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Study of the Head of a Young Man
Creator:
attributed to George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Pen and gray ink and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 1/4 x 5 3/4 inches (8.3 x 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Howard Visiting a Prison
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Gray ink with gray wash over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 13 3/8 x 20 inches (34 x 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938
John Henderson as Falstaff
Creator:
George Romney, 1734–1802
Date:
1780
Materials & Techniques:
Gray ink and gray wash with pen and black ink over graphite on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 15 1/2 x 12 1/2 inches (39.3 x 31.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938
David before Saul
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Gray and brown wash with gray and brown ink over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 1/2 x 22 3/8 inches (41.9 x 56.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery
Howard Visiting a Prison
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Gray wash and gray ink over graphite on medium moderately textured cream laid paper
Dimensions:
Sheet: 14 3/8 x 21 1/2 inches (36.5 x 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938
Satan Approaching the Court of Chaos
Creator:
William Blake, 1757–1827
Date:
1784 to 1785
Materials & Techniques:
Graphite with pen and gray ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/4 x 13 1/4 inches (23.5 x 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Ferry
Creator:
Robert Dighton, 1752–1814
Date:
undated
Materials & Techniques:
Pen and black ink, brushed gray ink, gray wash, and black wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 5/8 × 10 7/8 inches (16.8 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Harmonious Family
Creator:
Robert Dighton, 1752–1814
Date:
undated
Materials & Techniques:
Pen and black ink, brushed gray ink, gray wash, and black wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 5/8 × 10 7/8 inches (16.8 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Design for a Temple on a Square Plan and with a Dome: Elevation
Creator:
James Paine, 1717–1789
Date:
undated
Materials & Techniques:
Pen and gray ink, brown wash, gray wash, and graphite on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/4 x 6 15/16in. (19.7 x 17.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Design for a Shop Front: Elevation
Creator:
James Paine, 1717–1789
Date:
undated
Materials & Techniques:
Pen and gray ink, brown wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/2 x 7 3/4in. (19.1 x 19.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Design for a Circular Domed Temple: Elevation
Creator:
James Paine, 1717–1789
Date:
undated
Materials & Techniques:
Pen and gray ink, gray wash, brown wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 3/4 x 8 11/16in. (24.8 x 22.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Falls at Powerscourt, Co. Wicklow, Ireland
Creator:
William Pars, 1742–1782
Date:
undated
Materials & Techniques:
Watercolor, pen and gray ink, and graphite on thick, moderately textured, cream laid paper
Dimensions:
Sheet: 10 1/2 × 14 7/8 inches (26.7 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Unidentified Town House: Front Elevation
Creator:
Colen Campbell, 1676–1729
Date:
undated
Materials & Techniques:
Graphite, pen and wash within triple-ruled border on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 5/16 x 19 1/4 inches (31.3 x 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Mansion House
Creator:
John Maurer, active 1713–1761
Date:
undated
Materials & Techniques:
Pen and black ink, pen and gray ink, gray wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/16 x 15 1/4in. (23 x 38.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Tivoli

Tivoli
Creator:
William Marlow, 1740–1813
Date:
ca. 1768
Materials & Techniques:
Watercolor, pen and gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 3/4 x 15 1/8in. (27.3 x 38.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Leghorn
Creator:
William Marlow, 1740–1813
Date:
undated
Materials & Techniques:
Watercolor, pen and gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 3/16 x 13 15/16in. (25.9 x 35.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Peter the Wild Boy
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Gray wash, pen and gray ink, and black ink on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 3 7/8 × 3 1/16 inches (9.8 × 7.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
River with Angler
Creator:
George Barret, ca. 1728/32–1784
Date:
undated
Materials & Techniques:
Pen and gray ink, gray wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 11 × 17 5/16 inches (27.9 × 44 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Design for the Parterre at Hampton Court
Creator:
unknown artist
Date:
early 18th century
Materials & Techniques:
Gray ink with watercolor over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 6 5/16 × 19 15/16 inches (16 × 50.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Acacia Tree - Figures in a Park
Creator:
George Barret, ca. 1728/32–1784
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gray ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/16 × 18 3/8 inches (35.7 × 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Landscape Set in an Oval (Mountain Landscape Through an Oval Window)
Creator:
George Barret, ca. 1728/32–1784
Date:
ca. 1775
Materials & Techniques:
Watercolor, pen and gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Mount: 18 1/2 × 23 1/2 inches (47 × 59.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Landscape with Trees and Sheep (Park Landscape with Sheep)
Creator:
George Barret, ca. 1728/32–1784
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gray ink and graphite on medium, moderately textured, cream laid paper
Dimensions:
Mount: 17 3/4 × 23 3/4 inches (45.1 × 60.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tree Study with Stags (Landscape)
Creator:
George Barret, ca. 1728/32–1784
Date:
undated
Materials & Techniques:
Pen and gray ink, gray wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 × 9 3/8 inches (27.9 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Landing Place at Pallanza
Creator:
Charles Gore, 1729–1807
Date:
undated
Materials & Techniques:
Watercolor, pen and gray ink, gouache, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 9 1/16 × 36 5/8 inches (23 × 93 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Dürrenstein
Creator:
Charles Gore, 1729–1807
Date:
undated
Materials & Techniques:
Watercolor with pen and gray ink over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/8 x 15 inches (18.7 x 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Port d'Arona
Creator:
Charles Gore, 1729–1807
Date:
1795
Materials & Techniques:
Watercolor, pen and black ink, gray ink, gray wash and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 13 1/4 × 27 inches (33.7 × 68.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Men of War Lying off Sheerness
Creator:
John Harris, 1770–1834
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gray ink, gouache and graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 16 1/4 × 21 1/4 inches (41.3 × 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lowther House, Westmorland: Principal and First Floor Plans
Creator:
Colen Campbell, 1676–1729
Date:
between 1718 and 1729
Materials & Techniques:
Graphite, pen and black ink, gray wash, within triple-ruled border on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 18 7/16 x 11 1/4 inches (46.8 x 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mountainous Landscape with Figures
Creator:
attributed to Benjamin West, 1738–1820
Date:
undated
Materials & Techniques:
Watercolor, with pen in gray ink over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 11 x 17 inches (27.9 x 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Design for a Wall of the Chapel of Revealed Religion
Creator:
Benjamin West, 1738–1820
Date:
ca. 1780
Materials & Techniques:
Watercolor with pen in gray and black ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 11 1/2 × 18 1/2 inches (29.2 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Falstaff Carrying Dead Hotspur
Creator:
Henry William Bunbury, 1750–1811
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gray ink, gouache, and gum arabic on medium, slightly textured, beige wove paper mounted on thick, moderately textured, beige laid paper
Dimensions:
Mount: 16 3/8 x 20 1/4 inches (41.6 x 51.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
But Deliver Us From Evil
Creator:
John Flaxman, 1755–1826
Date:
1805
Materials & Techniques:
Graphite, gray ink, and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/2 x 7 5/8 inches (31.8 x 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire
Creator:
Paul Sandby, 1731–1809
Date:
1767
Materials & Techniques:
Watercolor with pen and gray ink and touches of gold paint over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 3/4 x 33 1/4 inches (42.5 x 84.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of Rome Taken from the Pincio
Creator:
William Pars, 1742–1782
Date:
1776
Materials & Techniques:
Watercolor, pen and gray ink, graphite and black crayon on moderately thick, moderately textured, cream laid paper
Dimensions:
Mount: 17 15/16 x 24 1/8 inches (45.5 x 61.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Langley Park, Norfolk: Elevation of the South Front
Creator:
John Sanderson, active 1730; died 1774
Date:
ca. 1750
Materials & Techniques:
Pen and black, brown and gray ink with gray and brown wash over graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 14 11/16 × 21 7/8 inches (37.3 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Elevations of a Room
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Pen and black and gray ink with gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 17 5/8 × 12 3/8 inches (44.8 × 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sundorne Castle, Near Shrewsbury, Shropshire
Creator:
John Sanders, 1768–1826
Date:
1783
Materials & Techniques:
Pen and black ink, gray wash, and graphite on medium, slightly textured, gray laid paper
Dimensions:
Sheet: 10 1/4 x 16in. (26 x 40.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Design for a Ceiling
Creator:
George Richardson, ca.1738–ca.1813
Date:
undated
Materials & Techniques:
Watercolor with pen and black and gray ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 9/16 x 21 7/8 inches (39.5 x 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Firing a Salute
Creator:
Dominic Serres, 1722–1793
Date:
1770
Materials & Techniques:
Gray ink with gray wash touched with brown ink over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 10 x 14 3/4in. (25.4 x 37.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Great Gate of St. Augustine's Monastery, Canterbury
Creator:
Jonathan Skelton, active 1754, died 1758
Date:
1757
Materials & Techniques:
Watercolor with pen and gray ink over graphite on thick, textured, cream laid paper on contemporary mount
Dimensions:
Sheet: 8 1/8 × 15 3/16 inches (20.6 × 38.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Secundini Monument at Ighel in the Duchy of Luxembourg
Creator:
William Pars, 1742–1782
Date:
undated
Materials & Techniques:
Watercolor with pen and gray and black ink with gouache on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 13 3/16 x 20 inches (33.5 x 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Flagship of a Commander in Chief
Creator:
Charles Brooking, 1723–1759
Date:
undated
Materials & Techniques:
Pen and gray ink, black ink, and gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 13/16 × 18 1/2 inches (30 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Harbledown, a Village near Canterbury
Creator:
Jonathan Skelton, active 1754, died 1758
Date:
1757
Materials & Techniques:
Watercolor with pen and gray ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Mount: 10 1/4 × 23 1/2 inches (26 × 59.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Romantic Landscape - Peasants at the Foot of a Castle on a Crag
Creator:
Paul Sandby, 1731–1809
Date:
undated
Materials & Techniques:
Watercolor, pen and gray ink, black chalk and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 x 11 1/8 inches (38.1 x 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)
Creator:
Paul Sandby, 1731–1809
Date:
1760
Materials & Techniques:
Watercolor, pen and gray and brown ink over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/4 x 6 1/8 inches (19.7 x 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
London Cries: Flowers
Creator:
Paul Sandby, 1731–1809
Date:
undated
Materials & Techniques:
Gray wash, pen and gray ink and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mountainous Landscape with Inscription to Salomon Gessner (Switzerland)
Creator:
Isaac Weld, 1774–1856
Date:
ca. 1816
Materials & Techniques:
Pen and black ink, gray ink, gray wash, black wash, graphite, and white grouache on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 10 7/16 × 17 inches (26.5 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of Boxhill from Norbury Park, Surrey
Creator:
Thomas Sandby, 1721–1798
Date:
ca. 1775
Materials & Techniques:
Watercolor, pen and gray ink, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/8 × 39 1/8 inches (30.8 × 99.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

49. Tenby

Tenby
Creator:
Heneage Finch fourth Earl of Aylesford, 1751–1812
Date:
undated
Materials & Techniques:
Watercolor, gray wash, and pen and brown ink on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/8 × 9 3/4 inches (21.3 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Political Caricature: "The Spiritualists"
Creator:
Anthony Walker, 1726–1765
Date:
undated
Materials & Techniques:
Gray wash and pen and gray ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 x 10 1/2 inches (22.9 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/4 × 16 1/4 inches (27.3 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Du Desarmement sur le Coup de Quarte ou de Seconde Paré de Prime
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/8 × 15 1/16 inches (26.4 × 38.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Risposte Aprés Avoir Trompé la Parade du Poignard
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/4 × 16 7/16 inches (27.3 × 41.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B.
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 1/16 × 16 7/16 inches (28.1 × 41.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 3/16 × 16 3/8 inches (28.4 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Battle Scene: Battleships, Frigates and Corvettes; Sinking Boat and Rowboat
Creator:
Joseph Cartwright, c.1789–1829
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gray ink, gray wash and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 15 1/4 x 22 1/8in. (38.7 x 56.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection
The Gate at Blenheim
Creator:
Michael "Angelo" Rooker, 1746–1801
Date:
1787
Materials & Techniques:
Watercolor and gray ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/8 x 14 3/4 inches (26.4 x 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Position pour la Garde en Quarte
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 7/16 × 11 7/8 inches (26.5 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Position pour le Garde en Tierce et le Coup de Tierce
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 1/2 × 16 1/8 inches (26.7 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Position pour la Garde en Quarte et le Coup de Quarte
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 9/16 × 15 1/2 inches (26.8 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Position pour la Garde en Tierce
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 1/4 × 11 1/4 inches (26 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 1/2 × 15 1/2 inches (26.7 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Premiere Position pour tirer L'Epée
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, beige wove paper
Dimensions:
Contemporary drawn border: 10 9/16 × 8 5/16 inches (26.8 × 21.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Position de la Garde de Tierce et le Coup de Seconde
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/8 × 17 1/16 inches (26.4 × 43.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Position de la Garde en Quarte, et le Coup de Flanconnade
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 1/4 × 15 7/8 inches (26 × 40.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Position de la Garde en Quarte, et le Coup de Quarte Basse
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 7/8 × 16 5/16 inches (27.6 × 41.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Seconde Position du Salut
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 1/8 × 10 3/16 inches (25.7 × 25.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Quatrieme Position du Salut
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 1/2 × 10 15/16 inches (26.7 × 27.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
De la Parade Dequinte sur le Coup de Quinte
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/4 × 17 1/2 inches (27.3 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 × 17 3/8 inches (27.9 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
De la Risposte de Quarte apres la Parade de Quarte
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 5/8 × 16 5/16 inches (27 × 41.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
De la Passe en Quarte du Dehors des Armes
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 × 15 3/8 inches (27.9 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Demi Volte sur les Coups Forcés au Dehors des Armes
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 15/16 × 16 inches (27.8 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
De la Volte sur la Passe au Dehors des Armes
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 3/8 × 15 1/8 inches (28.9 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 11/16 × 15 1/4 inches (27.1 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Du Desarmement sur le Coup de Tierce
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 3/16 × 15 3/16 inches (28.4 × 38.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Position Aprés Avoir Desarmé sur le Coup de Quarte
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 3/16 × 15 11/16 inches (28.4 × 39.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/4 × 15 15/16 inches (27.3 × 40.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Du Desarmement Aprés Avoir Paré le Coup de Quarte
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 3/16 × 15 1/2 inches (28.4 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Position Aprés Avoir Désarmé sur le Coup de Tierce
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 7/16 × 14 1/8 inches (29.1 × 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Du Desarmement Aprés la Parade au Dehors des Armes
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 7/8 × 14 15/16 inches (27.6 × 37.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Position de la Garde Italienne de L'Epée & Poignard
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/4 × 15 15/16 inches (27.3 × 40.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
L'Epée & Lanterne Combattüe par L'Epée et Manteau
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 1/16 × 17 inches (28.1 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Le Port de Brest: Dessiné du Point, A, Marqué sur La Carte De La Rade
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, brown ink, gray ink and graphite on medium, moderately textured, cream laid paper
Dimensions:
Mount: 15 1/8 × 20 3/4 inches (38.4 × 52.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection
Le Port de Brest: Dessiné du Point I Marqué sur Le Plan
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gray ink, brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Mount: 15 5/16 × 20 1/2 inches (38.9 × 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection
Le Port De Brest: Dessiné Du Point K Marqué sur Le Plan
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gray ink and graphite on medium, moderately textured, beige laid paper
Dimensions:
Mount: 15 × 20 1/2 inches (38.1 × 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection
Le Port De Brest: Dessiné Du Point F Marqué sur Le Plan
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gray ink, brown ink and graphite on medium, moderately textured, cream laid paper
Dimensions:
Mount: 15 1/8 × 20 13/16 inches (38.4 × 52.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection
Le Porte De Brest: Dessine Du Point L, Marque sur Le Plan:
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gray ink, brown ink and graphite on medium, slightly textured, cream laid paper
Dimensions:
Mount: 15 3/8 × 21 1/8 inches (39.1 × 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection
Le Port de Rochefort: Vu Du Point A Marque sur le Plan:
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gray ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Mount: 14 5/16 × 21 9/16 inches (36.4 × 54.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection
Le Port de L'Orient: Dessine du Point B. Marque fur la Carte:
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gray ink and graphite on medium, moderately textured, cream laid paper
Dimensions:
Mount: 15 1/8 × 20 7/16 inches (38.4 × 51.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection
L'Orient 1776: Map of the Port of Orient
Creator:
unknown artist
Date:
1776
Materials & Techniques:
Watercolor, pen and black ink, brown ink, gray ink, red ink, yellow ink, gray wash and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Mount: 15 7/8 × 20 3/8 inches (40.3 × 51.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection
Design for the Haymarket Theatre: "The Battle of Hexham", by Colman the Younger
Creator:
Michael "Angelo" Rooker, 1746–1801
Date:
1789
Materials & Techniques:
Watercolor and gray ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Contemporary drawn border: 14 x 18 5/8 inches (35.6 x 47.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mrs. Abington
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor, pen and gray ink, pen and black ink, and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/4 × 11 3/4 inches (19.7 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sketch of a Battle Sceene, from Shakespeare's Play, Titus Andronicus
Creator:
Robert Smirke, 1752–1845
Date:
undated
Materials & Techniques:
Pen and gray ink over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 9 3/4 × 10 13/16 inches (24.8 × 27.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sketch of Goths Entering Rome, from Shakespeare's Play, Titus Andronicus
Creator:
Robert Smirke, 1752–1845
Date:
undated
Materials & Techniques:
Pen and gray ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 9 3/4 × 13 5/8 inches (24.8 × 34.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Westminster Bridge from Lambeth Walk
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, pen and gray ink, black ink, and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Mount: 13 7/8 × 20 3/16 inches (35.2 × 51.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Windsor Castle
Creator:
Sawrey Gilpin, 1733–1807
Date:
undated
Materials & Techniques:
Graphite, gray wash, pen and brown ink, and gray ink on moderately thick, slightly textured, beige laid paper, mounted on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 6 11/16 × 9 1/8 inches (17 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Arthur Weyhe

100. A Dwelling

A Dwelling
Creator:
Sawrey Gilpin, 1733–1807
Date:
undated
Materials & Techniques:
Gray wash, graphite, pen and gray ink on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 5 9/16 × 8 3/4 inches (14.1 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Arthur Weyhe