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1
- Children Acting the 'Play Scene' from "Hamlet," Act II, Scene ii
- 1863
- Not on view
2
- Shylock and Jessica from the 'Merchant of Venice,' II, ii
- 1830
- Not on view
3
- Master Betty as Hamlet, before a Bust of Shakespeare
- between 1804 and 1806
- Not on view
4
- Portia and Shylock, from Shakespeare's "The Merchant of Venice", IV, i
- ca. 1778
- Not on view
5
- Prospero, Miranda and Ariel, from "The Tempest"
- ca. 1780
- Not on view
6
- The Seven Ages of Man: The Infant, 'As You Like It,' II, vii
- between 1798 and 1801
- Not on view
7
- David Garrick and George Anne Bellamy in "Romeo and Juliet", Act V, Scene iii
- 1753
- Not on view
8
- Jaques and the Wounded Stag: 'As You Like It,' Act II, Scene I
- 1790
- Not on view
9
- Henry Woodward as Petruchio in Catherine and Petruchio, a version by Garrick of "The Taming of the Shrew"
- between 1773 and 1774
- Not on view
10
- Virgil's Tomb by Moonlight, with Silius Italicus
- 1779
- Not on view
11
- The Seven Ages of Man: Second Childishness, 'As You Like It,' II, vii
- between 1798 and 1801
- Not on view
12
- Prospero, Miranda and Ariel, from "The Tempest," Act I, scene ii
- ca. 1799
- Not on view
13
- Falstaff at Herne's Oak, from "The Merry Wives of Windsor," Act V, Scene v
- 1832
- Not on view
14
- The Seven Ages of Man: The Lover, 'As You Like It,' II, vii
- between 1798 and 1801
- Not on view
15
- Louis-Francois Roubiliac Modelling His Monument to Shakespeare
- between 1760 and 1761
- Not on view
16
- A Knight and Page (from Johann Wolfgang von Goethe’s “Götz von Berlichingen” )
- ca. 1826
- Not on view
17
- Dr. Syntax: Walking with a Stick
- ca. 1810
- Not on view
18
- Dr. Syntax: Losing His Temper
- ca. 1810
- Not on view
19
- Oberon and Titania
- 1837
20
- Procris and Cephalus
- 1812
21
- Apuleia in Search of Apuleius
- between 1813 and 1823
22
- Jerusalem, Plate 76
- 1804 to 1820
23
- Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
- 1797
24
- Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
- 1797
25
- Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
- 1797
26
- Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
- 1797
27
- Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
- 1797
28
- The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
29
- The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
30
- The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
31
- The Poems of Thomas Gray, Design 37, "Ode to Adversity."
- between 1797 and 1798
32
- The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
- between 1797 and 1798
33
- The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
- between 1797 and 1798
34
- The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
35
- The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
36
- The Poems of Thomas Gray, Design 27, "A Long Story."
- between 1797 and 1798
37
- The Poems of Thomas Gray, Design 83, "The Descent of Odin."
- between 1797 and 1798
38
- There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
- ca. 1788
39
- The Poems of Thomas Gray, Design 3, "Ode on the Spring."
- between 1797 and 1798
40
- The Poems of Thomas Gray, Design 33, "A Long Story."
- between 1797 and 1798
41
- The Poems of Thomas Gray, Design 35, "Ode to Adversity."
- between 1797 and 1798
42
- The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
- between 1797 and 1798
43
- The Poems of Thomas Gray, Design 5, "Ode on the Spring."
- between 1797 and 1798
44
- The Poems of Thomas Gray, Design 53, "The Bard."
- between 1797 and 1798
45
- The Poems of Thomas Gray, Design 55, "The Bard."
- between 1797 and 1798
46
- The Poems of Thomas Gray, Design 65, "The Bard."
- between 1797 and 1798
47
- The Poems of Thomas Gray, Design 79, "The Descent of Odin."
- between 1797 and 1798
48
- The Poems of Thomas Gray, Design 85, "The Descent of Odin."
- between 1797 and 1798
49
- The Poems of Thomas Gray, Design 99, "Ode for Music."
- between 1797 and 1798
50
- Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
- 1789
51
- The Poems of Thomas Gray, Design 69, "The Fatal Sisters."
- between 1797 and 1798
52
- Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
- 1797
53
- Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
- 1797
54
- The Poems of Thomas Gray, Design 103, "Epitaph on Mrs. Clarke."
- between 1797 and 1798
55
- Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
- 1797
56
- Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"
- 1797
57
- Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"
- 1797
58
- Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
- 1797
59
- Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
- 1797
60
- Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
- 1797
61
- Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
- 1797
62
- The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"
- between 1797 and 1798
63
- The Poems of Thomas Gray, Design 101, "Ode for Music."
- between 1797 and 1798
64
- Songs of Innocence and of Experience
- 1789-1794
65
- Prospero and Miranda
- ca. 1787
66
- John Henderson as Falstaff
- 1780
67
- Lear Awakened by Cordelia
- between 1774 and 1775
68
- Lear Awakened by Cordelia
- ca. 1774
69
- The Abandonment and Rescue of Perdita from "The Winter's Tale"
- undated
70
- Ticket: Anacreontic Society Meeting
- 1779
71
- Mr. Garrick in "The Farmer's Return"
- 1766
72
- John Henderson as Iago
- before 1786
73
- Celadon and Amelia
- 1782
74
- Here Nature List'ning Stood
- 1795
75
- A Great Actor between Tragedy and Comedy
- 1834
76
- 'Henry IV, Part I,' Act II, Scene III
- undated
77
- 'Henry IV, Part I,' Act II, Scene IV
- undated
78
- Celadon and Amelia from Thomson's 'The Seasons'
- undated
79
- Malvolio: Possibly a Self-Portrait in the Role
- undated
80
- Prospero and Ariel
- 1821
81
- Anne Page and Slender
- 1821
82
- Lysander Awakening to See Helena
- 1825
83
- Illustration for Don Quixote, Two Figures at a Table
- undated
84
- She Never Told Her Love, But Sat Like Patience on a Monument
- 1827
85
- And Ah! Let Pity Turn Her Dewy Eyes..
- 1801
86
- Mr. Garrick and Mrs. Pritchard, in the Tragedy of 'Macbeth.' Act II. Scene III
- 1776
87
- Gadshill
- 1796
88
- The Captive
- 1781
89
- Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming
- 1745
90
- As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)
- 1803
91
- Study for "Gulliver's Travels"
- undated
92
- Katherina and Grumio
- 1821
93
- Launce with his Dog Crab
- ca. 1821
94
- The Soul Hovering over the Body reluctantly Parting with Life
- 1808, published 1813
95
- Aubertus Miræus
- ca. 1635
96
- Greatheart's Battle with Grim
- undated
97
- St. Julienne's Chapel
- 1834
98
- The Death of Cordelia
- undated
99
- Illustration to Homer's Iliad
- 1723
100
- Kitty Clive as Lady Easy in "The Careless Husband"
- 1739