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Materials & Techniques line engraving

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Genre religious and mythological subject

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1. For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"

For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"

For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"

For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. For the Sexes: The Gates of Paradise, Plate 1, Title Page

For the Sexes: The Gates of Paradise, Plate 1, Title Page
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"

For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"

For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."

For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"

For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. For the Sexes: The Gates of Paradise, Plate 20, "He meets his Saviour in the Grave . . . . "

For the Sexes: The Gates of Paradise, Plate 20, "He meets his Saviour in the Grave . . . . "
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. For the Sexes: The Gates of Paradise, Plate 4, "Water"

For the Sexes: The Gates of Paradise, Plate 4, "Water"
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. For the Sexes: The Gates of Paradise, Plate 5, "Earth"

For the Sexes: The Gates of Paradise, Plate 5, "Earth"
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. For the Sexes: The Gates of Paradise, Plate 7, "Fire"

For the Sexes: The Gates of Paradise, Plate 7, "Fire"
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

For the Sexes: The Gates of Paradise, Plate 9, "Alas!"
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. For the Sexes: The Gates of Paradise, Plate 6, "Air"

For the Sexes: The Gates of Paradise, Plate 6, "Air"
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"

Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Young's Night Thoughts, Page 17, "Night the Second, on Time, Death and Friendship"

Young's Night Thoughts, Page 17, "Night the Second, on Time, Death and Friendship"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"

Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"

Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"

Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Young's Night Thoughts, Page 43, "Night the Third, Narcissa."

Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"

Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"

Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"

Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"

Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"

Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"

Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"

Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"

Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"

Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"

Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."

Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"

Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"

Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"

Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"

Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"

Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"

Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"

Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"

Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"

Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"

Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"

Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"

Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"

Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. Young's Night Thoughts, Page 27, "O Treacherous Conscience!"

Young's Night Thoughts, Page 27, "O Treacherous Conscience!"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"

Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"

Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"

Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"

Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"

Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"

Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. Mustering of the Warrior Angels (Vignette)

Mustering of the Warrior Angels (Vignette)
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1835
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. The Temptation on the Pinnacle (Vignette)

The Temptation on the Pinnacle (Vignette)
Creator:
Print made by Frederick Bacon, 1803–1887
Date:
1835
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. The Fall of the Rebel Angels (Vignette)

The Fall of the Rebel Angels (Vignette)
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1835
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. The Expulsion from Paradise (Vignette)

The Expulsion from Paradise (Vignette)
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1835
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. St. Julienne's Chapel

St. Julienne's Chapel
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Line engraving, 1st state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 6 5/16 inches (29.5 × 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. Dido Building Carthage

Dido Building Carthage
Creator:
Print made by Edward Goodall, 1795–1870
Date:
between 1859 and 1861
Materials & Techniques:
Etching and line engraving on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 3/4 × 12 3/4 inches (22.2 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. Dido and Aeneas

Dido and Aeneas
Creator:
Print made by James T. Willmore, 1800–1863
Date:
between 1859 and 1861
Materials & Techniques:
Etching and line engraving on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 9 3/8 × 13 inches (23.8 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. The Bay of Baiæ

The Bay of Baiæ
Creator:
Print made by Robert Brandard, 1805–1862
Date:
between 1859 and 1861
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 × 12 1/2 inches (22.9 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. Mercury and Argus

Mercury and Argus
Creator:
Print made by James T. Willmore, 1800–1863
Date:
between 1859 and 1861
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 3/4 × 9 1/4 inches (34.9 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. Apollo and Daphne in the Vale of Tempe

Apollo and Daphne in the Vale of Tempe
Creator:
Print made by Edward P. Brandard, 1819–1898
Date:
between 1859 and 1861
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/8 × 12 7/8 inches (23.2 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. Rouen Cathedral

Rouen Cathedral
Creator:
Print made by Thomas Higham, 1796–1844
Date:
1834
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 × 16 3/4 inches (28.3 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

73. Shakespeare's Monument at the Church at Stratford upon Avon

Shakespeare's Monument at the Church at Stratford upon Avon
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1834
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 16 1/4 × 10 7/8 inches (41.3 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

74. Milan

Milan
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1835
Materials & Techniques:
Line engraving on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 10 3/4 × 16 1/8 inches (27.3 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. The Temptation on the Mountain (Vignette)

The Temptation on the Mountain (Vignette)
Creator:
Print made by John Cousen, 1804–1880
Date:
1835
Materials & Techniques:
Line engraving (First State)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

76. Columbus and his son

Columbus and his son
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Line engraving, 1st state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/16 × 6 3/8 inches (29.1 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

77. Meleager and Atalanta

Meleager and Atalanta
Creator:
William Woollett, 1735–1785
Date:
1779
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 17 1/2 x 21 5/8 inches (44.5 x 54.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

78. Niobe

Niobe
Creator:
Print made by William Sharp, 1749–1824
Date:
1792
Materials & Techniques:
Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 19 3/4 x 26 1/8 inches (50.2 x 66.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

79. Fruiunentum electorum, et vinum germinans virgines Zach. 9. 17.

Fruiunentum electorum, et vinum germinans virgines Zach. 9. 17.
Creator:
Francesco Bartolozzi, 1728–1815
Materials & Techniques:
Line engraving, stipple engraving and etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

80. Atalanta and Hippomanes

Atalanta and Hippomanes
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1763
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

81. Hercules, Deianeira and Nessus

Hercules, Deianeira and Nessus
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1762
Materials & Techniques:
Line engravin and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

82. Diana and Cupids

Diana and Cupids
Creator:
Francesco Bartolozzi, 1728–1815
Date:
undated
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

83. The Last Supper

The Last Supper
Creator:
Francesco Bartolozzi, 1728–1815
Date:
undated
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

84. Mount Lebanon and the Convert of St. Antonio

Mount Lebanon and the Convert of St. Antonio
Creator:
Print made by William Finden, 1787–1852
Date:
1836
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

85. Bethlehem

Bethlehem
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1836
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

86. Sinai's Thunder (Vignette)

Sinai's Thunder (Vignette)
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1837
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

87. Rolandseck (Vignette)

Rolandseck (Vignette)
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1837
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

88. The Garden

The Garden
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1839
Materials & Techniques:
Line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

89. The Ring

The Ring
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1839
Materials & Techniques:
Line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

90. The Chaplet

The Chaplet
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1839
Materials & Techniques:
Line engraving; engraver's proof on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

91. Mount Moriah

Mount Moriah
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1836
Materials & Techniques:
Line engraving, first state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

92. Jerusalem from the Latin Convent

Jerusalem from the Latin Convent
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1833
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

93. St. Michael's Mount - Shipwreck of Lycidas

St. Michael's Mount - Shipwreck of Lycidas
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

94. Falls near the Source of the Jumna

Falls near the Source of the Jumna
Creator:
Print made by John Cousen, 1804–1880
Date:
1838
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

95. Ludlow Castle - Rising of the Water-Nymphs

Ludlow Castle - Rising of the Water-Nymphs
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1835
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

96. Frontispiece (Fisher's `Pilgrim's Progress)

Frontispiece (Fisher's `Pilgrim's Progress)
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1838
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

97. Santa Sabas and the Brook Kidron

Santa Sabas and the Brook Kidron
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1836
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

98. Jerusalem from the Mount of Olives

Jerusalem from the Mount of Olives
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1836
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

99. Nazareth

Nazareth
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1836
Materials & Techniques:
Line engraving, Engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

100. His Ego Ne Metas Rerum, Nec Tempora Pono:...

His Ego Ne Metas Rerum, Nec Tempora Pono:...
Creator:
Francesco Bartolozzi, 1728–1815
Date:
ca.1785
Materials & Techniques:
Stipple engraving and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection