at Isola di Sora

Creator:: Sir Richard Colt Hoare, 1758–1838
Date:: 1791
Materials & Techniques:: Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 9/16 x 21 1/8 inches (39.5 x 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. View on the river Liris, near Isola di Sora

Creator:: Sir Richard Colt Hoare, 1758–1838
Date:: 1790
Materials & Techniques:: Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 5/8 x 21 3/16 inches (39.7 x 53.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. View on the River Liris, near Isola

Creator:: Sir Richard Colt Hoare, 1758–1838
Date:: 1790
Materials & Techniques:: Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 9/16 x 21 1/8 inches (39.5 x 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Near the Convent of S. Cosimato, in Italy

Creator:: Sir Richard Colt Hoare, 1758–1838
Date:: 1786 to 1819
Materials & Techniques:: Graphite, pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/8 x 20 1/16 inches (34 x 51 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Florence

Creator:: John Robert Cozens, 1752–1797
Date:: undated
Materials & Techniques:: Pen and black ink on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 6 3/4 x 10 inches (17.1 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Views in the Levant: Paestum

Creator:: Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor, pen and gray ink, black ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 11 1/8 × 18 11/16 inches (28.3 × 47.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Views in the Levant: Temple Ruins at Paestum

Creator:: Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor with pen and black ink over graphite on thick, moderately textured, brown laid paper mounted on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 14 1/2 × 20 1/2 inches (36.8 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Temple of Minerva Medica, Rome

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and brown ink and brown wash on medium, moderately textured cream laid paper mounted on thick, moderately textured, beige laid paper
Dimensions:: Sheet: 6 1/2 × 10 inches (16.5 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of William Lamson Warren, Class of 1935

29. Palace of the Duca di Sora Where the Rivers Separate, at Isola di Sora

Creator:: Sir Richard Colt Hoare, 1758–1838
Date:: 1791
Materials & Techniques:: Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 5/8 x 21 3/16 inches (39.7 x 53.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Convento del Carmine, at Isola di Sora

Creator:: Sir Richard Colt Hoare, 1758–1838
Date:: 1790
Materials & Techniques:: Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 9/16 x 21 1/8 inches (39.5 x 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Ducal Palace at Isola di Sora

Creator:: Sir Richard Colt Hoare, 1758–1838
Date:: 1791
Materials & Techniques:: Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 9/16 x 21 1/8 inches (39.5 x 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Remains of the Claudian Aqueduct near the Convent of S. Cosimato

Creator:: Sir Richard Colt Hoare, 1758–1838
Date:: 1786 to 1819
Materials & Techniques:: Graphite, pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/8 x 20 inches (34 x 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. View at Valmontone. November 1790

Creator:: Sir Richard Colt Hoare, 1758–1838
Date:: 1790
Materials & Techniques:: Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 1/4 x 22 5/16 inches (41.3 x 56.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. The Carthusian Convent at Trisulto, near Alatri

Creator:: Sir Richard Colt Hoare, 1758–1838
Date:: 1790
Materials & Techniques:: Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 5/8 x 21 3/16 inches (39.7 x 53.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. View at Valmontone. November 1790

Creator:: Sir Richard Colt Hoare, 1758–1838
Date:: 1790
Materials & Techniques:: Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 1/2 x 22 5/8 inches (41.9 x 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Convent at Valmontone. November 1790

Creator:: Sir Richard Colt Hoare, 1758–1838
Date:: 1790
Materials & Techniques:: Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 3/8 x 22 5/8 inches (41.6 x 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Genoa - A Seascape with Shipping

Creator:: Charles Gore, 1729–1807
Date:: undated
Materials & Techniques:: Watercolor with pen and gray ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 11 1/2 x 19 3/4 inches (29.2 x 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Venetian Scene

Creator:: John Henderson, 1764–1843
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/8 × 9 3/4 inches (18.1 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Italianate Landscape with Castle, Cascade and Anglers

Creator:: Paul Sandby, 1731–1809
Date:: between 1780 and 1790
Materials & Techniques:: Watercolor and pen and brown ink and black chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 7/8 x 10 1/2 inches (37.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Chiaja of Naples from Posillipo

Creator:: Thomas Smith of Derby, ca. 1720–1767
Date:: ca. 1780
Materials & Techniques:: Watercolor with pen and black ink over graphite on medium, slightly textured, white laid paper
Dimensions:: Sheet: 8 7/16 x 15 3/4in. (21.4 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Rome, A View of the Arch of Constantine with Other Ruins

Creator:: James Barry, 1741–1806
Date:: undated
Materials & Techniques:: Pen and brown ink, gray wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 × 16 3/4 inches (15.2 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. A View of Rome Taken from the Pincio

Creator:: William Pars, 1742–1782
Date:: 1776
Materials & Techniques:: Watercolor, pen and gray ink, graphite and black crayon on moderately thick, moderately textured, cream laid paper
Dimensions:: Mount: 17 15/16 x 24 1/8 inches (45.5 x 61.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Temple of Venus and Rome from the Colosseum

Creator:: William Pars, 1742–1782
Date:: 1781
Materials & Techniques:: Watercolor with pen and brown and black ink over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 12 1/16 x 16 3/8 inches (30.6 x 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Trees in the Villa Negroni Planted by M. Angelo

Creator:: John Flaxman, 1755–1826
Date:: undated
Materials & Techniques:: Black ink and varnish on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 6 1/4 x 8 inches (15.9 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

45. Ruins of the Basilica of Maxentius in the Roman Forum

Creator:: Abraham Louis Rodolphe Ducros, 1748–1810
Date:: 1779
Materials & Techniques:: Watercolor with pen and black ink over graphite on laid paper
Dimensions:: Sheet: 20 7/8 x 29 1/8 inches (53 x 74 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Tempio d' Antonio e Faustina

Creator:: Thomas Girtin, 1775–1802
Date:: between 1798 and 1799
Materials & Techniques:: Watercolor with pen in brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 12 x 10 1/8 inches (30.5 x 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Arch of Janus, after Piranesi

Creator:: Thomas Girtin, 1775–1802
Date:: between 1798 and 1799
Materials & Techniques:: Watercolor with pen and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 8 5/16 x 12 1/8 inches (21.1 x 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. A Street in Asiago

Creator:: Martin Hardie, 1875–1952
Date:: 1918
Materials & Techniques:: watercolor, pen and brown ink and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 x 8 1/4 inches (29.8 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

49. Drawing from the Madonna del Popolo, Santa Maria del Popolo, Rome

Creator:: Sir William Chambers, 1723–1796
Date:: between 1750 and 1755
Materials & Techniques:: Graphite, pen and black and brown ink and gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 7/8 x 9 5/8in. (35.2 x 24.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Isola Bella, Lago Maggiore

Creator:: Charles Gore, 1729–1807
Date:: ca. 1776
Materials & Techniques:: Watercolor with pen and gray ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 7 5/8 x 22 1/4 inches (19.4 x 56.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. La facciata d'una Casa per fare alla Campagna

Creator:: Stephen Riou, 1720–1780
Date:: 1752
Materials & Techniques:: Graphite, watercolor, pen and black and brown ink, within double-ruled black ink border on slightly textured, medium, cream laid paper
Dimensions:: Sheet: 8 7/8 × 13 3/8 inches (22.5 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. La Prigioni a Venezia

Creator:: Stephen Riou, 1720–1780
Date:: 1752
Materials & Techniques:: Graphite, pen and black, brown, and gray ink, brown and gray wash, within double-ruled black ink border on slightly textured, medium, cream laid paper
Dimensions:: Sheet: 8 7/8 × 13 3/8 inches (22.5 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Alzata della Facciata d'una Chiesa

Creator:: Stephen Riou, 1720–1780
Date:: 1752
Materials & Techniques:: Graphite, pen and black, brown, and gray ink, brown and gray wash on slightly textured, medium, cream laid paper
Dimensions:: Sheet: 13 3/8 × 8 7/8 inches (34 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Arco nel Campo Marzo a Vicenza

Creator:: Stephen Riou, 1720–1780
Date:: 1752
Materials & Techniques:: Graphite, pen and black, brown, and gray ink, brown and gray wash, within double-ruled black ink border on slightly textured, medium, cream laid paper
Dimensions:: Sheet: 13 3/8 × 8 7/8 inches (34 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Alzata della faciata d'una Casa per fare alla Villa

Creator:: Stephen Riou, 1720–1780
Date:: 1752
Materials & Techniques:: Graphite, gray wash, pen and black and brown ink, within double-ruled black ink border on slightly textured, medium, cream laid paper
Dimensions:: Sheet: 8 7/8 × 13 3/8 inches (22.5 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Facciata duna Casa per fare alla Campagna

Creator:: Stephen Riou, 1720–1780
Date:: 1752
Materials & Techniques:: Graphite, pen and black and brown ink, gray wash, within double-ruled black ink border on slightly textured, medium, cream laid paper
Dimensions:: Sheet: 13 3/8 × 8 7/8 inches (34 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Alzata di'una faciata d'un Palazzo di 15 finestre per fare in luogo nobile della citta

Creator:: Stephen Riou, 1720–1780
Date:: 1752
Materials & Techniques:: Graphite, pen and black, brown, and gray ink, brown and gray wash, within single-ruled black ink border on slightly textured, medium, cream laid paper
Dimensions:: Sheet: 8 7/8 × 13 3/8 inches (22.5 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Il diritto della Facciata d'una Casa per fare alla Campagna

Creator:: Stephen Riou, 1720–1780
Date:: 1752
Materials & Techniques:: Graphite, pen and black, brown, and gray ink, brown and gray wash, within double-ruled black ink border on slightly textured, medium, cream laid paper
Dimensions:: Sheet: 8 7/8 × 13 3/8 inches (22.5 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Rough Elevation of a Domed Church

Creator:: Stephen Riou, 1720–1780
Date:: 1752
Materials & Techniques:: Graphite, pen and brown ink, gray wash on slightly textured, medium, cream laid paper
Dimensions:: Sheet: 13 3/8 × 8 7/8 inches (34 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Alzata d'una Facciata di Chesa con il campanile a l'uro Veneto

Creator:: Stephen Riou, 1720–1780
Date:: 1752
Materials & Techniques:: Graphite, pen and brown ink on slightly textured, medium, cream laid paper
Dimensions:: Sheet: 13 3/8 × 8 7/8 inches (34 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Upper half of a plan

Creator:: Stephen Riou, 1720–1780
Date:: 1752
Materials & Techniques:: Graphite, pen and black ink, gray wash, within double-ruled black ink border on slightly textured, medium, cream laid paper
Dimensions:: Sheet: 6 1/2 × 8 7/8 inches (16.5 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Alzata d'una Porta congli Prigioni della Citta

Creator:: Stephen Riou, 1720–1780
Date:: 1752
Materials & Techniques:: Graphite, watercolor, pen and black and brown ink on slightly textured, medium, cream laid paper
Dimensions:: Sheet: 13 3/8 × 8 7/8 inches (34 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Materials & Techniques laid paper

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Search Results

1. Tivoli

2. Lago Fucino

3. Landing Place at Pallanza

4. View of Dürrenstein

5. Port d'Arona

6. The Arch of Titus from the Forum, Rome

7. Views in the Levant: Ruined Bridge with Four Pointed Arches Near Rome

8. Views in the Levant: Ruins in Rome with Goats, Cows and Herdsmen

9. Views in the Levant: The Columns of Augustus at Brundisium

10. Views in the Levant: Rome with Ruins seen Through an Archway

11. Ponte Lucano, Near Tivoli

12. A Street in Florence with the Duomo and Campanile in the Background

13. View of Leghorn

14. The Carthusian Convent at Trisulto

15. The Monastery of the order of La Trappe, at Casamare between Frusinone and Sora

16. The Carthusian Convent at Trisulto

17. The Convent of St. Cosimato, and part of the Claudian Aqueduct

18. Monastery of La Trappe, at Casamare

19. Ducal Palace at Isola di Sora

20. Ducal Palace etc at Isola di Sora

21. View on the River Liris at Isola di Sora

22. View on the river Liris, near Isola di Sora

23. View on the River Liris, near Isola

24. Near the Convent of S. Cosimato, in Italy

25. Florence

26. Views in the Levant: Paestum

27. Views in the Levant: Temple Ruins at Paestum

28. Temple of Minerva Medica, Rome

29. Palace of the Duca di Sora Where the Rivers Separate, at Isola di Sora

30. Convento del Carmine, at Isola di Sora

31. Ducal Palace at Isola di Sora

32. Remains of the Claudian Aqueduct near the Convent of S. Cosimato

33. View at Valmontone. November 1790

34. The Carthusian Convent at Trisulto, near Alatri

35. View at Valmontone. November 1790

36. Convent at Valmontone. November 1790

37. Genoa - A Seascape with Shipping

38. Venetian Scene

39. Italianate Landscape with Castle, Cascade and Anglers

40. Chiaja of Naples from Posillipo

41. Rome, A View of the Arch of Constantine with Other Ruins

42. A View of Rome Taken from the Pincio

43. Temple of Venus and Rome from the Colosseum

44. Trees in the Villa Negroni Planted by M. Angelo

45. Ruins of the Basilica of Maxentius in the Roman Forum

46. Tempio d' Antonio e Faustina

47. Arch of Janus, after Piranesi

48. A Street in Asiago

49. Drawing from the Madonna del Popolo, Santa Maria del Popolo, Rome

50. Isola Bella, Lago Maggiore

51. La facciata d'una Casa per fare alla Campagna

52. La Prigioni a Venezia

53. Alzata della Facciata d'una Chiesa

54. Arco nel Campo Marzo a Vicenza

55. Alzata della faciata d'una Casa per fare alla Villa

56. Facciata duna Casa per fare alla Campagna

57. Alzata di'una faciata d'un Palazzo di 15 finestre per fare in luogo nobile della citta

58. Il diritto della Facciata d'una Casa per fare alla Campagna

59. Rough Elevation of a Domed Church

60. Alzata d'una Facciata di Chesa con il campanile a l'uro Veneto

61. Upper half of a plan

62. Alzata d'una Porta congli Prigioni della Citta