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William Blake Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."
Print made by William Blake, 1757–1827
Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."
ca. 1797
William Blake Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
ca. 1797
William Blake Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"
ca. 1797
William Blake Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
ca. 1797
William Blake Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"
ca. 1797
William Blake Young's Night Thoughts, Page 95, "The goddess bursts in thunder and in flame"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 95, "The goddess bursts in thunder and in flame"
ca. 1797
William Blake Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"
ca. 1797
William Blake Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"
ca. 1797
William Blake Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
ca. 1797
William Blake Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"
ca. 1797
William Blake Young's Night Thoughts, Page 40, "Angels should paint it, angels ever there"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 40, "Angels should paint it, angels ever there"
ca. 1797
William Blake Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"
ca. 1797
William Blake Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
ca. 1797
William Blake Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"
ca. 1797
William Blake Young's Night Thoughts, Page 13, "The present moment terminates our sight"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 13, "The present moment terminates our sight"
ca. 1797
William Blake Young's Night Thoughts, Page 17, "Night the Second, On Time, Death and Friendship."
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 17, "Night the Second, On Time, Death and Friendship."
ca. 1797
William Blake Young's Night Thoughts, Page 19, "Emblem of that which shall awake the dead"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 19, "Emblem of that which shall awake the dead"
ca. 1797
William Blake Young's Night Thoughts, Page 27, "O treacherous conscience!"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 27, "O treacherous conscience!"
ca. 1797
William Blake Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"
ca. 1797
William Blake Young's Night Thoughts, Page 46, "Where sense runs savage broke from reason's chain"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 46, "Where sense runs savage broke from reason's chain"
ca. 1797
William Blake Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"
ca. 1797
William Blake Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"
ca. 1797
William Blake Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"
ca. 1797
William Blake Young's Night Thoughts, Page 73, "Draw the dire steel? -- ah no!"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 73, "Draw the dire steel? -- ah no!"
ca. 1797
William Blake Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"
ca. 1797
William Blake Young's Night Thoughts, Page 90, "That touch, with charm celestial heals the soul"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 90, "That touch, with charm celestial heals the soul"
ca. 1797
William Blake Young's Night Thoughts, Page 92, "When faith is virtue, reason makes it so"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 92, "When faith is virtue, reason makes it so"
ca. 1797
William Blake The Complaint and The Consolation: or Night Thoughts
William Blake, 1757–1827
The Complaint and The Consolation: or Night Thoughts
ca. 1797
William Blake Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"
ca. 1797
William Blake Young's Night Thoughts, Page 57, "Trembling each gulp, lest death should snatch the bowl"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 57, "Trembling each gulp, lest death should snatch the bowl"
ca. 1797
William Blake Young's Night Thoughts, Page 63, "This King of Terrors is the Prince of Peace"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 63, "This King of Terrors is the Prince of Peace"
ca. 1797
William Blake Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"
ca. 1797
William Blake Young's Night Thoughts, Page 80, "The thunder if in that the Almighty dwells"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 80, "The thunder if in that the Almighty dwells"
ca. 1797
William Blake Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"
ca. 1797
William Blake Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"
ca. 1797
William Blake Young's Night Thoughts, Page 23, "We censure nature for a span too short"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 23, "We censure nature for a span too short"
ca. 1797
William Blake Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
ca. 1797
William Blake Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"
ca. 1797
William Blake Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
ca. 1797
Christian von Mechel Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
Christian von Mechel, 1737–1817
Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
1792
Christian von Mechel Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
Christian von Mechel, 1737–1817
Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
1792
Francesco Bartolozzi To His Grace The Duke Of Newcastle, This Print Of The Return From Shooting
Print made by Francesco Bartolozzi, 1728–1815
To His Grace The Duke Of Newcastle, This Print Of The Return From Shooting
1792
Richard Earlom Colonel Mordaunt's Cock Match at Lucknow
Richard Earlom, 1743–1822
Colonel Mordaunt's Cock Match at Lucknow
1792
Richard Earlom Colonel Mordaunt's Cock Match at Lucknow
Richard Earlom, 1743–1822
Colonel Mordaunt's Cock Match at Lucknow
1792
George Morland The Farmer's Stable
George Morland, 1763–1804
The Farmer's Stable
1792
Francesco Bartolozzi Thais
Print made by Francesco Bartolozzi, 1728–1815
Thais
1792
Thomas Cheesman Marchioness of Townshend and Child
Print made by Thomas Cheesman, 1760–1834/35
Marchioness of Townshend and Child
1792
James Fittler 'The Gamester,' Act V, Scene IV
James Fittler, 1758–1835
'The Gamester,' Act V, Scene IV
1792
Francesco Bartolozzi Miss Farren
Print made by Francesco Bartolozzi, 1728–1815
Miss Farren
1792
Francesco Bartolozzi Miss Farren
Print made by Francesco Bartolozzi, 1728–1815
Miss Farren
1792
Francesco Bartolozzi Miss Farren
Print made by Francesco Bartolozzi, 1728–1815
Miss Farren
1792
Robert Dodd "The Indian Emperor" or "The Conquest of Mexico"
Robert Dodd, 1748–1816
"The Indian Emperor" or "The Conquest of Mexico"
1792
unknown artist Falstaff reproved by King Henry
unknown artist
Falstaff reproved by King Henry
1792
George Townly Stubbs [Fox-hunting] Two Hunters / Belonging to Henry U. Reay of Burn Hall in the County of Durham ....
George Townly Stubbs, 1748–1815
[Fox-hunting] Two Hunters / Belonging to Henry U. Reay of Burn Hall in the County of Durham ...
1792
John Condé Mrs. Fitzherbert
Print made by John Condé, 1765–1794
Mrs. Fitzherbert
1792
unknown artist French Privateers, Cruising in the English Channel
Print made by unknown artist
French Privateers, Cruising in the English Channel
1792
Christian von Mechel Welgelegen: Vue Perspective de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
Christian von Mechel, 1737–1817
Welgelegen: Vue Perspective de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
1792
Joseph Constantine Stadler The Farm House
Joseph Constantine Stadler, active 1780–1812
The Farm House
1792
unknown artist Thomas Graves
unknown artist
Thomas Graves
c.1792
George Saunders Monument for Sir Joshua Reynolds
George Saunders, c.1762–1839
Monument for Sir Joshua Reynolds
1792
Francesco Bartolozzi Funeral Card of Sir Joshua Reynolds
Print made by Francesco Bartolozzi, 1728–1815
Funeral Card of Sir Joshua Reynolds
1792
John Chapman Rosalind, Celia and Touchstone - "As You Like It," Act II, Scene III
John Chapman, active ca. 1792–1823
Rosalind, Celia and Touchstone - "As You Like It," Act II, Scene III
1792
John Chapman Falstaff's Escape - "The Merry Wives of Windsor," Act IV, Scene II
John Chapman, active ca. 1792–1823
Falstaff's Escape - "The Merry Wives of Windsor," Act IV, Scene II
1792
John Chapman Falstaff's Escape - "The Merry Wives of Windsor," Act IV, Scene II
John Chapman, active ca. 1792–1823
Falstaff's Escape - "The Merry Wives of Windsor," Act IV, Scene II
1792
William Gmelin Vue des Petites Cascatelles a Tivoli
William Gmelin, 1745–1821
Vue des Petites Cascatelles a Tivoli
1792
John Jones Reverend John Moore, Lord Archbishop of Canterbury
John Jones, ca. 1745–1797
Reverend John Moore, Lord Archbishop of Canterbury
1792
William Birch Mrs. Robinson
Print made by William Birch, 1755–1834
Mrs. Robinson
1792
Thomas Trotter Jonathan Shipley, Bishop of St. Asaph
Thomas Trotter, ca. 1750–1803
Jonathan Shipley, Bishop of St. Asaph
1792
Francesco Bartolozzi Mrs. Montagu
Print made by Francesco Bartolozzi, 1728–1815
Mrs. Montagu
1792
Francesco Bartolozzi Mrs. Lenox
Francesco Bartolozzi, 1728–1815
Mrs. Lenox
1792
Charles Loraine Smith 3. Lecture, / Upon the most Novel safe & sure method of Popping a Horse-Ball
Charles Loraine Smith, 1751–1835
3. Lecture, / Upon the most Novel safe & sure method of Popping a Horse-Ball
1792
Charles Loraine Smith 2nd. Lecture upon the newly approv'd / Method of Casting and [Fireing]
Charles Loraine Smith, 1751–1835
2nd. Lecture upon the newly approv'd / Method of Casting and [Fireing]
1792
Charles Loraine Smith 4. Lecture / Philosophical remarks upon the Nature & effects of Amputation
Charles Loraine Smith, 1751–1835
4. Lecture / Philosophical remarks upon the Nature & effects of Amputation
1792
Thomas Trotter Dr. Samuel Johnson
Thomas Trotter, ca. 1750–1803
Dr. Samuel Johnson
1792
Robert Dodd Action off Cape St. Vicent, 14 February 1797
Robert Dodd, 1748–1816
Action off Cape St. Vicent, 14 February 1797
ca. 1797
John James Chalon Portrait of a Man with Hat
Print made by John James Chalon, 1778–1854
Portrait of a Man with Hat
1792
Francesco Bartolozzi Meditation
Francesco Bartolozzi, 1728–1815
Meditation
1792
Francesco Bartolozzi Admiration
Francesco Bartolozzi, 1728–1815
Admiration
1792
Francesco Bartolozzi Andrew Kippis
Francesco Bartolozzi, 1728–1815
Andrew Kippis
1792
Francesco Bartolozzi Georgius Johannes Commes, Spencer
Francesco Bartolozzi, 1728–1815
Georgius Johannes Commes, Spencer
1792
John Raphael Smith His Royal Highness George, Prince of Wales
John Raphael Smith, 1752–1812
His Royal Highness George, Prince of Wales
1792
John Eginton The Affectionate Daughter
John Eginton, active 1763–1800
The Affectionate Daughter
1792
John Eginton The Fairings
John Eginton, active 1763–1800
The Fairings
1792
William Sharp Niobe
Print made by William Sharp, 1749–1824
Niobe
1792
Caroline Watson King Henry VI, Part II, Act III, Scene III
Print made by Caroline Watson, 1760–1814
King Henry VI, Part II, Act III, Scene III
1792
Francesco Bartolozzi Thais
Francesco Bartolozzi, 1728–1815
Thais
1792
John Raphael Smith Eloisa
John Raphael Smith, 1752–1812
Eloisa
1792
Francesco Bartolozzi Lodona
Francesco Bartolozzi, 1728–1815
Lodona
1792
Francesco Bartolozzi Sir John More
Print made by Francesco Bartolozzi, 1728–1815
Sir John More
1792
Francesco Bartolozzi Katherine, Duchess of Suffolk
Print made by Francesco Bartolozzi, 1728–1815
Katherine, Duchess of Suffolk
1792
Francesco Bartolozzi Katherine, Duchess of Suffolk
Print made by Francesco Bartolozzi, 1728–1815
Katherine, Duchess of Suffolk
1792
Francesco Bartolozzi Sir John More
Print made by Francesco Bartolozzi, 1728–1815
Sir John More
1792
George Morland Shooting [a pair]: 2. Evening
Print made by George Morland, 1763–1804
Shooting [a pair]: 2. Evening
1792
Charles Townley Samuel Johnson
Charles Townley, 1746–c.1800
Samuel Johnson
1792
Charles Townley Dr. Samuel Johnson
Charles Townley, 1746–c.1800
Dr. Samuel Johnson
1792
Francesco Bartolozzi Ticket for the Brandenbourg House Masquerade
Francesco Bartolozzi, 1728–1815
Ticket for the Brandenbourg House Masquerade
ca. 1797
William Byrne Chinese Pavilion in European Landscape
William Byrne, 1743–1805
Chinese Pavilion in European Landscape
1792
Francis Legat "King Lear", Act V, Scene III
Francis Legat, 1755–1809
"King Lear", Act V, Scene III
1792
unknown artist Macbeth and the Murderers - "Macbeth," Act III, Scene I
unknown artist
Macbeth and the Murderers - "Macbeth," Act III, Scene I
1792
Peltro W. Tomkins Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III
Peltro W. Tomkins, 1760–1840
Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III
1792