Collection: Prints and Drawings / Period: 19th century / Genre: landscape and cityscape

1. Rome from San Spirito

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Brown wash black chalk and graphite with white chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/8 x 23 3/8 inches (35.9 x 59.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. View near Arundel

Creator:: John Constable, 1776–1837
Date:: between 1834 and 1835
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 x 8 1/4 inches (12.7 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Tenth Plague of Egypt

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 7/8 × 17 inches (30.2 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Heidelberg - Sunset

Creator:: after Joseph Mallord William Turner, 1775–1851
Date:: 1918
Materials & Techniques:: Chromolithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. [One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc.

Creator:: after Joseph Mallord William Turner, 1775–1851
Materials & Techniques:: Photolithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Vesuvius in Repose

Creator:: after Joseph Mallord William Turner, 1775–1851
Materials & Techniques:: Chromolithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. [One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc.

Creator:: after Joseph Mallord William Turner, 1775–1851
Materials & Techniques:: Photolithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Modern Italy - The Pifferari

Creator:: after Joseph Mallord William Turner, 1775–1851
Materials & Techniques:: Photogravure
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Scarborough

Creator:: after Joseph Mallord William Turner, 1775–1851
Materials & Techniques:: Photogravure
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Luxembourg

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1825 or 1834
Materials & Techniques:: Watercolor, gouache, pen and brown ink and scratching out on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 5 3/8 x 7 1/2 inches (13.7 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Margate

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1822
Materials & Techniques:: Watercolor and scraping out on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/8 x 9 1/4 inches (15.6 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Rome from Monte Mario

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1818
Materials & Techniques:: Watercolor with pen and black ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/16 x 8 7/16 inches (13.8 x 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Carlisle

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1832
Materials & Techniques:: Watercolor and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 1/4 x 5 5/8in. (8.3 x 14.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Rheinfels Looking to Katz and Gourhausen

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1817
Materials & Techniques:: Watercolor, gouache, gray wash and scraping out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/8 x 12 1/2 inches (20 x 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Weymouth

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1811
Materials & Techniques:: Watercolor, pen and brown ink and scraping out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/4 x 8 5/8in. (14.6 x 21.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Leeds

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Watercolor, scraping out and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 x 17 inches (29.2 x 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Andernach

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1817
Materials & Techniques:: Watercolor, gouache, pen and black ink and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/8 x 12 5/8 inches (20 x 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Paestum

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: between 1820 and 1826
Materials & Techniques:: Mezzotint; artist's proof (d) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/2 × 12 5/8 inches (21.6 × 32 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

19. Balgrate. 14. October. 1837

Creator:: Edward Lear, 1812–1888
Date:: 1837
Materials & Techniques:: Graphite and white gouache on moderately thick, slightly textured, gray wove paper
Dimensions:: Sheet: 10 x 14 1/4 inches (25.4 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

20. Albenga

Creator:: Edward Lear, 1812–1888
Date:: 1864
Materials & Techniques:: Watercolor with pen in brown ink and gouache, over graphite on moderately thick, moderately textured, brown wove paper
Dimensions:: Sheet: 7 5/16 x 21 1/4 inches (18.6 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of George E. Dix, Yale BA 1934, MA 1942

21. Genezzano, 17 May 1838

Creator:: Edward Lear, 1812–1888
Date:: 1838
Materials & Techniques:: Graphite with stumping and gouache on moderately thick, moderately textured, gray wove paper
Dimensions:: Sheet: 9 15/16 x 14 inches (25.2 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

22. Corfu

Creator:: Edward Lear, 1812–1888
Date:: ca. 1856
Materials & Techniques:: Watercolor, pen and brown ink, graphite, gouache, and pastel on medium, moderately textured, beige wove paper mounted on very thick cardboard
Dimensions:: Sheet: 12 3/8 x 18 5/8 inches (31.4 x 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

23. Reggio, 26 July 1847

Creator:: Edward Lear, 1812–1888
Date:: 1847
Materials & Techniques:: Pen and brown ink, brown wash, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 1/4 x 18 7/8 inches (28.6 x 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

24. Nice from the Genoa Road

Creator:: Edward Lear, 1812–1888
Date:: 1865
Materials & Techniques:: Watercolor with pen and brown ink over graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 5 5/8 × 9 3/4 inches (14.3 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Elizabeth S. Tower

25. A View of the Harbour at Cannes

Creator:: Edward Lear, 1812–1888
Date:: 1869
Materials & Techniques:: Watercolor, gouache, graphite and scraping out on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 9/16 x 20 1/8 inches (16.7 x 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Distant View of Greenwich

Creator:: John Glover, 1767–1849
Date:: undated
Materials & Techniques:: Black ink over graphite on moderately thick, moderately textured, cream wove paper, laid on mount
Dimensions:: Sheet: 7 7/8 x 11 1/8 inches (20 x 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Buckingham Palace from St. James's Park

Creator:: Print made by Thomas Shotter Boys, 1803–1874
Date:: 1842
Materials & Techniques:: Lithograph on thick, smooth, cream card
Dimensions:: Sheet: 14 15/16 x 21 13/16 inches (37.9 x 55.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

28. The Thames at Windsor

Creator:: John Varley, 1778–1842
Date:: ca. 1830
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/8 x 10 3/8 inches (16.8 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Elizabeth S. Tower

29. Richmond, Yorkshire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827
Materials & Techniques:: Line engraving and etching, 2nd state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 1/2 × 14 1/2 inches (26.7 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Richmond, Yorkshire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827
Materials & Techniques:: Line engraving and etching, 1st state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 9 9/16 × 12 inches (24.3 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Plymouth, Devonshire

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1832
Materials & Techniques:: Line engraving, 1st state on thick, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 5/8 × 14 5/8 inches (27 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Salisbury, Wiltshire

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1830
Materials & Techniques:: Line engraving, 1st state on thick, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 1/4 × 15 1/16 inches (28.6 × 38.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Lyme Regis, Norfolk

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1836
Materials & Techniques:: Line engraving and etching, 3rd state on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 11/16 × 14 5/16 inches (27.1 × 36.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Lyme Regis, Norfolk

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1836
Materials & Techniques:: Line engraving and etching, 2nd state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 9/16 × 14 inches (26.8 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Richmond Castle and Town

Creator:: Print made by John Wykeham Archer, 1808–1864
Date:: 1820
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 9/16 × 17 3/4 inches (29.4 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Richmond, Yorkshire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1819
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 1/2 × 17 11/16 inches (29.2 × 44.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Richmond, Yorkshire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/16 × 14 3/8 inches (25.6 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Colchester, Essex

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827
Materials & Techniques:: Line engraving and etching, 3rd state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 14 11/16 inches (27.3 × 37.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Richmond, Yorkshire [From the Moors]

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1828
Materials & Techniques:: Line engraving, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 15 1/8 inches (27 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Ashby de la Zouch

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1832
Materials & Techniques:: Etching and engraving 1st state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 5/8 × 14 5/8 inches (27 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Coventry, Warwickshire

Creator:: Print made by S. Fisher, active 1831–1844
Date:: 1833
Materials & Techniques:: Etching and engraving, 2nd state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 9/16 × 14 13/16 inches (26.8 × 37.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Joshua Commanding the Sun to Stand Still

Creator:: John Martin, 1789–1854
Date:: 1818
Materials & Techniques:: Graphite, brown wash, scratching out and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 × 24 1/8 inches (40.6 × 61.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Bedford, Bedfordshire

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1831
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Margate, Kent

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1831
Materials & Techniques:: Line engraving, (Completed Engraver's Proof)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Margate, Kent

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1831
Materials & Techniques:: Line engraving, with scraping out, touched with graphite (Engraver's Proof)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Margate, Kent

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1831
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Arundel Castle and Town, Sussex

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1834
Materials & Techniques:: Line engraving, with scraping out and touched with graphite (First Published State)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Arundel Castle and Town, Sussex

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1834
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Lyme Regis

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1836
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Harlech Castle, North Wales

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1836
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Harlech Castle, North Wales

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1836
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Harlech Castle, North Wales

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1836
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Harlech Castle, North Wales

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1836
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Harlech Castle, North Wales

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1836
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Harlech Castle, North Wales

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1836
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Harlech Castle, North Wales

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1836
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Ehenbreitstein, During the Demolition of the Fortress in 1817 from the Quay at Coblentz.

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1824
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 15 1/2 × 22 inches (39.4 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Greenwich, London in the Distance

Creator:: F. Norice, 19th century
Date:: undated
Materials & Techniques:: Graphite, watercolor, white gouache on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 6 1/4 × 10 3/4 inches (15.9 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. View on the Line of the Liverpool and Manchester Railway

Creator:: Isaac Shaw, active 1830
Date:: ca. 1830
Materials & Techniques:: Brown wash, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/8 × 8 5/8 inches (15.6 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Summer Eve - the Rainbow

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1837
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. The Red Sea and Suez

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1836
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Modern Italy

Creator:: Print made by William Miller, 1796–1882
Date:: 1859
Materials & Techniques:: Steel engraving on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Sidmouth

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1856
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 14 5/8 inches (26.7 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Plymouth

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1856
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 14 5/8 inches (26.7 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. View of the Siene between Mantes and Vernon

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1835
Materials & Techniques:: Etching and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. St. Germains

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1835
Materials & Techniques:: Etching and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Edinburgh from St. Anthony's Chapel

Creator:: Print made by William Miller, 1796–1882
Date:: 1836
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 10 5/8 × 16 inches (27 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Modern Italy

Creator:: Print made by William Miller, 1796–1882
Date:: between 1859 and 1861
Materials & Techniques:: Etching and line engraving on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 9 1/4 × 12 3/8 inches (23.5 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Scarborough

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1826
Materials & Techniques:: Mezzotint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 15 1/4 inches (29.2 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Corinth from the Acropolis

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832
Materials & Techniques:: Etching and engraving, third state on medium, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/8 × 8 3/8 inches (28.9 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. An Elevated View of the New Docks & Warehouses now Constructing on the Isle of Dogs

Creator:: Print made by William Daniell, 1769–1837
Date:: 1802
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 19 1/2 × 32 3/4 inches (49.5 × 83.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. View of Lichfield, The Birth Place of Dr. Samuel Johnson

Creator:: Edward Francis Finden, 1791–1857
Date:: 1835
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 6 1/4 × 9 5/16 inches (15.9 × 23.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. The Bernese Alps

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832-1834
Materials & Techniques:: Etching and engraving, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 16 1/2 × 11 inches (41.9 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. View of Belle Vue and Pont de Seve taken from the Terrace near Pont St. Cloud

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 25 inches (41.3 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. An Old Oak

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Line engraving, 1st state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 6 5/16 inches (29.5 × 16 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Modern Italy

Creator:: Print made by William Miller, 1796–1882
Date:: 1842
Materials & Techniques:: Etching; open etched state on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 22 3/8 × 28 inches (56.8 × 71.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Modern Italy

Creator:: Print made by William Miller, 1796–1882
Date:: 1842
Materials & Techniques:: Etching and line engraving, with graphite and scraping out; engraver's proof (a) on thick, sightly textured, cream wove paper
Dimensions:: Sheet: 22 × 27 7/8 inches (55.9 × 70.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Modern Italy

Creator:: Print made by William Miller, 1796–1882
Date:: 1842
Materials & Techniques:: Etching and line engraving with graphite; engraver's proof (c), touched on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 26 1/4 × 39 3/4 inches (66.7 × 101 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Modern Italy

Creator:: Print made by William Miller, 1796–1882
Date:: 1842
Materials & Techniques:: Etching and line engraving with graphite; early engraver's proof, touched on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 23 1/2 × 30 1/8 inches (59.7 × 76.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Dido and Aeneas; The Morning of the Chase

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1842
Materials & Techniques:: Etching and line engraving with graphite; engraver's proof (a), touched on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 21 1/8 × 28 1/8 inches (53.7 × 71.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Modern Italy

Creator:: Print made by William Miller, 1796–1882
Date:: 1842
Materials & Techniques:: Etching and line engraving; earliest engraver's proof on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 3/8 × 25 1/8 inches (46.7 × 63.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Ehrenbreitstein

Creator:: Print made by John Pye, 1782–1874
Date:: 1845
Materials & Techniques:: Etching and line engraving; engraver's proof (b) on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 23 3/4 × 34 1/2 inches (60.3 × 87.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Study of an Unidentified Street

Creator:: attributed to John Ruskin, 1819–1900
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/2 x 7 1/4 inches (11.4 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the Martin D'Arcy Gallery of Art from the bequest of Mr. and Mrs. John Estabrook

84. Edinbourgh vu de la Chapelle S. Antoine

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: ca. 1826
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 7/16 x 13 3/16 inches (26.5 x 33.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Scarborough

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1826
Materials & Techniques:: Mezzotint; engraver's Proof (b) on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 13 1/2 × 20 inches (34.3 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Scarborough

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1826
Materials & Techniques:: Mezzotint, with graphite and scraping out; touched engraver's proof (a) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 13 1/2 inches (27.9 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Sidmouth

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1828-1856
Materials & Techniques:: Mezzotint, with graphite and scratching out; touched engraver's proof (a) on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 11 3/8 × 17 inches (28.9 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Sidmouth

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1828-1856
Materials & Techniques:: Mezzotint, engraver's proof (b) on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 × 13 5/8 inches (25.4 × 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Sidmouth

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1828-1856
Materials & Techniques:: Mezzotint, engraver's proof (c) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/8 × 15 1/4 inches (27.6 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Scarborough

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1826
Materials & Techniques:: Mezzotint, engraver's proof (c) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/4 × 20 inches (34.9 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Plymouth

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1828-1856
Materials & Techniques:: Mezzotint, engraver's proof (c) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/8 × 16 1/2 inches (30.8 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Plymouth

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1828-1856
Materials & Techniques:: Mezzotint, artist's proof on moderately thick, slightly textured, cream wove paper with beige chine-collé
Dimensions:: Sheet: 15 × 22 inches (38.1 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Plymouth

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1828-1856
Materials & Techniques:: Mezzotint, with graphite and scraping out; touched engraver's proof (a) on medium, slightly textured, brown laid paper
Dimensions:: Sheet: 10 3/8 × 13 1/4 inches (26.4 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Kensington Gardens, no. 1 (small plate)

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1859
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream antique laid paper
Dimensions:: Sheet: 7 5/8 x 5 9/16 inches (19.3 x 14.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. View of Edinburgh from Calton Hill

Creator:: Francis Nicholson, 1753–1844
Date:: 1811
Materials & Techniques:: Watercolor, gouache, and graphite with scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/2 × 24 1/4 inches (47 × 61.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. View from the Round Tower, Windsor Castle

Creator:: William Daniell, 1769–1837
Date:: 1827
Materials & Techniques:: Watercolor, pen and brown ink, gouache, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 5/16 × 20 5/16 inches (31.3 × 51.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Bouvignes and Dinant

Creator:: Print made by George Arnald, 1763–1841
Date:: 1822
Materials & Techniques:: Etching and mezzotint, printed in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 8 11/16 × 11 3/4 inches (22.1 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

98. Belfast from Bunker's Hill / On the Road to Hollywood

Creator:: John O'Connor, 1830–1889
Date:: undated
Materials & Techniques:: Watercolor, graphite, pen and brown ink and black ink on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 7 1/4 × 11 5/16 inches (18.4 × 28.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Basilica of the Virgin of Copacabana, Bolivia

Creator:: Godfrey Thomas Vigne, 1801–1863
Date:: 1855
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 17 inches (27.3 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Chiswick

Creator:: John Varley, 1778–1842
Date:: 1814
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/8 × 21 5/8 inches (24.4 × 54.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequeathed by Weyland Wells Williams, Yale BA 1910, transfer from the Yale University Art Gallery

YCBA Collections Search

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Collection Prints and Drawings

Period 19th century

Genre landscape

Genre cityscape

Search Results

1. Rome from San Spirito

2. View near Arundel

3. Tenth Plague of Egypt

4. Heidelberg - Sunset

5. [One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc.

6. Vesuvius in Repose

7. [One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc.

8. Modern Italy - The Pifferari

9. Scarborough

10. Luxembourg

11. Margate

12. Rome from Monte Mario

13. Carlisle

14. Rheinfels Looking to Katz and Gourhausen

15. Weymouth

16. Leeds

17. Andernach

18. Paestum

19. Balgrate. 14. October. 1837

20. Albenga

21. Genezzano, 17 May 1838

22. Corfu

23. Reggio, 26 July 1847

24. Nice from the Genoa Road

25. A View of the Harbour at Cannes

26. Distant View of Greenwich

27. Buckingham Palace from St. James's Park

28. The Thames at Windsor

29. Richmond, Yorkshire

30. Richmond, Yorkshire

31. Plymouth, Devonshire

32. Salisbury, Wiltshire

33. Lyme Regis, Norfolk

34. Lyme Regis, Norfolk

35. Richmond Castle and Town

36. Richmond, Yorkshire

37. Richmond, Yorkshire

38. Colchester, Essex

39. Richmond, Yorkshire [From the Moors]

40. Ashby de la Zouch

41. Coventry, Warwickshire

42. Joshua Commanding the Sun to Stand Still

43. Bedford, Bedfordshire

44. Margate, Kent

45. Margate, Kent

46. Margate, Kent

47. Arundel Castle and Town, Sussex

48. Arundel Castle and Town, Sussex

49. Lyme Regis

50. Harlech Castle, North Wales

51. Harlech Castle, North Wales

52. Harlech Castle, North Wales

53. Harlech Castle, North Wales

54. Harlech Castle, North Wales

55. Harlech Castle, North Wales

56. Harlech Castle, North Wales

57. Ehenbreitstein, During the Demolition of the Fortress in 1817 from the Quay at Coblentz.

58. Greenwich, London in the Distance

59. View on the Line of the Liverpool and Manchester Railway

60. Summer Eve - the Rainbow

61. The Red Sea and Suez

62. Modern Italy

63. Sidmouth

64. Plymouth

65. View of the Siene between Mantes and Vernon

66. St. Germains

67. Edinburgh from St. Anthony's Chapel

68. Modern Italy

69. Scarborough

70. Corinth from the Acropolis

71. An Elevated View of the New Docks & Warehouses now Constructing on the Isle of Dogs

72. View of Lichfield, The Birth Place of Dr. Samuel Johnson