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101. Aldborough

Aldborough
Creator:
Print made by James C. Allen, active 1821–1831
Date:
ca. 1830
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 3/16 × 17 9/16 inches (31 × 44.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

102. Aldborough

Aldborough
Creator:
Print made by James C. Allen, active 1821–1831
Date:
ca. 1830
Materials & Techniques:
Etching and engraving, Engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/16 × 18 1/8 inches (28.4 × 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

103. Ehrenbreitstein

Ehrenbreitstein
Creator:
Print made by John Pye, 1782–1874
Date:
1828
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 × 16 13/16 inches (30.5 × 42.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

104. Melun

Melun
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof (early)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

105. Edinburgh from Blackford Hill

Edinburgh from Blackford Hill
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 1/4 × 16 7/8 inches (28.6 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

106. Nazareth

Nazareth
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1835-1836
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

107. Florence (vignettes)

Florence (vignettes)
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1830
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/4 × 11 5/8 inches (43.8 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

108. Bedford, Bedfordshire

Bedford, Bedfordshire
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1831
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

109. Bedford, Bedfordshire

Bedford, Bedfordshire
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1831
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

110. Bedford, Bedfordshire

Bedford, Bedfordshire
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1831
Materials & Techniques:
Line engraving, engraver's proof (early)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

111. Plymouth, Devonshire

Plymouth, Devonshire
Creator:
Print made by William John Cooke, 1797–1865
Date:
1832
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

112. Chatham, Kent

Chatham, Kent
Creator:
Print made by William Miller, 1796–1882
Date:
1832
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

113. Chatham, Kent

Chatham, Kent
Creator:
Print made by William Miller, 1796–1882
Date:
1832
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

114. Margate, Kent

Margate, Kent
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1831
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

115. Margate, Kent

Margate, Kent
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1831
Materials & Techniques:
Line engraving, (Completed Engraver's Proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

116. Tamworth Castle, Staffordshire

Tamworth Castle, Staffordshire
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1832
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

117. Coventry, Warwickshire

Coventry, Warwickshire
Creator:
Print made by S. Fisher, active 1831–1844
Date:
1833
Materials & Techniques:
Line engraving, engraver's proof, touched with graphite
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

118. Coventry, Warwickshire

Coventry, Warwickshire
Creator:
Print made by S. Fisher, active 1831–1844
Date:
1833
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

119. Coventry, Warwickshire

Coventry, Warwickshire
Creator:
Print made by S. Fisher, active 1831–1844
Date:
1833
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

120. Nottingham, Nottinghamshire

Nottingham, Nottinghamshire
Creator:
Print made by William John Cooke, 1797–1865
Date:
1833
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

121. Nottingham, Nottinghamshire

Nottingham, Nottinghamshire
Creator:
Print made by William John Cooke, 1797–1865
Date:
1833
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

122. Nottingham, Nottinghamshire

Nottingham, Nottinghamshire
Creator:
Print made by William John Cooke, 1797–1865
Date:
1833
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

123. The Roman Forum from the Tower of the Capitol

The Roman Forum from the Tower of the Capitol
Creator:
Print made by George Cooke, 1781–1834
Date:
1818-1820
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 7/8 × 14 3/4 inches (27.6 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

124. The Roman Forum from the Tower of the Capitol

The Roman Forum from the Tower of the Capitol
Creator:
Print made by George Cooke, 1781–1834
Date:
1818
Materials & Techniques:
Line engraving, and etching, engraver's proof (very early) on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 1/2 × 17 1/2 inches (29.2 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

125. Rome from Monte Mario

Rome from Monte Mario
Creator:
Print made by John Byrne, 1786–1847
Date:
1820
Materials & Techniques:
Etching and line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 5/16 × 17 1/4 inches (28.7 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

126. Rome from Monte Mario

Rome from Monte Mario
Creator:
Print made by John Byrne, 1786–1847
Date:
1818-1820
Materials & Techniques:
Etching and engraving on moderately thick, smooth, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 × 15 3/8 inches (27.9 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

127. Florence from the Chiesa al Monte

Florence from the Chiesa al Monte
Creator:
Print made by George Cooke, 1781–1834
Date:
1820
Materials & Techniques:
Etching and engraving on medium, smooth, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 1/2 × 14 1/4 inches (26.7 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

128. Florence, from Fiesoli

Florence, from Fiesoli
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1818-1820
Materials & Techniques:
Line engraving, and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 1/8 × 17 1/4 inches (28.3 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

129. Florence, from the Chiesa al Monte

Florence, from the Chiesa al Monte
Creator:
Print made by George Cooke, 1781–1834
Date:
1820
Materials & Techniques:
Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 14 1/8 × 19 inches (35.9 × 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

130. Florence, from the Chiesa al Monte

Florence, from the Chiesa al Monte
Creator:
Print made by George Cooke, 1781–1834
Date:
1820
Materials & Techniques:
Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 × 17 1/2 inches (30.5 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

131. Florence, from Fiesoli

Florence, from Fiesoli
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1818-1820
Materials & Techniques:
Etching and line engraving on medium, smooth, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 × 14 3/8 inches (25.4 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

132. Richmond, Yorkshire

Richmond, Yorkshire
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1818-1823
Materials & Techniques:
Open etching on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 8 1/16 × 11 1/8 inches (20.5 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

133. Richmond, Yorkshire

Richmond, Yorkshire
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1818-1823
Materials & Techniques:
Line engraving and etching, engraver's proof on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 13 1/4 × 19 7/8 inches (33.7 × 50.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

134. A Village – Evening

A Village – Evening
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 17 1/8 × 11 11/16 inches (43.5 × 29.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

135. Brussels - Distant View

Brussels - Distant View
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 12 × 17 1/2 inches (30.5 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

136. Jerusalem

Jerusalem
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and engraving, engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 8 1/2 × 13 1/8 inches (21.6 × 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

137. Edinburgh from St. Anthony's Chapel

Edinburgh from St. Anthony's Chapel
Creator:
Print made by William Miller, 1796–1882
Date:
1836
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 8 1/2 × 13 1/4 inches (21.6 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

138. Rouen Distant View

Rouen Distant View
Creator:
Print made by William Richardson, active 1842–1877
Date:
1836
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 11 1/2 × 15 1/8 inches (29.2 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

139. Jerusalem

Jerusalem
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

140. Brussels, Distant View

Brussels, Distant View
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and engraving, first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 12 × 17 1/4 inches (30.5 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

141. Paris from Pere-la-Chaise

Paris from Pere-la-Chaise
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 12 × 17 1/8 inches (30.5 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

142. Edinburgh from St. Anthony's Chapel

Edinburgh from St. Anthony's Chapel
Creator:
Print made by William Miller, 1796–1882
Date:
1836
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 12 × 17 1/8 inches (30.5 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

143. Rouen - Distant View

Rouen - Distant View
Creator:
Print made by William Richardson, active 1842–1877
Date:
1836
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 12 × 17 1/8 inches (30.5 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

144. Jerusalem from the Mount of Olives

Jerusalem from the Mount of Olives
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

145. Florence (vignette)

Florence (vignette)
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1830
Materials & Techniques:
Etching and line engraving with graphite; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 × 9 5/8 inches (37.5 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

146. Chiswick

Chiswick
Creator:
John Varley, 1778–1842
Date:
1814
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 5/8 × 21 5/8 inches (24.4 × 54.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequeathed by Weyland Wells Williams, Yale BA 1910, transfer from the Yale University Art Gallery

147. Belfast from Bunker's Hill / On the Road to Hollywood

Belfast from Bunker's Hill / On the Road to Hollywood
Creator:
John O'Connor, 1830–1889
Date:
undated
Materials & Techniques:
Watercolor, graphite, pen and brown ink and black ink on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 7 1/4 × 11 5/16 inches (18.4 × 28.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

148. Bangor, Belfast Lough

Bangor, Belfast Lough
Creator:
James Arthur O'Connor, 1792–1841
Date:
undated
Materials & Techniques:
Watercolor, graphite, gouache, pen and brown ink, black ink and scratching out on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 15/16 inches (18.1 × 27.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

149. Allahabad, from the Right Bank of the Jumna

Allahabad, from the Right Bank of the Jumna
Creator:
William Simpson, 1823–1899
Date:
1865
Materials & Techniques:
Watercolor with gouache and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 14 5/8 x 20 1/4 inches (37.1 x 51.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

150. Port of Spain, from the Harbour

Port of Spain, from the Harbour
Creator:
Michel Jean Cazabon, 1813–1888
Date:
1851
Materials & Techniques:
Pen and brown ink, brown wash, graphite, and white gouache on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 6 3/8 × 11 1/2 inches (16.2 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

151. Custom House and St. Vincent's Wharf

Custom House and St. Vincent's Wharf
Creator:
Michel Jean Cazabon, 1813–1888
Date:
1851
Materials & Techniques:
Pen and black ink, gray wash, white goauche, and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 6 3/8 × 11 1/2 inches (16.2 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

152. King's Wharf, and South Quay-Port of Spain

King's Wharf, and South Quay-Port of Spain
Creator:
Michel Jean Cazabon, 1813–1888
Date:
1851
Materials & Techniques:
Pen and black ink, gray wash, white gouache and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 1/2 × 11 3/8 inches (19.1 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

153. View of Paris from Charenton

View of Paris from Charenton
Creator:
William Callow, 1812–1908
Date:
1834
Materials & Techniques:
Watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 5/8 × 13 inches (11.7 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

154. The Market Place, Tanta, Egypt

The Market Place, Tanta, Egypt
Creator:
William Paton Burton, 1828–1883
Date:
1874
Materials & Techniques:
Watercolor, pen and ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 14 7/16 × 20 1/2 inches (36.7 × 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

155. Tripoli

Tripoli
Creator:
William James Muller, 1812–1845
Date:
ca. 1834
Materials & Techniques:
Watercolor, graphite, and gouache on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 10 13/16 x 16 5/8 inches (27.5 x 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

156. Ilos, Lycia

Ilos, Lycia
Creator:
William James Muller, 1812–1845
Date:
ca. 1843
Materials & Techniques:
Watercolor and gouache, over graphite on thick, rough, cream wove paper
Dimensions:
Sheet: 13 3/4 × 20 3/4 inches (34.9 × 52.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

157. Sidmouth

Sidmouth
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1856
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 × 14 5/8 inches (26.7 × 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

158. St. Germains

St. Germains
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1835
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/8 × 8 3/8 inches (13 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

159. View of the Siene between Mantes and Vernon

View of the Siene between Mantes and Vernon
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1835
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 × 16 1/2 inches (27.9 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

160. Paris from Pere-la-Chaise

Paris from Pere-la-Chaise
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 10 3/4 × 16 5/8 inches (27.3 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

161. Nazareth

Nazareth
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1836
Materials & Techniques:
Line engraving, Engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

162. Modern Italy

Modern Italy
Creator:
Print made by William Miller, 1796–1882
Date:
between 1859 and 1861
Materials & Techniques:
Etching and line engraving on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 9 1/4 × 12 3/8 inches (23.5 × 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

163. Scarborough

Scarborough
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1826
Materials & Techniques:
Mezzotint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 × 15 1/4 inches (29.2 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

164. Richmond, Yorkshire

Richmond, Yorkshire
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1819
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 3/16 × 18 3/8 inches (31 × 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

165. Florence, from the Chiesa al Monte

Florence, from the Chiesa al Monte
Creator:
Print made by George Cooke, 1781–1834
Date:
1820
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 × 14 1/2 inches (26.7 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

166. St. Germain-en-Laye

St. Germain-en-Laye
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1826-1837
Materials & Techniques:
Line engraving on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 4 3/4 × 7 3/8 inches (12.1 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

167. An Elevated View of the New Dock in Wapping

An Elevated View of the New Dock in Wapping
Creator:
Print made by William Daniell, 1769–1837
Date:
1803
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor
Dimensions:
Sheet: 20 1/4 x 33 1/4in. (51.4 x 84.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

168. A View of the Commercial Docks at Rotherhithe

A View of the Commercial Docks at Rotherhithe
Creator:
Print made by William Daniell, 1769–1837
Date:
1803
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor
Dimensions:
Sheet: 20 1/4 x 33 1/4in. (51.4 x 84.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

169. Jerusalem, Pool of Bethesda

Jerusalem, Pool of Bethesda
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1835-1836
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

170. Classical City in Landscape

Classical City in Landscape
Creator:
John Martin, 1789–1854
Date:
1816
Materials & Techniques:
Brown wash with pen and black ink on moderately thick, smooth, beige wove paper mounted on board
Dimensions:
Mount: 8 1/4 x 11 1/16 inches (21 x 28.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Michael D. Coe, Yale MAH 1968

171. Sidmouth

Sidmouth
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1828-1856
Materials & Techniques:
Mezzotint, with graphite and scratching out; touched engraver's proof (a) on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 11 3/8 × 17 inches (28.9 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

172. Sidmouth

Sidmouth
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1828-1856
Materials & Techniques:
Mezzotint, engraver's proof (b) on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 × 13 5/8 inches (25.4 × 34.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

173. Plymouth

Plymouth
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1828-1856
Materials & Techniques:
Mezzotint, with graphite and scraping out; touched engraver's proof (a) on medium, slightly textured, brown laid paper
Dimensions:
Sheet: 10 3/8 × 13 1/4 inches (26.4 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

174. Sidmouth

Sidmouth
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1828-1856
Materials & Techniques:
Mezzotint, engraver's proof (c) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 7/8 × 15 1/4 inches (27.6 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

175. Plymouth

Plymouth
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1828-1856
Materials & Techniques:
Mezzotint, engraver's proof (c) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/8 × 16 1/2 inches (30.8 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

176. Kensington Gardens, no. 1 (small plate)

Kensington Gardens, no. 1 (small plate)
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1859
Materials & Techniques:
Etching and drypoint, with plate tone on medium, slightly textured, cream antique laid paper
Dimensions:
Sheet: 7 5/8 x 5 9/16 inches (19.3 x 14.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

177. View of the Thames at Kingston

View of the Thames at Kingston
Creator:
attributed to Peter DeWint, 1784–1849
Date:
1809
Materials & Techniques:
Watercolor and graphite on moderately thick, rough, cream wove paper
Dimensions:
Sheet: 6 3/8 x 8 1/8 inches (16.2 x 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

178. A View of the London Dock

A View of the London Dock
Creator:
Print made by William Daniell, 1769–1837
Date:
1808
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor
Dimensions:
Sheet: 20 1/4 x 33 1/4in. (51.4 x 84.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

179. Brunswick Dock on the Thames at Blackwall

Brunswick Dock on the Thames at Blackwall
Creator:
Print made by William Daniell, 1769–1837
Date:
1803
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor
Dimensions:
Sheet: 20 1/4 x 33 1/4in. (51.4 x 84.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

180. By Twickenham

By Twickenham
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1865
Materials & Techniques:
Etching and drypoint on moderately thick, smooth, cream laid paper
Dimensions:
Sheet: 9 3/4 x 14 15/16 inches (24.8 x 37.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Judith and Norman A. Zlotsky, Yale BS 1953

181. Rome from Monte Mario

Rome from Monte Mario
Creator:
Print made by John Byrne, 1786–1847
Date:
1820
Materials & Techniques:
Engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 × 15 inches (26.7 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

182. Colchester, Essex

Colchester, Essex
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827
Materials & Techniques:
Line engraving and etching, 3rd state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/4 × 14 11/16 inches (27.3 × 37.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

183. Lancaster, from the Aqueduct Bridge

Lancaster, from the Aqueduct Bridge
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827
Materials & Techniques:
Line engraving and etching, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/4 × 14 3/4 inches (27.3 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

184. Richmond, Yorkshire

Richmond, Yorkshire
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1827
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/16 × 14 3/8 inches (25.6 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

185. Richmond, Yorkshire [From the Moors]

Richmond, Yorkshire [From the Moors]
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1828
Materials & Techniques:
Line engraving, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/8 × 15 1/8 inches (27 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

186. Great Yarmouth, Norfolk

Great Yarmouth, Norfolk
Creator:
Print made by William Miller, 1796–1882
Date:
1829
Materials & Techniques:
Line-engraving and etching, 3rd state on medium, smooth, cream wove paper
Dimensions:
Sheet: 10 11/16 × 14 9/16 inches (27.1 × 37 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

187. Salisbury, Wiltshire

Salisbury, Wiltshire
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1830
Materials & Techniques:
Line engraving, 1st state on thick, smooth, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 1/4 × 15 1/16 inches (28.6 × 38.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

188. Salisbury

Salisbury
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1830
Materials & Techniques:
Line engraving and etching, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 11/16 × 14 9/16 inches (27.1 × 37 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

189. Margate, Kent

Margate, Kent
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1832
Materials & Techniques:
Line engraving and etching, 3rd state on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 10 7/8 × 15 inches (27.6 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

190. Lyme Regis, Norfolk

Lyme Regis, Norfolk
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1836
Materials & Techniques:
Line engraving and etching, 3rd state on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 11/16 × 14 5/16 inches (27.1 × 36.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

191. Ashby de la Zouch

Ashby de la Zouch
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1832
Materials & Techniques:
Etching and engraving 1st state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 5/8 × 14 5/8 inches (27 × 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

192. Saumur

Saumur
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1830
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 5/8 × 7 3/8 inches (11.7 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

193. Ehrenbreitstein

Ehrenbreitstein
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1833
Materials & Techniques:
Line engraving on medium, smooth, beige wove paper
Dimensions:
Sheet: 4 5/8 × 7 3/8 inches (11.7 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

194. Coventry, Warwickshire

Coventry, Warwickshire
Creator:
Print made by S. Fisher, active 1831–1844
Date:
1833
Materials & Techniques:
Etching and engraving, 2nd state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 9/16 × 14 13/16 inches (26.8 × 37.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

195. Lyme Regis, Norfolk

Lyme Regis, Norfolk
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1836
Materials & Techniques:
Line engraving and etching, 2nd state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 9/16 × 14 inches (26.8 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

196. Florence

Florence
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827
Materials & Techniques:
Line engraving, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 7/8 × 16 3/8 inches (27.6 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

197. Lago Maggiore

Lago Maggiore
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1828
Materials & Techniques:
Line engraving, 2nd state on medium, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 11 1/4 × 16 3/8 inches (28.6 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

198. Ehrenbreitstein

Ehrenbreitstein
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1836
Materials & Techniques:
Line engraving on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 6 1/8 × 9 5/16 inches (15.6 × 23.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

199. Ehrenbreitstein

Ehrenbreitstein
Creator:
Print made by John Pye, 1782–1874
Date:
1828
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, moderately textured, cream wove paper, with beige chine collé
Dimensions:
Sheet: 11 1/16 × 16 1/2 inches (28.1 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

200. An Old Oak

An Old Oak
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Line engraving, 1st state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 6 5/16 inches (29.5 × 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection