Search Constraints
You searched for:
Materials & Techniques stipple engraving
Remove constraint Materials & Techniques: stipple engravingGenre literary theme
Remove constraint Genre: literary themeImage Available Available
Remove constraint Image Available: AvailableWork Type intaglio print
Remove constraint Work Type: intaglio printSearch Results
1
- Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip
- ca. 1787
2
- Lovelace in Prison
- 1788
3
- Ophelia: There Is Rue for You and Here's Some for Me
- 1784
4
- Queen Katherine's Dream - "Henry VIII"
- 1788
5
- David Garrick as Richard III in the Drury Lane Theatre Performance, 1759
- 1811
6
- "We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."
- 1802
7
- "Mark your divorce young sir, whom son I dare not call"
- 1804
8
- Fallstaff Playing the Prince, The Prince Playing the King
- 1796
9
- Dodbery and Verges, with the Watch; "Much Ado About Nothing", Act III, Scene II
- 1794
10
- Lady Elizabeth Cavendish (née Hervey), Duchess of Devonshire
- 1787
11
- Diligence and Dissipation: The Wanton in her Bed Chamber (Plate 3)
- 1797
12
- Little Red Riding Hood
- after 1856
13
- The Bird's Nest
- 1834
14
- Children Swinging
- 1834
15
- Lady Jane Grey
- 1834
16
- Shepherds
- 1834
17
- An Alcove
- 1834
18
- The Mask
- 1834
19
- An Arabesque
- 1834
20
- An Arabesque
- 1834
21
- A Voyage of Discovery
- 1834
22
- Mrs. Siddons, in the Character of the Tragic Muse
- 1787
23
- Sylvia
- 1786
24
- Mrs. Jordan in the Character of the Romp
- 1788
25
- Miss Elizabeth Beauclerc as 'Una'
- 1782
26
- Mrs. Frances Abington (née Barton) as Roxalana in "The Sultan"
- 1791
27
- The Cottagers
- 1794
28
- Cymon and Iphigenia
- 1797
29
- Diligence and Dissipation: The Wanton Revelling with her Companions (Plate7)
- 1797
30
- Diligence and Dissipation: Good Advice from an Old Servant to the Young Ones (Plate 2)
- 1797
31
- The Death of Arcite
- 1790
32
- King Richard the Second, Act V, Scene II (The Entrance of King Richard & Bolingbroke into London)
- 1801
33
- Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)
- 1791
34
- Tom Jones Assisting Molly Seagrim
- 1782
35
- Mrs. Abington as Thalia
- ca. 1783
36
- Ticket for the Benefit of Madame Banti
- 1797
37
- Queen Katherine's Dream
- 1788
38
- Ticket: For The Benefit Of Mad' Banti
- 1795
39
- Cecilia
- 1783
40
- I Have Laid The Foundation And Another Buildeth Thereon, But Let Every Man Take Heed How He Buildeth Thereon, 1 Cor. 3, 10
- ca.1785
41
- February
- 1793
42
- May
- 1793
43
- April
- 1790
44
- June
- 1789
45
- Palamon and Arcite
- 1790
46
- Joseph Andrews
- 1781
47
- Sappho Embracing Love
- 1783
48
- The Snuff Box, Calais
- 1799
49
- Lodona
- 1792
50
- The Deserted Village
- 1795
51
- July
- 1789
52
- September
- 1793
53
- October
- 1793
54
- Si Giacerebbe Inutile Per Terra Deserta Senza Frutto, E Senza Onore
- 1774
55
- Angelica And Medora
- 1787
56
- Cordelia
- 1784
57
- As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)
- 1803
58
- Morte de Clorinda
- 1785
59
- Rinaldo et Armida
- 1785
60
- Sophia, Honour, and the Chambermaid
- 1780
61
- Lauretta
- 1776
62
- The Shepherdess of the Alps
- 1776
63
- The Dead Ass, Nampont
- 1799
64
- Selim of the Shepherd's Moral
- 1788
65
- The Hours
- 1788
66
- Hercules and Omphale
67
- Prospero Disarming Ferdinand, Act I, Scene II
- 1793
68
- August
- 1793
69
- Alexander and Nerina
- 1784
70
- Poetry And History, Presenting Painting, With Subjects For Her Pencil
- 1794
71
- The Freeing of Amoret
- 1792
72
- Concert Ticket For The Benefit of Madame Banti
- 1795
73
- Adelaide
- 1798
74
- John Henderson as Iago
- 1786
75
- Mrs. Abington as Thalia
- 1783
76
- Ticket: Anacreontic Society Meeting
- 1773
77
- Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..
- 1745
78
- Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
- 1745
79
- "This is fairy gold, boy, and will prove so"
- 1804
80
- Joseph Warton
- 1807
81
- Mrs. Robinson
- 1792
82
- Shakespeare, Macbeth Act IV, Scene I
- 1802
83
- Sir John Suckling
- 1744
84
- Dr. Joseph Warton
- undated
85
- Isaac Watts
- undated
86
- King Henry VI, Second Part, Act 3, Scene 3
- 1801
87
- Thomas Percy, Bishop of Dromore
- undated
88
- Mrs Seaforth as, Tuccia - The Vestal Virgin
- 1798
89
- Elizabeth Ann Sheridan (née Linley) as St. Cecilia
- 1779
90
- Sir Philip Sidney
- 1741
91
- Edmund Spenser
- 1727
92
- The Cottagers
- 1794
93
- Reflections on Clarissa Harlow
- 1785
94
- Fonrose
- 1798
95
- Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
- 1745
96
- The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door
- 1745
97
- Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
- 1745
98
- Henry VI, Part III: Act I, Scene III, A Field of Battle betwixt Sandal Castle . .
- 1793
99
- King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)
- 1792
100
- King Richard III: Act III, Scene I (The Meeting of Edward V and His Brother, Richard, Duke of York)
- 1789