A Design for a Temple at Bellevue House on the Derg, County Tipperary, the Seat of Charles Cooke, Esq
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2
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: View of Entrance Hall Towards Staircase
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Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Elevation of Library Cabinet
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Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Ante Room - Plan and Elevations of Walls
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Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Ante Room - Elevations and Ceiling Plan
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Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Boudoir - Plan and Elevations of Walls
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Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Drawing Room - Plan of Ceiling and Elevations
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Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Gallery - Plan and Elevations
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Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Drawing Room - Plan and Elevations
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Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Boudoir - Elevations and Ceiling Plan
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11
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Corner Bedrooom on Chamber Floor - Elevations and Ceiling Plan
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Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Furniture Designs
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Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Chamber Floor Bedroom over Anteroom - Plan of Ceiling and Wall Elevations
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Henry Phillip Hope, active 1799–1818
Bedgebury: Design for the Stone Floor of the Pavilion.. (1 of 4)
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15
unknown artist
Sketch I - Elevation of Pavilion Wall
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Henry Phillip Hope, active 1799–1818
Bedgebury: View of Interior of Pavilion (3 of 4)
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Henry Phillip Hope, active 1799–1818
Bedgebury: Alternative design for Pavilion Window
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Henry Phillip Hope, active 1799–1818
Bedgeway: View of Interior of Pavilion... (4 of 4)
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Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Plan du Rez-de-Chaussee d'une Maison de la Rue Pigale...(indiquant) les Changements faits par Monsieur le Duc d'Otrante
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Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Vue Perspective d'une Maison de la rue Pigale Appartenant a Madame la Comtesse Rapp - Cote du Jardin
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Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Elevation View
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Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Caves et Souterreins - Plan
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Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay - Elevation sur la Cour
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Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Elevation sur le Quai, and Premiere Etage: Plan
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Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Vue Occidentale du Chateau de Wildenstein, Dedie a son Exell le Lieutenent General, Compt Rapp, par son tres Humble Serviteur 1
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Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Vue Perspective de la Propriete de la rue Plumer Appartenant a Madame la Comtesse Rap. Cote du Jardin
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Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan du Rez-de-Chaussee de la Propriete de la rue Plumer
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Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, a Rez-de-Chaussee, du Petit Chateau de Brucourt, avec un Agrandissement Projette
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29
unknown artist
Colmar, Chateau Wildenstein, Rue Plumer: Maison dans laquelle le General Rapp a ete place comme Apprenti Epicier a Colmar
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Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
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31
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
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Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
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33
Attributed to Rev. William Gilpin, 1724–1804
A Withered Top
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Henry Phillip Hope, active 1799–1818
Vue d'une Ancien Aquaduc a Alexandria Troas
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Henry Phillip Hope, active 1799–1818
Vue du Temple de Minerve au Cap Colonne
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Henry Phillip Hope, active 1799–1818
Paysage
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Henry Phillip Hope, active 1799–1818
Cariatides d'Athenes
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Henry Phillip Hope, active 1799–1818
Plan of Private Entrance from the Uxbridge Road (Arklow House)
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Henry Phillip Hope, active 1799–1818
South East Front of the Deepdene
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Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Library - Plan of Ceiling and Elevations of Walls.
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41
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
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42
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
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43
John William Upham, 1772–1828
The Castle at Dieppe, Normandy
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44
Philippe-Jacques de Loutherbourg, 1740–1812
Tranquilité champêtre
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45
Philippe-Jacques de Loutherbourg, 1740–1812
La Bonne Petite Soeur
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46
unknown artist
Two Bears
47
James Sowerby, 1756–1822
Two Birds in a Landscape
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48
James Sharples, ca. 1751–1811
Captain Webber
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49
Edward Francis Burney, 1760–1848
Putting Arms in the Hands of the Indians
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50
Print made by unknown artist
Brass Plate for John Lord L'Estrange and his Wife Jacquetta Woodville, Hillingdon Church
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51
Print made by Henry Hoppner Meyer, ca. 1782–1847
Margaret Emma, the Lady Kenyon
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52
George Keating, 1762–1842
John Philip Kemble, as Richard III
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53
William Sharp, 1749–1824
John Philip Kemble
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54
unknown artist
Design for a Classical House
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55
unknown artist
Hinton St. George, Somerset: Plan of the Vestibule
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56
attributed to John Hoppner, 1758–1810
Portrait Study of a Young Man, possibly Frank Issom
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57
Thomas Harrison, 1744–1829
Designs for Clifton Castle, Yorkshire: Two Alternative Elevations
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58
unknown artist
One of Six Designs for a Wall Decoration
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59
unknown artist
Metkirke (Sir A van Metkirke, Ambassador to Elizabeth) Buried in St. Botolphs
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60
unknown artist
View of Christ Church, Spitalfields
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61
unknown artist
Foster Memorial in Hornsey Church
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62
unknown artist
Hornsey Church in the County of Middlesex with the adjacent country
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63
unknown artist
View of St. Andrew's Church, Holborn
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64
unknown artist
The Marine Society, Bishopsgate Street
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65
unknown artist
An Account of the above Fire
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66
unknown artist
A View of the Ranger's very Elegant, Pleasant, and much Admired Lodge in the Green Park
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67
unknown artist
A View of London as it Appeared before the Dreadful-Fire in 1666
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68
unknown artist
Tottenham Court Chapel
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69
unknown artist
The Surrey and Kent Commercial Roads from the King Yards Deptford
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70
Henry Bernard Chalon, 1771–1849
Studies of Horses: '...A Mare Enclosed - a Horse Looking Over'
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Henry Bernard Chalon, 1771–1849
Studies of Horses: 'Hunter at Grass-Property of His Grace the Duke of Beaufort'
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Henry Bernard Chalon, 1771–1849
Studies of Horses: 'Artillery Horses Taking Fright at Lightning'
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Henry Bernard Chalon, 1771–1849
Studies of Horses: 'The First Action of Leapin at the Bar-Shewing the Horse With His Muscles'
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Henry Bernard Chalon, 1771–1849
Studies of Horses: 'No. 1 Full Trotting - No. 2 Cantering on a Ladys Horse - All with Their Muscles in Action'
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Henry Bernard Chalon, 1771–1849
Studies of Horses: 'Outline of Wounded Horses with Their Muscles in Action in the Field of Battle' (Study of Four Horses on a Page)
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Henry Bernard Chalon, 1771–1849
Studies of Horses: 'Various Actions of Flemish Horses'
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Henry Bernard Chalon, 1771–1849
Studies of Horses: 'Explanation to the first Anatomical Table of Outline of the Skeleton of the Horse'
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Henry Bernard Chalon, 1771–1849
Studies of Horses: 'Explanation to the Second Anatomical Table of Outline of the Horse - Muscles in Action'
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Henry Bernard Chalon, 1771–1849
Studies of Horses: 'Second Action in Leaping - Clearing the Bar Cleverley & Shewing His Muscles'
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Henry Bernard Chalon, 1771–1849
Studies of Horses: 'Third Action - Leaping Down From Over the Bar - Shewing the Horse With His Muscles'
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Henry Bernard Chalon, 1771–1849
Studies of Horses: 'Leaping ...Starting off Again From the Bar and Shewing the Horse With His Muscles'
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Henry Bernard Chalon, 1771–1849
Studies of Horses: 'Officers Chargers With Their Muscles in Action'
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Henry Bernard Chalon, 1771–1849
Studies of Horses: `Outline of Wounded Horses With Their Muscles in Action in the Field of Battle' (Study of Six Horses on a Page)
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84
Henry Bernard Chalon, 1771–1849
Studies of Horses: 'Wounded in the Field of Battle - Outline With Their Muscles in Action'
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85
unknown artist
Hinton St. George, Somerset: Ground Plan
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86
unknown artist
Hinton St. George, Somerset: Plan of the Garden
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87
unknown artist
Hinton St. George, Somerset: Design for a Door Frame
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88
unknown artist
Hinton St. George, Somerset: Design for a Vaulted Ceiling
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89
unknown artist
Hinton St. George, Somerset: Design for a Funerary Monument
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90
unknown artist
Hinton St. George, Somerset: Plan of Staircase
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91
James Ross, 1745–1823
A Plan of the Camp on the Malvern Hill, Commonly called the Herefordshire Beacon
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92
Thomas Stothard, 1755–1834
Battle Scene (probably intended for Hume's "History of England")
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93
Thomas Stothard, 1755–1834
Battle Scene (probably intended for Hume's "History of England")
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94
Francesco Bartolozzi, 1728–1815
Shepherdess on Horseback talking to Traveller with Sythe
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95
unknown artist
Lambeth Church and Palace
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96
unknown artist
Fox Hunting - The Novice in Leicestershire: Going to Cover
ca. 1800
97
Francesco Bartolozzi, 1728–1815
Bacchus on a Barrel
98
Print made by Francesco Bartolozzi, 1728–1815
Gainsborough
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99
James Miller, active 1773–1814
Loose Sheet of Notes by the Artist
100
Francesco Bartolozzi, 1728–1815
Medallion: Profile of a Woman wearing an Ivy Wreath facing Right