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Credit Line Yale Center for British Art, Paul Mellon Collection

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Associated Places Palace of Westminster

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George Barret Jr. Marriage of Henry the seventh
Print made by George Barret Jr., 1767–1842
Marriage of Henry the seventh
1796
Sir Charles Barry Perspective View: the New Houses of Parliament
Sir Charles Barry, 1795–1860
Perspective View: the New Houses of Parliament
ca. 1840-1849
Sir Charles Barry Doorway, Dean's Yard, Westminster
Attributed to Sir Charles Barry, 1795–1860
Doorway, Dean's Yard, Westminster
1837
James Basire the younger Plate XI: St Stephen's Chapel
Print made by James Basire the younger, 1769–1822
Plate XI: St Stephen's Chapel
1795
James Basire the younger Plan of the Ancient Palace of Westminster by the late Mr. William Capon, measured and drawn between 1793 and 1823
Print made by James Basire the younger, 1769–1822
Plan of the Ancient Palace of Westminster by the late Mr. William Capon, measured and drawn between 1793 and 1823
1828
James Basire the younger South West view of St. Stephen's Chapel Westminster, Restored 1800
Print made by James Basire the younger, 1769–1822
South West view of St. Stephen's Chapel Westminster, Restored 1800
1801
James Basire the younger Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults
1842
James Basire the younger Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults
1842
James Basire the younger Vol. 6, Plate XXXII: The Story of Hezekiah.
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXXII: The Story of Hezekiah
1842
James Basire the younger Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City.
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City
1842
James Basire the younger The North-East View of the Old Dormitory, in 1758; North-East View of the Remains of Part of the Crypt of the Old Dormitory, discovered in 1815; Plans and Elevations of the Remains
Print made by James Basire the younger, 1769–1822
The North-East View of the Old Dormitory, in 1758; North-East View of the Remains of Part of the Crypt of the Old Dormitory, discovered in 1815; Plans and Elevations of the Remains
1815
James Basire the younger Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha.
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha
1842
James Basire the younger Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews
1842
James Basire the younger Vol. 6, Plate XXVII: The Painted Chamber
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXVII: The Painted Chamber
1842
James Basire the younger Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech.
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech
1842
James Basire the younger Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus.
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus
1842
James Basire the younger Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus.
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus
1842
James Basire the younger Vol. 6, Plate XXXVIII: The Triumph of Largesse or Bounty over Avarice. The Triumph of Debonerete or Meekness over Anger.
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXXVIII: The Triumph of Largesse or Bounty over Avarice. The Triumph of Debonerete or Meekness over Anger
after 1819
James Basire the younger Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha.
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha
1842
James Basire the younger PLATE XV. Elevation of a Window Bay &c
Print made by James Basire the younger, 1769–1822
PLATE XV. Elevation of a Window Bay &c
1805
James Basire View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster
Print made by James Basire, 1730–1802
View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster
1795
James Basire Plate VIII: St Stephen's Chapel
Print made by James Basire, 1730–1802
Plate VIII: St Stephen's Chapel
1795
James Basire Plate IX: St Stephen's Chapel
Print made by James Basire, 1730–1802
Plate IX: St Stephen's Chapel
1795
James Basire Plate XIII: St Stephen's Chapel
Print made by James Basire, 1730–1802
Plate XIII: St Stephen's Chapel
1795
James Basire Plate XII: St Stephen's Chapel
Print made by James Basire, 1730–1802
Plate XII: St Stephen's Chapel
1795
James Basire Plate X: St Stephen's Chapel
Print made by James Basire, 1730–1802
Plate X: St Stephen's Chapel
1795
Robert William Billings Vestiges of Sculpture and Painting in St Stephen's Chapel, Westminster
Print made by Robert William Billings, 1813–1874
Vestiges of Sculpture and Painting in St Stephen's Chapel, Westminster
1836
Robert William Billings Ruins of St Stephen's Chapel, Seen from the Roof of Westminster Hall
Print made by Robert William Billings, 1813–1874
Ruins of St Stephen's Chapel, Seen from the Roof of Westminster Hall
1835
Robert William Billings Plate XI: Elevation, Section and Plan, of One Compartment (of Three) of the Screen, St. Stephen's Chapel, Westminster
Print made by Robert William Billings, 1813–1874
Plate XI: Elevation, Section and Plan, of One Compartment (of Three) of the Screen, St. Stephen's Chapel, Westminster
1835
George Birch Plan and View of Room under the Painted Chamber
George Birch, 1842–1904
Plan and View of Room under the Painted Chamber
1827
George Birch Sections of Room under Painted Chamber
George Birch, 1842–1904
Sections of Room under Painted Chamber
1827
George Birch View of Guy Fawkes' Tower
George Birch, 1842–1904
View of Guy Fawkes' Tower
1827
Charles Burton View of the King's Entrance &c. From the South-West
Print made by Charles Burton, active 1830–1840
View of the King's Entrance &c. From the South-West
1835
Thomas Talbot Bury Elevation of the River Front
Print made by Thomas Talbot Bury, 1811–1877
Elevation of the River Front
ca. 1835
Miss Mary Byrne The Houses of Lords and Commons
Print made by Miss Mary Byrne, 1776–1846
The Houses of Lords and Commons
1815
William Capon Elevation of Buildings Fronting Westminster Hall
Attributed to William Capon, 1757–1827
Elevation of Buildings Fronting Westminster Hall
1822
William Capon Henry VII Chapel
William Capon, 1757–1827
Henry VII Chapel
ca. 1793
William Capon Entrance to the House of Lords
Attributed to William Capon, 1757–1827
Entrance to the House of Lords
1796
John Carter Impost and Base of Columns, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
John Carter Impost moldings, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Impost moldings, St Stephen's Chapel
between 1790 and 1802
John Carter Details of Imposts and Bases of Columns, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
John Carter Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
ca. 1781
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
John Carter East View of Modern Buildings in Continuation from St Stephen's Chapel
John Carter, 1748–1817
East View of Modern Buildings in Continuation from St Stephen's Chapel
between 1790 and 1802
John Carter PLATE XXVIII. St Stephen's Chapel, East Front, Westminster
Print made by John Carter, 1748–1817
PLATE XXVIII. St Stephen's Chapel, East Front, Westminster
between 1790 and 1802
John Carter New East Front, St Stephen's Chapel
Attributed to John Carter, 1748–1817
New East Front, St Stephen's Chapel
ca. 1801
John Carter Plate XIX: St Stephen's Chapel
Print made by John Carter, 1748–1817
Plate XIX: St Stephen's Chapel
1811
John Carter Plan of Moldings, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802