Materials & Techniques: wove paper / Creator Gender: male / Credit Line: Yale Center for British Art, Paul Mellon Collection / Period: 18th century - YCBA Collections Search Search Results

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Materials & Techniques wove paper

Creator Gender male

Credit Line Yale Center for British Art, Paul Mellon Collection

Period 18th century

William Blake The Poems of Thomas Gray, Design 85, "The Descent of Odin."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 85, "The Descent of Odin."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 87, "The Triumphs of Owen."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 87, "The Triumphs of Owen."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 91, "The Triumphs of Owen."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 91, "The Triumphs of Owen."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 95, "Ode for Music."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 95, "Ode for Music."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 97, "Ode for Music."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 97, "Ode for Music."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 99, "Ode for Music."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 99, "Ode for Music."

between 1797 and 1798

William Blake Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)

1789

William Blake Songs of Innocence, Plate 18, "A Cradle Song" (Bentley 16)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 18, "A Cradle Song" (Bentley 16)

1789

William Blake Songs of Innocence, Plate 26, "Spring" (Bentley 23)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 26, "Spring" (Bentley 23)

1789

William Blake Songs of Innocence, Plate 4, "A Dream" (Bentley 26)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 4, "A Dream" (Bentley 26)

1789

William Blake The Poems of Thomas Gray, Design 83, "The Descent of Odin."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 83, "The Descent of Odin."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 89, "The Triumphs of Owen."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 89, "The Triumphs of Owen."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 9, "Ode on the Death of a Favourite Cat."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 9, "Ode on the Death of a Favourite Cat."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 93, "Ode for Music."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 93, "Ode for Music."

between 1797 and 1798

William Blake Songs of Innocence, Plate 1, Frontispiece (Bentley 2)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 1, Frontispiece (Bentley 2)

1789

William Blake Songs of Innocence, Plate 2, Title Page (Bentley 3)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 2, Title Page (Bentley 3)

1789

William Blake Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)

1789

William Blake Songs of Innocence and of Experience, Plate 40, "The Angel" (Bentley 41)

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 40, "The Angel" (Bentley 41)

1794

William Blake The First Book of Urizen, Plate 3, "Chap: 1 . . . ." (Bentley 3)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 3, "Chap: 1 . . . ." (Bentley 3)

1794

William Blake The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)

1794

William Blake The First Book of Urizen, Plate 10, "7. From the caverns of his jointed spine . . . ." (Bentley 11)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 10, "7. From the caverns of his jointed spine . . . ." (Bentley 11)

1794

William Blake The First Book of Urizen, Plate 12 (Bentley 22)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 12 (Bentley 22)

1794

William Blake The First Book of Urizen, Plate 15, "8. The globe of life blood trembled . . . ." (Bentley 18)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 15, "8. The globe of life blood trembled . . . ." (Bentley 18)

1794

William Blake The First Book of Urizen, Plate 23: "The Ox in the slaughter house moans . . . ." (Bentley 25)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 23: "The Ox in the slaughter house moans . . . ." (Bentley 25)

1794

William Blake The First Book of Urizen, Plate 25, "They lived a period of years . . . ." (Bentley 28)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 25, "They lived a period of years . . . ." (Bentley 28)

1794

William Blake Young's Night Thoughts, Page 95, "The goddess bursts in thunder and in flame"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 95, "The goddess bursts in thunder and in flame"

ca. 1797

William Blake The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)

1794

William Blake The First Book of Urizen, Plate 4, "Muster around the bleak desarts . . . ." (Bentley 4)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 4, "Muster around the bleak desarts . . . ." (Bentley 4)

1794

William Blake The First Book of Urizen, Plate 5 (Bentley 12)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 5 (Bentley 12)

1794

William Blake The First Book of Urizen, Plate 7, "As the stars are apart from the earth . . . ." (Bentley 6)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 7, "As the stars are apart from the earth . . . ." (Bentley 6)

1794

William Blake The First Book of Urizen, Plate 8 (Bentley 9)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 8 (Bentley 9)

1794

William Blake The First Book of Urizen, Plate 9, "Chap: IV | 1 Ages on ages roll'd over him . . . ." (Bentley 10)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 9, "Chap: IV | 1 Ages on ages roll'd over him . . . ." (Bentley 10)

1794

William Blake The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)

1794

William Blake The First Book of Urizen, Plate 24 (Bentley 26)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 24 (Bentley 26)

1794

William Blake The First Book of Urizen, Plate 6, "In living creations appear'd . . . ." (Bentley 5)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 6, "In living creations appear'd . . . ." (Bentley 5)

1794

William Blake The First Book of Urizen, Plate 13, "Thus the Eternal Prophet was divided . . . " (Bentley 15)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 13, "Thus the Eternal Prophet was divided . . . " (Bentley 15)

1794

William Blake The First Book of Urizen, Plate 16 (Bentley 17)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 16 (Bentley 17)

1794

William Blake The First Book of Urizen, Plate 14 (Bentley 14)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 14 (Bentley 14)

1794

William Blake The First Book of Urizen, Plate 17, "They call'd her Pity and fled . . . ." (Bentley 19)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 17, "They call'd her Pity and fled . . . ." (Bentley 19)

1794

William Blake The First Book of Urizen, Plate 18 (Bentley 21)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 18 (Bentley 21)

1794

William Blake The First Book of Urizen, Plate 19, "Stretch'd for a work of eternity . . . ." (Bentley 20)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 19, "Stretch'd for a work of eternity . . . ." (Bentley 20)

1794

William Blake The First Book of Urizen, Plate 20, "Of life forsaken mountains . . . ." (Bentley 23)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 20, "Of life forsaken mountains . . . ." (Bentley 23)

1794

William Blake The First Book of Urizen, Plate 21 (Bentley 27)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 21 (Bentley 27)

1794

William Blake Young's Night Thoughts, Page 73, "Draw the dire steel? -- ah no!"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 73, "Draw the dire steel? -- ah no!"

ca. 1797

William Blake Young's Night Thoughts, Page 90, "That touch, with charm celestial heals the soul"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 90, "That touch, with charm celestial heals the soul"

ca. 1797

William Blake Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"

ca. 1797

William Blake Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"

ca. 1797

William Blake Young's Night Thoughts, Page 92, "When faith is virtue, reason makes it so"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 92, "When faith is virtue, reason makes it so"

ca. 1797

William Blake Young's Night Thoughts, Page 63, "This King of Terrors is the Prince of Peace"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 63, "This King of Terrors is the Prince of Peace"

ca. 1797

William Blake Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"

ca. 1797

William Blake Young's Night Thoughts, Page 80, "The thunder if in that the Almighty dwells"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 80, "The thunder if in that the Almighty dwells"

ca. 1797

William Blake Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"

ca. 1797

William Blake Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

ca. 1797

William Blake Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"

ca. 1797

William Blake Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"

ca. 1797

William Blake The First Book of Urizen, Plate 22 (Bentley 24)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 22 (Bentley 24)

1794

William Blake The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)

1794

William Blake Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"

ca. 1797

William Blake Young's Night Thoughts, Page 23, "We censure nature for a span too short"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 23, "We censure nature for a span too short"

ca. 1797

William Blake Pity

Print made by William Blake, 1757–1827

Pity

ca. 1795

William Blake Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"

ca. 1797

William Blake Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"

ca. 1797

William Blake The Book of Thel, Plate 4, "Why should the mistress . . . ."

Print made by William Blake, 1757–1827

The Book of Thel, Plate 4, "Why should the mistress . . . ."

1789

George Robertson The Colosseum, Rome

George Robertson, 1749–1788

The Colosseum, Rome

undated

Canaletto Capriccio of a Venetian Courtyard

Follower of Canaletto, 1697–1768

Capriccio of a Venetian Courtyard

undated

unknown artist Portrait of Moses Kean

unknown artist

Portrait of Moses Kean

undated

Michael "Angelo" Rooker View in Oxford

Michael "Angelo" Rooker, 1746–1801

View in Oxford

undated

John Singleton Copley Study for the Central Group in the "Death of Earl of Chatham"

John Singleton Copley, 1738–1815

Study for the Central Group in the "Death of Earl of Chatham"

1778

Samuel Wale Westminster Abbey

Samuel Wale, 1721–1786

Westminster Abbey

undated

George Walker Uncle George in the Dress of a Highland Herdsman

George Walker, active 1792–died 1795

Uncle George in the Dress of a Highland Herdsman

undated

Sir George Howland Beaumont seventh Baronet Hermitage Near Albano

Sir George Howland Beaumont seventh Baronet, 1753–1827

Hermitage Near Albano

1782

George Townly Stubbs Children Dancing

George Townly Stubbs, 1748–1815

Children Dancing

1798

Sir Joshua Reynolds Sheet of Figure Studies from Raphael's Disputation

Sir Joshua Reynolds, 1723–1792

Sheet of Figure Studies from Raphael's Disputation

undated

Francis Xavier Vispré Louis François Roubiliac

Attributed to Francis Xavier Vispré, active 1730–1790

Louis François Roubiliac

ca. 1760

Jacob More Falls near Terni

Jacob More, 1740–1793

Falls near Terni

undated

Samuel Davis View of Shershah's Tomb at Sasaram in Bihar

Samuel Davis, 1760–1819

View of Shershah's Tomb at Sasaram in Bihar

ca. 1779

Samuel Davis Tassisudon

Samuel Davis, 1760–1819

Tassisudon

1783

Thomas Daniell The Mosque at Juanpore Built by Sultan Hussain Sherki | Taken in December 1789

Thomas Daniell, 1749–1840

The Mosque at Juanpore Built by Sultan Hussain Sherki | Taken in December 1789

1789

Paul Sandby Dartmouth Castle

Paul Sandby, 1731–1809

Dartmouth Castle

1794

James Wyatt Cobham Hall, Kent: Vestibule

James Wyatt, 1746–1813

Cobham Hall, Kent: Vestibule

ca. 1790

James Wyatt Cobham Hall, Kent: Design for Paneling of a Pew

James Wyatt, 1746–1813

Cobham Hall, Kent: Design for Paneling of a Pew

ca. 1790

Francis David Soiron St. James's Park

Francis David Soiron, Born 1764

St. James's Park

1790

Richard Westall Rosebud, or the Judgement of Paris

Richard Westall, 1765–1836

Rosebud, or the Judgement of Paris

1791

Paul Sandby The Gunpowder Magazine, Hyde Park

Paul Sandby, 1731–1809

The Gunpowder Magazine, Hyde Park

ca. 1793

John Flaxman Seventeen Sketches chiefly of Mrs. Siddons in the Roles of Titania or Constance (King John) and including a Sketch of Kemble as Hamlet and a Study of Puck

John Flaxman, 1755–1826

Seventeen Sketches chiefly of Mrs. Siddons in the Roles of Titania or Constance (King John) and including a Sketch of Kemble as Hamlet and a Study of Puck

ca. 1795

Thomas Anburey The Northern Entrance of Gundecotta Pass

Thomas Anburey, 1759–1840

The Northern Entrance of Gundecotta Pass

ca. 1792

Christian von Mechel Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

Christian von Mechel, 1737–1817

Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

1792

Henry Hulsberg Cobham Hall, Kent: First and Second Floor Plans

Print made by Henry Hulsberg, active 1700s–died 1729

Cobham Hall, Kent: First and Second Floor Plans

1715 to 1725

Francis Wheatley Country Scene: Figures by a Cottage Door and Cattle in a Stream

Francis Wheatley, 1747–1801

Country Scene: Figures by a Cottage Door and Cattle in a Stream

1795

Francis Wheatley Traveling Potter Outside a Cottage

Francis Wheatley, 1747–1801

Traveling Potter Outside a Cottage

1798

Nicholas Pocock The River Avon: with Passing Vessels

Nicholas Pocock, 1740–1821

The River Avon: with Passing Vessels

1785

Nicholas Pocock The Ranger, Private Ship of War, with her Prizes

Nicholas Pocock, 1740–1821

The Ranger, Private Ship of War, with her Prizes

1780

Paul Sandby North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire

Paul Sandby, 1731–1809

North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire

1767

Sparrow Herstmonceux Castle, Sussex Pl. 4

Sparrow, active 1773–1787

Herstmonceux Castle, Sussex Pl. 4

undated

William Tombleson Herstmonceux Castle, Sussex

William Tombleson, ca.1795–1835

Herstmonceux Castle, Sussex

undated

Col. James Seymour Wentworth, Earl of Strafford

Col. James Seymour, active 1702–1739

Wentworth, Earl of Strafford

undated

Paul Sandby Two Women holding a Basket

Paul Sandby, 1731–1809

Two Women holding a Basket

ca. 1759

John Singleton Copley Study of Sailors Raising a Flag for the Victory of Lord Duncan

John Singleton Copley, 1738–1815

Study of Sailors Raising a Flag for the Victory of Lord Duncan

undated

Richard Wilson The Via Nomentana

Richard Wilson, 1713/4–1782

The Via Nomentana

1754

William Pars A View of Rome Taken from the Pincio

William Pars, 1742–1782

A View of Rome Taken from the Pincio

1776