Human Figure, Posterior View, Partially Dissected (Finished Study for Table XII)
1795 to 1806
8
George Stubbs, 1724–1806
Human Figure, Anterior View (Finished Study of Final Stage of Dissection)
1795 to 1806
9
George Stubbs, 1724–1806
Human Skeleton, Lateral View
1795 to 1806
10
George Stubbs, 1724–1806
Human Figure, Lateral View
1795 to 1806
11
George Stubbs, 1724–1806
Human Figure, Anterior View, Skin and Underlying Fascial Layers Removed (Finished Study for Table XI)
1795 to 1806
12
George Stubbs, 1724–1806
Study of the Human Figure, Anterior View (Probably related to Table XI)
1795 to 1806
13
George Stubbs, 1724–1806
Human Figure, Anterior View (Outline drawing)
1795 to 1806
14
George Stubbs, 1724–1806
Human Figure, Anterior View (Largely in outline)
1795 to 1806
15
George Stubbs, 1724–1806
Human Figure, Posterior View (Outline drawing for the key figure of an unpublished plate)
1795 to 1806
16
George Stubbs, 1724–1806
Human Figure, Lateral View (Preliminary draft for the final study for Table VIII)
1795 to 1806
17
George Stubbs, 1724–1806
Human Figure, Lateral View (Related to Table XIII, detailed study of the blood vessels supplying the muscles)
1795 to 1806
18
George Stubbs, 1724–1806
Human Figure, Lateral View
1795 to 1806
19
George Stubbs, 1724–1806
Human Figure, Lateral View (Outline Study in Reverse of Table VIII)
1795 to 1806
20
George Stubbs, 1724–1806
Human Figure, Lateral View
1795 to 1806
21
George Stubbs, 1724–1806
Dorking Hen Skeleton, Lateral View (Finished study for an unpublished table)
1795 to 1806
22
Print made by William Hogarth, 1697–1764
Plate 11, The Idle 'Prentice Executed at Tyburn
1747
23
Print made by William Hogarth, 1697–1764
Plate 12, The Industrious 'Prentice Lord Mayor of London
1747
24
William Hogarth, 1697–1764
Operation Scene in a Hospital with Subsidiary Sketches in the Margin at the Lower Right
undated
25
Etched by Joseph Mallord William Turner, 1775–1851
The Straw Yard
1808
26
Etched by Joseph Mallord William Turner, 1775–1851
From Spenser's Fairy Queen
1811
27
Joseph Mallord William Turner, 1775–1851
Vesuvius in Eruption
between 1817 and 1820
28
Engraved by Joseph Mallord William Turner, 1775–1851
Stonehenge at Daybreak
1815 to 1819
29
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
30
Etched by Joseph Mallord William Turner, 1775–1851
Ben Arthur, Scotland
1819
31
Etched by Joseph Mallord William Turner, 1775–1851
Lauffenbourgh on the Rhine
1811
32
Etched by Joseph Mallord William Turner, 1775–1851
Solway Moss
1816
33
Etched by Joseph Mallord William Turner, 1775–1851
Marine Dabblers
1811
34
Etched by Joseph Mallord William Turner, 1775–1851
Windmill and Lock
1811
35
Etched by Joseph Mallord William Turner, 1775–1851
Mt. St. Gothard
1808
36
Etched by Joseph Mallord William Turner, 1775–1851
Bridge and Cows
1807
37
Print made by Joseph Mallord William Turner, 1775–1851
Ship in a Storm
between 1820 and 1826
38
Edward Lear, 1812–1888
People on the Road Near Kalicut, Malabar
undated
39
Edward Lear, 1812–1888
Mqabba, Qrendi
1866
40
George Romney, 1734–1802
Lear Awakened by Cordelia
ca. 1774
41
Henry William Bunbury, 1750–1811
A Soiree
undated
42
John Laporte, 1761–1839
A Country Church Amongst Hills
undated
43
James Gwin, 1700–1769
De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte
1763
44
James Gwin, 1700–1769
De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche
1763
45
James Gwin, 1700–1769
L'Epée & Lanterne Combattüe par L'Epée et Manteau
1763
46
Print made by Charles Howard Hodges, 1764–1837
Hebe
1785
47
Print made by Thomas Watson, 1743–1781
The Honourable Mrs. Parker
1773
48
Richard Earlom, 1743–1822
The Presentation in the Temple
1771
49
James Gwin, 1700–1769
Position de la Garde en Quarte, et le Coup de Flanconnade
1763
50
James Gwin, 1700–1769
Position Aprés Avoir Desarmé sur le Coup de Quarte
1763
51
Pierre Charles Canot, ca. 1710–1777
2. Two Hunters / Deux Chevaux de Chasse
1770
52
Pierre Charles Canot, ca. 1710–1777
7. Returning from the Chase / Retour de Chasse
1770
53
Pierre Charles Canot, ca. 1710–1777
5. Coming at the Death / Halte de Chasse
1770
54
Print made by Edward Fisher, 1722–1785
Charles Watson Wentworth, Marquess of Rockingham, K.G
c.1774
55
Print made by John Raphael Smith, 1752–1812
Colonel Tarleton
1782
56
Print made by John Jones, ca. 1745–1797
Muscipula
1786
57
Print made by James Walker, 1748–1808
Caroline, Countess of Carlisle
1781
58
Augustus Welby Northmore Pugin, 1812–1852
Designs for Gothic Stained Glass Windows
undated
59
Daniel Lysons, 1762–1834
Memorials to Martha Ogle, and to Sir Thomas Kinsey and his grandchildren Rober and Elizabeth Kinsey of Fulham Church
between 1796 and 1811
60
Elisha Kirkall, ca. 1682–1742
Mother, Child, old man with baby's walking frame on wheels
1724
61
Joseph Cartwright, c.1789–1829
Hotspur / Portsmouth
undated
62
Francis Nicholson, 1753–1844
London from Blackheath
undated
63
Pierre Charles Canot, ca. 1710–1777
4. The Earthing of the Fox / Renard dans son Terrier
1770
64
L. Truchy, 1721–1764
Set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [A gentleman standing at left with a hound; at right...]
1735
65
Pierre Charles Canot, ca. 1710–1777
1. Going Out / Depart de Chasse
1770
66
Pierre Charles Canot, ca. 1710–1777
6. The Death of the Fox / Mort du Renard
1770
67
Pierre Charles Canot, ca. 1710–1777
3. The Whipper-In Trown Out / Piqueur qui a Perdu la Piste
1770
68
L. Truchy, 1721–1764
A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Two riders by a farmhouse asking direction from a peasant; a well at left, with a couple of foxhounds...]
1735
69
L. Truchy, 1721–1764
A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Centre, a grey held by a hunt servant, with other horses and hounds....]
1735
70
L. Truchy, 1721–1764
A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Two horses standing restlessly outside a stable...]
1735
71
L. Truchy, 1721–1764
A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Three men digging out a fox's earth, watched eagerly by hounds...]
1735
72
Print made by John Dean, 1754–1798
Mrs. Elliot
1779
73
Print made by John Raphael Smith, 1752–1812
Sir Harbord Harbord
1783
74
Print made by Charles Turner, 1774–1857
Interior of a Cottage
1809
75
Print made by Thomas Watson, 1743–1781
Catherine, Lady Bampfylde
1779
76
Print made by John Dixon, ca. 1740–1811
Mrs. Blake as Juno
1771
77
Print made by James Watson, 1740–1790
Duchess of Buccleuch with Her Daughter, Lady Mary Scott
1775
78
Print made by William James Ward, ca. 1800–1840
Frederick Howard, Fifth Earl of Carlisle
1823
79
Print made by Robert Dunkarton, 1744–1811
Mrs. Jordan as L'Allegro
1771
80
Print made by James Walker, 1748–1808
John Wharton Tempest
1781
81
Print made by Gainsborough Dupont, 1754–1797
Rev. Sir Henry Bate Dudley
undated
82
Benjamin West, 1738–1820
Characters in the Streets of London
1799
83
James Bruce, 1730–1794
Centre Composite Temple Suttetula Modern Sheitla
undated
84
James Bruce, 1730–1794
Measured sketches of arch at Assuras
undated
85
Sir George Howland Beaumont seventh Baronet, 1753–1827
Romantic Landscape
1803
86
Sir Robert Ker Porter, 1777–1842
Near Mallwyd on the Dovey
undated
87
James Bruce, 1730–1794
Tomb of Juba II near Algiers
undated
88
James Bruce, 1730–1794
Section of Amphitheatre at El Djem showing arches stairs and tiers of seats
undated
89
James Bruce, 1730–1794
Details of Temple at Sheitla
undated
90
James Bruce, 1730–1794
Studies of a Dhow
undated
91
Print made by Samuel Rawle, 1771–1860
North East View of Dunster Castle, Somersetshire
1800
92
Print made by William Byrne, 1743–1805
Abingdon from the Thames Navigation
1805
93
Print made by William Byrne, 1743–1805
Eton, from the Slough Road
1803
94
Print made by William Byrne, 1743–1805
Wickham from the Marlow Road
1803
95
Print made by William Byrne, 1743–1805
Newbury from Speen Hill
1805
96
Print made by William Byrne, 1743–1805
Part of Chester Castle
1810
97
James Bruce, 1730–1794
Upright of the Niche at the Temple at Baalbec
undated
98
Thomas Smith of Derby, ca. 1720–1767
Chiaja of Naples from Posillipo
ca. 1780
99
Master of the Wire Line, 18th century
Country Scene: Cottage and Figures on a Winding Road