Preparatory drawing for the Title page, "Designs for Villas" (A Collection of Designs for Rural Retreats)
undated
3
John Smart, 1741–1811
Robert, first Baron Clive of Plassey
1776
4
Jakob Phillip Hackert, 1737–1807
Lake Nemi
1776
5
Charles Gore, 1729–1807
Lago Fucino
1776
6
John Hamilton Mortimer, 1740–1779
Choir and Orchestra (A Choral Band)
1776
7
Moses Griffith, 1747–1819
View of Baron Hill, Anglesey, Wales
1776
8
J. Tobin, active 1776
Preparing to lay eel traps
undated
9
John Hamilton Mortimer, 1740–1779
Falstaff. Second part Henry IV, Act V, Scene 4th. "There's a merry heart good master Silence / I'll give you a health for that anon."
1776
10
Burnett Reading, active 1776–1822
Horace Walpole
undated
11
William Watts, 1752–1851
The Seat of St. Thomas Wilson, Bart., at Charlton in Kent
1776
12
William Dickinson, 1746–1823
St. Caecilia (Miss Lindley)
1776
13
Francois Vivares, 1709–1780
Francis Vivares
1776
14
Francesco Bartolozzi, 1728–1815
Venus Standing By the Sea, Two Cupids Carry Masks
1776
15
William Dickinson, 1746–1823
Mrs. Sheridan
1776
16
James Barry, 1741–1806
Temptation of Adam
1776
17
Richard Bernard Godfrey, 1728–op.1794
View of London from Blackheath
1776
18
unknown artist
Songsheet of a Hymn to be sung by the Charity Children of Christ Church Middlesex 10 November 1770
1776
19
Print made by Francesco Bartolozzi, 1728–1815
Lady Gertrude, Marchioness Of Halifax
1776
20
Print made by Francesco Bartolozzi, 1728–1815
Lady Gertrude, Marchioness of Halifax
1776
21
John Raphael Smith, 1752–1812
Marie Antoinette d'Autriche Reine de France
1776
22
Francesco Bartolozzi, 1728–1815
Lauretta
1776
23
Francesco Bartolozzi, 1728–1815
Angel Gesticulating
1776
24
Francesco Bartolozzi, 1728–1815
The Rape of Cephalus By Aurora
1776
25
James C. Allen, active 1821–1831
Baroness Howe's Villa & Pope's Grotto
undated
26
Francesco Bartolozzi, 1728–1815
Ticket for the Masked Ball at Ranelagh
1776
27
Gabriel Scorodomoff, 1748–1792
The Ephesian Matron (laid down on same sheet as B1977.14.11653)
1776
28
John Hamilton Mortimer, 1740–1779
Lear, from King Lear, Act III, Scene ii
1776
29
Henry Swinburne, 1743–1803
Personalized Design
1776
30
Mather Brown, 1761–1831
A Page Boy in Blue with a Red Shield
undated
31
Mather Brown, 1761–1831
Man Seated on a Rock
undated
32
James Barry, 1741–1806
King Lear
1776
33
John Laporte, 1761–1839
A Country Church Amongst Hills
undated
34
James Watson, 1740–1790
The Right Reverent Thomas Newton, D.D
1776
35
William Dickinson, 1746–1823
Lady Charles Spencer
1776
36
John Raphael Smith, 1752–1812
Mrs. Morris
1776
37
John Raphael Smith, 1752–1812
Mrs. Montagu
1776
38
John Laporte, 1761–1839
River Landscape with Cattle Watering
undated
39
Paul Sandby, 1731–1809
The Horse Race at Rome During the Carnival
ca. 1781
40
Print made by unknown artist
View of Theatre Royal, Drury Lane
1776
41
Paul Sandby, 1731–1809
The Victor Conducted in Triumph
ca. 1781
42
Paul Sandby, 1731–1809
The Romans Polite to Strangers
ca. 1781
43
Paul Sandby, 1731–1809
The Opening of the Carnival at Rome
ca. 1781
44
unknown artist
The Fashionable Dresses for the Year, 1776
1776
45
Print made by Matthew Darly, active 1754–1778
The Preposterous Head Dress, or the Feathered Lady
1776
46
James Barry, 1741–1806
The Phoenix or the Resurrection of Freedom
1776
47
James Barry, 1741–1806
King Lear and Cordelia, Act V, Scene 10
1776
48
Print made by James Barry, 1741–1806
King Lear and Cordelia
1776
49
William Pars, 1742–1782
A View of Rome Taken from the Pincio
1776
50
Print finished by John Dixon, ca. 1740–1811
Garrick as Abel Drugger in "The Alchemist"
1776
51
Valentine Green, 1739–1813
Mr. Garrick and Mrs. Pritchard, in the Tragedy of 'Macbeth.' Act II. Scene III
1776
52
Print made by M. Coote, ca. 1758/62–1801
Edgar's Tower at Worcester
before 1786
53
M. Coote, ca. 1758/62–1801
Dudley Priory in Worcestershire, Plate 2
before 1786
54
John Hamilton Mortimer, 1740–1779
Iphigenia's Late Procession from Kingston to Bristol - By Chudleigh Meadows, - Then the Dutchess was Brought into Court Attended by her Chaplain, Physician, Apothecary and Three Maids of Honor
1776
55
Print made by M. Coote, ca. 1758/62–1801
Edgar's Tower at Worcester
before 1786
56
Print made by M. Coote, ca. 1758/62–1801
Dudley Priory in Worcestershire, Plate 1
before 1786
57
Print made by M. Coote, ca. 1758/62–1801
Dudley Priory in Worcestershire, Plate 2
before 1786
58
John Hamilton Mortimer, 1740–1779
Literary Characters Assembled Around the Medallion of Shakespeare
1776
59
Ozias Humphry, 1742–1810
Study of the Artist's Mother Sewing
ca. 1776
60
Francesco Bartolozzi, 1728–1815
The Portrait Of Anibale Caracci Drawn By Himself
1776
61
John Raphael Smith, 1752–1812
Mrs. Montagu
1776
62
William Woollett, 1735–1785
The Death of General Wolfe
1776
63
Francesco Bartolozzi, 1728–1815
James Harris
1776
64
Francesco Bartolozzi, 1728–1815
James Harris
1776
65
William Watts, 1752–1851
Strensham, the ancient Seat of the Russells
1776
66
Francesco Bartolozzi, 1728–1815
The Shepherdess of the Alps
1776
67
after Richard Wilson, 1713/4–1782
Twelve Original Views in Italy
1776
68
John Downman, 1750–1824
Portrait of a Divine Called Reverend John Wesley
ca. 1781
69
Print made by Francesco Bartolozzi, 1728–1815
Lady Gertrude, Marchioness of Halifax
1776
70
Print made by Francesco Bartolozzi, 1728–1815
Lady Gertrude, Marchioness of Halifax
1776
71
Print made by Matthew Darly, active 1754–1778
Caricature of Matthew Darly
1776
72
John Laporte, 1761–1839
Day - Landscape with Rapids and Cattle
undated
73
John Laporte, 1761–1839
Evening - Landscape with a Ruined Castle
undated
74
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
75
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
76
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
77
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
ca. 1781
78
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
79
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
80
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
81
John Laporte, 1761–1839
Morning - River Scene with Figures near a Cottage
undated
82
John Laporte, 1761–1839
Night - River Landscape with a Ruined Abbey
undated
83
John Warwick Smith, 1749–1831
Isola Madre, Lago Maggiore
ca. 1781
84
John Robert Cozens, 1752–1797
Interlaken
1776
85
John Robert Cozens, 1752–1797
The Falls of the Reichenbach
1776
86
John Warwick Smith, 1749–1831
A View of Tivoli Looking Towards Rome
ca. 1781
87
John Robert Cozens, 1752–1797
Upon the Aare between Unterseen and the Lake of Brientz
1776
88
John Robert Cozens, 1752–1797
Between Chamonix and Martigny
1776
89
John Robert Cozens, 1752–1797
The Lake of Geneva from the Canton of Berne
1776
90
Mary Hoare, 1744–1820
The Apparition of the Armed Head: Macbeth
ca. 1781
91
Mary Hoare, 1744–1820
Antigonus Disposing of Perdita
ca. 1781
92
Mary Hoare, 1744–1820
The Three Witches from Macbeth: Though the Bark Cannot be Lost..