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On-site Access Accessible by appointment in the Study Room

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Date 1839

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Classification Prints

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1. Whitby

Whitby
Creator:
Print made by John Cousen, 1804–1880
Date:
ca. 1844
Materials & Techniques:
Line engraving; engraver's proof on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. The Garden

The Garden
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1839
Materials & Techniques:
Line engraving; engraver's proof on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. The Ring

The Ring
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1839
Materials & Techniques:
Line engraving; engraver's proof on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. The Nile

The Nile
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1839
Materials & Techniques:
Line engraving; engraver's proof on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Lake of Nemi

Lake of Nemi
Creator:
Print made by Edward Goodall, 1795–1870
Date:
ca. 1844
Materials & Techniques:
Line engraving; engraver's proof on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. The Chaplet

The Chaplet
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1839
Materials & Techniques:
Line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Tynemouth Priory

Tynemouth Priory
Creator:
Print made by William Miller, 1796–1882
Date:
ca. 1844
Materials & Techniques:
Line engraving; engraver's proof, touched on medium, slightly textured, cream wove paper, with cream chine collé
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Sandy Knowe, or Smailholm Tower

Sandy Knowe, or Smailholm Tower
Creator:
Print made by William Miller, 1796–1882
Date:
1839
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Scott's Birthplace, no. 39, Castle Street, Edinburgh

Scott's Birthplace, no. 39, Castle Street, Edinburgh
Creator:
Print made by William Miller, 1796–1882
Date:
1839
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. The Abbey Pool

The Abbey Pool
Creator:
Print made by John Cousen, 1804–1880
Date:
ca. 1844
Materials & Techniques:
Line engraving; engraver's proof on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Abbotsford from the Northern Bank of the Tweed

Abbotsford from the Northern Bank of the Tweed
Creator:
Print made by William Miller, 1796–1882
Date:
1839
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Miss Murray

Miss Murray
Creator:
Print made by George H. Phillips, active 1819–1825
Date:
1839
Materials & Techniques:
Mezzotint (proof) on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 16 1/4 × 12 inches (41.3 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

13. Rural Chivalry; A Series in six plates of Fighting Cocks: 1. Attention

Rural Chivalry; A Series in six plates of Fighting Cocks: 1. Attention
Creator:
James Fahey, 1804–1885
Date:
1839
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 8 3/8 x 11 3/8in. (21.3 x 28.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. One of a set of four: The Liverpool Great National Steeple-Chase

One of a set of four: The Liverpool Great National Steeple-Chase
Creator:
John Harris, 1811–1865
Date:
1839
Materials & Techniques:
Color printed aquatint
Dimensions:
Sheet: 19 3/8 x 25 3/4in. (49.2 x 65.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. 'Eclipse' / 'He was bred in 1764, by H.R.H. Wm. Cuke of Cumberland, got by Marsk, son of squirt, a son of Gartletts Childers, own brother to Flying Childers...

'Eclipse' / 'He was bred in 1764, by H.R.H. Wm. Cuke of Cumberland, got by Marsk, son of squirt, a son of Gartletts Childers, own brother to Flying Childers...
Creator:
Charles Hunt, 1803–1877
Date:
1839
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 15 3/4 x 17 3/4in. (40 x 45.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. "Building the Stationary Engine House, Camden Town, April 26th 1837"

"Building the Stationary Engine House, Camden Town, April 26th 1837"
Creator:
John Cooke Bourne, 1814–1896
Date:
1839
Materials & Techniques:
Lithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Abbotsford from the Northern Bank of the Tweed

Abbotsford from the Northern Bank of the Tweed
Creator:
Print made by William Miller, 1796–1882
Date:
1839
Materials & Techniques:
Line engraving, Cut impression
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. The Favourite steam ships Vivid and Waterwitch, off Orfordness in a Breeze

The Favourite steam ships Vivid and Waterwitch, off Orfordness in a Breeze
Creator:
Richard Gilson Reeve, 1803–1889
Date:
1839
Materials & Techniques:
Colored aquatint on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 25 5/16 × 33 inches (64.3 × 83.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. A Collection of Monuments on the Bastion of Valetta

A Collection of Monuments on the Bastion of Valetta
Creator:
Print made by Luigi de Brocktorff, active 1823
Date:
1839
Materials & Techniques:
Lithograph
Dimensions:
Sheet: 17 1/8 x 12 1/8in. (43.5 x 30.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. "May I be Cursed," muttered Jack Sheppard, "if ever I try to be honest again!"

"May I be Cursed," muttered Jack Sheppard, "if ever I try to be honest again!"
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1839
Materials & Techniques:
Etching on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:
Sheet: 8 1/2 x 7 1/8 inches (21.6 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

21. Jonathan Wild Throwing Sir Rowland Trenchard Down the Well-Hole

Jonathan Wild Throwing Sir Rowland Trenchard Down the Well-Hole
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1839
Materials & Techniques:
Etching on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:
Sheet: 9 x 7 1/2 inches (22.9 x 19 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

22. Jack Sheppard and Blueskin in Mr. Woods Bedroom

Jack Sheppard and Blueskin in Mr. Woods Bedroom
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1839
Materials & Techniques:
Etching on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:
Sheet: 8 9/16 x 7 3/8 inches (21.8 x 18.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

23. Mrs. Sheppard Expostulating with her Son

Mrs. Sheppard Expostulating with her Son
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1839
Materials & Techniques:
Etching on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:
Sheet: 8 1/4 x 6 15/16 inches (21 x 17.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

24. Tynemouth Priory

Tynemouth Priory
Creator:
Print made by William Miller, 1796–1882
Date:
ca. 1844
Materials & Techniques:
Line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Harkaway

Harkaway
Creator:
Charles Hunt, 1803–1877
Date:
1839
Materials & Techniques:
Aquatint, printed in color, varnish over color on horse
Dimensions:
Sheet: 14 1/16 x 17 15/16in. (35.7 x 45.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Jonathan Wild Seizing Jack Sheppard at his Mother's Grave in Willesden Church Yard

Jonathan Wild Seizing Jack Sheppard at his Mother's Grave in Willesden Church Yard
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1839
Materials & Techniques:
Etching on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:
Sheet: 8 7/16 x 7 5/16 inches (21.5 x 18.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

27. Sandy Knowe, or Smailholm Tower (Vignette)

Sandy Knowe, or Smailholm Tower (Vignette)
Creator:
Print made by William Miller, 1796–1882
Date:
1839
Materials & Techniques:
Etching and engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Scott's Birthplace, no. 39, Castle Street, Edinburgh

Scott's Birthplace, no. 39, Castle Street, Edinburgh
Creator:
Print made by William Miller, 1796–1882
Date:
1839
Materials & Techniques:
Etching and engraving, touched with graphite (Engraver's Proof b)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Scott's Birthplace, no. 39, Castle Street, Edinburgh

Scott's Birthplace, no. 39, Castle Street, Edinburgh
Creator:
Print made by William Miller, 1796–1882
Date:
1839
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Sandy Knowe, or Smailholm Tower

Sandy Knowe, or Smailholm Tower
Creator:
Print made by William Miller, 1796–1882
Date:
1839
Materials & Techniques:
Line engraving, engraver's proof, touched
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Abbotsford from the Northern Bank of the Tweed

Abbotsford from the Northern Bank of the Tweed
Creator:
Print made by William Miller, 1796–1882
Date:
1839
Materials & Techniques:
Line engraving, India proof, published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Rural Chivalry; A Series in six plates of Fighting Cocks: 5. Victory

Rural Chivalry; A Series in six plates of Fighting Cocks: 5. Victory
Creator:
James Fahey, 1804–1885
Date:
1839
Materials & Techniques:
Aquatint
Dimensions:
Sheet: 8 3/8 x 11 3/8in. (21.3 x 28.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. The 'Horse and Groom' Public House, Lea Bridge

The 'Horse and Groom' Public House, Lea Bridge
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1839
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Whitby

Whitby
Creator:
Print made by John Cousen, 1804–1880
Date:
ca. 1844
Materials & Techniques:
Line engraving; engraver's proof on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Whitby

Whitby
Creator:
Print made by John Cousen, 1804–1880
Date:
ca. 1844
Materials & Techniques:
Line engraving; engraver's proof on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. `Queen's return from the House of Lords'

`Queen's return from the House of Lords'
Creator:
Benjamin Read, active 1820s–1840s
Date:
1839
Materials & Techniques:
Engraving with aquatint, hand-colored
Dimensions:
Sheet: 17 x 23in. (43.2 x 58.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of John Russell

37. Jack Sheppard Gets Drunk and Orders his Mother off

Jack Sheppard Gets Drunk and Orders his Mother off
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1839
Materials & Techniques:
Etching on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:
Sheet: 8 1/4 x 7 1/8 inches (21 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

38. Jack Sheppard Committing the Robbery in Willesden Church

Jack Sheppard Committing the Robbery in Willesden Church
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1839
Materials & Techniques:
Etching on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:
Sheet: 8 9/16 x 7 3/16 inches (21.8 x 18.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

39. Jack Sheppard Tricking Shotbolt, the Gaoler

Jack Sheppard Tricking Shotbolt, the Gaoler
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1839
Materials & Techniques:
Etching on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:
Sheet: 8 7/16 x 7 9/16 inches (21.4 x 19.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

40. Audacity of Jack Sheppard

Audacity of Jack Sheppard
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1839
Materials & Techniques:
Etching on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:
Sheet: 8 3/4 x 6 15/16 inches (22.2 x 17.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

41. The Name on the Beams

The Name on the Beams
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1839
Materials & Techniques:
Etching on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:
Sheet: 8 1/4 x 7 3/8 inches (21 x 18.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

42. The Last Scene: 'Jack Sheppard's Farewell to Mr Wood / Blueskin cutting down Jack Sheppard / The Body of Jack Sheppard carried off by the Mob'

The Last Scene: 'Jack Sheppard's Farewell to Mr Wood / Blueskin cutting down Jack Sheppard / The Body of Jack Sheppard carried off by the Mob'
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1839
Materials & Techniques:
Etching on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:
Sheet: 8 9/16 x 7 inches (21.8 x 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

43. The Murder on the Thames

The Murder on the Thames
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1839
Materials & Techniques:
Etching on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:
Sheet: 9 1/16 x 7 7/16 inches (23 x 18.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

44. Jack Sheppard's Escape from the Cage at Willesden

Jack Sheppard's Escape from the Cage at Willesden
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1839
Materials & Techniques:
Etching on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:
Sheet: 8 5/8 x 7 3/16 inches (21.9 x 18.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

45. Jack Sheppard's Irons Knocked off in the Stone Hall at Newgate

Jack Sheppard's Irons Knocked off in the Stone Hall at Newgate
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1839
Materials & Techniques:
Etching on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:
Sheet: 8 9/16 x 7 3/16 inches (21.7 x 18.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

46. W. H. Bartlett

W. H. Bartlett
Creator:
Benjamin Holl, 1808–1884
Date:
1839
Materials & Techniques:
Stipple Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Rural Chivalry; A Series in six plates of Fighting Cocks: 2. Make Ready

Rural Chivalry; A Series in six plates of Fighting Cocks: 2. Make Ready
Creator:
James Fahey, 1804–1885
Date:
1839
Materials & Techniques:
Aquatint
Dimensions:
Sheet: 8 3/8 x 11 3/8in. (21.3 x 28.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Rural Chivalry; A Series in six plates of Fighting Cocks: 3. Present

Rural Chivalry; A Series in six plates of Fighting Cocks: 3. Present
Creator:
James Fahey, 1804–1885
Date:
1839
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 8 3/8 x 11 3/8in. (21.3 x 28.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Rural Chivalry; A Series in six plates of Fighting Cocks: 4. Fire

Rural Chivalry; A Series in six plates of Fighting Cocks: 4. Fire
Creator:
James Fahey, 1804–1885
Date:
1839
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 8 3/8 x 11 3/8in. (21.3 x 28.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Rural Chivalry; A Series in six plates of Fighting Cocks: 6. Stand at Ease

Rural Chivalry; A Series in six plates of Fighting Cocks: 6. Stand at Ease
Creator:
James Fahey, 1804–1885
Date:
1839
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 8 3/8 x 11 3/8in. (21.3 x 28.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. Come Gentle Night: "Romeo and Juliet," Act III, Scene II

Come Gentle Night: "Romeo and Juliet," Act III, Scene II
Creator:
Print made by James H. Baker, born 1829
Date:
between 1839 and 1849
Materials & Techniques:
Stipple engraving, line engraving, and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 x 8 3/8 inches (28.2 x 21.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

52. The Race for the Tradesmens' Plate, Chester, 1839 / Eighteen started, only three placed ...

The Race for the Tradesmens' Plate, Chester, 1839 / Eighteen started, only three placed ...
Creator:
John Harris, 1811–1865
Date:
1839
Materials & Techniques:
Color printed aquatint
Dimensions:
Sheet: 20 1/2 x 29in. (52.1 x 73.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. One of a set of four: The Liverpool Great National Steeple-Chase

One of a set of four: The Liverpool Great National Steeple-Chase
Creator:
John Harris, 1811–1865
Date:
1839
Materials & Techniques:
Color printed aquatint
Dimensions:
Sheet: 19 3/8 x 25 3/4in. (49.2 x 65.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. One of a set of four: The Liverpool Great National Steeple-Chase

One of a set of four: The Liverpool Great National Steeple-Chase
Creator:
John Harris, 1811–1865
Date:
1839
Materials & Techniques:
Color printed aquatint
Dimensions:
Sheet: 19 3/8 x 25 3/4in. (49.2 x 65.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. One of a set of four: The Liverpool Great National Steeple-Chase

One of a set of four: The Liverpool Great National Steeple-Chase
Creator:
John Harris, 1811–1865
Date:
1839
Materials & Techniques:
Color printed aquatint
Dimensions:
Sheet: 19 3/8 x 25 3/4in. (49.2 x 65.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. St. Agatha's Abbey

St. Agatha's Abbey
Creator:
Print made by John Cousen, 1804–1880
Date:
ca. 1844
Materials & Techniques:
Line engraving; engraver's proof on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. St. Agatha's Abbey

St. Agatha's Abbey
Creator:
Print made by John Cousen, 1804–1880
Date:
ca. 1844
Materials & Techniques:
Line engraving; engraver's proof on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. St. Agatha's Abbey

St. Agatha's Abbey
Creator:
Print made by John Cousen, 1804–1880
Date:
ca. 1844
Materials & Techniques:
Line engraving; engraver's proof on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. Folkestone

Folkestone
Creator:
Print made by John Cousen, 1804–1880
Date:
ca. 1844
Materials & Techniques:
Line engraving; engraver's proof, touched on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. Folkestone

Folkestone
Creator:
Print made by John Cousen, 1804–1880
Date:
ca. 1844
Materials & Techniques:
Line engraving; finished engraver's proof on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. The Garden

The Garden
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1839
Materials & Techniques:
Line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. Lake of Nemi (Vignette)

Lake of Nemi (Vignette)
Creator:
Print made by John Cousen, 1804–1880
Date:
ca. 1844
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. The Ring

The Ring
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1839
Materials & Techniques:
Line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. The Chaplet

The Chaplet
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1839
Materials & Techniques:
Line engraving; engraver's proof on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. Scott's Birthplace, no. 39, Castle Street, Edinburgh

Scott's Birthplace, no. 39, Castle Street, Edinburgh
Creator:
Print made by William Miller, 1796–1882
Date:
1839
Materials & Techniques:
Etching and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. Monument of Lord Chancellor Eldon

Monument of Lord Chancellor Eldon
Creator:
John T. Wedgwood, active 1839
Date:
1839
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. Lady Wallscourt

Lady Wallscourt
Creator:
Print made by George H. Phillips, active 1819–1825
Date:
1839
Materials & Techniques:
Mezzotint (etched letter proof) on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 16 3/16 × 11 1/2 inches (41.1 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

68. Admiral Sotheron

Admiral Sotheron
Creator:
Charles Turner, 1774–1857
Date:
1839
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 13 3/4 x 19 3/8in. (34.9 x 49.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

69. The Terrace

The Terrace
Creator:
Print made by Thomas Creswick, 1811–1869
Date:
ca. 1844
Materials & Techniques:
Etching on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 7 13/16 x 5 1/2 inches (19.8 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. Brunswick Terrace, Bellevue Mansion, Town Hall, the Albion, Old Steine, Chapel Royal, German Place

Brunswick Terrace, Bellevue Mansion, Town Hall, the Albion, Old Steine, Chapel Royal, German Place
Creator:
Print made by Day & Co., 1824–1913
Date:
1839
Materials & Techniques:
Lithograph with hand coloring on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 x 20 7/8 inches (35.5 x 53.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. La Prudente and La Cybelle

La Prudente and La Cybelle
Creator:
Henri Durand-Brager, 1814–1879
Date:
ca. 1844
Materials & Techniques:
Colored lithograph
Dimensions:
Sheet: 18 3/4 x 25 1/2in. (47.6 x 64.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. Le Cynge

Le Cynge
Creator:
Henri Durand-Brager, 1814–1879
Date:
ca. 1844
Materials & Techniques:
Colored lithograph
Dimensions:
Sheet: 18 3/4 x 25 1/2in. (47.6 x 64.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

73. William Howley, Archbishop of Canterbury

William Howley, Archbishop of Canterbury
Creator:
M. Gauci, 1810–1846
Date:
1839
Materials & Techniques:
Lithography on thick, smooth, cream wove paper, with cream chine-collé
Dimensions:
Sheet: 20 7/8 × 14 3/16 inches (53 × 36 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

74. Moonlight

Moonlight
Creator:
Print made by Thomas Creswick, 1811–1869
Date:
1839
Materials & Techniques:
Etching on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 4 1/4 x 6 3/8 inches (10.8 x 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. Le Lendemain de Trafalgar

Le Lendemain de Trafalgar
Creator:
Henri Durand-Brager, 1814–1879
Date:
ca. 1844
Materials & Techniques:
Colored lithograph
Dimensions:
Sheet: 18 3/4 x 25 1/2in. (47.6 x 64.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

76. La Montagne

La Montagne
Creator:
Henri Durand-Brager, 1814–1879
Date:
ca. 1844
Materials & Techniques:
Colored lithograph
Dimensions:
Sheet: 18 3/4 x 25 1/2in. (47.6 x 64.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

77. Combats Maritimes

Combats Maritimes
Creator:
Henri Durand-Brager, 1814–1879
Date:
ca. 1844
Materials & Techniques:
Colored lithograph
Dimensions:
Sheet: 18 3/4 x 25 1/2in. (47.6 x 64.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

78. La Vestale

La Vestale
Creator:
Henri Durand-Brager, 1814–1879
Date:
ca. 1844
Materials & Techniques:
Colored lithograph
Dimensions:
Sheet: 18 3/4 x 25 1/2in. (47.6 x 64.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

79. Le Tonnant

Le Tonnant
Creator:
Henri Durand-Brager, 1814–1879
Date:
ca. 1844
Materials & Techniques:
Colored lithograph
Dimensions:
Sheet: 18 3/4 x 25 1/2in. (47.6 x 64.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

80. Racing: Bloomsbury, Winner of the Derby Stakes at Epsom 1839

Racing: Bloomsbury, Winner of the Derby Stakes at Epsom 1839
Creator:
Edward Duncan, 1803–1882
Date:
1839
Materials & Techniques:
Aquatint, hand-colored, with varnish over color on horse
Dimensions:
Sheet: 16 3/4 x 20 3/4in. (42.5 x 52.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

81. Racing: Deception, Winner of the Oaks' Stakes at Epsom, 1839

Racing: Deception, Winner of the Oaks' Stakes at Epsom, 1839
Creator:
Edward Duncan, 1803–1882
Date:
1839
Materials & Techniques:
Aquatint, hand-colored with varnish over color on horse
Dimensions:
Sheet: 15 3/16 x 19 1/4in. (38.6 x 48.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

82. Extraordinary Trotting Match against Time

Extraordinary Trotting Match against Time
Creator:
Charles Hunt, 1803–1877
Date:
1839
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 20 x 29in. (50.8 x 73.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

83. [Racing]: "Deception", Winner of the Oaks Stakes at Epsom, 1839, Rode by J. Day ...

[Racing]: "Deception", Winner of the Oaks Stakes at Epsom, 1839, Rode by J. Day ...
Creator:
Charles Hunt, 1803–1877
Date:
1839
Materials & Techniques:
Color printed aquatint
Dimensions:
Sheet: 12 1/4 x 16 5/8in. (31.1 x 42.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

84. Jack Sheppard Accuses Thames Darrell of the Theft

Jack Sheppard Accuses Thames Darrell of the Theft
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1839
Materials & Techniques:
Etching on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:
Sheet: 8 7/8 x 7 5/16 inches (22.5 x 18.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

85. Portraits of Two well known Characters in the East Riding of Yorkshire, Robert Darling and John Brown.

Portraits of Two well known Characters in the East Riding of Yorkshire, Robert Darling and John Brown.
Creator:
Richard Gilson Reeve, 1803–1889
Date:
1839
Materials & Techniques:
Aquatint, printed in color
Dimensions:
Sheet: 19 1/4 x 24in. (48.9 x 61cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

86. The Melton Breakfast

The Melton Breakfast
Creator:
Charles G. Lewis, 1808–1880
Date:
1839
Materials & Techniques:
Hand colored stipple engraving
Dimensions:
Sheet: 18 1/8 x 28 1/4in. (46 x 71.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

87. New Steine and Rock Gardens

New Steine and Rock Gardens
Creator:
Print made by Day & Co., 1824–1913
Date:
1839
Materials & Techniques:
Lithograph with hand coloring on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 5/16 x 20 7/16 inches (36.4 x 51.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

88. Royal Crescent, County Hospital, St. George's Chapel, Kemp Town

Royal Crescent, County Hospital, St. George's Chapel, Kemp Town
Creator:
Print made by Day & Co., 1824–1913
Date:
1839
Materials & Techniques:
Lithograph with hand coloring on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 x 20 15/16 inches (35.5 x 53.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

89. Calesso di Resina

No cover image available
Creator:
Gaetano Dura, 1805–1878
Date:
1839
Materials & Techniques:
Hand-colored lithograph
Dimensions:
Sheet: 8 3/8 x 9 11/16in. (21.3 x 24.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

90. The Nile

No cover image available
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1839
Materials & Techniques:
Line engraving; engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

91. Meditation

No cover image available
Creator:
Print made by Charles West Cope, 1811–1890
Date:
ca. 1844
Materials & Techniques:
Etching, touched proof on thick, smooth, cream wove paper
Dimensions:
Sheet: 11 9/16 × 8 11/16 inches (29.3 × 22 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift in memory of Margaret F. Kruse by her Family. Mark W. Rowland, Yale 1992

92. Woodman in a Stream

No cover image available
Creator:
after Frederick Richard Lee, 1798–1879
Date:
1839
Materials & Techniques:
Mezzotint on medium, smooth, cream wove paper
Dimensions:
Mount: 18 7/8 × 22 15/16 inches (47.9 × 58.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

93. Victoria Tower, formerly the King's Watch Tower; page 107 (Volume Three)

No cover image available
Creator:
Thomas Onwhyn, 1814–1886
Date:
1839
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

94. Groups of Cattle Drawn from Nature, Frontispiece

No cover image available
Creator:
Printed by Charles J. Hullmandel, 1789–1850
Date:
1839
Materials & Techniques:
Lithograph on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection