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1
- Mrs. Cibber as Cordelia
- 1755
- Not on view
2
- Gulliver Addressing the Houyhnhnms
- 1769
- Not on view
3
- Opening the Fold
- 1880
4
- The Fifth Plague of Egypt
- 1808
5
- Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"
- ca. 1797
6
- Visions of the Daughters of Albion, Plate 2, Title Page
- 1793
7
- Visions of the Daughters of Albion, Plate 1, Frontispiece
- 1793
8
- Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "
- 1793
9
- Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "
- 1793
10
- Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
- 1797
11
- The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
12
- The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
13
- The Poems of Thomas Gray, Design 59, "The Bard."
- between 1797 and 1798
14
- Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
- 1797
15
- Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
- 1797
16
- Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
- 1797
17
- The Poems of Thomas Gray, Design 95, "Ode for Music."
- between 1797 and 1798
18
- Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
- 1789
19
- Jerusalem, Plate 92, "What do I see!...."
- 1804 to 1820
20
- Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
- 1797
21
- Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
- 1797
22
- Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
- 1797
23
- Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
- 1797
24
- Jerusalem, Plate 12, "Why wilt thou give to her...."
- 1804 to 1820
25
- Jerusalem, Plate 14, "One hair nor particle of dust...."
- 1804 to 1820
26
- Jerusalem, Plate 20, "But when they saw Albion...."
- 1804 to 1820
27
- Jerusalem, Plate 50, "The Atlantic Mountains...."
- 1804 to 1820
28
- The Poems of Thomas Gray, Design 65, "The Bard."
- between 1797 and 1798
29
- The Poems of Thomas Gray, Design 63, "The Bard."
- between 1797 and 1798
30
- The Poems of Thomas Gray, Design 83, "The Descent of Odin."
- between 1797 and 1798
31
- Jerusalem, Plate 43, "They saw their Wheels...."
- 1804 to 1820
32
- Jerusalem, Plate 45, "Bath, healing City!...."
- 1804 to 1820
33
- Jerusalem, Plate 70, "And this the form of mighty Hand...."
- 1804 to 1820
34
- Jerusalem, Plate 3, "To the Public...."
- 1804 to 1820
35
- Jerusalem, Plate 31, "His western heaven...."
- 1804 to 1820
36
- Jerusalem, Plate 32, "Leaning against the pillars...."
- 1804 to 1820
37
- For the Sexes: The Gates of Paradise, Plate 6, "Air"
- 1826
38
- For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"
- 1826
39
- For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"
- 1826
40
- The First Book of Urizen, Plate 16, "Two Nostrils Bent Down to the Deep...." (Bentley 13)
- 1794
41
- The Poems of Thomas Gray, Design 99, "Ode for Music."
- between 1797 and 1798
42
- Jerusalem, Plate 74, "The Four Zoa's clouded rage...."
- 1804 to 1820
43
- Jerusalem, Plate 77, "To the Christians...."
- 1804 to 1820
44
- Jerusalem, Plate 78, "The Spectres of..."
- 1804 to 1820
45
- Jerusalem, Plate 81, "I have mockd those...."
- 1804 to 1820
46
- Jerusalem, Plate 82, "I have heard Jerusalems groans...."
- 1804 to 1820
47
- Jerusalem, Plate 83, "Corruptability appears upon thy limbs...."
- 1804 to 1820
48
- Jerusalem, Plate 8, "Rose up against me...."
- 1804 to 1820
49
- Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
- ca. 1797
50
- The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)
- 1794
51
- Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
- ca. 1797
52
- Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
- ca. 1797
53
- Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"
- ca. 1797
54
- Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"
- ca. 1797
55
- Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"
- ca. 1797
56
- The Gambols of Ghosts According with Their Affections Previous to the Final Judgement
- 1805 to 1808
57
- Satan Approaching the Court of Chaos
- 1784 to 1785
58
- The Man Sweeping the Interpreter's Parlour
- ca. 1822
59
- Miranda, Prospero, and Caliban: The Tempest
- undated
60
- A Procession of the Damned: Study for the Damned in Dante's "Inferno"
- undated
61
- The Death of the Good Old Man
- 1808, published 1813
62
- Hamlet
- 1809
63
- Come Gentle Night: "Romeo and Juliet," Act III, Scene II
- between 1839 and 1849
64
- Queen Katherine's Dream - "Henry VIII"
- 1788
65
- The Dreams of the Youthful Shakespeare
- 1827
66
- Macbeth and Banquo on the Heath
- ca. 1830
67
- Mary Hale (née Chaloner) as Euphrosyne in 'L'Allegro'
- between 1762 and 1764
68
- Mr. Garrick and Miss Bellamy in the Characters of Romeo and Juliet
- 1753
69
- Illustration to Tonson's Ovid Metamorphosis (one of four)
- ca. 1710
70
- Falstaff Instructing Bardolph
- 1825
71
- Illustration to Homer's Iliad
- 1723
72
- Illustration to Tonson's Ovid Metamorphosis (three of four)
- ca. 1710
73
- Celadon and Amelia
- 1766
74
- Venus Presenting Armour to Aeneas
- undated
75
- The Judgement of Paris
- undated
76
- The Day of Judgment
- 1808, published 1813
77
- Prospero Conjuring a Masque for Ferdinand and Miranda
- ca. 1810
78
- The Death of Ophelia
- ca. 1810
79
- Dog and the Shadow
- 1909
80
- Sleepest or Wakest Thou?
- ca. 1853
81
- Lear in the Storm
- undated
82
- The Fatal Bellman
- 1827
83
- Twelfth Night, Act III, Scene IV: Olivia's House
- 1803
84
- Ashestiel
- 1835
85
- Mrs. Yates in the Character of Medea
- after 1771
86
- Macbeth and the Apparition of the Armed Head
- ca. 1820
87
- A Scene in Ancient Rome: A Setting for Titus Andronicus, I, ii
- ca. 1830
88
- The Three Witches from Macbeth: Though the Bark Cannot be Lost..
- ca. 1781
89
- Ferdinand and Ariel
- ca. 1781