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Collection
Prints and Drawings
38
Creator
Serres, John Thomas, 1759–1825
18
Monro, Thomas Dr., 1759–1833
11
Cozens, John Robert, 1752–1797
3
Grimm, Samuel Hieronymus, 1733–1794
2
Ibbetson, Julius Caesar, 1759–1817
2
Hills, Robert, 1769–1844
1
Linnell, John, 1729–1796
1
Monro, School
1
Renton, John, 1774–c.1841
1
Turner, J. M. W. (Joseph Mallord William), 1775–1851
1
Date
1791
713
1867
230
1800
193
1826
155
1802
128
1814
121
1764
120
1767
119
1793
106
1784
88
1775
86
1836
85
1772
83
1758
79
1820
72
1835
64
1790
63
1792
60
1827
60
1799
59
1762
55
1841
53
1795
49
1745
44
1786
44
1830
44
1801
41
1805
40
1829
40
1783
39
1774
[remove]
38
1804
37
1808
37
1825
37
1782
36
1789
36
1833
36
1834
36
1777
35
1803
35
1818
35
1780
34
1778
33
1771
32
1755
31
1857
31
1785
30
1787
30
1810
30
1797
28
1788
27
1796
27
1817
27
1815
26
1819
26
1748
25
1794
24
1845
24
1861
24
1809
23
1813
23
1816
23
1851
23
1832
22
1749
21
1840
21
1847
21
1807
20
1746
19
1768
19
1846
19
1700
18
1739
18
1776
18
1811
18
1866
18
1759
17
1812
16
1838
16
1742
15
1779
15
1821
15
1828
15
1844
15
1848
15
1854
15
1740
14
1843
14
1770
13
1798
13
1822
13
1823
13
1874
13
0
12
1765
12
1781
12
1806
12
1831
12
1839
12
1850
12
On-site Access
Accessible by appointment in the Study Room
38
Image Use
Free to Use
38
Image Available
Available
38
Classification
Drawings & Watercolors
[remove]
38
Creator Gender
male
38
Collective Title
History of the Acorn
1
Period
18th century-19th century
32
18th century
5
Materials & Techniques
wove paper
30
watercolor
28
graphite
26
black chalk
9
gray wash
9
black ink
7
laid paper
4
brown ink
3
gray ink
2
black wash
1
charcoal
1
gouache
1
pen
1
scratching out
1
white chalk
1
Height [cm]
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Current results range from
3
to
45
Width [cm]
Width [cm] range begin
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Current results range from
8
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64
Work Type
drawing
[remove]
38
watercolor
36
Genre
landscape
[remove]
38
architectural subject
1
genre subject
1
marine art
1
sporting art
1
Subject Terms
landscape
37
sea
18
cliffs
17
hills
15
trees
14
coast
13
rocks (landforms)
7
beach
4
mountains
4
Grand Tour
3
bushes
3
castle
3
forest
3
lake
3
men
3
buildings
2
clouds
2
dusk
2
grasses
2
horses (animals)
2
more
Subject Terms
»
Associated Places
United Kingdom
8
England
7
Europe
5
Italy
4
Campagna
3
Devon
2
Gibraltar
2
Albano, Lago
1
Brentford
1
Cader Idris
1
Castel Gandolfo
1
Chiavenna
1
Chiswick
1
Cornwall
1
Dorset
1
Dover
1
Dover castle
1
Falmouth
1
Freshwater Bay
1
Grisons
1
more
Associated Places
»
Exhibition History
The Art of Alexander and John Robert Cozens (Yale Center for British Art, 1980-09-17 - 1980-11-16)
3
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
2
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
2
Alexander and J. R. Cozens (Art Gallery of Ontario, 1987-01-30 - 1987-03-29)
1
An American's Passion for British Art - Paul Mellon's Legacy (Royal Academy of Arts, 2007-10-20 - 2008-01-27)
1
An American's Passion for British Art - Paul Mellon's Legacy (Yale Center for British Art, 2007-04-18 - 2007-07-29)
1
British Painting and the European Continent (Haus der Kunst Munich, 1979-11-20 - 1980-01-27)
1
Classic Ground - British Artists and the Landscape of Italy, 1740-1830 (Yale Center for British Art, 1981-07-29 - 1981-09-20)
1
Past Time - Geology in European and American Art (Frances Lehman Loeb Art Center, 2018-09-21 - 2018-12-09)
1
Past Time - Geology in European and American Art (Herbert F. Johnson Museum of Art, 2019-02-16 - 2019-05-12)
1
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
1
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
1
Richard Wilson and the Transformation of European Landscape Painting (Yale Center for British Art, 2014-03-06 - 2014-06-01)
1
Romance and Reality (Wildenstein) (Wildenstein & Company, Inc., 1978-09-22 - 1978-12-07)
1
Spreading Canvas - Eighteenth - Century British Marine Painting (Yale Center for British Art, 2016-09-09 - 2016-12-04)
1
The Art of Paul Sandby (Yale Center for British Art, 1985-04-10 - 1985-06-23)
1
Works of Splendor and Imagination - The Exhibition Watercolor 1770-1870 (Yale Center for British Art, 1981-09-16 - 1981-11-22)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
37
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948
1
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Date
1774
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Genre
landscape
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Work Type
drawing
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Classification
Drawings & Watercolors
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1
John Thomas Serres, 1759–1825
The Bolt Head, West North West (one of five drawings on one mount)
undated
2
John Thomas Serres, 1759–1825
The Start Point, North East by North (one of five drawings on one mount)
undated
3
John Thomas Serres, 1759–1825
Dover Castle, North East, 1/2 North (one of five drawings on one mount)
undated
4
John Thomas Serres, 1759–1825
Dunmose, West by North (one of five drawings on one mount)
undated
5
John Thomas Serres, 1759–1825
The North Foreland (one of three drawings on one mount)
undated
6
John Thomas Serres, 1759–1825
The South Foreland (one of three drawings on one mount)
undated
7
John Thomas Serres, 1759–1825
The Bill of Portland (one of three drawings on one mount)
undated
8
John Thomas Serres, 1759–1825
The Needles Bearing East (one of five drawings on one mount)
undated
9
Dr. Thomas Monro, 1759–1833
The Edge of the Lake
undated
10
John Thomas Serres, 1759–1825
Ram Head, North by West (2 miles distance)
undated
11
John Thomas Serres, 1759–1825
Bolt Head, South East, 1/2 South (4 or 5 miles)
undated
12
John Thomas Serres, 1759–1825
Gibraltar, South West by West
undated
13
John Thomas Serres, 1759–1825
The Start, West North West
undated
14
John Thomas Serres, 1759–1825
Piveral Point (one of five drawings on one mount)
undated
15
John Thomas Serres, 1759–1825
The Ram Head (one of five drawings on one mount)
undated
16
John Thomas Serres, 1759–1825
St. Maws Castle, Falmouth, East South East
undated
17
John Thomas Serres, 1759–1825
The High Land of Dungarven, West by North
undated
18
John Thomas Serres, 1759–1825
Old Harry, Swanage Bay
undated
19
John Thomas Serres, 1759–1825
Gibraltar, The Signal House
undated
20
Attributed to John Renton, 1774–c.1841
Lake and Mountains
undated
21
Dr. Thomas Monro, 1759–1833
Composition: Italian Seascape Effect
undated
22
Dr. Thomas Monro, 1759–1833
Composition: Marshland Landscape
undated
23
Dr. Thomas Monro, 1759–1833
Composition: The Edge of a Wood
undated
24
Dr. Thomas Monro, 1759–1833
Seashore with Sand Dunes
undated
25
Dr. Thomas Monro, 1759–1833
Landscape with Trees and two Figures
undated
26
Dr. Thomas Monro, 1759–1833
Composition inspired by Richard Wilson's Paintings of Cader Idris
undated
27
Dr. Thomas Monro, 1759–1833
Composition of Rocks and Pine Trees
undated
28
Dr. Thomas Monro, 1759–1833
Cottage amongst Trees
undated
29
Dr. Thomas Monro, 1759–1833
Composition: Hilly Country
undated
30
Julius Caesar Ibbetson, 1759–1817
Salmon Spearing
undated
31
Julius Caesar Ibbetson, 1759–1817
Supported by a Bramble
undated
32
attributed to Robert Hills, 1769–1844
Landscape with Trees
undated
33
Dr. Thomas Monro, 1759–1833
Landscape
undated
34
Samuel Hieronymus Grimm, 1733–1794
Landscape with Cottage, Bridge and Figures
1774
35
Samuel Hieronymus Grimm, 1733–1794
Between Chiswick and Brentford
1774
36
John Robert Cozens, 1752–1797
The Lake and Town of Nemi
ca. 1779
37
John Robert Cozens, 1752–1797
Near Chiavenna in the Grisons
ca. 1779
38
John Robert Cozens, 1752–1797
The Lake of Albano and Castle Gandolfo
ca. 1779