Materials & Techniques: wove paper / Credit Line: Yale Center for British Art, Paul Mellon Collection / Genre: literary theme / Subject Terms: landscape (representation)

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Materials & Techniques wove paper

Credit Line Yale Center for British Art, Paul Mellon Collection

Genre literary theme

Subject Terms landscape (representation)

Print made by William Miller, 1796–1882

Dryburgh Abbey

1833

Print made by Edward Goodall, 1795–1870

Carlisle

1834

Print made by William Miller, 1796–1882

Dryburgh Abbey

1834

Print made by John Horsburgh, 1791–1869

Ashestiel (Vignette)

1834

Print made by Edward Goodall, 1795–1870

Bolton Abbey

1834

Print made by Edward Goodall, 1795–1870

St. Pierre's Cottage

1834

Print made by William Miller, 1796–1882

Loch Lomond

1834

Print made by William Miller, 1796–1882

Loch Lomond

1834

Print made by Edward Goodall, 1795–1870

Carlisle

1834

Print made by Henry Le Keux, 1787–1868

Abbotsford, Vignette Title

1834

Print made by Edward Goodall, 1795–1870

St. Pierre's Cottage

1834

Print made by Robert Wallis, 1794–1878

Bolton Abbey

1834

Print made by John Horsburgh, 1791–1869

Ashestiel

1834

Print made by John Pye, 1782–1874

Junction of the Greta and the Tees

1834

Print made by Edward Goodall, 1795–1870

St. Pierre's Cottage

1834

Print made by William Miller, 1796–1882

Berwick on Tweed

1834

Print made by Henry Le Keux, 1787–1868

Abbotsford, Vignette Title

1834

Print made by Edward Goodall, 1795–1870

Carlisle

1834

Print made by William Miller, 1796–1882

Dryburgh

1834

Print made by John Horsburgh, 1791–1869

Ashestiel

1834

Print made by John Pye, 1782–1874

Junction of the Greta and the Tees

1834

Print made by William Miller, 1796–1882

Berwick-on-Tweed

1834

Print made by Edward Goodall, 1795–1870

St. Pierre's Cottage

1834

Print made by Robert Wallis, 1794–1878

Bolton Abbey

1834

Print made by John Horsburgh, 1791–1869

Ashestiel

1834

Print made by Edward Goodall, 1795–1870

Carlisle

1834

Print made by William Miller, 1796–1882

Dryburgh Abbey

1834

Print made by Henry Le Keux, 1787–1868

Abbotsford, Vignette Title

1834, reprinted 1851

Print made by John Pye, 1782–1874

Junction of the Greta and the Tees

1834

Print made by Edward Goodall, 1795–1870

Carlisle

1834

Print made by William Miller, 1796–1882

Berwick-on-Tweed

1834

Print made by William Miller, 1796–1882

Berwick-on-Tweed

1834

Print made by Henry Le Keux, 1787–1868

Abbotsford, Vignette Title

1834

Print made by John Pye, 1782–1874

Junction of the Greta and the Tees

1834

Print made by John Pye, 1782–1874

Junction of the Greta and the Tees

1834

Print made by John Pye, 1782–1874

Junction of the Greta and the Tees

1834

Print made by William Miller, 1796–1882

Berwick-on-Tweed

1834

Print made by Henry Le Keux, 1787–1868

Abbotsford, Vignette Title

1834

Print made by Edward Goodall, 1795–1870

St. Pierre's Cottage

1834

Print made by John Cousen, 1804–1880

St. Agatha's Abbey

ca. 1844

Print made by John Cousen, 1804–1880

St. Agatha's Abbey

ca. 1844

Print made by John Cousen, 1804–1880

St. Agatha's Abbey

ca. 1844

Print made by John Cousen, 1804–1880

Folkestone

ca. 1844

Print made by John Cousen, 1804–1880

Folkestone

ca. 1844

Print made by Edward Goodall, 1795–1870

The Nile

1839

Print made by Edward Goodall, 1795–1870

Lake of Nemi

ca. 1844

Print made by Edward Goodall, 1795–1870

The Nile

1839

Print made by John Cousen, 1804–1880

St. Agatha's Abbey

1844-1867

Print made by William Richardson, active 1842–1877

Ashestiel (Vignette)

1854 reprint

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