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Materials & Techniques stipple engraving
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1
- Diligence and Dissipation: The Wanton Revelling with her Companions (Plate7)
- 1797
2
- Diligence and Dissipation: Good Advice from an Old Servant to the Young Ones (Plate 2)
- 1797
3
- Diligence and Dissipation: The Wanton in her Bed Chamber (Plate 3)
- 1797
4
- The Death of Arcite
- 1790
5
- Miss Elizabeth Beauclerc as 'Una'
- 1782
6
- Mrs. Robinson
- 1792
7
- Mrs Seaforth as, Tuccia - The Vestal Virgin
- 1798
8
- Edmund Spenser
- 1727
9
- Sir John Suckling
- 1744
10
- King Henry VI, Second Part, Act 3, Scene 3
- 1801
11
- Shakespeare, Macbeth Act IV, Scene I
- 1802
12
- Reflections on Clarissa Harlow
- 1785
13
- The Cottagers
- 1794
14
- Cymon and Iphigenia
- 1797
15
- Sylvia
- 1786
16
- David Garrick as Richard III in the Drury Lane Theatre Performance, 1759
- 1811
17
- "We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."
- 1802
18
- Dodbery and Verges, with the Watch; "Much Ado About Nothing", Act III, Scene II
- 1794
19
- "Tempest", Act I, Scene I
- 1797
20
- Taming Of The Shrew, Act III, Scene II
- 1795
21
- Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III
- 1792
22
- The Three Witches
- 1786
23
- "Then go, bid the huntsmen wake them with their horns"
- 1802
24
- Fallstaff Playing the Prince, The Prince Playing the King
- 1796
25
- Mr. Macklin and Mrs. Pope in the Characters of Shylock and Portia
- 1789
26
- Falstaff and his Friends
- ca. 1868
27
- Elizabeth Carter
- 1808
28
- George Colman, The Elder
- 1813
29
- Ralph Cudworth
- undated
30
- "Hubert, let me not be bound!"
- 1802
31
- "Mark your divorce young sir, whom son I dare not call"
- 1804
32
- "Here, I and sorrows sit; here is my throne, bid kings come and bow to it"
- 1802
33
- Taming the Shrew, Act III, Scene II
- 1793
34
- Lady Elizabeth Cavendish (née Hervey), Duchess of Devonshire
- 1787
35
- David Garrick Esq
- 1807
36
- Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip
- ca. 1787
37
- An Alcove
- 1834
38
- Lady Jane Grey
- 1834
39
- The Mask
- 1834
40
- An Arabesque
- 1834
41
- The Bird's Nest
- 1834
42
- Shepherds
- 1834
43
- Children Swinging
- 1834
44
- An Arabesque
- 1834
45
- A Voyage of Discovery
- 1834
46
- The Cottagers
- 1794
47
- Mrs. Jordan in the Character of the Romp
- 1788
48
- Mrs. Siddons, in the Character of the Tragic Muse
- 1787
49
- Mrs. Frances Abington (née Barton) as Roxalana in "The Sultan"
- 1791
50
- Thomas Percy, Bishop of Dromore
- undated
51
- Elizabeth Ann Sheridan (née Linley) as St. Cecilia
- 1779
52
- Sir Philip Sidney
- 1741
53
- Joseph Warton
- 1807
54
- Dr. Joseph Warton
- undated
55
- Isaac Watts
- undated
56
- John Hawkesworth
- 1806
57
- Mr. Kemble in the Character of King Richard the Third - "Richard III," Act V, Scene V
- 1789
58
- Mr. Kemble in the Character of King Richard the Third - "Richard III," Act V, Scene V
- 1789
59
- Queen Katherine's Dream - "Henry VIII"
- 1788
60
- Come Gentle Night: "Romeo and Juliet," Act III, Scene II
- between 1839 and 1849
61
- Ophelia: There Is Rue for You and Here's Some for Me
- 1784
62
- Hamlet in Scotland
- 1794
63
- Tom Jones Assisting Molly Seagrim
- 1782
64
- Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
- 1745
65
- Concert Ticket For The Benefit of Madame Banti
- 1795
66
- Adelaide
- 1798
67
- John Henderson as Iago
- 1786
68
- Mrs. Abington as Thalia
- 1783
69
- Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
- 1745
70
- Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
- 1745
71
- Jane Shore
- 1790
72
- Tom Jones: 'The Philosopher Square, Discovered in Molly Seagrim's Garret'
- 1789
73
- Prospero Disarming Ferdinand, Act I, Scene II
- 1793
74
- Cecilia
- 1783
75
- February
- 1793
76
- July
- 1789
77
- Poetry And History, Presenting Painting, With Subjects For Her Pencil
- 1794
78
- Palamon and Arcite
- 1790
79
- Joseph Andrews
- 1781
80
- Jupiter and Io
- 1784
81
- Chryseis Restored To Her Father
- 1786
82
- Death of Dido
83
- My Son attend unto my Wisdom, and Bow Thine ear to my Understanding; Proverbs, Chapter V
84
- Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming
- 1745
85
- October
- 1793
86
- April
- 1790
87
- As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)
- 1803
88
- Morte de Clorinda
- 1785
89
- Rinaldo et Armida
- 1785
90
- Sophia, Honour, and the Chambermaid
- 1780
91
- Illustration from Bell's Edition of the Poets of Great Britain, Volume: CVII Churchill
- ca.1785
92
- King Alboin Forcing Rosamund to Drink From The Skull of Her Murdered Father, Cunimund, King of the Gepids
- 1779
93
- Anthony and Cleopatra, Act 3, Scene II
- 1794
94
- The Birth of Shakespeare
- 1782
95
- Shakespeare's Tomb
- 1782
96
- Troilus and Cressida, Act 4, Scene II
- 1794
97
- King Lear, Act 4, Scene VII
- 1794
98
- As You Like It, Act IV, Orlando and Oliver
- 1788
99
- The Death of Alcestis
- 1796
100
- Jane Shore
- 1790