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Collection Prints and Drawings

Subject Terms literary theme

William Blake Jerusalem, Plate 64, "Of the Mundane Shell...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 64, "Of the Mundane Shell...."

1804 to 1820

William Blake Jerusalem, Plate 65, "To decide Two Worlds...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 65, "To decide Two Worlds...."

1804 to 1820

William Blake Jerusalem, Plate 7, "Was living: panting...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 7, "Was living: panting...."

1804 to 1820

William Blake Jerusalem, Plate 70, "And this the form of mighty Hand...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 70, "And this the form of mighty Hand...."

1804 to 1820

William Blake Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)

1789

William Blake Songs of Innocence, Plate 28, "Laughing Song" (Bentley 15)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 28, "Laughing Song" (Bentley 15)

1789

William Blake Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)

1789

William Blake Songs of Innocence, Plate 1, Frontispiece (Bentley 2)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 1, Frontispiece (Bentley 2)

1789

William Blake Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)

1789

William Blake Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)

1789

William Blake Songs of Innocence, Plate 22, "Nurse's Song" (Bentley 38)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 22, "Nurse's Song" (Bentley 38)

1789

William Blake Jerusalem, Plate 88, "Los answerd sighing...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 88, "Los answerd sighing...."

1804 to 1820

William Blake Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"

1797

William Blake Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"

1797

William Blake Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"

1797

William Blake Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"

1797

William Blake The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"

William Blake, 1757–1827

The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 29, "A Long Story."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 29, "A Long Story."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 3, "Ode on the Spring."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 3, "Ode on the Spring."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 31, "A Long Story."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 31, "A Long Story."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 41, "The Progress of Poesy."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 41, "The Progress of Poesy."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 45, "The Progress of Poesy."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 45, "The Progress of Poesy."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 23, "A Long Story."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 23, "A Long Story."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 25, "A Long Story."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 25, "A Long Story."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 27, "A Long Story."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 27, "A Long Story."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 55, "The Bard."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 55, "The Bard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 57, "The Bard."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 57, "The Bard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 69, "The Fatal Sisters."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 69, "The Fatal Sisters."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 75, "The Fatal Sisters."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 75, "The Fatal Sisters."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 77, "The Descent of Odin."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 77, "The Descent of Odin."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 81, "The Descent of Odin."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 81, "The Descent of Odin."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 83, "The Descent of Odin."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 83, "The Descent of Odin."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 65, "The Bard."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 65, "The Bard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 67, "The Fatal Sisters."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 67, "The Fatal Sisters."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 7, "Ode on the Death of a Favourite Cat."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 7, "Ode on the Death of a Favourite Cat."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 71, "The Fatal Sisters."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 71, "The Fatal Sisters."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 73, "The Fatal Sisters."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 73, "The Fatal Sisters."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 79, "The Descent of Odin."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 79, "The Descent of Odin."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 85, "The Descent of Odin."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 85, "The Descent of Odin."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 87, "The Triumphs of Owen."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 87, "The Triumphs of Owen."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 89, "The Triumphs of Owen."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 89, "The Triumphs of Owen."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 91, "The Triumphs of Owen."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 91, "The Triumphs of Owen."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 99, "Ode for Music."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 99, "Ode for Music."

between 1797 and 1798

William Blake Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"

ca. 1797

William Blake Young's Night Thoughts, Page 23, "We censure nature for a span too short"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 23, "We censure nature for a span too short"

ca. 1797

William Blake Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"

ca. 1797

William Blake Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"

ca. 1797

William Blake Pity

Print made by William Blake, 1757–1827

Pity

ca. 1795

William Blake The Man Sweeping the Interpreter's Parlour

William Blake, 1757–1827

The Man Sweeping the Interpreter's Parlour

ca. 1822

William Blake Tiriel Supporting the Dying Myratana and Cursing His Sons

William Blake, 1757–1827

Tiriel Supporting the Dying Myratana and Cursing His Sons

1786 to 1789

William Blake Albion Compelling the Four Zoas to Their Proper Tasks

William Blake, 1757–1827

Albion Compelling the Four Zoas to Their Proper Tasks

1804 to 1810

William Blake Satan Approaching the Court of Chaos

William Blake, 1757–1827

Satan Approaching the Court of Chaos

1784 to 1785

William Blake The Gambols of Ghosts According with Their Affections Previous to the Final Judgement

William Blake, 1757–1827

The Gambols of Ghosts According with Their Affections Previous to the Final Judgement

1805 to 1808

William Blake The Book of Thel, Plate 4, "Why should the mistress . . . ."

Print made by William Blake, 1757–1827

The Book of Thel, Plate 4, "Why should the mistress . . . ."

1789

Philippe-Jacques de Loutherbourg Thomas Weston as Spy in Bates "The Rival Candidates"

Philippe-Jacques de Loutherbourg, 1740–1812

Thomas Weston as Spy in Bates "The Rival Candidates"

undated

James Northcote Study for Burying the Royal Children

James Northcote, 1746–1831

Study for Burying the Royal Children

ca. 1790

William Henry Pyne An Illustration to Rob Roy: Interior with a Party Drinking

William Henry Pyne, 1769–1843

An Illustration to Rob Roy: Interior with a Party Drinking

undated

James Northcote Macbeth and the Witches

James Northcote, 1746–1831

Macbeth and the Witches

between 1777 and 1778

William Young Ottley Prospero Summoning Ariel

William Young Ottley, 1771–1836

Prospero Summoning Ariel

ca. 1800

John Hamilton Mortimer Literary Characters Assembled Around the Medallion of Shakespeare

John Hamilton Mortimer, 1740–1779

Literary Characters Assembled Around the Medallion of Shakespeare

1776

Robert Smirke Lysander Awakening to See Helena

Robert Smirke, 1752–1845

Lysander Awakening to See Helena

1825

Thomas Carwitham Illustration to Homer's Iliad

Thomas Carwitham, active 1723

Illustration to Homer's Iliad

1723

Samuel De Wilde Head of a Man with a Beard and Long Hair in the Wind

Samuel De Wilde, 1748–1832

Head of a Man with a Beard and Long Hair in the Wind

1786

Hugh Downman Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip

Print made by Hugh Downman, d. 1789

Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip

ca. 1787

Edward Burne-Jones Study for The Wedding Feast of Sir Degrevaunt

Edward Burne-Jones, 1833–1898

Study for The Wedding Feast of Sir Degrevaunt

undated

Edward Burne-Jones The Land of Beulah

Edward Burne-Jones, 1833–1898

The Land of Beulah

1881

Sir David Wilkie A Scene from "The Abbot"

Sir David Wilkie, 1785–1841

A Scene from "The Abbot"

1833

Edward Francis Burney Designs for Illustrations to Beethoven's Works

Edward Francis Burney, 1760–1848

Designs for Illustrations to Beethoven's Works

undated

Ford Madox Brown The Prisoner of Chillon Entreating his Jailors to Bury His Brother Where the Sun Might Fall Upon His Grave

Ford Madox Brown, 1821–1893

The Prisoner of Chillon Entreating his Jailors to Bury His Brother Where the Sun Might Fall Upon His Grave

1858

Robert Smirke Illustration for Don Quixote (with figures on a donkey)

Robert Smirke, 1752–1845

Illustration for Don Quixote (with figures on a donkey)

undated

Robert Smirke Scenes from an Eastern Romance [Arabian Nights]

Robert Smirke, 1752–1845

Scenes from an Eastern Romance [Arabian Nights]

undated

Robert Smirke Malvolio Dancing

Robert Smirke, 1752–1845

Malvolio Dancing

1827

unknown artist Robin Hood and Clarinda hunting deer in a wooded landscape

unknown artist

Robin Hood and Clarinda hunting deer in a wooded landscape

undated

Carington Bowles Twelve Illustrations of Robinson Crusoe

Carington Bowles, 1724–1793

Twelve Illustrations of Robinson Crusoe

1783

Thomas Rowlandson The Journalist, with a view of Auchinleck or the Land of Stones

Thomas Rowlandson, 1756–1827

The Journalist, with a view of Auchinleck or the Land of Stones

1786

James Peak Mercury and Battus

James Peak, 1703–1782

Mercury and Battus

John Chapman Jacques discovered by the Duke

John Chapman, active ca. 1792–1823

Jacques discovered by the Duke

1795

unknown artist Falstaff reproved by King Henry

unknown artist

Falstaff reproved by King Henry

1792

William Sharp The Tempest, Act I Sc. 3

Print made by William Sharp, 1749–1824

The Tempest, Act I Sc. 3

1783

Thomas Gaugain Diligence and Dissipation: Good Advice from an Old Servant to the Young Ones (Plate 2)

Print made by Thomas Gaugain, 1748–1812

Diligence and Dissipation: Good Advice from an Old Servant to the Young Ones (Plate 2)

1797

Peter Simon Tom Jones

Peter Simon, 1750–1810

Tom Jones

William Woollett Celadon and Amelia

Engraved by William Woollett, 1735–1785

Celadon and Amelia

1766

William Dickinson Mrs. Gwynne and Mrs. Bunbury in the Characters of the Merry Wives of Windsor

Print made by William Dickinson, 1746–1823

Mrs. Gwynne and Mrs. Bunbury in the Characters of the Merry Wives of Windsor

1780

Thomas Stothard One of Six Illustrations to Fenelon's "The Adventures of Telemachus son of Ulysses"

Thomas Stothard, 1755–1834

One of Six Illustrations to Fenelon's "The Adventures of Telemachus son of Ulysses"

ca. 1784

Thomas Watson Sigismunda

Print made by Thomas Watson, 1743–1781

Sigismunda

1779

John Dean Miss Crockatt as Julia de Roubigné

Print made by John Dean, 1754–1798

Miss Crockatt as Julia de Roubigné

1786

Edward Fisher Miss Kitty Fisher as 'Cleopatra Dissolving the Pearl'

Print made by Edward Fisher, 1722–1785

Miss Kitty Fisher as 'Cleopatra Dissolving the Pearl'

between 1752 and 1763

Thomas Gaugain Diligence and Dissipation: The Modest Girl and the Wanton/ Fellow Servants in a Gentleman's House (Plate 1)

Print made by Thomas Gaugain, 1748–1812

Diligence and Dissipation: The Modest Girl and the Wanton/ Fellow Servants in a Gentleman's House (Plate 1)

1797

Thomas Gaugain Diligence and Dissipation: The Wanton in her Bed Chamber (Plate 3)

Print made by Thomas Gaugain, 1748–1812

Diligence and Dissipation: The Wanton in her Bed Chamber (Plate 3)

1797

Thomas Gaugain Diligence and Dissipation: The Modest Girl in her Bed Chamber (Plate 4)

Print made by Thomas Gaugain, 1748–1812

Diligence and Dissipation: The Modest Girl in her Bed Chamber (Plate 4)

1797

Thomas Gaugain Diligence and Dissipation: The Wanton turn'd out of Doors for Misconduct (Plate 5)

Thomas Gaugain, 1748–1812

Diligence and Dissipation: The Wanton turn'd out of Doors for Misconduct (Plate 5)

1797

Thomas Gaugain Diligence and Dissipation: The Modest Girl rejects the Illicit Addresses of her Master (Plate 6)

Print made by Thomas Gaugain, 1748–1812

Diligence and Dissipation: The Modest Girl rejects the Illicit Addresses of her Master (Plate 6)

1797

Thomas Gaugain Diligence and Dissipation: The Good Girl Receives the Honourable Addresses of her Master (Plate 8)

Print made by Thomas Gaugain, 1748–1812

Diligence and Dissipation: The Good Girl Receives the Honourable Addresses of her Master (Plate 8)

1797

Thomas Gaugain Diligence and Dissipation: The Wanton Dying in Poverty and Disease Visited by the Modest Girl (Plate 9)

Print made by Thomas Gaugain, 1748–1812

Diligence and Dissipation: The Wanton Dying in Poverty and Disease Visited by the Modest Girl (Plate 9)

1797