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Materials & Techniques brown ink

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Mer de Glace, Valley of Chamouni, Savoy
Creator:
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Date:
1812
Materials & Techniques:
Etching and mezzotint, printed in brown ink Engraver's proof (c) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mer de Glace, Valley of Chamouni, Savoy
Creator:
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Date:
1812
Materials & Techniques:
Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 × 12 7/8 inches (25.4 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Entrance of Calais Harbour
Creator:
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Date:
1816
Materials & Techniques:
Etching and mezzotint, printed in brown ink Engraver's proof (d) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 × 16 3/4 inches (30.5 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Entrance of Calais Harbour
Creator:
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Date:
1816
Materials & Techniques:
Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 5/8 × 16 1/2 inches (29.5 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bonneville, Savoy
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1816
Materials & Techniques:
Etching and mezzotint, printed in brown ink; Engraver's proof (c) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 3/4 × 16 1/8 inches (27.3 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bonneville, Savoy
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1816
Materials & Techniques:
Etching and mezzotint, printed in brown ink; First published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/2 × 16 3/4 inches (29.2 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mer de Glace, Valley of Chamouni, Savoy
Creator:
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Date:
1812
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/8 × 16 3/8 inches (27 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Entrance of Calais Harbour
Creator:
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Date:
1816
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 × 16 inches (27.9 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bonneville, Savoy
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1816
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/2 × 10 7/8 inches (19.1 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tours: Sunset: Looking Backwards
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
between 1826 and 1830
Materials & Techniques:
Watercolor, gouache, graphite and pen and brown ink on medium, slightly textured, blue wove paper
Dimensions:
Sheet: 4 7/8 x 7 3/8 inches (12.4 x 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lake Geneva and Mount Blanc
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
1802 to 1805
Materials & Techniques:
Watercolor, pen and black ink, pen and brown ink and scraping out on slightly textured, cream wove paper
Dimensions:
Sheet: 28 7/8 x 44 5/8 inches (73.3 x 113.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Entrance to the Port of Marseille
Creator:
Edward Lear, 1812–1888
Date:
undated
Materials & Techniques:
Pen and brown ink with gouache over graphite on medium, slightly textured, blue wove paper mounted on moderately thick, slightly textured, cream card
Dimensions:
Mount: 6 1/2 × 9 7/8 inches (16.5 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948
A View of the Pine Woods Above Cannes
Creator:
Edward Lear, 1812–1888
Date:
1869
Materials & Techniques:
Watercolor and gumming with pen in brown and blue ink, and scraping out, over graphite on thick, rough, cream wove paper
Dimensions:
Sheet: 6 9/16 x 20 3/16 inches (16.7 x 51.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Nice from the Genoa Road
Creator:
Edward Lear, 1812–1888
Date:
1865
Materials & Techniques:
Watercolor with pen and brown ink over graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 5 5/8 × 9 3/4 inches (14.3 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Elizabeth S. Tower
Bavella, Corsica
Creator:
Edward Lear, 1812–1888
Date:
ca. 1868
Materials & Techniques:
Pen and brown ink, pen and black ink, brown wash, and graphite on moderately thick, rough, beige wove paper
Dimensions:
Sheet: 9 × 14 1/2 inches (22.9 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On the Rhone
Creator:
Mary Harcourt, 1750–1833
Date:
ca. 1780
Materials & Techniques:
Brushed brown ink, brown wash, gray wash, graphite, brown ground and varnish on medium, slightly textured, cream laid paper, mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 x 11 5/8 inches (17.8 x 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Pont Royal
Creator:
William Callow, 1812–1908
Date:
ca. 1833
Materials & Techniques:
Watercolor, pen and brown ink, gray ink, graphite, and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 1/4 × 19 13/16 inches (33.7 × 50.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Nîmes from the Tour Magne
Creator:
William Marlow, 1740–1813
Date:
ca. 1765
Materials & Techniques:
Watercolor and pen and brown ink over graphite on medium, moderately textured, cream laid paper mounted on medium, moderately textured, cream laid paper (original mount)
Dimensions:
Mount: 17 1/4 × 23 7/8 inches (43.8 × 60.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of a Street in a French Town
Creator:
William Henry Hunt, 1790–1864
Date:
ca. 1831
Materials & Techniques:
Pen and brown ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/8 x 13 3/8 inches (46 x 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Beauvais

Beauvais
Creator:
attributed to William Henry Hunt, 1790–1864
Date:
ca. 1831
Materials & Techniques:
Watercolor, pen and brown ink, black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 16 3/4 x 13 3/4 inches (42.5 x 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Scenes from Life in Paris: Man Seated and Man Carrying Basket
Creator:
Ambrose Poynter, 1796–1886
Date:
ca. 1835
Materials & Techniques:
Watercolor and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 7/8 × 5 5/16 inches (9.8 × 13.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Porch, Reims Cathedral
Creator:
Samuel Prout, 1783–1852
Date:
ca. 1840
Materials & Techniques:
Watercolor, pen and brown ink, gouache, and graphite, with scratching out on moderately thick, rough, beige wove paper
Dimensions:
Sheet: 16 5/8 × 10 3/4 inches (42.2 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mont-Valérien from Bois de Boulogne
Creator:
William Callow, 1812–1908
Date:
1834
Materials & Techniques:
Watercolor with pen and brown ink over graphite, with scratching out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/2 × 9 5/8 inches (11.4 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Versailles
Creator:
William Callow, 1812–1908
Date:
1833
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 1/4 × 9 1/2 inches (8.3 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Le Château de Blois
Creator:
attributed to Thomas Shotter Boys, 1803–1874
Date:
undated
Materials & Techniques:
Watercolor with pen in brown ink over graphite with gouache on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 18 x 25 5/16 inches (45.7 x 64.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Pont des Arts, Paris
Creator:
Thomas Shotter Boys, 1803–1874
Date:
between 1831 and 1837
Materials & Techniques:
Pen and black ink and brown ink, graphite and watercolor on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 6 5/8 x 13 1/8 inches (16.8 x 33.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Guards on the March for the Duke of York's Campaign in France
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, pen and red ink, pen and gray ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 6 3/4 × 9 1/4 inches (17.1 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tournon Opposite to Teint on the Rhone
Creator:
Mary Harcourt, 1750–1833
Date:
ca. 1780
Materials & Techniques:
Brushed brown ink, brown wash, varnish and brown ground on medium, slightly textured, cream laid paper, mounted on medium, slightly textured, cream laid paper
Dimensions:
Mount: 7 3/4 x 12 1/8 inches (19.7 x 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
French Coast Scene with Fisherboy
Creator:
James Duffield Harding, 1798–1863
Date:
1829
Materials & Techniques:
Watercolor, pen and brown ink, pen and red ink, pen and gray ink, graphite, and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 7/8 x 10 3/4 inches (37.8 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sketches from Life in Paris: Man in Blue Trousers
Creator:
Ambrose Poynter, 1796–1886
Date:
ca. 1835
Materials & Techniques:
Watercolor and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 7/8 × 3 3/8 inches (9.8 × 8.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bonneville, Savoy
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1887
Materials & Techniques:
Etching printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 5/8 × 17 1/4 inches (32.1 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Daniel Bell
Auberville
Creator:
Walter Richard Sickert, 1860–1942
Date:
undated
Materials & Techniques:
Pen and brown ink, red ink, and graphite, squared for transfer on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/4 x 11 inches (19.7 x 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of John Russell
Parisian Street Figures
Creator:
Thomas Rowlandson, 1756–1827
Date:
1786
Materials & Techniques:
Gray wash and graphite with pen and brown ink; verso: watercolor on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/4 x 9 7/8 inches (15.9 x 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Paris Diligence
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and black, gray and red-brown ink over graphite; verso: graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 9 3/16 x 14 1/8 inches (23.3 x 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On the Seine
Creator:
Thomas Shotter Boys, 1803–1874
Date:
1831
Materials & Techniques:
Watercolor with pen and brown ink over graphite with gum arabic on moderately thick, slightly textured, cream wove paper, mounted to thick, slightly textured, cream wove paper, mounted to thick, slightly textured, beige card
Dimensions:
Mount: 5 3/4 x 8 3/4 inches (14.6 x 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Rather a Dangerous Kind of Hug
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1847
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 3/16 x 17 5/16 inches (31 x 44 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Arches in the West Side of the Cloister of Saint. Georges de Bocherville, near Rouen, Normandy
Creator:
John Sell Cotman, 1782–1842
Date:
1818
Materials & Techniques:
Graphite, brown wash, and brown ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 9 3/8 x 13 1/4 inches (23.8 x 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Pont de la Concorde and Tuileries Palace from the Cours la Reine
Creator:
François Louis Thomas Francia, 1772–1839
Date:
1823
Materials & Techniques:
Watercolor and brown ink and gouache over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 1/2 x 10 1/2 inches (16.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
L'Institut de France, Paris
Creator:
Thomas Shotter Boys, 1803–1874
Date:
1830
Materials & Techniques:
Watercolor, with pen in brown ink over graphite on moderately thick, rough, beige wove paper
Dimensions:
Sheet: 14 x 10 7/16 inches (35.6 x 26.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Wooded Glade near St. Tropez
Creator:
Roger Fry, 1866–1934
Date:
ca. 1922
Materials & Techniques:
Watercolor and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/4 × 14 3/4 inches (27.3 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mitchell Bobkin
Entrance into the Cornmarket, Formerly the Chapel of St. Louis, at Bayeux
Creator:
John Sell Cotman, 1782–1842
Date:
1817
Materials & Techniques:
Brown ink, brown wash, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/2 x 7 1/8 inches (24.1 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On the Coast of Brittany
Creator:
Alexander T. Francia, 1820–1884
Date:
1839
Materials & Techniques:
Watercolor, graphite, and brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 × 12 3/8 inches (19.1 × 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cafe Concert, Dieppe
Creator:
Walter Richard Sickert, 1860–1942
Date:
ca. 1920
Materials & Techniques:
Pen and brown ink on thin, smooth, cream wove paper
Dimensions:
Sheet: 10 3/4 x 8 3/8 inches (27.3 x 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund