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101. Fashionable Bores, or Coolers in High Life

Fashionable Bores, or Coolers in High Life
Creator:
Daniel Thomas Egerton, c.1800–1842
Date:
1824
Materials & Techniques:
Aquatint, colored by hand
Dimensions:
Sheet: 8 1/2 x 10 3/4in. (21.6 x 27.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

102. Fashionable Bores, or Coolers in High Life

Fashionable Bores, or Coolers in High Life
Creator:
Daniel Thomas Egerton, c.1800–1842
Date:
1824
Materials & Techniques:
Aquatint, colored by hand
Dimensions:
Sheet: 8 1/2 x 10 3/4in. (21.6 x 27.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

103. Fashionable Bores, or Coolers in High Life

Fashionable Bores, or Coolers in High Life
Creator:
Daniel Thomas Egerton, c.1800–1842
Date:
1824
Materials & Techniques:
Aquatint, colored by hand
Dimensions:
Sheet: 8 1/2 x 10 3/4in. (21.6 x 27.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

104. Fashionable Bores, or Coolers in High Life

Fashionable Bores, or Coolers in High Life
Creator:
Daniel Thomas Egerton, c.1800–1842
Date:
1824
Materials & Techniques:
Aquatint, colored by hand
Dimensions:
Sheet: 8 1/2 x 10 3/4in. (21.6 x 27.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

105. Fashionable Bores, or Coolers in High Life

Fashionable Bores, or Coolers in High Life
Creator:
Daniel Thomas Egerton, c.1800–1842
Date:
1824
Materials & Techniques:
Aquatint, colored by hand
Dimensions:
Sheet: 8 1/2 x 10 3/4in. (21.6 x 27.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

106. Fashionable Bores, or Coolers in High Life

Fashionable Bores, or Coolers in High Life
Creator:
Daniel Thomas Egerton, c.1800–1842
Date:
1824
Materials & Techniques:
Aquatint, colored by hand
Dimensions:
Sheet: 8 1/2 x 10 3/4in. (21.6 x 27.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

107. One of a set of 6 (4): A Day's Journal of a Sponge

One of a set of 6 (4): A Day's Journal of a Sponge
Creator:
Peter Pasquin, active 1824–1826
Date:
1824
Materials & Techniques:
Hand-colored aquatint
Dimensions:
Sheet: 9 x 6 1/4in. (22.9 x 15.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

108. One of a set of 6 (5): A Day's Journal of a Sponge

One of a set of 6 (5): A Day's Journal of a Sponge
Creator:
Peter Pasquin, active 1824–1826
Date:
1824
Materials & Techniques:
Hand-colored aquatint
Dimensions:
Sheet: 9 x 6 1/4in. (22.9 x 15.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

109. One of a set of 6 (6): A Day's Journal of a Sponge

One of a set of 6 (6): A Day's Journal of a Sponge
Creator:
Peter Pasquin, active 1824–1826
Date:
1824
Materials & Techniques:
Hand-colored aquatint
Dimensions:
Sheet: 9 x 6 1/4in. (22.9 x 15.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

110. Kensington Church

Kensington Church
Creator:
William Dorset Fellows, 1807–1878
Date:
1824
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

111. Hammersmith Church (Middlesex)

Hammersmith Church (Middlesex)
Creator:
unknown artist
Date:
1824
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

112. The Royal Banquet - 19th July 1821

The Royal Banquet - 19th July 1821
Creator:
William James Bennett, 1787–1844
Date:
1824
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

113. Cader Idris

Cader Idris
Creator:
Print made by John Sell Cotman, 1782–1842
Date:
between 1824 and 1830
Materials & Techniques:
Soft-ground etching on moderately thick, slightly textured, brown wove paper
Dimensions:
Sheet: 5 1/2 x 7 7/16 inches (13.9 x 18.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

114. More Park, near Watford, on the River Colne

More Park, near Watford, on the River Colne
Creator:
Print made by Charles Turner, 1774–1857
Date:
1824
Materials & Techniques:
Mezzotint; engraver's proof (b) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 5/8 × 17 1/8 inches (32.1 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

115. More Park, near Watford, on the River Colne

More Park, near Watford, on the River Colne
Creator:
Print made by Charles Turner, 1774–1857
Date:
1824
Materials & Techniques:
Mezzotint; first engraver's proof before (a) (very early) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/2 × 10 7/8 inches (21.6 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

116. Norham Castle, on the River Tweed

Norham Castle, on the River Tweed
Creator:
Print made by Charles Turner, 1774–1857
Date:
1824
Materials & Techniques:
Mezzotint; engraver's proof (b) (touched) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 3/4 × 13 1/4 inches (24.8 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

117. Norham Castle, on the River Tweed

Norham Castle, on the River Tweed
Creator:
Print made by Charles Turner, 1774–1857
Date:
1824
Materials & Techniques:
Mezzotint; engraver's proof (a) (touched) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 3/4 × 13 1/2 inches (24.8 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

118. Norham Castle, on the River Tweed

Norham Castle, on the River Tweed
Creator:
Print made by Charles Turner, 1774–1857
Date:
1824
Materials & Techniques:
Mezzotint; engraver's proof (d) (touched) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 16 3/8 inches (28.9 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

119. Caen - Eglise Saint-Sauveur

Caen - Eglise Saint-Sauveur
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1824
Materials & Techniques:
Lithograph with yellow tint on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 14 1/16 x 11 5/16 inches (35.7 x 28.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

120. The Eddystone Lighthouse

The Eddystone Lighthouse
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1824-1825
Materials & Techniques:
Mezzotint; engraver's proof (a) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/2 × 17 3/4 inches (29.2 × 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

121. Neptune's Trident (vignette on wrapper)

Neptune's Trident (vignette on wrapper)
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1824 to 1825
Materials & Techniques:
Etching and line engraving on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 17 5/8 × 11 1/8 inches (44.8 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

122. Sunrise, Whiting Fishing at Margate

Sunrise, Whiting Fishing at Margate
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1824 to 1825
Materials & Techniques:
Mezzotint; earliest engraver's proof on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 10 1/8 × 14 3/8 inches (25.7 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

123. Sunrise, Whiting Fishing at Margate

Sunrise, Whiting Fishing at Margate
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1824-1827
Materials & Techniques:
Mezzotint; engraver's proof (b) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 × 20 1/2 inches (38.1 × 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

124. The Eddystone Lighthouse

The Eddystone Lighthouse
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1824
Materials & Techniques:
Mezzotint; engraver's proof (Turner's copies) on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 14 7/8 × 21 5/8 inches (37.8 × 54.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

125. Church at Highgate, Middlesex

Church at Highgate, Middlesex
Creator:
unknown artist
Date:
1824
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

126. Entrance to the Hudson Highlands

Entrance to the Hudson Highlands
Creator:
William Henry Bartlett, 1809–1854
Date:
undated
Materials & Techniques:
Pen and brown ink and brown wash with white gouache over graphite with scraping out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 × 7 inches (12.7 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. John Hill Morgan

127. Clovelly Bay and Lundy Island

Clovelly Bay and Lundy Island
Creator:
Print made by William Miller, 1796–1882
Date:
1824
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 5/8 × 17 5/8 inches (29.5 × 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

128. Dunbar

Dunbar
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1824
Materials & Techniques:
Line engraving, engraver's proof on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 × 19 9/16 inches (37.5 × 49.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

129. Bell Rock Lighthouse

Bell Rock Lighthouse
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1824
Materials & Techniques:
Line engraving and etching, Proof on medium, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 1/16 × 13 3/16 inches (25.6 × 33.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

130. Bell Rock Lighthouse

Bell Rock Lighthouse
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1824
Materials & Techniques:
Line engraving, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 9 5/8 × 12 7/8 inches (24.4 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

131. Hythe, Kent

Hythe, Kent
Creator:
Print made by George Cooke, 1781–1834
Date:
1824
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/4 × 11 3/4 inches (22.2 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

132. Hythe, Kent

Hythe, Kent
Creator:
Print made by George Cooke, 1781–1834
Date:
1824
Materials & Techniques:
Etching and line engraving; first published state india paper on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 1/2 × 16 7/8 inches (29.2 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

133. Hythe, Kent

Hythe, Kent
Creator:
Print made by George Cooke, 1781–1834
Date:
1824
Materials & Techniques:
Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 17 1/2 inches (29.8 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

134. Hythe, Kent

Hythe, Kent
Creator:
Print made by George Cooke, 1781–1834
Date:
1824
Materials & Techniques:
Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 3/4 × 19 inches (32.4 × 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

135. More Park from Rivers of England

More Park from Rivers of England
Creator:
Print made by Charles Turner, 1774–1857
Date:
1824
Materials & Techniques:
Mezzotint, touched proof; engraver's proof (a) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 5/8 x 10in. (19.4 x 25.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

136. Ehenbreitstein, During the Demolition of the Fortress in 1817 from the Quay at Coblentz.

Ehenbreitstein, During the Demolition of the Fortress in 1817 from the Quay at Coblentz.
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1824
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 15 1/2 × 22 inches (39.4 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

137. Cologne

Cologne
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1824
Materials & Techniques:
Etching and line engraving with graphite and white chalk; early engraver's proof, touched on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 17 3/4 × 25 1/2 inches (45.1 × 64.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

138. Cologne

Cologne
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1824
Materials & Techniques:
Etching; engraver's proof, open etched state on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 19 3/4 × 27 1/4 inches (50.2 × 69.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

139. Cologne

Cologne
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1824
Materials & Techniques:
Etching and line engraving with graphite; early engraver's proof, touched on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 20 × 27 1/8 inches (50.8 × 68.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

140. Cologne

Cologne
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1824
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 23 × 29 7/8 inches (58.4 × 75.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

141. Ehrenbreitstein

Ehrenbreitstein
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1824
Materials & Techniques:
Line engraving, engraver's proof on moderatelythick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 1/2 × 17 3/8 inches (29.2 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

142. The Winter Room in the Artist's House at Patna

The Winter Room in the Artist's House at Patna
Creator:
Sir Charles D'Oyly, 1781–1845
Date:
1824
Materials & Techniques:
Watercolor, gouache, pen and ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/4 × 13 1/2 inches (19.7 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

143. Mount Honey, Fonthill, Wiltshire

Mount Honey, Fonthill, Wiltshire
Creator:
William Rider, active 1824–1849
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 × 7 5/8 inches (13.3 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

144. Rochester, on the River Medway

Rochester, on the River Medway
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1824
Materials & Techniques:
Mezzotint; engraver's proof (b); completed on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 13 1/4 × 20 1/4 inches (33.7 × 51.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

145. Bergues - La Tour du Marché

Bergues - La Tour du Marché
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1824
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:
Sheet: 10 1/4 x 7 1/4 inches (26.1 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

146. Cowdray Ruins

Cowdray Ruins
Creator:
Print made by James Clark, 19th century
Date:
1824
Materials & Techniques:
Colored aquatint on thick, textured, beige wove paper
Dimensions:
Sheet: 15 3/8 × 20 11/16 inches (39 × 52.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

147. Advertisement for 'List of New Prints and Engraved Works published by W.B. Cooke 9 Soho Square'

Advertisement for 'List of New Prints and Engraved Works published by W.B. Cooke 9 Soho Square'
Creator:
Print made by unknown artist
Date:
1824 to 1825
Materials & Techniques:
Letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

148. H. M. George IV Proclaimed King at Carlton House

H. M. George IV Proclaimed King at Carlton House
Creator:
Robert Havell, 1769–1832
Date:
1824
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 18 1/2 x 14 1/4in. (47 x 36.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

149. Rue du Gros Horloge

Rue du Gros Horloge
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1824
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:
Sheet: 13 x 13 15/16 inches (33 x 35.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

150. Tour aux Archives a Vernon

Tour aux Archives a Vernon
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1824
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:
Sheet: 17 15/16 x 13 9/16 inches (45.6 x 34.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

151. Chelsea - Albert Bridge

Chelsea - Albert Bridge
Creator:
Thomas Abiel Prior, 1809–1886
Date:
undated
Materials & Techniques:
Engraving
Dimensions:
Sheet: 11 5/8 x 19 9/16in. (29.5 x 49.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

152. May Day

May Day
Creator:
unknown artist
Date:
1824
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

153. Lillebonne - Château d'Harcourt

Lillebonne - Château d'Harcourt
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1824
Materials & Techniques:
Lithograph with yellow tint on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 12 1/2 x 9 11/16 inches (31.8 x 24.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

154. Norham Castle, on the River Tweed

Norham Castle, on the River Tweed
Creator:
Print made by Charles Turner, 1774–1857
Date:
1824
Materials & Techniques:
Mezzotint; engraver's proof (c) (touched) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/4 × 11 5/8 inches (23.5 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

155. Dartmouth Castle, on the River Dart

Dartmouth Castle, on the River Dart
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1824
Materials & Techniques:
Mezzotint; engraver's proof (a) (touched) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/4 × 12 3/8 inches (23.5 × 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

156. Norham Castle, on the River Tweed

Norham Castle, on the River Tweed
Creator:
Print made by Charles Turner, 1774–1857
Date:
1824
Materials & Techniques:
Mezzotint; engraver's proof (g) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 × 19 3/8 inches (33 × 49.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

157. Norham Castle, on the River Tweed

Norham Castle, on the River Tweed
Creator:
Print made by Charles Turner, 1774–1857
Date:
1824
Materials & Techniques:
Mezzotint; engraver's proof (cd) (touched) on medium, slightly textured, cream laid paper
Dimensions:
Plate: 8 5/8 × 10 1/8 inches (21.9 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

158. Elevations and Plans of the Court of Kings Bench

Elevations and Plans of the Court of Kings Bench
Creator:
Print made by unknown artist
Date:
ca. 1827
Materials & Techniques:
Etching on medium, smooth, cream wove paper
Dimensions:
Sheet: 16 7/16 x 11 5/8in. (41.8 x 29.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

159. An Irish Tilting Match, or the Poissardes against the Poignards

An Irish Tilting Match, or the Poissardes against the Poignards
Creator:
Henry Heath, active 1824–1835
Date:
1824
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

160. Shakspeare's Desk

Shakspeare's Desk
Creator:
James Fahey, 1804–1885
Date:
1824
Materials & Techniques:
Print
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

161. H. Bone, Esqr., R.A.

H. Bone, Esqr., R.A.
Creator:
Frederick Christian Lewis the Elder, 1779–1856
Date:
1824
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

162. Turk on a Horse

Turk on a Horse
Creator:
Thomas Hartley Cromek, 1809–1873
Date:
undated
Materials & Techniques:
Pen and sepia ink
Dimensions:
Frame: 2 1/4 × 1 15/16 × 3/16 inches (5.7 × 4.9 × 0.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

163. Sir Thomas Lawrence's Painting Room in 1824

Sir Thomas Lawrence's Painting Room in 1824
Creator:
Emily Calmady, 19th century
Date:
1824
Materials & Techniques:
Graphite and white gouache on medium, moderately textured, beige wove paper
Dimensions:
Mount: 11 1/2 × 19 3/8 inches (29.2 × 49.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

164. Collection of Drawings Volume 1

Collection of Drawings Volume 1
Creator:
Anne Rushout, ca. 1768–1849
Date:
1824 to 1832
Materials & Techniques:
watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 7 1/4 inches (18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

165. Wash proofs to accompany Westmacott's "The English Spy": The Oppidan's Museum or Eton Court of Claims at the Christopher

Wash proofs to accompany Westmacott's "The English Spy": The Oppidan's Museum or Eton Court of Claims at the Christopher
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

166. Wash proofs to accompany Westmacott's "The English Spy": Flooring of Mercury or Burning the Oaks, a Scene in Tom Quadrangle

Wash proofs to accompany Westmacott's "The English Spy": Flooring of Mercury or Burning the Oaks, a Scene in Tom Quadrangle
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

167. Wash proofs to accompany Westmacott's "The English Spy": First Bow to Alma Mater or Bernard Blackmantle's introduction to the Big Wig

Wash proofs to accompany Westmacott's "The English Spy": First Bow to Alma Mater or Bernard Blackmantle's introduction to the Big Wig
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

168. Wash proofs to accompany Westmacott's "The English Spy": College Comforts, A Freshman taking possession of his Rooms

Wash proofs to accompany Westmacott's "The English Spy": College Comforts, A Freshman taking possession of his Rooms
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

169. Wash proofs to accompany Westmacott's "The English Spy": The Royal Saloon Piccadilly

Wash proofs to accompany Westmacott's "The English Spy": The Royal Saloon Piccadilly
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

170. Wash proofs to accompany Westmacott's "The English Spy": Black Matins, or the Effect of Late Drinking upon Early Risers

Wash proofs to accompany Westmacott's "The English Spy": Black Matins, or the Effect of Late Drinking upon Early Risers
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

171. Wash proofs to accompany Westmacott's "The English Spy": The Opera Green Room, or Noble Amateurs viewing Foreign Curiosities

Wash proofs to accompany Westmacott's "The English Spy": The Opera Green Room, or Noble Amateurs viewing Foreign Curiosities
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

172. Wash proofs to accompany Westmacott's "The English Spy": The Daffy Club, or a Musical Muster of the Fancy

Wash proofs to accompany Westmacott's "The English Spy": The Daffy Club, or a Musical Muster of the Fancy
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

173. Wash proofs to accompany Westmacott's "The English Spy": A Frolic in High Life, or a Visit to Billingsgate

Wash proofs to accompany Westmacott's "The English Spy": A Frolic in High Life, or a Visit to Billingsgate
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

174. Wash proofs to accompany Westmacott's "The English Spy": [Portraits from Life by J. R. Cruikshank] pub. as Bernard Blackmantle reading his Play in the Green Room of Covent Garden Theatre

Wash proofs to accompany Westmacott's "The English Spy": [Portraits from Life by J. R. Cruikshank] pub. as Bernard Blackmantle reading his Play in the Green Room of Covent Garden Theatre
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

175. Wash proofs to accompany Westmacott's "The English Spy":: Bernard Blackmantle reading his Farce in the Green Room of the Theatre Royal Drury Lane

Wash proofs to accompany Westmacott's "The English Spy":: Bernard Blackmantle reading his Farce in the Green Room of the Theatre Royal Drury Lane
Creator:
J. W. Wageman, active 1824
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

176. Wash proofs to accompany Westmacott's "The English Spy": The Great Subscription Room at Brooks's or Opposition Members engaged upon Hazardous Points

Wash proofs to accompany Westmacott's "The English Spy": The Great Subscription Room at Brooks's or Opposition Members engaged upon Hazardous Points
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

177. Wash proofs to accompany Westmacott's "The English Spy": [The Vice Chancellor in the Divinity School - Golgotha or the Place of Skulls - Sentance of Rustication]

Wash proofs to accompany Westmacott's "The English Spy": [The Vice Chancellor in the Divinity School - Golgotha or the Place of Skulls - Sentance of Rustication]
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

178. Wash proofs to accompany Westmacott's "The English Spy": Tom Echo laid up with the Headington fever or an Oxonion very near the Wall

Wash proofs to accompany Westmacott's "The English Spy": Tom Echo laid up with the Headington fever or an Oxonion very near the Wall
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

179. Wash proofs to accompany Westmacott's "The English Spy": Town and Gown or the Battle of the Togate and the Town Raff in the High Street Oxford

Wash proofs to accompany Westmacott's "The English Spy": Town and Gown or the Battle of the Togate and the Town Raff in the High Street Oxford
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

180. Wash proofs to accompany Westmacott's "The English Spy": The Maiden Brief, Dick Gradus's first appearance among the Worthies of Westminster Hall

Wash proofs to accompany Westmacott's "The English Spy": The Maiden Brief, Dick Gradus's first appearance among the Worthies of Westminster Hall
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

181. Wash proofs to accompany Westmacott's "The English Spy": Oxford Transports or Albanians doing Penance for Past Offences

Wash proofs to accompany Westmacott's "The English Spy": Oxford Transports or Albanians doing Penance for Past Offences
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

182. Wash proofs to accompany Westmacott's "The English Spy": [The House of Lords in High Debate. The Duke of York, making his speech upon the Catholic Question] pub. as The House of Lords

Wash proofs to accompany Westmacott's "The English Spy": [The House of Lords in High Debate. The Duke of York, making his speech upon the Catholic Question] pub. as The House of Lords
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

183. Bramber Castle

Bramber Castle
Creator:
unknown artist
Date:
between 1824 and 1835
Materials & Techniques:
Watercolor over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Mount: 11 3/4 × 8 1/2 inches (29.8 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

184. Hotel de Ville, Bruges

Hotel de Ville, Bruges
Creator:
John Coney, 1786–1833
Date:
1824
Materials & Techniques:
Graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 9 5/8 x 14 7/8in. (24.4 x 37.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

185. Entrance to Calais Harbour

Entrance to Calais Harbour
Creator:
David Cox, 1783–1859
Date:
ca. 1829
Materials & Techniques:
Watercolor and graphite on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 7 3/8 × 11 inches (18.7 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

186. Collection of Drawings Volume 2

Collection of Drawings Volume 2
Creator:
Anne Rushout, ca. 1768–1849
Date:
1824 to 1832
Materials & Techniques:
Watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 7 1/4 inches (18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

187. Collection of Drawings Volume 3

Collection of Drawings Volume 3
Creator:
Anne Rushout, ca. 1768–1849
Date:
1824 to 1832
Materials & Techniques:
Watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 7 1/4 inches (18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

188. Study for Master William Wilberforce

Study for Master William Wilberforce
Creator:
John Linnell, 1792–1882
Date:
1824
Materials & Techniques:
Graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 6 3/4 x 6 1/4 inches (17.1 x 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of R. M. M. Pryor, Esq., (Hitchin, Herts), 1983.

189. Untitled Images of Livestock, Plate 8

Untitled Images of Livestock, Plate 8
Creator:
Print made by Henry Walter, 1786–1849
Date:
1824
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

190. View from the Cowgate of the Buildings on the South of the Parliament Close

View from the Cowgate of the Buildings on the South of the Parliament Close
Creator:
Print made by Robert Scott, 1771–1841
Date:
1824
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

191. Covent Garden Market

Covent Garden Market
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1824
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

192. Heads of Fisherman

Heads of Fisherman
Creator:
Joseph Stannard, 1797–1830
Date:
1824
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 5/8 × 5 1/2 inches (24.4 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

193. The Coliseum, Rome

The Coliseum, Rome
Creator:
Sir John Frederick William Herschel, first Baronet, 1792–1871
Date:
1824
Materials & Techniques:
Graphite camera lucida drawing on medium, smooth, cream wove paper
Dimensions:
Mount: 10 × 15 1/4 inches (25.4 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

194. Antwerp Cathedral

Antwerp Cathedral
Creator:
Sir John Frederick William Herschel, first Baronet, 1792–1871
Date:
1824
Materials & Techniques:
Graphite camera lucida drawing on medium, smooth, cream wove paper mounted on sheet of cream wove paper
Dimensions:
Mount: 7 5/8 × 11 1/2 inches (19.4 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

195. Mausoleum, at Trentham (the Seat of the Marquis of Stratford)

Mausoleum, at Trentham (the Seat of the Marquis of Stratford)
Creator:
Print made by John Gendall, 1790–1865
Date:
1824
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 7/8 × 9 3/8 inches (14.9 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

196. Untitled Images of Livestock, Plate 12

Untitled Images of Livestock, Plate 12
Creator:
Print made by Henry Walter, 1786–1849
Date:
1824
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

197. Untitled Images of Livestock, Plate 9

Untitled Images of Livestock, Plate 9
Creator:
Print made by Henry Walter, 1786–1849
Date:
1824
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

198. Untitled Images of Livestock, Plate 6

Untitled Images of Livestock, Plate 6
Creator:
Print made by Henry Walter, 1786–1849
Date:
1824
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

199. Untitled Images of Livestock, Plate 3

Untitled Images of Livestock, Plate 3
Creator:
Print made by Henry Walter, 1786–1849
Date:
1824
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

200. Untitled Images of Livestock, Plate 14

Untitled Images of Livestock, Plate 14
Creator:
Print made by Henry Walter, 1786–1849
Date:
1824
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection